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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39A55 it is the complementary color #4C65AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39A55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39A55 shade: #B89A50, #C9AC63, #DABE76, #EBD089 and #FCE29C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39A55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39A55 shade: #B39A55, #A28842, #91762F, #80641C and #6F5209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39A55 shade: #B39A56, #B38156, #B36856 and #B35656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39A55 shade: #B39A56, #B2B356, #99B356, #80B356 and #67B356

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39A55 shade matches the following richer shades: #B39A56, #C6A342, #DAAC2E and #EEB61A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39A55 shade: #B39A56, #9F9169, #8B877D, #777E91 and #6375A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39A55 shade: #B36856, #B38156, #B39A56, #B3B356 and #9AB356

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39A55 shade: #7E6B38, #9A8345, #B39A56, #BFAB72 and #CCBC8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39A55 shade: #B39A55, #5CB356 and #7556B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39A55 shade: #B39A55, #56B39A and #9A56B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39A55 shade: #B39A55, #5CB356, #566EB3 and #AC56B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39A55 shade: #B39A55, #56B36B, #566EB3 and #B3569D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 53 / 30

HEX #B39A55

RGB 179 154 85

HSL 44.04, 0.38%, 0.52%

LAB 64.44, 0.32, 39.32

 

Complementary color

CMYK 55 / 41 / 0 / 33

HEX #4C65AA

RGB 76 101 170

HSL 224.04, 0.38%, 0.48%

LAB 43.87, 11.49, -39.9

 

CMYK 0 / 16 / 57 / 28

HEX #B89A50

RGB 184 154 80

HSL 42.69, 0.42%, 0.52%

LAB 64.87, 2.04, 42.48

 

CMYK 0 / 14 / 51 / 21

HEX #C9AC63

RGB 201 172 99

HSL 42.94, 0.49%, 0.59%

LAB 71.43, 1.2, 41.18

 

CMYK 0 / 13 / 46 / 15

HEX #DABE76

RGB 218 190 118

HSL 43.2, 0.57%, 0.66%

LAB 77.9, 0.49, 39.9

 

CMYK 0 / 11 / 42 / 8

HEX #EBD089

RGB 235 208 137

HSL 43.47, 0.71%, 0.73%

LAB 84.27, -0.12, 38.67

 

CMYK 0 / 10 / 38 / 1

HEX #FCE29C

RGB 252 226 156

HSL 43.75, 0.94%, 0.8%

LAB 90.55, -0.64, 37.49

 

CMYK 0 / 14 / 53 / 30

HEX #B39A55

RGB 179 154 85

HSL 44.04, 0.38%, 0.52%

LAB 64.44, 0.32, 39.32

 

CMYK 0 / 16 / 59 / 36

HEX #A28842

RGB 162 136 66

HSL 43.75, 0.42%, 0.45%

LAB 57.73, 1.2, 40.62

 

CMYK 0 / 19 / 68 / 43

HEX #91762F

RGB 145 118 47

HSL 43.47, 0.51%, 0.38%

LAB 50.9, 2.28, 41.83

 

CMYK 0 / 22 / 78 / 50

HEX #80641C

RGB 128 100 28

HSL 43.2, 0.64%, 0.31%

LAB 43.93, 3.66, 42.65

 

CMYK 0 / 26 / 92 / 56

HEX #6F5209

RGB 111 82 9

HSL 42.94, 0.85%, 0.24%

LAB 36.81, 5.42, 42.34

 

CMYK 0 / 14 / 52 / 30

HEX #B39A56

RGB 179 154 86

HSL 43.87, 0.38%, 0.52%

LAB 64.46, 0.41, 38.82

 

CMYK 0 / 28 / 52 / 30

HEX #B38156

RGB 179 129 86

HSL 27.74, 0.38%, 0.52%

LAB 58, 14.22, 30.81

 

CMYK 0 / 42 / 52 / 30

HEX #B36856

RGB 179 104 86

HSL 11.61, 0.38%, 0.52%

LAB 52.01, 28.14, 23.1

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 0 / 14 / 52 / 30

HEX #B39A56

RGB 179 154 86

HSL 43.87, 0.38%, 0.52%

LAB 64.46, 0.41, 38.82

 

CMYK 1 / 0 / 52 / 30

HEX #B2B356

RGB 178 179 86

HSL 60.65, 0.38%, 0.52%

LAB 71.13, -13.26, 46.75

 

CMYK 15 / 0 / 52 / 30

HEX #99B356

RGB 153 179 86

HSL 76.77, 0.38%, 0.52%

LAB 69.24, -23.49, 44.06

 

CMYK 28 / 0 / 52 / 30

HEX #80B356

RGB 128 179 86

HSL 92.9, 0.38%, 0.52%

LAB 67.65, -33.1, 41.78

 

CMYK 42 / 0 / 52 / 30

HEX #67B356

RGB 103 179 86

HSL 109.03, 0.38%, 0.52%

LAB 66.36, -41.67, 39.92

 

CMYK 0 / 14 / 52 / 30

HEX #B39A56

RGB 179 154 86

HSL 43.87, 0.38%, 0.52%

LAB 64.46, 0.41, 38.82

 

CMYK 0 / 18 / 67 / 22

HEX #C6A342

RGB 198 163 66

HSL 44.09, 0.54%, 0.52%

LAB 68.46, 2.26, 53.51

 

CMYK 0 / 21 / 79 / 15

HEX #DAAC2E

RGB 218 172 46

HSL 43.95, 0.7%, 0.52%

LAB 72.63, 5.22, 66.12

 

CMYK 0 / 24 / 89 / 7

HEX #EEB61A

RGB 238 182 26

HSL 44.15, 0.86%, 0.52%

LAB 77.11, 8.08, 76.04

 

CMYK 0 / 14 / 52 / 30

HEX #B39A56

RGB 179 154 86

HSL 43.87, 0.38%, 0.52%

LAB 64.46, 0.41, 38.82

 

CMYK 0 / 9 / 34 / 38

HEX #9F9169

RGB 159 145 105

HSL 44.44, 0.22%, 0.52%

LAB 60.46, -1.01, 23.15

 

CMYK 0 / 3 / 10 / 45

HEX #8B877D

RGB 139 135 125

HSL 42.86, 0.06%, 0.52%

LAB 56.38, -0.37, 5.9

 

CMYK 18 / 13 / 0 / 43

HEX #777E91

RGB 119 126 145

HSL 223.85, 0.11%, 0.52%

LAB 52.83, 1.62, -11.12

 

CMYK 40 / 29 / 0 / 35

HEX #6375A5

RGB 99 117 165

HSL 223.64, 0.27%, 0.52%

LAB 49.61, 5.92, -27.85

 

CMYK 0 / 42 / 52 / 30

HEX #B36856

RGB 179 104 86

HSL 11.61, 0.38%, 0.52%

LAB 52.01, 28.14, 23.1

 

CMYK 0 / 28 / 52 / 30

HEX #B38156

RGB 179 129 86

HSL 27.74, 0.38%, 0.52%

LAB 58, 14.22, 30.81

 

CMYK 0 / 14 / 52 / 30

HEX #B39A56

RGB 179 154 86

HSL 43.87, 0.38%, 0.52%

LAB 64.46, 0.41, 38.82

 

CMYK 0 / 0 / 52 / 30

HEX #B3B356

RGB 179 179 86

HSL 60, 0.38%, 0.52%

LAB 71.21, -12.85, 46.87

 

CMYK 14 / 0 / 52 / 30

HEX #9AB356

RGB 154 179 86

HSL 76.13, 0.38%, 0.52%

LAB 69.31, -23.09, 44.16

 

CMYK 0 / 15 / 56 / 51

HEX #7E6B38

RGB 126 107 56

HSL 43.71, 0.38%, 0.36%

LAB 45.96, 0.58, 31.08

 

CMYK 0 / 15 / 55 / 40

HEX #9A8345

RGB 154 131 69

HSL 43.76, 0.38%, 0.44%

LAB 55.62, 0.69, 36.4

 

CMYK 0 / 14 / 52 / 30

HEX #B39A56

RGB 179 154 86

HSL 43.87, 0.38%, 0.52%

LAB 64.46, 0.41, 38.82

 

CMYK 0 / 10 / 40 / 25

HEX #BFAB72

RGB 191 171 114

HSL 44.42, 0.38%, 0.6%

LAB 70.47, -0.88, 31.98

 

CMYK 0 / 8 / 30 / 20

HEX #CCBC8F

RGB 204 188 143

HSL 44.26, 0.37%, 0.68%

LAB 76.55, -1.18, 24.86

 

CMYK 0 / 14 / 53 / 30

HEX #B39A55

RGB 179 154 85

HSL 44.04, 0.38%, 0.52%

LAB 64.44, 0.32, 39.32

 

CMYK 49 / 0 / 52 / 30

HEX #5CB356

RGB 92 179 86

HSL 116.13, 0.38%, 0.52%

LAB 65.89, -45.01, 39.24

 

CMYK 35 / 52 / 0 / 30

HEX #7556B3

RGB 117 86 179

HSL 260, 0.38%, 0.52%

LAB 43.79, 33.62, -45.12

 

CMYK 0 / 14 / 53 / 30

HEX #B39A55

RGB 179 154 85

HSL 44.04, 0.38%, 0.52%

LAB 64.44, 0.32, 39.32

 

CMYK 52 / 0 / 14 / 30

HEX #56B39A

RGB 86 179 154

HSL 163.87, 0.38%, 0.52%

LAB 66.94, -33.8, 4.36

 

CMYK 14 / 52 / 0 / 30

HEX #9A56B3

RGB 154 86 179

HSL 283.87, 0.38%, 0.52%

LAB 47.98, 43.68, -38.2

 

CMYK 0 / 14 / 53 / 30

HEX #B39A55

RGB 179 154 85

HSL 44.04, 0.38%, 0.52%

LAB 64.44, 0.32, 39.32

 

CMYK 49 / 0 / 52 / 30

HEX #5CB356

RGB 92 179 86

HSL 116.13, 0.38%, 0.52%

LAB 65.89, -45.01, 39.24

 

CMYK 52 / 39 / 0 / 30

HEX #566EB3

RGB 86 110 179

HSL 224.52, 0.38%, 0.52%

LAB 47.48, 11.12, -39.41

 

CMYK 4 / 52 / 0 / 30

HEX #AC56B3

RGB 172 86 179

HSL 295.48, 0.38%, 0.52%

LAB 50.31, 48.75, -34.37

 

CMYK 0 / 14 / 53 / 30

HEX #B39A55

RGB 179 154 85

HSL 44.04, 0.38%, 0.52%

LAB 64.44, 0.32, 39.32

 

CMYK 52 / 0 / 40 / 30

HEX #56B36B

RGB 86 179 107

HSL 133.55, 0.38%, 0.52%

LAB 65.97, -43.49, 28.53

 

CMYK 52 / 39 / 0 / 30

HEX #566EB3

RGB 86 110 179

HSL 224.52, 0.38%, 0.52%

LAB 47.48, 11.12, -39.41

 

CMYK 0 / 52 / 12 / 30

HEX #B3569D

RGB 179 86 157

HSL 314.19, 0.38%, 0.52%

LAB 50.3, 46.92, -21.41

 

Description

Color code: HEX #B39A55 | qconv.com Color code: HEX #B39A55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 154 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 154 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 53 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 53% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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