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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7C966 it is the complementary color #483699. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7C966. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7C966 shade: #BCC961, #CDDB74, #DEED87, #EFFF9A and #FFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7C966. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7C966 shade: #B7C966, #A6B753, #95A540, #84932D and #73811A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7C966 shade: #B6C864, #C8BF64, #C8A464, #C88964 and #C86E64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7C966 shade: #B6C864, #9BC864, #80C864, #65C864 and #64C87E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7C966 shade matches the following richer shades: #B6C864, #C1D953, #CBEA42 and #D6FB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7C966 shade: #B6C864, #ABB775, #A0A686, #969597 and #8B84A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7C966 shade: #C8A364, #C8BE64, #B7C864, #9DC864 and #82C864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7C966 shade: #8EA138, #A8BD45, #B6C864, #C4D382 and #D3DEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7C966 shade: #B7C966, #64C889 and #B164C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7C966 shade: #B7C966, #64B7C8 and #C864B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7C966 shade: #B7C966, #64C889, #7464C8 and #C864A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7C966 shade: #B7C966, #64C8A7, #7464C8 and #C86485

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 49 / 21

HEX #B7C966

RGB 183 201 102

HSL 70.91, 0.48%, 0.59%

LAB 77.76, -20.84, 47.01

 

Complementary color

CMYK 53 / 65 / 0 / 40

HEX #483699

RGB 72 54 153

HSL 250.91, 0.48%, 0.41%

LAB 30.2, 34.87, -51.7

 

CMYK 6 / 0 / 52 / 21

HEX #BCC961

RGB 188 201 97

HSL 67.5, 0.49%, 0.58%

LAB 78.07, -19.31, 49.85

 

CMYK 6 / 0 / 47 / 14

HEX #CDDB74

RGB 205 219 116

HSL 68.16, 0.59%, 0.66%

LAB 84.43, -19.66, 48.73

 

CMYK 6 / 0 / 43 / 7

HEX #DEED87

RGB 222 237 135

HSL 68.82, 0.74%, 0.73%

LAB 90.71, -19.94, 47.59

 

CMYK 6 / 0 / 40 / 0

HEX #EFFF9A

RGB 239 255 154

HSL 69.5, 1%, 0.8%

LAB 96.9, -20.16, 46.46

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 9 / 0 / 49 / 21

HEX #B7C966

RGB 183 201 102

HSL 70.91, 0.48%, 0.59%

LAB 77.76, -20.84, 47.01

 

CMYK 9 / 0 / 55 / 28

HEX #A6B753

RGB 166 183 83

HSL 70.2, 0.41%, 0.52%

LAB 71.28, -20.51, 48.11

 

CMYK 10 / 0 / 61 / 35

HEX #95A540

RGB 149 165 64

HSL 69.5, 0.44%, 0.45%

LAB 64.7, -20.08, 49.09

 

CMYK 10 / 0 / 69 / 42

HEX #84932D

RGB 132 147 45

HSL 68.82, 0.53%, 0.38%

LAB 58, -19.49, 49.76

 

CMYK 11 / 0 / 80 / 49

HEX #73811A

RGB 115 129 26

HSL 68.16, 0.66%, 0.3%

LAB 51.17, -18.71, 49.73

 

CMYK 9 / 0 / 50 / 22

HEX #B6C864

RGB 182 200 100

HSL 70.8, 0.48%, 0.59%

LAB 77.38, -20.94, 47.51

 

CMYK 0 / 5 / 50 / 22

HEX #C8BF64

RGB 200 191 100

HSL 54.6, 0.48%, 0.59%

LAB 76.35, -9.09, 46.61

 

CMYK 0 / 18 / 50 / 22

HEX #C8A464

RGB 200 164 100

HSL 38.4, 0.48%, 0.59%

LAB 69.29, 5.16, 38

 

CMYK 0 / 32 / 50 / 22

HEX #C88964

RGB 200 137 100

HSL 22.2, 0.48%, 0.59%

LAB 62.58, 19.88, 29.49

 

CMYK 0 / 45 / 50 / 22

HEX #C86E64

RGB 200 110 100

HSL 6, 0.48%, 0.59%

LAB 56.44, 34.5, 21.4

 

CMYK 9 / 0 / 50 / 22

HEX #B6C864

RGB 182 200 100

HSL 70.8, 0.48%, 0.59%

LAB 77.38, -20.94, 47.51

 

CMYK 23 / 0 / 50 / 22

HEX #9BC864

RGB 155 200 100

HSL 87, 0.48%, 0.59%

LAB 75.57, -31.38, 44.9

 

CMYK 36 / 0 / 50 / 22

HEX #80C864

RGB 128 200 100

HSL 103.2, 0.48%, 0.59%

LAB 74.07, -40.93, 42.73

 

CMYK 50 / 0 / 50 / 22

HEX #65C864

RGB 101 200 100

HSL 119.4, 0.48%, 0.59%

LAB 72.89, -49.18, 41.01

 

CMYK 50 / 0 / 37 / 22

HEX #64C87E

RGB 100 200 126

HSL 135.6, 0.48%, 0.59%

LAB 73.24, -45.44, 28.26

 

CMYK 9 / 0 / 50 / 22

HEX #B6C864

RGB 182 200 100

HSL 70.8, 0.48%, 0.59%

LAB 77.38, -20.94, 47.51

 

CMYK 11 / 0 / 62 / 15

HEX #C1D953

RGB 193 217 83

HSL 70.75, 0.64%, 0.59%

LAB 82.69, -26.22, 61.38

 

CMYK 13 / 0 / 72 / 8

HEX #CBEA42

RGB 203 234 66

HSL 71.07, 0.8%, 0.59%

LAB 87.94, -31.26, 73.36

 

CMYK 15 / 0 / 80 / 2

HEX #D6FB31

RGB 214 251 49

HSL 70.99, 0.96%, 0.59%

LAB 93.24, -35.4, 83.43

 

CMYK 9 / 0 / 50 / 22

HEX #B6C864

RGB 182 200 100

HSL 70.8, 0.48%, 0.59%

LAB 77.38, -20.94, 47.51

 

CMYK 7 / 0 / 36 / 28

HEX #ABB775

RGB 171 183 117

HSL 70.91, 0.31%, 0.59%

LAB 72.1, -14.86, 32.2

 

CMYK 4 / 0 / 19 / 35

HEX #A0A686

RGB 160 166 134

HSL 71.25, 0.15%, 0.59%

LAB 66.88, -7.81, 15.88

 

CMYK 1 / 1 / 0 / 41

HEX #969597

RGB 150 149 151

HSL 270, 0.01%, 0.59%

LAB 61.84, 0.75, -0.93

 

CMYK 17 / 21 / 0 / 35

HEX #8B84A7

RGB 139 132 167

HSL 252, 0.17%, 0.59%

LAB 56.86, 9.99, -17.59

 

CMYK 0 / 19 / 50 / 22

HEX #C8A364

RGB 200 163 100

HSL 37.8, 0.48%, 0.59%

LAB 69.04, 5.7, 37.68

 

CMYK 0 / 5 / 50 / 22

HEX #C8BE64

RGB 200 190 100

HSL 54, 0.48%, 0.59%

LAB 76.09, -8.57, 46.29

 

CMYK 9 / 0 / 50 / 22

HEX #B7C864

RGB 183 200 100

HSL 70.2, 0.48%, 0.59%

LAB 77.46, -20.54, 47.61

 

CMYK 22 / 0 / 50 / 22

HEX #9DC864

RGB 157 200 100

HSL 85.8, 0.48%, 0.59%

LAB 75.7, -30.63, 45.08

 

CMYK 35 / 0 / 50 / 22

HEX #82C864

RGB 130 200 100

HSL 102, 0.48%, 0.59%

LAB 74.17, -40.26, 42.88

 

CMYK 12 / 0 / 65 / 37

HEX #8EA138

RGB 142 161 56

HSL 70.86, 0.48%, 0.43%

LAB 62.95, -21.6, 50.54

 

CMYK 11 / 0 / 63 / 26

HEX #A8BD45

RGB 168 189 69

HSL 70.5, 0.48%, 0.51%

LAB 72.99, -23.77, 56.29

 

CMYK 9 / 0 / 50 / 22

HEX #B6C864

RGB 182 200 100

HSL 70.8, 0.48%, 0.59%

LAB 77.38, -20.94, 47.51

 

CMYK 7 / 0 / 38 / 17

HEX #C4D382

RGB 196 211 130

HSL 71.11, 0.48%, 0.67%

LAB 81.8, -17.7, 38.42

 

CMYK 5 / 0 / 27 / 13

HEX #D3DEA1

RGB 211 222 161

HSL 70.82, 0.48%, 0.75%

LAB 86.34, -13.58, 28.76

 

CMYK 9 / 0 / 49 / 21

HEX #B7C966

RGB 183 201 102

HSL 70.91, 0.48%, 0.59%

LAB 77.76, -20.84, 47.01

 

CMYK 50 / 0 / 32 / 22

HEX #64C889

RGB 100 200 137

HSL 142.2, 0.48%, 0.59%

LAB 73.43, -43.45, 22.75

 

CMYK 12 / 50 / 0 / 22

HEX #B164C8

RGB 177 100 200

HSL 286.2, 0.48%, 0.59%

LAB 54.69, 47.12, -39.56

 

CMYK 9 / 0 / 49 / 21

HEX #B7C966

RGB 183 201 102

HSL 70.91, 0.48%, 0.59%

LAB 77.76, -20.84, 47.01

 

CMYK 50 / 9 / 0 / 22

HEX #64B7C8

RGB 100 183 200

HSL 190.2, 0.48%, 0.59%

LAB 70, -20.63, -16.41

 

CMYK 0 / 50 / 9 / 22

HEX #C864B7

RGB 200 100 183

HSL 310.2, 0.48%, 0.59%

LAB 56.89, 50.64, -26.16

 

CMYK 9 / 0 / 49 / 21

HEX #B7C966

RGB 183 201 102

HSL 70.91, 0.48%, 0.59%

LAB 77.76, -20.84, 47.01

 

CMYK 50 / 0 / 32 / 22

HEX #64C889

RGB 100 200 137

HSL 142.2, 0.48%, 0.59%

LAB 73.43, -43.45, 22.75

 

CMYK 42 / 50 / 0 / 22

HEX #7464C8

RGB 116 100 200

HSL 249.6, 0.48%, 0.59%

LAB 48.26, 30.88, -50.17

 

CMYK 0 / 50 / 19 / 22

HEX #C864A3

RGB 200 100 163

HSL 322.2, 0.48%, 0.59%

LAB 56.13, 47.45, -15.77

 

CMYK 9 / 0 / 49 / 21

HEX #B7C966

RGB 183 201 102

HSL 70.91, 0.48%, 0.59%

LAB 77.76, -20.84, 47.01

 

CMYK 50 / 0 / 17 / 22

HEX #64C8A7

RGB 100 200 167

HSL 160.2, 0.48%, 0.59%

LAB 74.07, -37.21, 7.58

 

CMYK 42 / 50 / 0 / 22

HEX #7464C8

RGB 116 100 200

HSL 249.6, 0.48%, 0.59%

LAB 48.26, 30.88, -50.17

 

CMYK 0 / 50 / 34 / 22

HEX #C86485

RGB 200 100 133

HSL 340.2, 0.48%, 0.59%

LAB 55.16, 43.3, 0.34

 

Description

Color code: HEX #B7C966 | qconv.com Color code: HEX #B7C966 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 201 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 201 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 49 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 49% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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