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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7EC3B it is the complementary color #4813C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7EC3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7EC3B shade: #BCEC36, #CDFE49, #DEFF5C, #EFFF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7EC3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7EC3B shade: #B7EC3B, #A6DA28, #95C815, #84B602 and #73A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7EC3B shade: #B7EB3C, #E6EB3C, #EBC13C, #EB923C and #EB623C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7EC3B shade: #B7EB3C, #87EB3C, #58EB3C, #3CEB4F and #3CEB7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7EC3B shade matches the following richer shades: #B7EB3C and #BEFD2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7EC3B shade: #B7EB3C, #B0DA4D, #A9C95E, #A2B770 and #9BA681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7EC3B shade: #EBBF3C, #E8EB3C, #B9EB3C, #8BEB3C and #5CEB3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7EC3B shade: #8DC213, #A9E716, #B7EB3C, #C4EF61 and #D2F387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7EC3B shade: #B7EC3B, #3CEB90 and #D73CEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7EC3B shade: #B7EC3B, #3CB9EB and #EB3CB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7EC3B shade: #B7EC3B, #3CEB90, #6D3CEB and #EB3C96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7EC3B shade: #B7EC3B, #3CEBC5, #6D3CEB and #EB3C62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 75 / 7

HEX #B7EC3B

RGB 183 236 59

HSL 77.97, 0.82%, 0.58%

LAB 87.18, -40.27, 74.44

 

Complementary color

CMYK 63 / 90 / 0 / 23

HEX #4813C4

RGB 72 19 196

HSL 257.97, 0.82%, 0.42%

LAB 28.98, 62.88, -79.45

 

CMYK 20 / 0 / 77 / 7

HEX #BCEC36

RGB 188 236 54

HSL 75.82, 0.83%, 0.57%

LAB 87.46, -38.59, 76.3

 

CMYK 19 / 0 / 71 / 0

HEX #CDFE49

RGB 205 254 73

HSL 76.24, 0.99%, 0.64%

LAB 93.6, -39.2, 76.57

 

CMYK 13 / 0 / 64 / 0

HEX #DEFF5C

RGB 222 255 92

HSL 72.15, 1%, 0.68%

LAB 95.09, -32.03, 71.56

 

CMYK 6 / 0 / 56 / 0

HEX #EFFF6F

RGB 239 255 111

HSL 66.67, 1%, 0.72%

LAB 96.42, -24.12, 65.6

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 22 / 0 / 75 / 7

HEX #B7EC3B

RGB 183 236 59

HSL 77.97, 0.82%, 0.58%

LAB 87.18, -40.27, 74.44

 

CMYK 24 / 0 / 82 / 15

HEX #A6DA28

RGB 166 218 40

HSL 77.53, 0.71%, 0.51%

LAB 80.96, -39.6, 73.72

 

CMYK 26 / 0 / 90 / 22

HEX #95C815

RGB 149 200 21

HSL 77.09, 0.81%, 0.43%

LAB 74.67, -38.74, 71.94

 

CMYK 27 / 0 / 99 / 29

HEX #84B602

RGB 132 182 2

HSL 76.67, 0.98%, 0.36%

LAB 68.29, -37.69, 68.89

 

CMYK 30 / 0 / 100 / 36

HEX #73A400

RGB 115 164 0

HSL 77.93, 1%, 0.32%

LAB 61.82, -36.34, 63.74

 

CMYK 22 / 0 / 74 / 8

HEX #B7EB3C

RGB 183 235 60

HSL 77.83, 0.81%, 0.58%

LAB 86.9, -39.78, 73.87

 

CMYK 2 / 0 / 74 / 8

HEX #E6EB3C

RGB 230 235 60

HSL 61.71, 0.81%, 0.58%

LAB 90.12, -21.11, 78.04

 

CMYK 0 / 18 / 74 / 8

HEX #EBC13C

RGB 235 193 60

HSL 45.6, 0.81%, 0.58%

LAB 79.69, 2.05, 68.41

 

CMYK 0 / 38 / 74 / 8

HEX #EB923C

RGB 235 146 60

HSL 29.49, 0.81%, 0.58%

LAB 68.42, 26.84, 57.4

 

CMYK 0 / 58 / 74 / 8

HEX #EB623C

RGB 235 98 60

HSL 13.03, 0.81%, 0.58%

LAB 58.72, 50.89, 47.37

 

CMYK 22 / 0 / 74 / 8

HEX #B7EB3C

RGB 183 235 60

HSL 77.83, 0.81%, 0.58%

LAB 86.9, -39.78, 73.87

 

CMYK 43 / 0 / 74 / 8

HEX #87EB3C

RGB 135 235 60

HSL 94.29, 0.81%, 0.58%

LAB 84.43, -56.59, 70.63

 

CMYK 63 / 0 / 74 / 8

HEX #58EB3C

RGB 88 235 60

HSL 110.4, 0.81%, 0.58%

LAB 82.82, -69.1, 68.51

 

CMYK 74 / 0 / 66 / 8

HEX #3CEB4F

RGB 60 235 79

HSL 126.51, 0.81%, 0.58%

LAB 82.35, -72.55, 60.99

 

CMYK 74 / 0 / 46 / 8

HEX #3CEB7E

RGB 60 235 126

HSL 142.63, 0.81%, 0.58%

LAB 82.85, -66.55, 40.55

 

CMYK 22 / 0 / 74 / 8

HEX #B7EB3C

RGB 183 235 60

HSL 77.83, 0.81%, 0.58%

LAB 86.9, -39.78, 73.87

 

CMYK 25 / 0 / 83 / 1

HEX #BEFD2A

RGB 190 253 42

HSL 77.91, 0.98%, 0.58%

LAB 92.29, -45.68, 83.64

 

CMYK 22 / 0 / 74 / 8

HEX #B7EB3C

RGB 183 235 60

HSL 77.83, 0.81%, 0.58%

LAB 86.9, -39.78, 73.87

 

CMYK 19 / 0 / 65 / 15

HEX #B0DA4D

RGB 176 218 77

HSL 77.87, 0.66%, 0.58%

LAB 81.79, -33.79, 62.52

 

CMYK 16 / 0 / 53 / 21

HEX #A9C95E

RGB 169 201 94

HSL 77.94, 0.5%, 0.58%

LAB 76.69, -27.12, 49.3

 

CMYK 11 / 0 / 39 / 28

HEX #A2B770

RGB 162 183 112

HSL 77.75, 0.33%, 0.58%

LAB 71.36, -19.01, 33.73

 

CMYK 7 / 0 / 22 / 35

HEX #9BA681

RGB 155 166 129

HSL 77.84, 0.17%, 0.58%

LAB 66.39, -10.51, 17.9

 

CMYK 0 / 19 / 74 / 8

HEX #EBBF3C

RGB 235 191 60

HSL 44.91, 0.81%, 0.58%

LAB 79.19, 3.09, 67.93

 

CMYK 1 / 0 / 74 / 8

HEX #E8EB3C

RGB 232 235 60

HSL 61.03, 0.81%, 0.58%

LAB 90.27, -20.29, 78.23

 

CMYK 21 / 0 / 74 / 8

HEX #B9EB3C

RGB 185 235 60

HSL 77.14, 0.81%, 0.58%

LAB 87.02, -39.02, 74.03

 

CMYK 41 / 0 / 74 / 8

HEX #8BEB3C

RGB 139 235 60

HSL 92.91, 0.81%, 0.58%

LAB 84.6, -55.32, 70.86

 

CMYK 61 / 0 / 74 / 8

HEX #5CEB3C

RGB 92 235 60

HSL 109.03, 0.81%, 0.58%

LAB 82.92, -68.22, 68.65

 

CMYK 27 / 0 / 90 / 24

HEX #8DC213

RGB 141 194 19

HSL 78.17, 0.82%, 0.42%

LAB 72.42, -39.22, 70.24

 

CMYK 27 / 0 / 90 / 9

HEX #A9E716

RGB 169 231 22

HSL 77.8, 0.83%, 0.5%

LAB 84.81, -44.61, 80.52

 

CMYK 22 / 0 / 74 / 8

HEX #B7EB3C

RGB 183 235 60

HSL 77.83, 0.81%, 0.58%

LAB 86.9, -39.78, 73.87

 

CMYK 18 / 0 / 59 / 6

HEX #C4EF61

RGB 196 239 97

HSL 78.17, 0.82%, 0.66%

LAB 89.08, -34.29, 62.55

 

CMYK 14 / 0 / 44 / 5

HEX #D2F387

RGB 210 243 135

HSL 78.33, 0.82%, 0.74%

LAB 91.48, -27.34, 48.37

 

CMYK 22 / 0 / 75 / 7

HEX #B7EC3B

RGB 183 236 59

HSL 77.97, 0.82%, 0.58%

LAB 87.18, -40.27, 74.44

 

CMYK 74 / 0 / 39 / 8

HEX #3CEB90

RGB 60 235 144

HSL 148.8, 0.81%, 0.58%

LAB 83.12, -63.46, 31.97

 

CMYK 9 / 74 / 0 / 8

HEX #D73CEB

RGB 215 60 235

HSL 293.14, 0.81%, 0.58%

LAB 55.76, 79.32, -57.35

 

CMYK 22 / 0 / 75 / 7

HEX #B7EC3B

RGB 183 236 59

HSL 77.97, 0.82%, 0.58%

LAB 87.18, -40.27, 74.44

 

CMYK 74 / 21 / 0 / 8

HEX #3CB9EB

RGB 60 185 235

HSL 197.14, 0.81%, 0.58%

LAB 70.63, -17.76, -34.67

 

CMYK 0 / 74 / 21 / 8

HEX #EB3CB9

RGB 235 60 185

HSL 317.14, 0.81%, 0.58%

LAB 56.48, 76.21, -27.51

 

CMYK 22 / 0 / 75 / 7

HEX #B7EC3B

RGB 183 236 59

HSL 77.97, 0.82%, 0.58%

LAB 87.18, -40.27, 74.44

 

CMYK 74 / 0 / 39 / 8

HEX #3CEB90

RGB 60 235 144

HSL 148.8, 0.81%, 0.58%

LAB 83.12, -63.46, 31.97

 

CMYK 54 / 74 / 0 / 8

HEX #6D3CEB

RGB 109 60 235

HSL 256.8, 0.81%, 0.58%

LAB 41.97, 61.33, -80.37

 

CMYK 0 / 74 / 36 / 8

HEX #EB3C96

RGB 235 60 150

HSL 329.14, 0.81%, 0.58%

LAB 55.17, 72.19, -9.05

 

CMYK 22 / 0 / 75 / 7

HEX #B7EC3B

RGB 183 236 59

HSL 77.97, 0.82%, 0.58%

LAB 87.18, -40.27, 74.44

 

CMYK 74 / 0 / 16 / 8

HEX #3CEBC5

RGB 60 235 197

HSL 166.97, 0.81%, 0.58%

LAB 84.18, -52.03, 6.01

 

CMYK 54 / 74 / 0 / 8

HEX #6D3CEB

RGB 109 60 235

HSL 256.8, 0.81%, 0.58%

LAB 41.97, 61.33, -80.37

 

CMYK 0 / 74 / 58 / 8

HEX #EB3C62

RGB 235 60 98

HSL 346.97, 0.81%, 0.58%

LAB 53.79, 67.79, 19.98

 

Description

Color code: HEX #B7EC3B | qconv.com Color code: HEX #B7EC3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 236 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 236 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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