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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7E708 it is the complementary color #4818F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7E708. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7E708 shade: #BCE703, #CDF916, #DEFF29, #EFFF3C and #FFFF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7E708. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7E708 shade: #B7E708, #A6D500, #95C300, #84B100 and #739F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7E708 shade: #B7E708, #E7DB08, #E79F08, #E76208 and #E72608

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7E708 shade: #B7E708, #7BE708, #3FE708, #08E70D and #08E749

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7E708 shade matches the following richer shades: #B7E708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7E708 shade: #B7E708, #ACD31B, #A1C02F, #96AD42 and #8B9955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7E708 shade: #E79D08, #E7D808, #BAE708, #7FE708 and #43E708

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7E708 shade: #789705, #97BF06, #B7E708, #C9F621 and #D2F849

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7E708 shade: #B7E708, #08E761 and #BA08E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7E708 shade: #B7E708, #08BAE7 and #E708BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7E708 shade: #B7E708, #08E761, #3408E7 and #E7088E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7E708 shade: #B7E708, #08E7A4, #3408E7 and #E7084B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

Complementary color

CMYK 71 / 90 / 0 / 3

HEX #4818F7

RGB 72 24 247

HSL 252.91, 0.93%, 0.53%

LAB 35.49, 74.39, -97.97

 

CMYK 19 / 0 / 99 / 9

HEX #BCE703

RGB 188 231 3

HSL 71.32, 0.97%, 0.46%

LAB 85.93, -37.54, 83.79

 

CMYK 18 / 0 / 91 / 2

HEX #CDF916

RGB 205 249 22

HSL 71.63, 0.95%, 0.53%

LAB 92.04, -38.68, 87.21

 

CMYK 13 / 0 / 84 / 0

HEX #DEFF29

RGB 222 255 41

HSL 69.25, 1%, 0.58%

LAB 94.83, -34.3, 86.79

 

CMYK 6 / 0 / 76 / 0

HEX #EFFF3C

RGB 239 255 60

HSL 64.92, 1%, 0.62%

LAB 96.08, -26.94, 83.72

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

CMYK 22 / 0 / 100 / 16

HEX #A6D500

RGB 166 213 0

HSL 73.24, 1%, 0.42%

LAB 79.44, -38.19, 78.52

 

CMYK 24 / 0 / 100 / 24

HEX #95C300

RGB 149 195 0

HSL 74.15, 1%, 0.38%

LAB 73.17, -36.84, 73.29

 

CMYK 25 / 0 / 100 / 31

HEX #84B100

RGB 132 177 0

HSL 75.25, 1%, 0.35%

LAB 66.79, -35.47, 67.98

 

CMYK 28 / 0 / 100 / 38

HEX #739F00

RGB 115 159 0

HSL 76.6, 1%, 0.31%

LAB 60.29, -34.08, 62.56

 

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

CMYK 0 / 5 / 97 / 9

HEX #E7DB08

RGB 231 219 8

HSL 56.77, 0.93%, 0.47%

LAB 85.84, -14.07, 84.7

 

CMYK 0 / 31 / 97 / 9

HEX #E79F08

RGB 231 159 8

HSL 40.63, 0.93%, 0.47%

LAB 70.73, 16.98, 73.84

 

CMYK 0 / 58 / 97 / 9

HEX #E76208

RGB 231 98 8

HSL 24.22, 0.93%, 0.47%

LAB 57.79, 48.22, 65.32

 

CMYK 0 / 84 / 97 / 9

HEX #E72608

RGB 231 38 8

HSL 8.07, 0.93%, 0.47%

LAB 49.97, 69.51, 60.93

 

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

CMYK 47 / 0 / 97 / 9

HEX #7BE708

RGB 123 231 8

HSL 89.06, 0.93%, 0.47%

LAB 82.58, -60.54, 79.32

 

CMYK 73 / 0 / 97 / 9

HEX #3FE708

RGB 63 231 8

HSL 105.2, 0.93%, 0.47%

LAB 80.86, -74.57, 77.22

 

CMYK 97 / 0 / 94 / 9

HEX #08E70D

RGB 8 231 13

HSL 121.35, 0.93%, 0.47%

LAB 80.31, -79.5, 76.08

 

CMYK 97 / 0 / 68 / 9

HEX #08E749

RGB 8 231 73

HSL 137.49, 0.93%, 0.47%

LAB 80.56, -76.25, 61.25

 

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

CMYK 18 / 0 / 87 / 17

HEX #ACD31B

RGB 172 211 27

HSL 72.72, 0.77%, 0.47%

LAB 79.29, -34.48, 75.27

 

CMYK 16 / 0 / 76 / 25

HEX #A1C02F

RGB 161 192 47

HSL 72.83, 0.61%, 0.47%

LAB 73.21, -29.37, 64.57

 

CMYK 13 / 0 / 62 / 32

HEX #96AD42

RGB 150 173 66

HSL 72.9, 0.45%, 0.47%

LAB 67.1, -23.51, 50.84

 

CMYK 9 / 0 / 44 / 40

HEX #8B9955

RGB 139 153 85

HSL 72.35, 0.29%, 0.47%

LAB 60.72, -16.07, 33.97

 

CMYK 0 / 32 / 97 / 9

HEX #E79D08

RGB 231 157 8

HSL 40.09, 0.93%, 0.47%

LAB 70.26, 18.05, 73.51

 

CMYK 0 / 6 / 97 / 9

HEX #E7D808

RGB 231 216 8

HSL 55.96, 0.93%, 0.47%

LAB 85.06, -12.58, 84.13

 

CMYK 19 / 0 / 97 / 9

HEX #BAE708

RGB 186 231 8

HSL 72.11, 0.93%, 0.47%

LAB 85.81, -38.28, 83.23

 

CMYK 45 / 0 / 97 / 9

HEX #7FE708

RGB 127 231 8

HSL 87.98, 0.93%, 0.47%

LAB 82.74, -59.32, 79.52

 

CMYK 71 / 0 / 97 / 9

HEX #43E708

RGB 67 231 8

HSL 104.13, 0.93%, 0.47%

LAB 80.94, -73.91, 77.31

 

CMYK 21 / 0 / 97 / 41

HEX #789705

RGB 120 151 5

HSL 72.74, 0.94%, 0.31%

LAB 58.17, -28.16, 60.32

 

CMYK 21 / 0 / 97 / 25

HEX #97BF06

RGB 151 191 6

HSL 72.97, 0.94%, 0.39%

LAB 72.13, -34.13, 71.9

 

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

CMYK 18 / 0 / 87 / 4

HEX #C9F621

RGB 201 246 33

HSL 72.68, 0.92%, 0.55%

LAB 90.98, -38.69, 84.58

 

CMYK 15 / 0 / 71 / 3

HEX #D2F849

RGB 210 248 73

HSL 73.03, 0.93%, 0.63%

LAB 92.27, -34.59, 75.38

 

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

CMYK 97 / 0 / 58 / 9

HEX #08E761

RGB 8 231 97

HSL 143.95, 0.93%, 0.47%

LAB 80.78, -73.58, 51.5

 

CMYK 19 / 97 / 0 / 9

HEX #BA08E7

RGB 186 8 231

HSL 287.89, 0.93%, 0.47%

LAB 47.47, 83.98, -68.7

 

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

CMYK 97 / 19 / 0 / 9

HEX #08BAE7

RGB 8 186 231

HSL 192.11, 0.93%, 0.47%

LAB 70.13, -23.13, -33.32

 

CMYK 0 / 97 / 19 / 9

HEX #E708BA

RGB 231 8 186

HSL 312.11, 0.93%, 0.47%

LAB 52.63, 84.74, -34.15

 

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

CMYK 97 / 0 / 58 / 9

HEX #08E761

RGB 8 231 97

HSL 143.95, 0.93%, 0.47%

LAB 80.78, -73.58, 51.5

 

CMYK 77 / 97 / 0 / 9

HEX #3408E7

RGB 52 8 231

HSL 251.84, 0.93%, 0.47%

LAB 31.05, 72.85, -96.33

 

CMYK 0 / 97 / 39 / 9

HEX #E7088E

RGB 231 8 142

HSL 323.95, 0.93%, 0.47%

LAB 50.82, 80.07, -10.88

 

CMYK 21 / 0 / 97 / 9

HEX #B7E708

RGB 183 231 8

HSL 72.91, 0.93%, 0.47%

LAB 85.62, -39.45, 83.01

 

CMYK 97 / 0 / 29 / 9

HEX #08E7A4

RGB 8 231 164

HSL 161.97, 0.93%, 0.47%

LAB 81.77, -61.78, 19.81

 

CMYK 77 / 97 / 0 / 9

HEX #3408E7

RGB 52 8 231

HSL 251.84, 0.93%, 0.47%

LAB 31.05, 72.85, -96.33

 

CMYK 0 / 97 / 68 / 9

HEX #E7084B

RGB 231 8 75

HSL 341.97, 0.93%, 0.47%

LAB 49.09, 75.44, 27.57

 

Description

Color code: HEX #B7E708 | qconv.com Color code: HEX #B7E708 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 231 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 231 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 97 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 97% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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