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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B40E91 it is the complementary color #4BF16E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B40E91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B40E91 shade: #B90E8C, #CA209F, #DB32B2, #EC44C5 and #FD56D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B40E91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B40E91 shade: #B40E91, #A3007E, #92006B, #810058 and #700045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B40E91 shade: #B40D91, #B40D64, #B40D37 and #B40D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B40E91 shade: #B40D91, #AA0DB4, #7D0DB4, #500DB4 and #230DB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B40E91 shade matches the following richer shades: #B40D91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B40E91 shade: #B40D91, #A41D88, #942C7E, #853C75 and #754C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B40E91 shade: #7C0DB4, #A90DB4, #B40D92, #B40D66 and #B40D3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B40E91 shade: #670753, #8D0A72, #B40D91, #DA10AF and #EE25C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B40E91 shade: #B40E91, #B4500D and #0DB492

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B40E91 shade: #B40E91, #92B40D and #0D92B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B40E91 shade: #B40E91, #B4500D, #0DB42E and #0D71B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B40E91 shade: #B40E91, #B4820D, #0DB42E and #0D3FB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 19 / 29

HEX #B40E91

RGB 180 14 145

HSL 312.65, 0.86%, 0.38%

LAB 41.31, 69.38, -28.13

 

Complementary color

CMYK 69 / 0 / 54 / 5

HEX #4BF16E

RGB 75 241 110

HSL 132.65, 0.86%, 0.62%

LAB 84.76, -68.65, 50.53

 

CMYK 0 / 92 / 24 / 27

HEX #B90E8C

RGB 185 14 140

HSL 315.79, 0.86%, 0.39%

LAB 42.03, 69.78, -23.89

 

CMYK 0 / 84 / 21 / 21

HEX #CA209F

RGB 202 32 159

HSL 315.18, 0.73%, 0.46%

LAB 47.1, 72.69, -27.25

 

CMYK 0 / 77 / 19 / 14

HEX #DB32B2

RGB 219 50 178

HSL 314.56, 0.7%, 0.53%

LAB 52.46, 74.51, -29.9

 

CMYK 0 / 71 / 17 / 7

HEX #EC44C5

RGB 236 68 197

HSL 313.93, 0.82%, 0.6%

LAB 58.04, 75.53, -32

 

CMYK 0 / 66 / 15 / 1

HEX #FD56D8

RGB 253 86 216

HSL 313.29, 0.98%, 0.66%

LAB 63.75, 75.99, -33.68

 

CMYK 0 / 92 / 19 / 29

HEX #B40E91

RGB 180 14 145

HSL 312.65, 0.86%, 0.38%

LAB 41.31, 69.38, -28.13

 

CMYK 0 / 100 / 23 / 36

HEX #A3007E

RGB 163 0 126

HSL 313.62, 1%, 0.32%

LAB 36.54, 65.21, -24.11

 

CMYK 0 / 100 / 27 / 43

HEX #92006B

RGB 146 0 107

HSL 316.03, 1%, 0.29%

LAB 32.2, 59.47, -19.11

 

CMYK 0 / 100 / 32 / 49

HEX #810058

RGB 129 0 88

HSL 319.07, 1%, 0.25%

LAB 27.77, 53.63, -13.86

 

CMYK 0 / 100 / 38 / 56

HEX #700045

RGB 112 0 69

HSL 323.04, 1%, 0.22%

LAB 23.25, 47.69, -8.3

 

CMYK 0 / 93 / 19 / 29

HEX #B40D91

RGB 180 13 145

HSL 312.57, 0.87%, 0.38%

LAB 41.27, 69.5, -28.2

 

CMYK 0 / 93 / 44 / 29

HEX #B40D64

RGB 180 13 100

HSL 328.74, 0.87%, 0.38%

LAB 39.43, 64.62, -3.02

 

CMYK 0 / 93 / 69 / 29

HEX #B40D37

RGB 180 13 55

HSL 344.91, 0.87%, 0.38%

LAB 38.32, 61.55, 24.2

 

CMYK 0 / 93 / 93 / 29

HEX #B40D0D

RGB 180 13 13

HSL 0, 0.87%, 0.38%

LAB 37.88, 60.32, 47.05

 

CMYK 0 / 93 / 19 / 29

HEX #B40D91

RGB 180 13 145

HSL 312.57, 0.87%, 0.38%

LAB 41.27, 69.5, -28.2

 

CMYK 6 / 93 / 0 / 29

HEX #AA0DB4

RGB 170 13 180

HSL 296.41, 0.87%, 0.38%

LAB 41.42, 72.68, -49.09

 

CMYK 31 / 93 / 0 / 29

HEX #7D0DB4

RGB 125 13 180

HSL 280.24, 0.87%, 0.38%

LAB 33.86, 65.89, -61.7

 

CMYK 56 / 93 / 0 / 29

HEX #500DB4

RGB 80 13 180

HSL 264.07, 0.87%, 0.38%

LAB 27.54, 60.98, -72.32

 

CMYK 81 / 93 / 0 / 29

HEX #230DB4

RGB 35 13 180

HSL 247.9, 0.87%, 0.38%

LAB 23.47, 58.39, -79.2

 

CMYK 0 / 93 / 19 / 29

HEX #B40D91

RGB 180 13 145

HSL 312.57, 0.87%, 0.38%

LAB 41.27, 69.5, -28.2

 

CMYK 0 / 93 / 19 / 29

HEX #B40D91

RGB 180 13 145

HSL 312.57, 0.87%, 0.38%

LAB 41.27, 69.5, -28.2

 

CMYK 0 / 82 / 17 / 36

HEX #A41D88

RGB 164 29 136

HSL 312.44, 0.7%, 0.38%

LAB 38.81, 62.1, -26.76

 

CMYK 0 / 70 / 15 / 42

HEX #942C7E

RGB 148 44 126

HSL 312.69, 0.54%, 0.38%

LAB 37.12, 52.07, -23.42

 

CMYK 0 / 55 / 12 / 48

HEX #853C75

RGB 133 60 117

HSL 313.15, 0.38%, 0.38%

LAB 36.93, 39, -18.3

 

CMYK 0 / 35 / 8 / 54

HEX #754C6C

RGB 117 76 108

HSL 313.17, 0.21%, 0.38%

LAB 37.9, 22.79, -11.4

 

CMYK 31 / 93 / 0 / 29

HEX #7C0DB4

RGB 124 13 180

HSL 279.88, 0.87%, 0.38%

LAB 33.71, 65.76, -61.96

 

CMYK 6 / 93 / 0 / 29

HEX #A90DB4

RGB 169 13 180

HSL 296.05, 0.87%, 0.38%

LAB 41.24, 72.52, -49.38

 

CMYK 0 / 93 / 19 / 29

HEX #B40D92

RGB 180 13 146

HSL 312.22, 0.87%, 0.38%

LAB 41.32, 69.63, -28.73

 

CMYK 0 / 93 / 43 / 29

HEX #B40D66

RGB 180 13 102

HSL 328.02, 0.87%, 0.38%

LAB 39.5, 64.8, -4.19

 

CMYK 0 / 93 / 68 / 29

HEX #B40D3A

RGB 180 13 58

HSL 343.83, 0.87%, 0.38%

LAB 38.37, 61.7, 22.36

 

CMYK 0 / 93 / 19 / 60

HEX #670753

RGB 103 7 83

HSL 312.5, 0.87%, 0.22%

LAB 22.51, 45.85, -19.1

 

CMYK 0 / 93 / 19 / 45

HEX #8D0A72

RGB 141 10 114

HSL 312.37, 0.87%, 0.3%

LAB 32.02, 57.89, -23.93

 

CMYK 0 / 93 / 19 / 29

HEX #B40D91

RGB 180 13 145

HSL 312.57, 0.87%, 0.38%

LAB 41.27, 69.5, -28.2

 

CMYK 0 / 93 / 20 / 15

HEX #DA10AF

RGB 218 16 175

HSL 312.77, 0.86%, 0.46%

LAB 49.94, 80.31, -32.08

 

CMYK 0 / 84 / 18 / 7

HEX #EE25C4

RGB 238 37 196

HSL 312.54, 0.86%, 0.54%

LAB 55.57, 83.75, -35.25

 

CMYK 0 / 92 / 19 / 29

HEX #B40E91

RGB 180 14 145

HSL 312.65, 0.86%, 0.38%

LAB 41.31, 69.38, -28.13

 

CMYK 0 / 56 / 93 / 29

HEX #B4500D

RGB 180 80 13

HSL 24.07, 0.87%, 0.38%

LAB 46.27, 37.48, 52.73

 

CMYK 93 / 0 / 19 / 29

HEX #0DB492

RGB 13 180 146

HSL 167.78, 0.87%, 0.38%

LAB 65.6, -46.23, 6.65

 

CMYK 0 / 92 / 19 / 29

HEX #B40E91

RGB 180 14 145

HSL 312.65, 0.86%, 0.38%

LAB 41.31, 69.38, -28.13

 

CMYK 19 / 0 / 93 / 29

HEX #92B40D

RGB 146 180 13

HSL 72.22, 0.87%, 0.38%

LAB 68.59, -30.96, 68.18

 

CMYK 93 / 19 / 0 / 29

HEX #0D92B4

RGB 13 146 180

HSL 192.22, 0.87%, 0.38%

LAB 56.03, -19.74, -26.77

 

CMYK 0 / 92 / 19 / 29

HEX #B40E91

RGB 180 14 145

HSL 312.65, 0.86%, 0.38%

LAB 41.31, 69.38, -28.13

 

CMYK 0 / 56 / 93 / 29

HEX #B4500D

RGB 180 80 13

HSL 24.07, 0.87%, 0.38%

LAB 46.27, 37.48, 52.73

 

CMYK 93 / 0 / 74 / 29

HEX #0DB42E

RGB 13 180 46

HSL 131.86, 0.87%, 0.38%

LAB 64.1, -63.66, 54.18

 

CMYK 93 / 37 / 0 / 29

HEX #0D71B4

RGB 13 113 180

HSL 204.07, 0.87%, 0.38%

LAB 45.89, -0.8, -42.65

 

CMYK 0 / 92 / 19 / 29

HEX #B40E91

RGB 180 14 145

HSL 312.65, 0.86%, 0.38%

LAB 41.31, 69.38, -28.13

 

CMYK 0 / 28 / 93 / 29

HEX #B4820D

RGB 180 130 13

HSL 42.04, 0.87%, 0.38%

LAB 57.75, 10.3, 61.09

 

CMYK 93 / 0 / 74 / 29

HEX #0DB42E

RGB 13 180 46

HSL 131.86, 0.87%, 0.38%

LAB 64.1, -63.66, 54.18

 

CMYK 93 / 65 / 0 / 29

HEX #0D3FB4

RGB 13 63 180

HSL 222.04, 0.87%, 0.38%

LAB 31.66, 32.03, -65.67

 

Description

Color code: HEX #B40E91 | qconv.com Color code: HEX #B40E91 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 14 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 14 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 19 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 19% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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