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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39FBC it is the complementary color #4C6043. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39FBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39FBC shade: #B89FB7, #C9B1CA, #DAC3DD, #EBD5F0 and #FCE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39FBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39FBC shade: #B39FBC, #A28DA9, #917B96, #806983 and #6F5770

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39FBC shade: #B29EBC, #BA9EBC, #BC9EB5, #BC9EAD and #BC9EA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39FBC shade: #B29EBC, #AB9EBC, #A39EBC and #9E9EBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39FBC shade matches the following richer shades: #B29EBC, #B791C9, #BC84D6, #C177E3 and #C769F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39FBC shade: #B29EBC, #ADABAE, #A8B9A1, #A3C694 and #9ED387

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39FBC shade: #A39EBC, #AA9EBC, #B29EBC, #BA9EBC and #BC9EB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39FBC shade: #8C6E9A, #9F86AB, #B29EBC, #C6B7CD and #D9CFDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39FBC shade: #B39FBC, #BC9EA2 and #9EBCA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39FBC shade: #B39FBC, #BCB29E and #9EBCB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39FBC shade: #B39FBC, #BC9EA2, #A8BC9E and #9EBCB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39FBC shade: #B39FBC, #BCA49E, #A8BC9E and #9EB6BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 15 / 0 / 26

HEX #B39FBC

RGB 179 159 188

HSL 281.38, 0.18%, 0.68%

LAB 68.03, 12.71, -12.25

 

Complementary color

CMYK 21 / 0 / 30 / 62

HEX #4C6043

RGB 76 96 67

HSL 101.38, 0.18%, 0.32%

LAB 38.39, -13.71, 14.16

 

CMYK 0 / 14 / 1 / 28

HEX #B89FB7

RGB 184 159 183

HSL 302.4, 0.15%, 0.67%

LAB 68.32, 13.46, -8.99

 

CMYK 0 / 12 / 0 / 21

HEX #C9B1CA

RGB 201 177 202

HSL 297.6, 0.19%, 0.74%

LAB 74.9, 13.06, -9.49

 

CMYK 1 / 12 / 0 / 13

HEX #DAC3DD

RGB 218 195 221

HSL 293.08, 0.28%, 0.82%

LAB 81.38, 12.69, -9.97

 

CMYK 2 / 11 / 0 / 6

HEX #EBD5F0

RGB 235 213 240

HSL 288.89, 0.47%, 0.89%

LAB 87.75, 12.34, -10.45

 

CMYK 1 / 9 / 0 / 0

HEX #FCE7FF

RGB 252 231 255

HSL 292.5, 1%, 0.95%

LAB 93.91, 11.29, -9

 

CMYK 5 / 15 / 0 / 26

HEX #B39FBC

RGB 179 159 188

HSL 281.38, 0.18%, 0.68%

LAB 68.03, 12.71, -12.25

 

CMYK 4 / 17 / 0 / 34

HEX #A28DA9

RGB 162 141 169

HSL 285, 0.14%, 0.61%

LAB 61.3, 13.13, -11.82

 

CMYK 3 / 18 / 0 / 41

HEX #917B96

RGB 145 123 150

HSL 288.89, 0.11%, 0.54%

LAB 54.44, 13.59, -11.39

 

CMYK 2 / 20 / 0 / 49

HEX #806983

RGB 128 105 131

HSL 293.08, 0.11%, 0.46%

LAB 47.41, 14.1, -10.94

 

CMYK 1 / 22 / 0 / 56

HEX #6F5770

RGB 111 87 112

HSL 297.6, 0.13%, 0.39%

LAB 40.19, 14.68, -10.48

 

CMYK 5 / 16 / 0 / 26

HEX #B29EBC

RGB 178 158 188

HSL 280, 0.18%, 0.68%

LAB 67.69, 12.92, -12.77

 

CMYK 1 / 16 / 0 / 26

HEX #BA9EBC

RGB 186 158 188

HSL 296, 0.18%, 0.68%

LAB 68.4, 15.67, -11.63

 

CMYK 0 / 16 / 4 / 26

HEX #BC9EB5

RGB 188 158 181

HSL 314, 0.18%, 0.68%

LAB 68.37, 15.05, -7.76

 

CMYK 0 / 16 / 8 / 26

HEX #BC9EAD

RGB 188 158 173

HSL 330, 0.18%, 0.68%

LAB 68.14, 13.6, -3.65

 

CMYK 0 / 16 / 12 / 26

HEX #BC9EA5

RGB 188 158 165

HSL 346, 0.18%, 0.68%

LAB 67.92, 12.22, 0.49

 

CMYK 5 / 16 / 0 / 26

HEX #B29EBC

RGB 178 158 188

HSL 280, 0.18%, 0.68%

LAB 67.69, 12.92, -12.77

 

CMYK 9 / 16 / 0 / 26

HEX #AB9EBC

RGB 171 158 188

HSL 266, 0.18%, 0.68%

LAB 67.08, 10.54, -13.74

 

CMYK 13 / 16 / 0 / 26

HEX #A39EBC

RGB 163 158 188

HSL 250, 0.18%, 0.68%

LAB 66.42, 7.86, -14.81

 

CMYK 16 / 16 / 0 / 26

HEX #9E9EBC

RGB 158 158 188

HSL 240, 0.18%, 0.68%

LAB 66.02, 6.21, -15.45

 

CMYK 5 / 16 / 0 / 26

HEX #B29EBC

RGB 178 158 188

HSL 280, 0.18%, 0.68%

LAB 67.69, 12.92, -12.77

 

CMYK 9 / 28 / 0 / 21

HEX #B791C9

RGB 183 145 201

HSL 280.71, 0.34%, 0.68%

LAB 65.39, 24.51, -23.47

 

CMYK 12 / 38 / 0 / 16

HEX #BC84D6

RGB 188 132 214

HSL 280.98, 0.5%, 0.68%

LAB 63.38, 36.01, -33.78

 

CMYK 15 / 48 / 0 / 11

HEX #C177E3

RGB 193 119 227

HSL 281.11, 0.66%, 0.68%

LAB 61.72, 47.2, -43.6

 

CMYK 17 / 56 / 0 / 6

HEX #C769F0

RGB 199 105 240

HSL 281.78, 0.82%, 0.68%

LAB 60.37, 58.58, -52.92

 

CMYK 5 / 16 / 0 / 26

HEX #B29EBC

RGB 178 158 188

HSL 280, 0.18%, 0.68%

LAB 67.69, 12.92, -12.77

 

CMYK 1 / 2 / 0 / 32

HEX #ADABAE

RGB 173 171 174

HSL 280, 0.02%, 0.68%

LAB 70.22, 1.28, -1.29

 

CMYK 9 / 0 / 13 / 27

HEX #A8B9A1

RGB 168 185 161

HSL 102.5, 0.15%, 0.68%

LAB 73.28, -10.36, 10.2

 

CMYK 18 / 0 / 25 / 22

HEX #A3C694

RGB 163 198 148

HSL 102, 0.3%, 0.68%

LAB 76.26, -20.98, 21.31

 

CMYK 25 / 0 / 36 / 17

HEX #9ED387

RGB 158 211 135

HSL 101.84, 0.46%, 0.68%

LAB 79.39, -31.03, 32.25

 

CMYK 13 / 16 / 0 / 26

HEX #A39EBC

RGB 163 158 188

HSL 250, 0.18%, 0.68%

LAB 66.42, 7.86, -14.81

 

CMYK 10 / 16 / 0 / 26

HEX #AA9EBC

RGB 170 158 188

HSL 264, 0.18%, 0.68%

LAB 67, 10.21, -13.88

 

CMYK 5 / 16 / 0 / 26

HEX #B29EBC

RGB 178 158 188

HSL 280, 0.18%, 0.68%

LAB 67.69, 12.92, -12.77

 

CMYK 1 / 16 / 0 / 26

HEX #BA9EBC

RGB 186 158 188

HSL 296, 0.18%, 0.68%

LAB 68.4, 15.67, -11.63

 

CMYK 0 / 16 / 4 / 26

HEX #BC9EB5

RGB 188 158 181

HSL 314, 0.18%, 0.68%

LAB 68.37, 15.05, -7.76

 

CMYK 9 / 29 / 0 / 40

HEX #8C6E9A

RGB 140 110 154

HSL 280.91, 0.18%, 0.52%

LAB 50.76, 20.28, -19.35

 

CMYK 7 / 22 / 0 / 33

HEX #9F86AB

RGB 159 134 171

HSL 280.54, 0.18%, 0.6%

LAB 59.31, 16.49, -16

 

CMYK 5 / 16 / 0 / 26

HEX #B29EBC

RGB 178 158 188

HSL 280, 0.18%, 0.68%

LAB 67.69, 12.92, -12.77

 

CMYK 3 / 11 / 0 / 20

HEX #C6B7CD

RGB 198 183 205

HSL 280.91, 0.18%, 0.76%

LAB 76.24, 9.35, -9.16

 

CMYK 2 / 6 / 0 / 13

HEX #D9CFDD

RGB 217 207 221

HSL 282.86, 0.17%, 0.84%

LAB 84.28, 5.97, -5.68

 

CMYK 5 / 15 / 0 / 26

HEX #B39FBC

RGB 179 159 188

HSL 281.38, 0.18%, 0.68%

LAB 68.03, 12.71, -12.25

 

CMYK 0 / 16 / 14 / 26

HEX #BC9EA2

RGB 188 158 162

HSL 352, 0.18%, 0.68%

LAB 67.84, 11.71, 2.04

 

CMYK 16 / 0 / 11 / 26

HEX #9EBCA7

RGB 158 188 167

HSL 138, 0.18%, 0.68%

LAB 73.56, -14.31, 7.25

 

CMYK 5 / 15 / 0 / 26

HEX #B39FBC

RGB 179 159 188

HSL 281.38, 0.18%, 0.68%

LAB 68.03, 12.71, -12.25

 

CMYK 0 / 5 / 16 / 26

HEX #BCB29E

RGB 188 178 158

HSL 40, 0.18%, 0.68%

LAB 72.89, 0.18, 11.5

 

CMYK 16 / 0 / 5 / 26

HEX #9EBCB2

RGB 158 188 178

HSL 160, 0.18%, 0.68%

LAB 73.84, -12.16, 1.66

 

CMYK 5 / 15 / 0 / 26

HEX #B39FBC

RGB 179 159 188

HSL 281.38, 0.18%, 0.68%

LAB 68.03, 12.71, -12.25

 

CMYK 0 / 16 / 14 / 26

HEX #BC9EA2

RGB 188 158 162

HSL 352, 0.18%, 0.68%

LAB 67.84, 11.71, 2.04

 

CMYK 11 / 0 / 16 / 26

HEX #A8BC9E

RGB 168 188 158

HSL 100, 0.18%, 0.68%

LAB 74.04, -12.45, 12.9

 

CMYK 16 / 0 / 2 / 26

HEX #9EBCB8

RGB 158 188 184

HSL 172, 0.18%, 0.68%

LAB 74, -10.93, -1.38

 

CMYK 5 / 15 / 0 / 26

HEX #B39FBC

RGB 179 159 188

HSL 281.38, 0.18%, 0.68%

LAB 68.03, 12.71, -12.25

 

CMYK 0 / 13 / 16 / 26

HEX #BCA49E

RGB 188 164 158

HSL 12, 0.18%, 0.68%

LAB 69.26, 7.76, 6.32

 

CMYK 11 / 0 / 16 / 26

HEX #A8BC9E

RGB 168 188 158

HSL 100, 0.18%, 0.68%

LAB 74.04, -12.45, 12.9

 

CMYK 16 / 3 / 0 / 26

HEX #9EB6BC

RGB 158 182 188

HSL 192, 0.18%, 0.68%

LAB 72.47, -6.92, -5.82

 

Description

Color code: HEX #B39FBC | qconv.com Color code: HEX #B39FBC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 159 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 159 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 15 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 15% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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