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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7A852 it is the complementary color #4857AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7A852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7A852 shade: #BCA84D, #CDBA60, #DECC73, #EFDE86 and #FFF099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7A852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7A852 shade: #B7A852, #A6963F, #95842C, #847219 and #736006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7A852 shade: #B6A752, #B68C52, #B67152, #B65652 and #B65252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7A852 shade: #B6A752, #AAB652, #8FB652, #74B652 and #59B652

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7A852 shade matches the following richer shades: #B6A752, #CAB53E, #DEC32A and #F2D117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7A852 shade: #B6A752, #A29966, #8F8C7A, #7B7E8D and #6770A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7A852 shade: #B67252, #B68C52, #B6A752, #ABB652 and #90B652

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7A852 shade: #807535, #9D9042, #B6A752, #C2B66F and #CFC58C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7A852 shade: #B7A852, #52B657 and #7F52B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7A852 shade: #B7A852, #52B6A7 and #A752B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7A852 shade: #B7A852, #52B657, #5261B6 and #B652B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7A852 shade: #B7A852, #52B675, #5261B6 and #B65293

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 55 / 28

HEX #B7A852

RGB 183 168 82

HSL 51.09, 0.41%, 0.52%

LAB 68.52, -5.74, 45.75

 

Complementary color

CMYK 58 / 50 / 0 / 32

HEX #4857AD

RGB 72 87 173

HSL 231.09, 0.41%, 0.48%

LAB 39.93, 20.57, -47.96

 

CMYK 0 / 11 / 59 / 26

HEX #BCA84D

RGB 188 168 77

HSL 49.19, 0.45%, 0.52%

LAB 68.92, -4, 48.71

 

CMYK 0 / 9 / 53 / 20

HEX #CDBA60

RGB 205 186 96

HSL 49.54, 0.52%, 0.59%

LAB 75.41, -4.77, 47.54

 

CMYK 0 / 8 / 48 / 13

HEX #DECC73

RGB 222 204 115

HSL 49.91, 0.62%, 0.66%

LAB 81.81, -5.43, 46.33

 

CMYK 0 / 7 / 44 / 6

HEX #EFDE86

RGB 239 222 134

HSL 50.29, 0.77%, 0.73%

LAB 88.12, -5.98, 45.13

 

CMYK 0 / 6 / 40 / 0

HEX #FFF099

RGB 255 240 153

HSL 51.18, 1%, 0.8%

LAB 94.26, -6.85, 43.83

 

CMYK 0 / 8 / 55 / 28

HEX #B7A852

RGB 183 168 82

HSL 51.09, 0.41%, 0.52%

LAB 68.52, -5.74, 45.75

 

CMYK 0 / 10 / 62 / 35

HEX #A6963F

RGB 166 150 63

HSL 50.68, 0.45%, 0.45%

LAB 61.89, -4.93, 46.87

 

CMYK 0 / 11 / 70 / 42

HEX #95842C

RGB 149 132 44

HSL 50.29, 0.54%, 0.38%

LAB 55.15, -3.92, 47.75

 

CMYK 0 / 14 / 81 / 48

HEX #847219

RGB 132 114 25

HSL 49.91, 0.68%, 0.31%

LAB 48.27, -2.65, 47.99

 

CMYK 0 / 17 / 95 / 55

HEX #736006

RGB 115 96 6

HSL 49.54, 0.9%, 0.24%

LAB 41.25, -1.03, 46.85

 

CMYK 0 / 8 / 55 / 29

HEX #B6A752

RGB 182 167 82

HSL 51, 0.41%, 0.52%

LAB 68.16, -5.64, 45.31

 

CMYK 0 / 23 / 55 / 29

HEX #B68C52

RGB 182 140 82

HSL 34.8, 0.41%, 0.52%

LAB 61.05, 9.03, 36.83

 

CMYK 0 / 38 / 55 / 29

HEX #B67152

RGB 182 113 82

HSL 18.6, 0.41%, 0.52%

LAB 54.41, 24.04, 28.56

 

CMYK 0 / 53 / 55 / 29

HEX #B65652

RGB 182 86 82

HSL 2.4, 0.41%, 0.52%

LAB 48.52, 38.53, 20.92

 

CMYK 0 / 55 / 55 / 29

HEX #B65252

RGB 182 82 82

HSL 0, 0.41%, 0.52%

LAB 47.74, 40.56, 19.87

 

CMYK 0 / 8 / 55 / 29

HEX #B6A752

RGB 182 167 82

HSL 51, 0.41%, 0.52%

LAB 68.16, -5.64, 45.31

 

CMYK 7 / 0 / 55 / 29

HEX #AAB652

RGB 170 182 82

HSL 67.2, 0.41%, 0.52%

LAB 71.29, -18.46, 48.67

 

CMYK 21 / 0 / 55 / 29

HEX #8FB652

RGB 143 182 82

HSL 83.4, 0.41%, 0.52%

LAB 69.4, -29.28, 46

 

CMYK 36 / 0 / 55 / 29

HEX #74B652

RGB 116 182 82

HSL 99.6, 0.41%, 0.52%

LAB 67.86, -39.17, 43.8

 

CMYK 51 / 0 / 55 / 29

HEX #59B652

RGB 89 182 82

HSL 115.8, 0.41%, 0.52%

LAB 66.66, -47.6, 42.09

 

CMYK 0 / 8 / 55 / 29

HEX #B6A752

RGB 182 167 82

HSL 51, 0.41%, 0.52%

LAB 68.16, -5.64, 45.31

 

CMYK 0 / 10 / 69 / 21

HEX #CAB53E

RGB 202 181 62

HSL 51, 0.57%, 0.52%

LAB 73.51, -5.76, 60.55

 

CMYK 0 / 12 / 81 / 13

HEX #DEC32A

RGB 222 195 42

HSL 51, 0.73%, 0.52%

LAB 78.88, -5.2, 73.01

 

CMYK 0 / 14 / 90 / 5

HEX #F2D117

RGB 242 209 23

HSL 50.96, 0.89%, 0.52%

LAB 84.25, -4.2, 82.22

 

CMYK 0 / 8 / 55 / 29

HEX #B6A752

RGB 182 167 82

HSL 51, 0.41%, 0.52%

LAB 68.16, -5.64, 45.31

 

CMYK 0 / 6 / 37 / 36

HEX #A29966

RGB 162 153 102

HSL 51, 0.24%, 0.52%

LAB 62.86, -4.53, 28.02

 

CMYK 0 / 2 / 15 / 44

HEX #8F8C7A

RGB 143 140 122

HSL 51.43, 0.09%, 0.52%

LAB 58.04, -2.14, 10.02

 

CMYK 13 / 11 / 0 / 45

HEX #7B7E8D

RGB 123 126 141

HSL 230, 0.07%, 0.52%

LAB 53.01, 2.09, -8.48

 

CMYK 36 / 30 / 0 / 37

HEX #6770A1

RGB 103 112 161

HSL 230.69, 0.24%, 0.52%

LAB 48.32, 8.95, -27.49

 

CMYK 0 / 37 / 55 / 29

HEX #B67252

RGB 182 114 82

HSL 19.2, 0.41%, 0.52%

LAB 54.65, 23.49, 28.86

 

CMYK 0 / 23 / 55 / 29

HEX #B68C52

RGB 182 140 82

HSL 34.8, 0.41%, 0.52%

LAB 61.05, 9.03, 36.83

 

CMYK 0 / 8 / 55 / 29

HEX #B6A752

RGB 182 167 82

HSL 51, 0.41%, 0.52%

LAB 68.16, -5.64, 45.31

 

CMYK 6 / 0 / 55 / 29

HEX #ABB652

RGB 171 182 82

HSL 66.6, 0.41%, 0.52%

LAB 71.37, -18.04, 48.78

 

CMYK 21 / 0 / 55 / 29

HEX #90B652

RGB 144 182 82

HSL 82.8, 0.41%, 0.52%

LAB 69.47, -28.89, 46.09

 

CMYK 0 / 9 / 59 / 50

HEX #807535

RGB 128 117 53

HSL 51.2, 0.41%, 0.35%

LAB 48.97, -4.5, 36.24

 

CMYK 0 / 8 / 58 / 38

HEX #9D9042

RGB 157 144 66

HSL 51.43, 0.41%, 0.44%

LAB 59.44, -5.41, 42.46

 

CMYK 0 / 8 / 55 / 29

HEX #B6A752

RGB 182 167 82

HSL 51, 0.41%, 0.52%

LAB 68.16, -5.64, 45.31

 

CMYK 0 / 6 / 43 / 24

HEX #C2B66F

RGB 194 182 111

HSL 51.33, 0.4%, 0.6%

LAB 73.59, -5.81, 37.6

 

CMYK 0 / 5 / 32 / 19

HEX #CFC58C

RGB 207 197 140

HSL 51.04, 0.41%, 0.68%

LAB 79.09, -5.1, 29.9

 

CMYK 0 / 8 / 55 / 28

HEX #B7A852

RGB 183 168 82

HSL 51.09, 0.41%, 0.52%

LAB 68.52, -5.74, 45.75

 

CMYK 55 / 0 / 52 / 29

HEX #52B657

RGB 82 182 87

HSL 123, 0.41%, 0.52%

LAB 66.47, -48.83, 39.37

 

CMYK 30 / 55 / 0 / 29

HEX #7F52B6

RGB 127 82 182

HSL 267, 0.41%, 0.52%

LAB 44.12, 39.29, -46.28

 

CMYK 0 / 8 / 55 / 28

HEX #B7A852

RGB 183 168 82

HSL 51.09, 0.41%, 0.52%

LAB 68.52, -5.74, 45.75

 

CMYK 55 / 0 / 8 / 29

HEX #52B6A7

RGB 82 182 167

HSL 171, 0.41%, 0.52%

LAB 68.05, -32.86, -1.21

 

CMYK 8 / 55 / 0 / 29

HEX #A752B6

RGB 167 82 182

HSL 291, 0.41%, 0.52%

LAB 49.04, 49.94, -38.16

 

CMYK 0 / 8 / 55 / 28

HEX #B7A852

RGB 183 168 82

HSL 51.09, 0.41%, 0.52%

LAB 68.52, -5.74, 45.75

 

CMYK 55 / 0 / 52 / 29

HEX #52B657

RGB 82 182 87

HSL 123, 0.41%, 0.52%

LAB 66.47, -48.83, 39.37

 

CMYK 55 / 47 / 0 / 29

HEX #5261B6

RGB 82 97 182

HSL 231, 0.41%, 0.52%

LAB 43.83, 19.32, -46.97

 

CMYK 0 / 55 / 3 / 29

HEX #B652B1

RGB 182 82 177

HSL 303, 0.41%, 0.52%

LAB 50.87, 53.14, -32.24

 

CMYK 0 / 8 / 55 / 28

HEX #B7A852

RGB 183 168 82

HSL 51.09, 0.41%, 0.52%

LAB 68.52, -5.74, 45.75

 

CMYK 55 / 0 / 36 / 29

HEX #52B675

RGB 82 182 117

HSL 141, 0.41%, 0.52%

LAB 66.93, -43.98, 24.48

 

CMYK 55 / 47 / 0 / 29

HEX #5261B6

RGB 82 97 182

HSL 231, 0.41%, 0.52%

LAB 43.83, 19.32, -46.97

 

CMYK 0 / 55 / 19 / 29

HEX #B65293

RGB 182 82 147

HSL 321, 0.41%, 0.52%

LAB 49.6, 48.24, -16.52

 

Description

Color code: HEX #B7A852 | qconv.com Color code: HEX #B7A852 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 168 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 168 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 55 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 55% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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