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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B40BDF it is the complementary color #4BF420. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B40BDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B40BDF shade: #B90BDA, #CA1DED, #DB2FFF, #EC41FF and #FD53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B40BDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B40BDF shade: #B40BDF, #A300CC, #9200B9, #8100A6 and #700093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B40BDF shade: #B40AE0, #E00AD1, #E00A98, #E00A5E and #E00A25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B40BDF shade: #B40AE0, #7B0AE0, #410AE0 and #0A0AE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B40BDF shade matches the following richer shades: #B40AE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B40BDF shade: #B40AE0, #A91DCD, #9E30BA, #9243A7 and #875694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B40BDF shade: #3F0AE0, #780AE0, #B10AE0, #E00AD5 and #E00A9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B40BDF shade: #750691, #9408B8, #B40AE0, #C91FF4 and #D246F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B40BDF shade: #B40BDF, #E00A0E and #0AE05C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B40BDF shade: #B40BDF, #E0B10A and #0AE0B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B40BDF shade: #B40BDF, #E00A0E, #38E00A and #0AE0DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B40BDF shade: #B40BDF, #E0470A, #38E00A and #0AA3E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 95 / 0 / 13

HEX #B40BDF

RGB 180 11 223

HSL 287.83, 0.91%, 0.46%

LAB 46, 81.53, -66.58

 

Complementary color

CMYK 69 / 0 / 87 / 4

HEX #4BF420

RGB 75 244 32

HSL 107.83, 0.91%, 0.54%

LAB 85.15, -75.87, 77.73

 

CMYK 15 / 95 / 0 / 15

HEX #B90BDA

RGB 185 11 218

HSL 290.43, 0.9%, 0.45%

LAB 46.47, 81.4, -62.93

 

CMYK 15 / 88 / 0 / 7

HEX #CA1DED

RGB 202 29 237

HSL 289.9, 0.85%, 0.52%

LAB 51.32, 84.76, -65.72

 

CMYK 14 / 82 / 0 / 0

HEX #DB2FFF

RGB 219 47 255

HSL 289.62, 1%, 0.59%

LAB 56.4, 86.88, -67.45

 

CMYK 7 / 75 / 0 / 0

HEX #EC41FF

RGB 236 65 255

HSL 294, 1%, 0.63%

LAB 60.63, 85.15, -60.51

 

CMYK 1 / 67 / 0 / 0

HEX #FD53FF

RGB 253 83 255

HSL 299.3, 1%, 0.66%

LAB 65.19, 82.85, -53.1

 

CMYK 19 / 95 / 0 / 13

HEX #B40BDF

RGB 180 11 223

HSL 287.83, 0.91%, 0.46%

LAB 46, 81.53, -66.58

 

CMYK 20 / 100 / 0 / 20

HEX #A300CC

RGB 163 0 204

HSL 287.94, 1%, 0.4%

LAB 41.45, 76.97, -63.17

 

CMYK 21 / 100 / 0 / 27

HEX #9200B9

RGB 146 0 185

HSL 287.35, 1%, 0.36%

LAB 37.14, 71.34, -59.17

 

CMYK 22 / 100 / 0 / 35

HEX #8100A6

RGB 129 0 166

HSL 286.63, 1%, 0.33%

LAB 32.75, 65.6, -55.1

 

CMYK 24 / 100 / 0 / 42

HEX #700093

RGB 112 0 147

HSL 285.71, 1%, 0.29%

LAB 28.25, 59.74, -50.96

 

CMYK 20 / 96 / 0 / 12

HEX #B40AE0

RGB 180 10 224

HSL 287.66, 0.91%, 0.46%

LAB 46.05, 81.79, -67.08

 

CMYK 0 / 96 / 7 / 12

HEX #E00AD1

RGB 224 10 209

HSL 304.21, 0.91%, 0.46%

LAB 52.58, 86.3, -47.59

 

CMYK 0 / 96 / 32 / 12

HEX #E00A98

RGB 224 10 152

HSL 320.19, 0.91%, 0.46%

LAB 49.9, 79.45, -18.41

 

CMYK 0 / 96 / 58 / 12

HEX #E00A5E

RGB 224 10 94

HSL 336.45, 0.91%, 0.46%

LAB 48.1, 74.67, 14.32

 

CMYK 0 / 96 / 83 / 12

HEX #E00A25

RGB 224 10 37

HSL 352.43, 0.91%, 0.46%

LAB 47.23, 72.29, 47.09

 

CMYK 20 / 96 / 0 / 12

HEX #B40AE0

RGB 180 10 224

HSL 287.66, 0.91%, 0.46%

LAB 46.05, 81.79, -67.08

 

CMYK 45 / 96 / 0 / 12

HEX #7B0AE0

RGB 123 10 224

HSL 271.68, 0.91%, 0.46%

LAB 37.5, 75.14, -81.41

 

CMYK 71 / 96 / 0 / 12

HEX #410AE0

RGB 65 10 224

HSL 255.42, 0.91%, 0.46%

LAB 31.17, 71.28, -92.1

 

CMYK 96 / 96 / 0 / 12

HEX #0A0AE0

RGB 10 10 224

HSL 240, 0.91%, 0.46%

LAB 28.55, 70.07, -96.54

 

CMYK 20 / 96 / 0 / 12

HEX #B40AE0

RGB 180 10 224

HSL 287.66, 0.91%, 0.46%

LAB 46.05, 81.79, -67.08

 

CMYK 20 / 96 / 0 / 12

HEX #B40AE0

RGB 180 10 224

HSL 287.66, 0.91%, 0.46%

LAB 46.05, 81.79, -67.08

 

CMYK 18 / 86 / 0 / 20

HEX #A91DCD

RGB 169 29 205

HSL 287.73, 0.75%, 0.46%

LAB 43.83, 74.09, -59.84

 

CMYK 15 / 74 / 0 / 27

HEX #9E30BA

RGB 158 48 186

HSL 287.83, 0.59%, 0.46%

LAB 42.65, 63.3, -50.75

 

CMYK 13 / 60 / 0 / 35

HEX #9243A7

RGB 146 67 167

HSL 287.4, 0.43%, 0.46%

LAB 42.64, 48.74, -39.66

 

CMYK 9 / 42 / 0 / 42

HEX #875694

RGB 135 86 148

HSL 287.42, 0.26%, 0.46%

LAB 44.15, 31.34, -26.03

 

CMYK 72 / 96 / 0 / 12

HEX #3F0AE0

RGB 63 10 224

HSL 254.86, 0.91%, 0.46%

LAB 31.01, 71.2, -92.37

 

CMYK 46 / 96 / 0 / 12

HEX #780AE0

RGB 120 10 224

HSL 270.84, 0.91%, 0.46%

LAB 37.1, 74.87, -82.08

 

CMYK 21 / 96 / 0 / 12

HEX #B10AE0

RGB 177 10 224

HSL 286.82, 0.91%, 0.46%

LAB 45.56, 81.38, -67.89

 

CMYK 0 / 96 / 5 / 12

HEX #E00AD5

RGB 224 10 213

HSL 303.08, 0.91%, 0.46%

LAB 52.81, 86.84, -49.53

 

CMYK 0 / 96 / 30 / 12

HEX #E00A9C

RGB 224 10 156

HSL 319.07, 0.91%, 0.46%

LAB 50.05, 79.87, -20.56

 

CMYK 19 / 96 / 0 / 43

HEX #750691

RGB 117 6 145

HSL 287.91, 0.92%, 0.3%

LAB 29.3, 59.08, -47.97

 

CMYK 20 / 96 / 0 / 28

HEX #9408B8

RGB 148 8 184

HSL 287.73, 0.92%, 0.38%

LAB 37.72, 70.5, -57.63

 

CMYK 20 / 96 / 0 / 12

HEX #B40AE0

RGB 180 10 224

HSL 287.66, 0.91%, 0.46%

LAB 46.05, 81.79, -67.08

 

CMYK 18 / 87 / 0 / 4

HEX #C91FF4

RGB 201 31 244

HSL 287.89, 0.91%, 0.54%

LAB 51.76, 85.45, -68.96

 

CMYK 15 / 72 / 0 / 4

HEX #D246F6

RGB 210 70 246

HSL 287.73, 0.91%, 0.62%

LAB 56.82, 76.99, -61.85

 

CMYK 19 / 95 / 0 / 13

HEX #B40BDF

RGB 180 11 223

HSL 287.83, 0.91%, 0.46%

LAB 46, 81.53, -66.58

 

CMYK 0 / 96 / 94 / 12

HEX #E00A0E

RGB 224 10 14

HSL 358.88, 0.91%, 0.46%

LAB 47.1, 71.92, 56.99

 

CMYK 96 / 0 / 59 / 12

HEX #0AE05C

RGB 10 224 92

HSL 142.99, 0.91%, 0.46%

LAB 78.55, -72.04, 51.13

 

CMYK 19 / 95 / 0 / 13

HEX #B40BDF

RGB 180 11 223

HSL 287.83, 0.91%, 0.46%

LAB 46, 81.53, -66.58

 

CMYK 0 / 21 / 96 / 12

HEX #E0B10A

RGB 224 177 10

HSL 46.82, 0.91%, 0.46%

LAB 74.39, 4.42, 75.85

 

CMYK 96 / 0 / 21 / 12

HEX #0AE0B1

RGB 10 224 177

HSL 166.82, 0.91%, 0.46%

LAB 79.93, -56.06, 10.39

 

CMYK 19 / 95 / 0 / 13

HEX #B40BDF

RGB 180 11 223

HSL 287.83, 0.91%, 0.46%

LAB 46, 81.53, -66.58

 

CMYK 0 / 96 / 94 / 12

HEX #E00A0E

RGB 224 10 14

HSL 358.88, 0.91%, 0.46%

LAB 47.1, 71.92, 56.99

 

CMYK 75 / 0 / 96 / 12

HEX #38E00A

RGB 56 224 10

HSL 107.1, 0.91%, 0.46%

LAB 78.56, -73.56, 75.12

 

CMYK 96 / 0 / 2 / 12

HEX #0AE0DC

RGB 10 224 220

HSL 178.88, 0.91%, 0.46%

LAB 81.04, -44.52, -10.81

 

CMYK 19 / 95 / 0 / 13

HEX #B40BDF

RGB 180 11 223

HSL 287.83, 0.91%, 0.46%

LAB 46, 81.53, -66.58

 

CMYK 0 / 68 / 96 / 12

HEX #E0470A

RGB 224 71 10

HSL 17.1, 0.91%, 0.46%

LAB 52.26, 57.37, 61.01

 

CMYK 75 / 0 / 96 / 12

HEX #38E00A

RGB 56 224 10

HSL 107.1, 0.91%, 0.46%

LAB 78.56, -73.56, 75.12

 

CMYK 96 / 27 / 0 / 12

HEX #0AA3E0

RGB 10 163 224

HSL 197.1, 0.91%, 0.46%

LAB 63.04, -13.34, -40.52

 

Description

Color code: HEX #B40BDF | qconv.com Color code: HEX #B40BDF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 11 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 11 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 95 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 95% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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