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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B40D8A it is the complementary color #4BF275. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B40D8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B40D8A shade: #B90D85, #CA1F98, #DB31AB, #EC43BE and #FD55D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B40D8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B40D8A shade: #B40D8A, #A30077, #920064, #810051 and #70003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B40D8A shade: #B50C8A, #B50C5D, #B50C2F and #B50C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B40D8A shade: #B50C8A, #B20CB5, #840CB5, #570CB5 and #290CB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B40D8A shade matches the following richer shades: #B50C8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B40D8A shade: #B50C8A, #A51C83, #952B7B, #863B73 and #764B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B40D8A shade: #850CB5, #B20CB5, #B50C8B, #B50C5E and #B50C31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B40D8A shade: #68074F, #8E096D, #B50C8A, #DB0FA8 and #EF24BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B40D8A shade: #B40D8A, #B5580C and #0CB59B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B40D8A shade: #B40D8A, #8BB50C and #0C8BB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B40D8A shade: #B40D8A, #B5580C, #0CB536 and #0C69B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B40D8A shade: #B40D8A, #B58B0C, #0CB536 and #0C36B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 23 / 29

HEX #B40D8A

RGB 180 13 138

HSL 315.09, 0.87%, 0.38%

LAB 40.94, 68.63, -24.44

 

Complementary color

CMYK 69 / 0 / 52 / 5

HEX #4BF275

RGB 75 242 117

HSL 135.09, 0.87%, 0.62%

LAB 85.14, -68.05, 47.76

 

CMYK 0 / 93 / 28 / 27

HEX #B90D85

RGB 185 13 133

HSL 318.14, 0.87%, 0.39%

LAB 41.68, 69.08, -20.14

 

CMYK 0 / 85 / 25 / 21

HEX #CA1F98

RGB 202 31 152

HSL 317.54, 0.73%, 0.46%

LAB 46.72, 72.04, -23.65

 

CMYK 0 / 78 / 22 / 14

HEX #DB31AB

RGB 219 49 171

HSL 316.94, 0.7%, 0.53%

LAB 52.06, 73.89, -26.42

 

CMYK 0 / 72 / 19 / 7

HEX #EC43BE

RGB 236 67 190

HSL 316.33, 0.82%, 0.59%

LAB 57.62, 74.93, -28.62

 

CMYK 0 / 66 / 17 / 1

HEX #FD55D1

RGB 253 85 209

HSL 315.71, 0.98%, 0.66%

LAB 63.33, 75.39, -30.39

 

CMYK 0 / 93 / 23 / 29

HEX #B40D8A

RGB 180 13 138

HSL 315.09, 0.87%, 0.38%

LAB 40.94, 68.63, -24.44

 

CMYK 0 / 100 / 27 / 36

HEX #A30077

RGB 163 0 119

HSL 316.2, 1%, 0.32%

LAB 36.21, 64.37, -20.23

 

CMYK 0 / 100 / 32 / 43

HEX #920064

RGB 146 0 100

HSL 318.9, 1%, 0.29%

LAB 31.88, 58.66, -15.09

 

CMYK 0 / 100 / 37 / 49

HEX #810051

RGB 129 0 81

HSL 322.33, 1%, 0.25%

LAB 27.47, 52.85, -9.67

 

CMYK 0 / 100 / 45 / 56

HEX #70003E

RGB 112 0 62

HSL 326.79, 1%, 0.22%

LAB 22.97, 46.96, -3.9

 

CMYK 0 / 93 / 24 / 29

HEX #B50C8A

RGB 181 12 138

HSL 315.27, 0.88%, 0.38%

LAB 41.09, 68.96, -24.19

 

CMYK 0 / 93 / 49 / 29

HEX #B50C5D

RGB 181 12 93

HSL 331.24, 0.88%, 0.38%

LAB 39.37, 64.38, 1.37

 

CMYK 0 / 93 / 74 / 29

HEX #B50C2F

RGB 181 12 47

HSL 347.57, 0.88%, 0.38%

LAB 38.36, 61.59, 29.31

 

CMYK 0 / 93 / 93 / 29

HEX #B50C0C

RGB 181 12 12

HSL 0, 0.88%, 0.38%

LAB 38.04, 60.7, 47.64

 

CMYK 0 / 93 / 24 / 29

HEX #B50C8A

RGB 181 12 138

HSL 315.27, 0.88%, 0.38%

LAB 41.09, 68.96, -24.19

 

CMYK 2 / 93 / 0 / 29

HEX #B20CB5

RGB 178 12 181

HSL 298.93, 0.88%, 0.38%

LAB 42.86, 74.3, -47.3

 

CMYK 27 / 93 / 0 / 29

HEX #840CB5

RGB 132 12 181

HSL 282.6, 0.88%, 0.38%

LAB 35.01, 67.18, -60.37

 

CMYK 52 / 93 / 0 / 29

HEX #570CB5

RGB 87 12 181

HSL 266.63, 0.88%, 0.38%

LAB 28.45, 62.02, -71.4

 

CMYK 77 / 93 / 0 / 29

HEX #290CB5

RGB 41 12 181

HSL 250.3, 0.88%, 0.38%

LAB 23.9, 59.12, -79.07

 

CMYK 0 / 93 / 24 / 29

HEX #B50C8A

RGB 181 12 138

HSL 315.27, 0.88%, 0.38%

LAB 41.09, 68.96, -24.19

 

CMYK 0 / 93 / 24 / 29

HEX #B50C8A

RGB 181 12 138

HSL 315.27, 0.88%, 0.38%

LAB 41.09, 68.96, -24.19

 

CMYK 0 / 83 / 21 / 35

HEX #A51C83

RGB 165 28 131

HSL 314.89, 0.71%, 0.38%

LAB 38.67, 61.89, -23.87

 

CMYK 0 / 71 / 17 / 42

HEX #952B7B

RGB 149 43 123

HSL 314.72, 0.55%, 0.38%

LAB 37.02, 52.27, -21.7

 

CMYK 0 / 56 / 14 / 47

HEX #863B73

RGB 134 59 115

HSL 315.2, 0.39%, 0.38%

LAB 36.81, 39.49, -17.23

 

CMYK 0 / 36 / 9 / 54

HEX #764B6B

RGB 118 75 107

HSL 315.35, 0.22%, 0.38%

LAB 37.74, 23.57, -11.01

 

CMYK 27 / 93 / 0 / 29

HEX #850CB5

RGB 133 12 181

HSL 282.96, 0.88%, 0.38%

LAB 35.17, 67.32, -60.1

 

CMYK 2 / 93 / 0 / 29

HEX #B20CB5

RGB 178 12 181

HSL 298.93, 0.88%, 0.38%

LAB 42.86, 74.3, -47.3

 

CMYK 0 / 93 / 23 / 29

HEX #B50C8B

RGB 181 12 139

HSL 314.91, 0.88%, 0.38%

LAB 41.14, 69.08, -24.73

 

CMYK 0 / 93 / 48 / 29

HEX #B50C5E

RGB 181 12 94

HSL 330.89, 0.88%, 0.38%

LAB 39.4, 64.46, 0.78

 

CMYK 0 / 93 / 73 / 29

HEX #B50C31

RGB 181 12 49

HSL 346.86, 0.88%, 0.38%

LAB 38.39, 61.67, 28.1

 

CMYK 0 / 93 / 24 / 59

HEX #68074F

RGB 104 7 79

HSL 315.46, 0.87%, 0.22%

LAB 22.51, 45.52, -16.39

 

CMYK 0 / 94 / 23 / 44

HEX #8E096D

RGB 142 9 109

HSL 314.89, 0.88%, 0.3%

LAB 31.92, 57.59, -20.88

 

CMYK 0 / 93 / 24 / 29

HEX #B50C8A

RGB 181 12 138

HSL 315.27, 0.88%, 0.38%

LAB 41.09, 68.96, -24.19

 

CMYK 0 / 93 / 23 / 14

HEX #DB0FA8

RGB 219 15 168

HSL 315, 0.87%, 0.46%

LAB 49.77, 79.77, -28.2

 

CMYK 0 / 85 / 21 / 6

HEX #EF24BC

RGB 239 36 188

HSL 315.07, 0.86%, 0.54%

LAB 55.32, 83.15, -31

 

CMYK 0 / 93 / 23 / 29

HEX #B40D8A

RGB 180 13 138

HSL 315.09, 0.87%, 0.38%

LAB 40.94, 68.63, -24.44

 

CMYK 0 / 51 / 93 / 29

HEX #B5580C

RGB 181 88 12

HSL 26.98, 0.88%, 0.38%

LAB 48.04, 33.76, 54.31

 

CMYK 93 / 0 / 14 / 29

HEX #0CB59B

RGB 12 181 155

HSL 170.77, 0.88%, 0.38%

LAB 66.13, -44.29, 2.45

 

CMYK 0 / 93 / 23 / 29

HEX #B40D8A

RGB 180 13 138

HSL 315.09, 0.87%, 0.38%

LAB 40.94, 68.63, -24.44

 

CMYK 23 / 0 / 93 / 29

HEX #8BB50C

RGB 139 181 12

HSL 74.91, 0.88%, 0.38%

LAB 68.43, -34.29, 67.99

 

CMYK 93 / 23 / 0 / 29

HEX #0C8BB5

RGB 12 139 181

HSL 194.91, 0.88%, 0.38%

LAB 53.9, -15.63, -30.64

 

CMYK 0 / 93 / 23 / 29

HEX #B40D8A

RGB 180 13 138

HSL 315.09, 0.87%, 0.38%

LAB 40.94, 68.63, -24.44

 

CMYK 0 / 51 / 93 / 29

HEX #B5580C

RGB 181 88 12

HSL 26.98, 0.88%, 0.38%

LAB 48.04, 33.76, 54.31

 

CMYK 93 / 0 / 70 / 29

HEX #0CB536

RGB 12 181 54

HSL 134.91, 0.88%, 0.38%

LAB 64.48, -63.3, 51.56

 

CMYK 93 / 42 / 0 / 29

HEX #0C69B5

RGB 12 105 181

HSL 206.98, 0.88%, 0.38%

LAB 43.53, 4.55, -47

 

CMYK 0 / 93 / 23 / 29

HEX #B40D8A

RGB 180 13 138

HSL 315.09, 0.87%, 0.38%

LAB 40.94, 68.63, -24.44

 

CMYK 0 / 23 / 93 / 29

HEX #B58B0C

RGB 181 139 12

HSL 45.09, 0.88%, 0.38%

LAB 60.17, 5.76, 63.12

 

CMYK 93 / 0 / 70 / 29

HEX #0CB536

RGB 12 181 54

HSL 134.91, 0.88%, 0.38%

LAB 64.48, -63.3, 51.56

 

CMYK 93 / 70 / 0 / 29

HEX #0C36B5

RGB 12 54 181

HSL 225.09, 0.88%, 0.38%

LAB 29.55, 38.23, -69.75

 

Description

Color code: HEX #B40D8A | qconv.com Color code: HEX #B40D8A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 13 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 13 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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