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Color name
HEX #B39A13

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39A13 it is the complementary color #4C65EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39A13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39A13 shade: #B89A0E, #C9AC21, #DABE34, #EBD047 and #FCE25A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39A13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39A13 shade: #B39A13, #A28800, #917600, #806400 and #6F5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39A13 shade: #B49A12, #B46F12, #B44312, #B41812 and #B41212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39A13 shade: #B49A12, #A1B412, #76B412, #4AB412 and #1FB412

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39A13 shade matches the following richer shades: #B49A12 and #C4A502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39A13 shade: #B49A12, #A38F22, #938433, #837943 and #736E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39A13 shade: #B44312, #B46E12, #B49912, #A3B412 and #78B412

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39A13 shade: #695A0B, #8E7A0E, #B49A12, #D9BA16 and #E9CC30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39A13 shade: #B39A13, #12B418 and #5812B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39A13 shade: #B39A13, #12B499 and #9912B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39A13 shade: #B39A13, #12B418, #122DB4 and #B412AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39A13 shade: #B39A13, #12B448, #122DB4 and #B4127E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 89 / 30

HEX #B39A13

RGB 179 154 19

HSL 50.63, 0.81%, 0.39%

LAB 63.95, -3.19, 64.64

 

Complementary color

CMYK 68 / 57 / 0 / 7

HEX #4C65EC

RGB 76 101 236

HSL 230.63, 0.81%, 0.61%

LAB 48.13, 34.12, -70.96

 

CMYK 0 / 16 / 92 / 28

HEX #B89A0E

RGB 184 154 14

HSL 49.41, 0.86%, 0.39%

LAB 64.43, -1.03, 66.14

 

CMYK 0 / 14 / 84 / 21

HEX #C9AC21

RGB 201 172 33

HSL 49.64, 0.72%, 0.46%

LAB 70.89, -2.63, 67.87

 

CMYK 0 / 13 / 76 / 15

HEX #DABE34

RGB 218 190 52

HSL 49.88, 0.69%, 0.53%

LAB 77.27, -4, 68.36

 

CMYK 0 / 11 / 70 / 8

HEX #EBD047

RGB 235 208 71

HSL 50.12, 0.8%, 0.6%

LAB 83.56, -5.16, 68.11

 

CMYK 0 / 10 / 64 / 1

HEX #FCE25A

RGB 252 226 90

HSL 50.37, 0.96%, 0.67%

LAB 89.78, -6.16, 67.45

 

CMYK 0 / 14 / 89 / 30

HEX #B39A13

RGB 179 154 19

HSL 50.63, 0.81%, 0.39%

LAB 63.95, -3.19, 64.64

 

CMYK 0 / 16 / 100 / 36

HEX #A28800

RGB 162 136 0

HSL 50.37, 1%, 0.32%

LAB 57.36, -1.47, 62.1

 

CMYK 0 / 19 / 100 / 43

HEX #917600

RGB 145 118 0

HSL 48.83, 1%, 0.28%

LAB 50.66, 0.63, 56.57

 

CMYK 0 / 22 / 100 / 50

HEX #806400

RGB 128 100 0

HSL 46.88, 1%, 0.25%

LAB 43.8, 2.83, 50.91

 

CMYK 0 / 26 / 100 / 56

HEX #6F5200

RGB 111 82 0

HSL 44.32, 1%, 0.22%

LAB 36.77, 5.18, 45.12

 

CMYK 0 / 14 / 90 / 29

HEX #B49A12

RGB 180 154 18

HSL 50.37, 0.82%, 0.39%

LAB 64.05, -2.76, 64.95

 

CMYK 0 / 38 / 90 / 29

HEX #B46F12

RGB 180 111 18

HSL 34.44, 0.82%, 0.39%

LAB 53.08, 20.97, 56.42

 

CMYK 0 / 63 / 90 / 29

HEX #B44312

RGB 180 67 18

HSL 18.15, 0.82%, 0.39%

LAB 43.89, 43.84, 49.41

 

CMYK 0 / 87 / 90 / 29

HEX #B41812

RGB 180 24 18

HSL 2.22, 0.82%, 0.39%

LAB 38.55, 58.54, 45.43

 

CMYK 0 / 90 / 90 / 29

HEX #B41212

RGB 180 18 18

HSL 0, 0.82%, 0.39%

LAB 38.16, 59.65, 45.14

 

CMYK 0 / 14 / 90 / 29

HEX #B49A12

RGB 180 154 18

HSL 50.37, 0.82%, 0.39%

LAB 64.05, -2.76, 64.95

 

CMYK 11 / 0 / 90 / 29

HEX #A1B412

RGB 161 180 18

HSL 67.04, 0.82%, 0.39%

LAB 69.66, -24.56, 68.71

 

CMYK 34 / 0 / 90 / 29

HEX #76B412

RGB 118 180 18

HSL 82.96, 0.82%, 0.39%

LAB 66.93, -41.85, 65.36

 

CMYK 59 / 0 / 90 / 29

HEX #4AB412

RGB 74 180 18

HSL 99.26, 0.82%, 0.39%

LAB 65.08, -55.81, 63.06

 

CMYK 83 / 0 / 90 / 29

HEX #1FB412

RGB 31 180 18

HSL 115.19, 0.82%, 0.39%

LAB 64.14, -63.75, 61.89

 

CMYK 0 / 14 / 90 / 29

HEX #B49A12

RGB 180 154 18

HSL 50.37, 0.82%, 0.39%

LAB 64.05, -2.76, 64.95

 

CMYK 0 / 16 / 99 / 23

HEX #C4A502

RGB 196 165 2

HSL 50.41, 0.98%, 0.39%

LAB 68.5, -1.68, 71.27

 

CMYK 0 / 14 / 90 / 29

HEX #B49A12

RGB 180 154 18

HSL 50.37, 0.82%, 0.39%

LAB 64.05, -2.76, 64.95

 

CMYK 0 / 12 / 79 / 36

HEX #A38F22

RGB 163 143 34

HSL 50.7, 0.65%, 0.39%

LAB 59.48, -4.06, 56.19

 

CMYK 0 / 10 / 65 / 42

HEX #938433

RGB 147 132 51

HSL 50.63, 0.48%, 0.39%

LAB 55.02, -4.4, 44.43

 

CMYK 0 / 8 / 49 / 49

HEX #837943

RGB 131 121 67

HSL 50.63, 0.32%, 0.39%

LAB 50.58, -4.1, 30.84

 

CMYK 0 / 4 / 28 / 55

HEX #736E53

RGB 115 110 83

HSL 50.63, 0.16%, 0.39%

LAB 46.21, -2.77, 15.8

 

CMYK 0 / 63 / 90 / 29

HEX #B44312

RGB 180 67 18

HSL 18.15, 0.82%, 0.39%

LAB 43.89, 43.84, 49.41

 

CMYK 0 / 39 / 90 / 29

HEX #B46E12

RGB 180 110 18

HSL 34.07, 0.82%, 0.39%

LAB 52.84, 21.52, 56.24

 

CMYK 0 / 15 / 90 / 29

HEX #B49912

RGB 180 153 18

HSL 50, 0.82%, 0.39%

LAB 63.78, -2.22, 64.74

 

CMYK 9 / 0 / 90 / 29

HEX #A3B412

RGB 163 180 18

HSL 66.3, 0.82%, 0.39%

LAB 69.8, -23.71, 68.89

 

CMYK 33 / 0 / 90 / 29

HEX #78B412

RGB 120 180 18

HSL 82.22, 0.82%, 0.39%

LAB 67.04, -41.11, 65.49

 

CMYK 0 / 14 / 90 / 59

HEX #695A0B

RGB 105 90 11

HSL 50.43, 0.81%, 0.23%

LAB 38.45, -2.29, 42.83

 

CMYK 0 / 14 / 90 / 44

HEX #8E7A0E

RGB 142 122 14

HSL 50.63, 0.82%, 0.31%

LAB 51.5, -2.78, 54.28

 

CMYK 0 / 14 / 90 / 29

HEX #B49A12

RGB 180 154 18

HSL 50.37, 0.82%, 0.39%

LAB 64.05, -2.76, 64.95

 

CMYK 0 / 14 / 90 / 15

HEX #D9BA16

RGB 217 186 22

HSL 50.46, 0.82%, 0.47%

LAB 76.02, -3.19, 75.05

 

CMYK 0 / 12 / 79 / 9

HEX #E9CC30

RGB 233 204 48

HSL 50.59, 0.81%, 0.55%

LAB 82.23, -4.91, 74.6

 

CMYK 0 / 14 / 89 / 30

HEX #B39A13

RGB 179 154 19

HSL 50.63, 0.81%, 0.39%

LAB 63.95, -3.19, 64.64

 

CMYK 90 / 0 / 87 / 29

HEX #12B418

RGB 18 180 24

HSL 122.22, 0.82%, 0.39%

LAB 64.03, -64.71, 60.54

 

CMYK 51 / 90 / 0 / 29

HEX #5812B4

RGB 88 18 180

HSL 265.93, 0.82%, 0.39%

LAB 28.91, 60.55, -70.03

 

CMYK 0 / 14 / 89 / 30

HEX #B39A13

RGB 179 154 19

HSL 50.63, 0.81%, 0.39%

LAB 63.95, -3.19, 64.64

 

CMYK 90 / 0 / 15 / 29

HEX #12B499

RGB 18 180 153

HSL 170, 0.82%, 0.39%

LAB 65.8, -44.12, 3.09

 

CMYK 15 / 90 / 0 / 29

HEX #9912B4

RGB 153 18 180

HSL 290, 0.82%, 0.39%

LAB 38.73, 69.2, -53.59

 

CMYK 0 / 14 / 89 / 30

HEX #B39A13

RGB 179 154 19

HSL 50.63, 0.81%, 0.39%

LAB 63.95, -3.19, 64.64

 

CMYK 90 / 0 / 87 / 29

HEX #12B418

RGB 18 180 24

HSL 122.22, 0.82%, 0.39%

LAB 64.03, -64.71, 60.54

 

CMYK 90 / 75 / 0 / 29

HEX #122DB4

RGB 18 45 180

HSL 230, 0.82%, 0.39%

LAB 27.57, 43.62, -72.4

 

CMYK 0 / 90 / 3 / 29

HEX #B412AE

RGB 180 18 174

HSL 302.22, 0.82%, 0.39%

LAB 43.05, 72.84, -42.83

 

CMYK 0 / 14 / 89 / 30

HEX #B39A13

RGB 179 154 19

HSL 50.63, 0.81%, 0.39%

LAB 63.95, -3.19, 64.64

 

CMYK 90 / 0 / 60 / 29

HEX #12B448

RGB 18 180 72

HSL 140, 0.82%, 0.39%

LAB 64.35, -60.61, 43.7

 

CMYK 90 / 75 / 0 / 29

HEX #122DB4

RGB 18 45 180

HSL 230, 0.82%, 0.39%

LAB 27.57, 43.62, -72.4

 

CMYK 0 / 90 / 30 / 29

HEX #B4127E

RGB 180 18 126

HSL 320, 0.82%, 0.39%

LAB 40.64, 66.55, -17.5

 

Description

Color code: HEX #B39A13 | qconv.com Color code: HEX #B39A13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 154 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 154 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 89% 30% C M Y K

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Provide designers and agencies with accurate color values.

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