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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7DD55 it is the complementary color #4822AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7DD55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7DD55 shade: #BCDD50, #CDEF63, #DEFF76, #EFFF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7DD55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7DD55 shade: #B7DD55, #A6CB42, #95B92F, #84A71C and #739509

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7DD55 shade: #B7DD54, #DCDD54, #DDB954, #DD9454 and #DD7054

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7DD55 shade: #B7DD54, #92DD54, #6DDD54, #54DD60 and #54DD85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7DD55 shade matches the following richer shades: #B7DD54, #BEED44 and #C5FE33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7DD55 shade: #B7DD54, #AFCC65, #A8BC75, #A1AB86 and #9A9B96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7DD55 shade: #DDB854, #DDDD54, #B8DD54, #94DD54 and #6FDD54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7DD55 shade: #90BA24, #A8D632, #B7DD54, #C5E477 and #D4EA99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7DD55 shade: #B7DD55, #54DD94 and #CB54DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7DD55 shade: #B7DD55, #54B8DD and #DD54B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7DD55 shade: #B7DD55, #54DD94, #7954DD and #DD549D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7DD55 shade: #B7DD55, #54DDBD, #7954DD and #DD5474

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 62 / 13

HEX #B7DD55

RGB 183 221 85

HSL 76.76, 0.67%, 0.6%

LAB 83.14, -31.89, 60.83

 

Complementary color

CMYK 58 / 80 / 0 / 33

HEX #4822AA

RGB 72 34 170

HSL 256.76, 0.67%, 0.4%

LAB 27.91, 50.65, -65.75

 

CMYK 15 / 0 / 64 / 13

HEX #BCDD50

RGB 188 221 80

HSL 74.04, 0.67%, 0.59%

LAB 83.43, -30.3, 63.29

 

CMYK 14 / 0 / 59 / 6

HEX #CDEF63

RGB 205 239 99

HSL 74.57, 0.81%, 0.66%

LAB 89.68, -30.7, 62.53

 

CMYK 13 / 0 / 54 / 0

HEX #DEFF76

RGB 222 255 118

HSL 74.45, 1%, 0.73%

LAB 95.31, -30.08, 60.98

 

CMYK 6 / 0 / 46 / 0

HEX #EFFF89

RGB 239 255 137

HSL 68.14, 1%, 0.77%

LAB 96.69, -21.9, 54.27

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 17 / 0 / 62 / 13

HEX #B7DD55

RGB 183 221 85

HSL 76.76, 0.67%, 0.6%

LAB 83.14, -31.89, 60.83

 

CMYK 18 / 0 / 67 / 20

HEX #A6CB42

RGB 166 203 66

HSL 76.2, 0.57%, 0.53%

LAB 76.81, -31.48, 61.45

 

CMYK 19 / 0 / 75 / 27

HEX #95B92F

RGB 149 185 47

HSL 75.65, 0.59%, 0.45%

LAB 70.38, -30.93, 61.6

 

CMYK 21 / 0 / 83 / 35

HEX #84A71C

RGB 132 167 28

HSL 75.11, 0.71%, 0.38%

LAB 63.86, -30.2, 60.93

 

CMYK 23 / 0 / 94 / 42

HEX #739509

RGB 115 149 9

HSL 74.57, 0.89%, 0.31%

LAB 57.23, -29.23, 58.83

 

CMYK 17 / 0 / 62 / 13

HEX #B7DD54

RGB 183 221 84

HSL 76.64, 0.67%, 0.6%

LAB 83.14, -31.97, 61.24

 

CMYK 0 / 0 / 62 / 13

HEX #DCDD54

RGB 220 221 84

HSL 60.44, 0.67%, 0.6%

LAB 85.79, -17.17, 64.87

 

CMYK 0 / 16 / 62 / 13

HEX #DDB954

RGB 221 185 84

HSL 44.23, 0.67%, 0.6%

LAB 76.5, 1.56, 54.82

 

CMYK 0 / 33 / 62 / 13

HEX #DD9454

RGB 221 148 84

HSL 28.03, 0.67%, 0.6%

LAB 67.42, 21.29, 44.47

 

CMYK 0 / 49 / 62 / 13

HEX #DD7054

RGB 221 112 84

HSL 12.26, 0.67%, 0.6%

LAB 59.53, 40.24, 34.99

 

CMYK 17 / 0 / 62 / 13

HEX #B7DD54

RGB 183 221 84

HSL 76.64, 0.67%, 0.6%

LAB 83.14, -31.97, 61.24

 

CMYK 34 / 0 / 62 / 13

HEX #92DD54

RGB 146 221 84

HSL 92.85, 0.67%, 0.6%

LAB 81, -45.56, 58.29

 

CMYK 51 / 0 / 62 / 13

HEX #6DDD54

RGB 109 221 84

HSL 109.05, 0.67%, 0.6%

LAB 79.39, -57.04, 56.05

 

CMYK 62 / 0 / 57 / 13

HEX #54DD60

RGB 84 221 96

HSL 125.26, 0.67%, 0.6%

LAB 78.72, -61.8, 49.79

 

CMYK 62 / 0 / 40 / 13

HEX #54DD85

RGB 84 221 133

HSL 141.46, 0.67%, 0.6%

LAB 79.21, -56.33, 32.46

 

CMYK 17 / 0 / 62 / 13

HEX #B7DD54

RGB 183 221 84

HSL 76.64, 0.67%, 0.6%

LAB 83.14, -31.97, 61.24

 

CMYK 20 / 0 / 71 / 7

HEX #BEED44

RGB 190 237 68

HSL 76.69, 0.82%, 0.6%

LAB 87.94, -37.59, 72.39

 

CMYK 22 / 0 / 80 / 0

HEX #C5FE33

RGB 197 254 51

HSL 76.85, 0.99%, 0.6%

LAB 93.01, -43.2, 82.33

 

CMYK 17 / 0 / 62 / 13

HEX #B7DD54

RGB 183 221 84

HSL 76.64, 0.67%, 0.6%

LAB 83.14, -31.97, 61.24

 

CMYK 14 / 0 / 50 / 20

HEX #AFCC65

RGB 175 204 101

HSL 76.89, 0.5%, 0.6%

LAB 78.02, -25.55, 47.66

 

CMYK 11 / 0 / 38 / 26

HEX #A8BC75

RGB 168 188 117

HSL 76.9, 0.35%, 0.6%

LAB 73.27, -18.58, 33.68

 

CMYK 6 / 0 / 22 / 33

HEX #A1AB86

RGB 161 171 134

HSL 76.22, 0.18%, 0.6%

LAB 68.33, -10.09, 17.91

 

CMYK 1 / 0 / 3 / 39

HEX #9A9B96

RGB 154 155 150

HSL 72, 0.02%, 0.6%

LAB 63.77, -1.31, 2.48

 

CMYK 0 / 17 / 62 / 13

HEX #DDB854

RGB 221 184 84

HSL 43.8, 0.67%, 0.6%

LAB 76.25, 2.09, 54.54

 

CMYK 0 / 0 / 62 / 13

HEX #DDDD54

RGB 221 221 84

HSL 60, 0.67%, 0.6%

LAB 85.87, -16.76, 64.98

 

CMYK 17 / 0 / 62 / 13

HEX #B8DD54

RGB 184 221 84

HSL 76.2, 0.67%, 0.6%

LAB 83.2, -31.58, 61.33

 

CMYK 33 / 0 / 62 / 13

HEX #94DD54

RGB 148 221 84

HSL 91.97, 0.67%, 0.6%

LAB 81.1, -44.87, 58.43

 

CMYK 50 / 0 / 62 / 13

HEX #6FDD54

RGB 111 221 84

HSL 108.18, 0.67%, 0.6%

LAB 79.46, -56.49, 56.16

 

CMYK 23 / 0 / 81 / 27

HEX #90BA24

RGB 144 186 36

HSL 76.8, 0.68%, 0.44%

LAB 70.3, -33.91, 64.79

 

CMYK 21 / 0 / 77 / 16

HEX #A8D632

RGB 168 214 50

HSL 76.83, 0.67%, 0.52%

LAB 79.98, -36.63, 70.12

 

CMYK 17 / 0 / 62 / 13

HEX #B7DD54

RGB 183 221 84

HSL 76.64, 0.67%, 0.6%

LAB 83.14, -31.97, 61.24

 

CMYK 14 / 0 / 48 / 11

HEX #C5E477

RGB 197 228 119

HSL 77.06, 0.67%, 0.68%

LAB 86.35, -26.79, 49.49

 

CMYK 9 / 0 / 35 / 8

HEX #D4EA99

RGB 212 234 153

HSL 76.3, 0.66%, 0.76%

LAB 89.46, -20.18, 36.99

 

CMYK 17 / 0 / 62 / 13

HEX #B7DD55

RGB 183 221 85

HSL 76.76, 0.67%, 0.6%

LAB 83.14, -31.89, 60.83

 

CMYK 62 / 0 / 33 / 13

HEX #54DD94

RGB 84 221 148

HSL 148.03, 0.67%, 0.6%

LAB 79.46, -53.58, 25.1

 

CMYK 8 / 62 / 0 / 13

HEX #CB54DD

RGB 203 84 221

HSL 292.12, 0.67%, 0.6%

LAB 56.34, 65.5, -48.65

 

CMYK 17 / 0 / 62 / 13

HEX #B7DD55

RGB 183 221 85

HSL 76.76, 0.67%, 0.6%

LAB 83.14, -31.89, 60.83

 

CMYK 62 / 17 / 0 / 13

HEX #54B8DD

RGB 84 184 221

HSL 196.2, 0.67%, 0.6%

LAB 70.45, -18.21, -27.28

 

CMYK 0 / 62 / 17 / 13

HEX #DD54B8

RGB 221 84 184

HSL 316.2, 0.67%, 0.6%

LAB 57.24, 64.04, -25.94

 

CMYK 17 / 0 / 62 / 13

HEX #B7DD55

RGB 183 221 85

HSL 76.76, 0.67%, 0.6%

LAB 83.14, -31.89, 60.83

 

CMYK 62 / 0 / 33 / 13

HEX #54DD94

RGB 84 221 148

HSL 148.03, 0.67%, 0.6%

LAB 79.46, -53.58, 25.1

 

CMYK 45 / 62 / 0 / 13

HEX #7954DD

RGB 121 84 221

HSL 256.2, 0.67%, 0.6%

LAB 46.48, 47.19, -65.01

 

CMYK 0 / 62 / 29 / 13

HEX #DD549D

RGB 221 84 157

HSL 328.03, 0.67%, 0.6%

LAB 56.23, 60.43, -11.81

 

CMYK 17 / 0 / 62 / 13

HEX #B7DD55

RGB 183 221 85

HSL 76.76, 0.67%, 0.6%

LAB 83.14, -31.89, 60.83

 

CMYK 62 / 0 / 14 / 13

HEX #54DDBD

RGB 84 221 189

HSL 165.99, 0.67%, 0.6%

LAB 80.33, -44.64, 4.75

 

CMYK 45 / 62 / 0 / 13

HEX #7954DD

RGB 121 84 221

HSL 256.2, 0.67%, 0.6%

LAB 46.48, 47.19, -65.01

 

CMYK 0 / 62 / 48 / 13

HEX #DD5474

RGB 221 84 116

HSL 345.99, 0.67%, 0.6%

LAB 55.05, 56.01, 10.63

 

Description

Color code: HEX #B7DD55 | qconv.com Color code: HEX #B7DD55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 221 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 221 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 62 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 62% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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