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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7D8B8 it is the complementary color #482747. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7D8B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7D8B8 shade: #BCD8B3, #CDEAC6, #DEFCD9, #EFFFEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7D8B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7D8B8 shade: #B7D8B8, #A6C6A5, #95B492, #84A27F and #73906C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7D8B8 shade: #B6D7B7, #BED7B6, #C7D7B6, #D0D7B6 and #D7D6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7D8B8 shade: #B6D7B7, #B6D7C0, #B6D7C9, #B6D7D2 and #B6D4D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7D8B8 shade matches the following richer shades: #B6D7B7, #ACE0AE, #A3E9A6, #9AF29D and #91FC94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7D8B8 shade: #B6D7B7, #BFCEBF, #C8C5C8, #D1BCD0 and #DAB3D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7D8B8 shade: #C7D7B6, #BED7B6, #B6D7B6, #B6D7BF and #B6D7C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7D8B8 shade: #80BA82, #9BC99C, #B6D7B7, #D0E6D1 and #EBF4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7D8B8 shade: #B7D8B8, #B6D0D7 and #D7B6C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7D8B8 shade: #B7D8B8, #B6B6D7 and #D7B6B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7D8B8 shade: #B7D8B8, #B6D0D7, #D7B6D7 and #D7BDB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7D8B8 shade: #B7D8B8, #B6C6D7, #D7B6D7 and #D7C7B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 15 / 15

HEX #B7D8B8

RGB 183 216 184

HSL 121.82, 0.3%, 0.78%

LAB 83.25, -16.95, 12.17

 

Complementary color

CMYK 0 / 46 / 1 / 72

HEX #482747

RGB 72 39 71

HSL 301.82, 0.3%, 0.22%

LAB 21.15, 21.24, -13.54

 

CMYK 13 / 0 / 17 / 15

HEX #BCD8B3

RGB 188 216 179

HSL 105.41, 0.32%, 0.77%

LAB 83.47, -16.1, 15.17

 

CMYK 12 / 0 / 15 / 8

HEX #CDEAC6

RGB 205 234 198

HSL 108.33, 0.46%, 0.85%

LAB 89.81, -16.05, 14.33

 

CMYK 12 / 0 / 14 / 1

HEX #DEFCD9

RGB 222 252 217

HSL 111.43, 0.85%, 0.92%

LAB 96.06, -16, 13.52

 

CMYK 6 / 0 / 7 / 0

HEX #EFFFEC

RGB 239 255 236

HSL 110.53, 1%, 0.96%

LAB 98.4, -8.58, 7.27

 

CMYK 15 / 0 / 15 / 15

HEX #B7D8B8

RGB 183 216 184

HSL 121.82, 0.3%, 0.78%

LAB 83.25, -16.95, 12.17

 

CMYK 16 / 0 / 17 / 22

HEX #A6C6A5

RGB 166 198 165

HSL 118.18, 0.22%, 0.71%

LAB 76.81, -17.05, 13.02

 

CMYK 17 / 0 / 19 / 29

HEX #95B492

RGB 149 180 146

HSL 114.71, 0.18%, 0.64%

LAB 70.25, -17.17, 13.9

 

CMYK 19 / 0 / 22 / 36

HEX #84A27F

RGB 132 162 127

HSL 111.43, 0.16%, 0.57%

LAB 63.57, -17.3, 14.85

 

CMYK 20 / 0 / 25 / 44

HEX #73906C

RGB 115 144 108

HSL 108.33, 0.14%, 0.49%

LAB 56.76, -17.45, 15.86

 

CMYK 15 / 0 / 15 / 16

HEX #B6D7B7

RGB 182 215 183

HSL 121.82, 0.29%, 0.78%

LAB 82.89, -16.97, 12.19

 

CMYK 12 / 0 / 15 / 16

HEX #BED7B6

RGB 190 215 182

HSL 105.45, 0.29%, 0.78%

LAB 83.4, -14.4, 13.51

 

CMYK 7 / 0 / 15 / 16

HEX #C7D7B6

RGB 199 215 182

HSL 89.09, 0.29%, 0.78%

LAB 84.03, -11.25, 14.48

 

CMYK 3 / 0 / 15 / 16

HEX #D0D7B6

RGB 208 215 182

HSL 72.73, 0.29%, 0.78%

LAB 84.68, -8.05, 15.5

 

CMYK 0 / 0 / 15 / 16

HEX #D7D6B6

RGB 215 214 182

HSL 58.18, 0.29%, 0.78%

LAB 84.95, -5.01, 15.96

 

CMYK 15 / 0 / 15 / 16

HEX #B6D7B7

RGB 182 215 183

HSL 121.82, 0.29%, 0.78%

LAB 82.89, -16.97, 12.19

 

CMYK 15 / 0 / 11 / 16

HEX #B6D7C0

RGB 182 215 192

HSL 138.18, 0.29%, 0.78%

LAB 83.1, -15.34, 7.71

 

CMYK 15 / 0 / 7 / 16

HEX #B6D7C9

RGB 182 215 201

HSL 154.55, 0.29%, 0.78%

LAB 83.32, -13.63, 3.25

 

CMYK 15 / 0 / 2 / 16

HEX #B6D7D2

RGB 182 215 210

HSL 170.91, 0.29%, 0.78%

LAB 83.55, -11.86, -1.2

 

CMYK 15 / 1 / 0 / 16

HEX #B6D4D7

RGB 182 212 215

HSL 185.45, 0.29%, 0.78%

LAB 82.88, -9.3, -4.83

 

CMYK 15 / 0 / 15 / 16

HEX #B6D7B7

RGB 182 215 183

HSL 121.82, 0.29%, 0.78%

LAB 82.89, -16.97, 12.19

 

CMYK 23 / 0 / 22 / 12

HEX #ACE0AE

RGB 172 224 174

HSL 122.31, 0.46%, 0.78%

LAB 84.55, -26.31, 19.16

 

CMYK 30 / 0 / 29 / 9

HEX #A3E9A6

RGB 163 233 166

HSL 122.57, 0.61%, 0.78%

LAB 86.41, -34.8, 25.78

 

CMYK 36 / 0 / 35 / 5

HEX #9AF29D

RGB 154 242 157

HSL 122.05, 0.77%, 0.78%

LAB 88.36, -43.08, 32.9

 

CMYK 42 / 0 / 41 / 1

HEX #91FC94

RGB 145 252 148

HSL 121.68, 0.95%, 0.78%

LAB 90.68, -51.32, 40.33

 

CMYK 15 / 0 / 15 / 16

HEX #B6D7B7

RGB 182 215 183

HSL 121.82, 0.29%, 0.78%

LAB 82.89, -16.97, 12.19

 

CMYK 7 / 0 / 7 / 19

HEX #BFCEBF

RGB 191 206 191

HSL 120, 0.13%, 0.78%

LAB 81.28, -7.87, 5.71

 

CMYK 0 / 1 / 0 / 22

HEX #C8C5C8

RGB 200 197 200

HSL 300, 0.03%, 0.78%

LAB 79.83, 1.59, -1.14

 

CMYK 0 / 10 / 0 / 18

HEX #D1BCD0

RGB 209 188 208

HSL 302.86, 0.19%, 0.78%

LAB 78.51, 10.97, -7.32

 

CMYK 0 / 18 / 0 / 15

HEX #DAB3D9

RGB 218 179 217

HSL 301.54, 0.35%, 0.78%

LAB 77.37, 20.55, -13.8

 

CMYK 7 / 0 / 15 / 16

HEX #C7D7B6

RGB 199 215 182

HSL 89.09, 0.29%, 0.78%

LAB 84.03, -11.25, 14.48

 

CMYK 12 / 0 / 15 / 16

HEX #BED7B6

RGB 190 215 182

HSL 105.45, 0.29%, 0.78%

LAB 83.4, -14.4, 13.51

 

CMYK 15 / 0 / 15 / 16

HEX #B6D7B6

RGB 182 215 182

HSL 120, 0.29%, 0.78%

LAB 82.87, -17.14, 12.68

 

CMYK 15 / 0 / 11 / 16

HEX #B6D7BF

RGB 182 215 191

HSL 136.36, 0.29%, 0.78%

LAB 83.08, -15.52, 8.21

 

CMYK 15 / 0 / 7 / 16

HEX #B6D7C8

RGB 182 215 200

HSL 152.73, 0.29%, 0.78%

LAB 83.29, -13.83, 3.75

 

CMYK 31 / 0 / 30 / 27

HEX #80BA82

RGB 128 186 130

HSL 122.07, 0.3%, 0.62%

LAB 70.4, -30.13, 22.56

 

CMYK 23 / 0 / 22 / 21

HEX #9BC99C

RGB 155 201 156

HSL 121.3, 0.3%, 0.7%

LAB 76.77, -23.89, 17.67

 

CMYK 15 / 0 / 15 / 16

HEX #B6D7B7

RGB 182 215 183

HSL 121.82, 0.29%, 0.78%

LAB 82.89, -16.97, 12.19

 

CMYK 10 / 0 / 9 / 10

HEX #D0E6D1

RGB 208 230 209

HSL 122.73, 0.31%, 0.86%

LAB 89.21, -11.13, 7.76

 

CMYK 4 / 0 / 4 / 4

HEX #EBF4EB

RGB 235 244 235

HSL 120, 0.29%, 0.94%

LAB 95.31, -4.57, 3.29

 

CMYK 15 / 0 / 15 / 15

HEX #B7D8B8

RGB 183 216 184

HSL 121.82, 0.3%, 0.78%

LAB 83.25, -16.95, 12.17

 

CMYK 15 / 3 / 0 / 16

HEX #B6D0D7

RGB 182 208 215

HSL 192.73, 0.29%, 0.78%

LAB 81.82, -7.23, -6.4

 

CMYK 0 / 15 / 10 / 16

HEX #D7B6C2

RGB 215 182 194

HSL 338.18, 0.29%, 0.78%

LAB 77.16, 13.81, -1.66

 

CMYK 15 / 0 / 15 / 15

HEX #B7D8B8

RGB 183 216 184

HSL 121.82, 0.3%, 0.78%

LAB 83.25, -16.95, 12.17

 

CMYK 15 / 15 / 0 / 16

HEX #B6B6D7

RGB 182 182 215

HSL 240, 0.29%, 0.78%

LAB 75.02, 6.64, -16.56

 

CMYK 0 / 15 / 15 / 16

HEX #D7B6B6

RGB 215 182 182

HSL 0, 0.29%, 0.78%

LAB 76.85, 11.84, 4.41

 

CMYK 15 / 0 / 15 / 15

HEX #B7D8B8

RGB 183 216 184

HSL 121.82, 0.3%, 0.78%

LAB 83.25, -16.95, 12.17

 

CMYK 15 / 3 / 0 / 16

HEX #B6D0D7

RGB 182 208 215

HSL 192.73, 0.29%, 0.78%

LAB 81.82, -7.23, -6.4

 

CMYK 0 / 15 / 0 / 16

HEX #D7B6D7

RGB 215 182 215

HSL 300, 0.29%, 0.78%

LAB 77.76, 17.54, -12.16

 

CMYK 0 / 12 / 15 / 16

HEX #D7BDB6

RGB 215 189 182

HSL 12.73, 0.29%, 0.78%

LAB 78.59, 8.1, 6.92

 

CMYK 15 / 0 / 15 / 15

HEX #B7D8B8

RGB 183 216 184

HSL 121.82, 0.3%, 0.78%

LAB 83.25, -16.95, 12.17

 

CMYK 15 / 8 / 0 / 16

HEX #B6C6D7

RGB 182 198 215

HSL 210.91, 0.29%, 0.78%

LAB 79.18, -1.97, -10.32

 

CMYK 0 / 15 / 0 / 16

HEX #D7B6D7

RGB 215 182 215

HSL 300, 0.29%, 0.78%

LAB 77.76, 17.54, -12.16

 

CMYK 0 / 7 / 15 / 16

HEX #D7C7B6

RGB 215 199 182

HSL 30.91, 0.29%, 0.78%

LAB 81.11, 2.8, 10.52

 

Description

Color code: HEX #B7D8B8 | qconv.com Color code: HEX #B7D8B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 216 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 216 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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