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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7FDB3 it is the complementary color #48024C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7FDB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7FDB3 shade: #BCFDAE, #CDFFC1, #DEFFD4, #EFFFE7 and #FFFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7FDB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7FDB3 shade: #B7FDB3, #A6EBA0, #95D98D, #84C77A and #73B567

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7FDB3 shade: #B8FDB4, #CBFDB4, #DFFDB4, #F3FDB4 and #FDF3B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7FDB3 shade: #B8FDB4, #B4FDC4, #B4FDD7, #B4FDEB and #B4FBFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7FDB3 shade matches the following richer shades: #B8FDB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7FDB3 shade: #B8FDB4, #BDF6BA, #C3F0C0, #C8EAC6 and #CEE4CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7FDB3 shade: #E0FDB4, #CCFDB4, #B9FDB4, #B4FDC2 and #B4FDD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7FDB3 shade: #6CFB63, #92FC8C, #B8FDB4 and #DEFEDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7FDB3 shade: #B7FDB3, #B4F3FD and #FDB4D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7FDB3 shade: #B7FDB3, #B4B9FD and #FDB4B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7FDB3 shade: #B7FDB3, #B4F3FD, #F8B4FD and #FDBEB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7FDB3 shade: #B7FDB3, #B4DDFD, #F8B4FD and #FDD3B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 29 / 1

HEX #B7FDB3

RGB 183 253 179

HSL 116.76, 0.95%, 0.85%

LAB 93.26, -35.5, 28.65

 

Complementary color

CMYK 5 / 97 / 0 / 70

HEX #48024C

RGB 72 2 76

HSL 296.76, 0.95%, 0.15%

LAB 15.18, 39.48, -26.36

 

CMYK 26 / 0 / 31 / 1

HEX #BCFDAE

RGB 188 253 174

HSL 109.37, 0.95%, 0.84%

LAB 93.45, -34.65, 31.47

 

CMYK 20 / 0 / 24 / 0

HEX #CDFFC1

RGB 205 255 193

HSL 108.39, 1%, 0.88%

LAB 95.31, -27.04, 24.56

 

CMYK 13 / 0 / 17 / 0

HEX #DEFFD4

RGB 222 255 212

HSL 106.05, 1%, 0.92%

LAB 96.74, -18.29, 17.04

 

CMYK 6 / 0 / 9 / 0

HEX #EFFFE7

RGB 239 255 231

HSL 100, 1%, 0.95%

LAB 98.29, -9.43, 9.67

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 28 / 0 / 29 / 1

HEX #B7FDB3

RGB 183 253 179

HSL 116.76, 0.95%, 0.85%

LAB 93.26, -35.5, 28.65

 

CMYK 29 / 0 / 32 / 8

HEX #A6EBA0

RGB 166 235 160

HSL 115.2, 0.65%, 0.77%

LAB 87.03, -35.72, 29.71

 

CMYK 31 / 0 / 35 / 15

HEX #95D98D

RGB 149 217 141

HSL 113.68, 0.5%, 0.7%

LAB 80.7, -35.95, 30.82

 

CMYK 34 / 0 / 39 / 22

HEX #84C77A

RGB 132 199 122

HSL 112.21, 0.41%, 0.63%

LAB 74.29, -36.16, 31.99

 

CMYK 36 / 0 / 43 / 29

HEX #73B567

RGB 115 181 103

HSL 110.77, 0.35%, 0.56%

LAB 67.78, -36.36, 33.21

 

CMYK 27 / 0 / 29 / 1

HEX #B8FDB4

RGB 184 253 180

HSL 116.71, 0.95%, 0.85%

LAB 93.34, -35.02, 28.25

 

CMYK 20 / 0 / 29 / 1

HEX #CBFDB4

RGB 203 253 180

HSL 101.1, 0.95%, 0.85%

LAB 94.42, -28.76, 29.9

 

CMYK 12 / 0 / 29 / 1

HEX #DFFDB4

RGB 223 253 180

HSL 84.66, 0.95%, 0.85%

LAB 95.68, -21.82, 31.82

 

CMYK 4 / 0 / 29 / 1

HEX #F3FDB4

RGB 243 253 180

HSL 68.22, 0.95%, 0.85%

LAB 97.07, -14.63, 33.92

 

CMYK 0 / 4 / 29 / 1

HEX #FDF3B4

RGB 253 243 180

HSL 51.78, 0.95%, 0.85%

LAB 95.28, -6, 31.66

 

CMYK 27 / 0 / 29 / 1

HEX #B8FDB4

RGB 184 253 180

HSL 116.71, 0.95%, 0.85%

LAB 93.34, -35.02, 28.25

 

CMYK 29 / 0 / 23 / 1

HEX #B4FDC4

RGB 180 253 196

HSL 133.15, 0.95%, 0.85%

LAB 93.42, -33.61, 20.21

 

CMYK 29 / 0 / 15 / 1

HEX #B4FDD7

RGB 180 253 215

HSL 148.77, 0.95%, 0.85%

LAB 93.82, -30.13, 11.03

 

CMYK 29 / 0 / 7 / 1

HEX #B4FDEB

RGB 180 253 235

HSL 165.21, 0.95%, 0.85%

LAB 94.29, -26.15, 1.39

 

CMYK 29 / 1 / 0 / 1

HEX #B4FBFD

RGB 180 251 253

HSL 181.64, 0.95%, 0.85%

LAB 94.22, -21.32, -8.02

 

CMYK 27 / 0 / 29 / 1

HEX #B8FDB4

RGB 184 253 180

HSL 116.71, 0.95%, 0.85%

LAB 93.34, -35.02, 28.25

 

CMYK 27 / 0 / 29 / 1

HEX #B8FDB4

RGB 184 253 180

HSL 116.71, 0.95%, 0.85%

LAB 93.34, -35.02, 28.25

 

CMYK 23 / 0 / 24 / 4

HEX #BDF6BA

RGB 189 246 186

HSL 117, 0.77%, 0.85%

LAB 91.81, -29.19, 23.16

 

CMYK 19 / 0 / 20 / 6

HEX #C3F0C0

RGB 195 240 192

HSL 116.25, 0.62%, 0.85%

LAB 90.66, -23.36, 18.53

 

CMYK 15 / 0 / 15 / 8

HEX #C8EAC6

RGB 200 234 198

HSL 116.67, 0.46%, 0.85%

LAB 89.49, -17.74, 13.82

 

CMYK 10 / 0 / 10 / 11

HEX #CEE4CD

RGB 206 228 205

HSL 117.39, 0.3%, 0.85%

LAB 88.46, -11.5, 8.75

 

CMYK 11 / 0 / 29 / 1

HEX #E0FDB4

RGB 224 253 180

HSL 83.84, 0.95%, 0.85%

LAB 95.74, -21.47, 31.92

 

CMYK 19 / 0 / 29 / 1

HEX #CCFDB4

RGB 204 253 180

HSL 100.27, 0.95%, 0.85%

LAB 94.48, -28.42, 29.99

 

CMYK 27 / 0 / 29 / 1

HEX #B9FDB4

RGB 185 253 180

HSL 115.89, 0.95%, 0.85%

LAB 93.39, -34.7, 28.34

 

CMYK 29 / 0 / 23 / 1

HEX #B4FDC2

RGB 180 253 194

HSL 131.51, 0.95%, 0.85%

LAB 93.38, -33.96, 21.18

 

CMYK 29 / 0 / 15 / 1

HEX #B4FDD6

RGB 180 253 214

HSL 147.95, 0.95%, 0.85%

LAB 93.8, -30.32, 11.51

 

CMYK 57 / 0 / 61 / 2

HEX #6CFB63

RGB 108 251 99

HSL 116.45, 0.95%, 0.69%

LAB 88.49, -66.74, 59.93

 

CMYK 42 / 0 / 44 / 1

HEX #92FC8C

RGB 146 252 140

HSL 116.79, 0.95%, 0.77%

LAB 90.61, -52.17, 44.14

 

CMYK 27 / 0 / 29 / 1

HEX #B8FDB4

RGB 184 253 180

HSL 116.71, 0.95%, 0.85%

LAB 93.34, -35.02, 28.25

 

CMYK 13 / 0 / 13 / 0

HEX #DEFEDC

RGB 222 254 220

HSL 116.47, 0.94%, 0.93%

LAB 96.65, -16.47, 12.82

 

CMYK 28 / 0 / 29 / 1

HEX #B7FDB3

RGB 183 253 179

HSL 116.76, 0.95%, 0.85%

LAB 93.26, -35.5, 28.65

 

CMYK 29 / 4 / 0 / 1

HEX #B4F3FD

RGB 180 243 253

HSL 188.22, 0.95%, 0.85%

LAB 92.09, -17.38, -11.19

 

CMYK 0 / 29 / 15 / 1

HEX #FDB4D6

RGB 253 180 214

HSL 332.05, 0.95%, 0.85%

LAB 80.95, 31.41, -6.48

 

CMYK 28 / 0 / 29 / 1

HEX #B7FDB3

RGB 183 253 179

HSL 116.76, 0.95%, 0.85%

LAB 93.26, -35.5, 28.65

 

CMYK 29 / 27 / 0 / 1

HEX #B4B9FD

RGB 180 185 253

HSL 235.89, 0.95%, 0.85%

LAB 76.98, 13.1, -34.12

 

CMYK 0 / 29 / 27 / 1

HEX #FDB4B9

RGB 253 180 185

HSL 355.89, 0.95%, 0.85%

LAB 80.2, 27.2, 8.08

 

CMYK 28 / 0 / 29 / 1

HEX #B7FDB3

RGB 183 253 179

HSL 116.76, 0.95%, 0.85%

LAB 93.26, -35.5, 28.65

 

CMYK 29 / 4 / 0 / 1

HEX #B4F3FD

RGB 180 243 253

HSL 188.22, 0.95%, 0.85%

LAB 92.09, -17.38, -11.19

 

CMYK 2 / 29 / 0 / 1

HEX #F8B4FD

RGB 248 180 253

HSL 295.89, 0.95%, 0.85%

LAB 81.67, 36.41, -26.41

 

CMYK 0 / 25 / 29 / 1

HEX #FDBEB4

RGB 253 190 180

HSL 8.22, 0.95%, 0.85%

LAB 82.38, 21.28, 13.88

 

CMYK 28 / 0 / 29 / 1

HEX #B7FDB3

RGB 183 253 179

HSL 116.76, 0.95%, 0.85%

LAB 93.26, -35.5, 28.65

 

CMYK 29 / 13 / 0 / 1

HEX #B4DDFD

RGB 180 221 253

HSL 206.3, 0.95%, 0.85%

LAB 86.26, -6.19, -19.93

 

CMYK 2 / 29 / 0 / 1

HEX #F8B4FD

RGB 248 180 253

HSL 295.89, 0.95%, 0.85%

LAB 81.67, 36.41, -26.41

 

CMYK 0 / 17 / 29 / 1

HEX #FDD3B4

RGB 253 211 180

HSL 25.48, 0.95%, 0.85%

LAB 87.37, 10.31, 20.86

 

Description

Color code: HEX #B7FDB3 | qconv.com Color code: HEX #B7FDB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 253 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 253 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 29 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 29% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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