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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B390D0 it is the complementary color #4C6F2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B390D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B390D0 shade: #B890CB, #C9A2DE, #DAB4F1, #EBC6FF and #FCD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B390D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B390D0 shade: #B390D0, #A27EBD, #916CAA, #805A97 and #6F4884

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B390D0 shade: #B28FD0, #C48FD0, #D08FCA, #D08FB9 and #D08FA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B390D0 shade: #B28FD0, #A18FD0, #908FD0 and #8F8FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B390D0 shade matches the following richer shades: #B28FD0, #B482DD, #B575E9 and #B669F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B390D0 shade: #B28FD0, #B19CC3, #B0A9B6, #AFB5A9 and #AEC29D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B390D0 shade: #8F8FD0, #A08FD0, #B28FD0, #C38FD0 and #D08FCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B390D0 shade: #8B55B8, #9F72C4, #B28FD0, #C6ACDC and #DAC9E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B390D0 shade: #B390D0, #D08FA0 and #8FD098

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B390D0 shade: #B390D0, #D0B28F and #8FD0B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B390D0 shade: #B390D0, #D08FA0, #ADD08F and #8FD0BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B390D0 shade: #B390D0, #D0918F, #ADD08F and #8FCED0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 31 / 0 / 18

HEX #B390D0

RGB 179 144 208

HSL 272.81, 0.41%, 0.69%

LAB 65.03, 25.27, -27.96

 

Complementary color

CMYK 32 / 0 / 58 / 56

HEX #4C6F2F

RGB 76 111 47

HSL 92.81, 0.41%, 0.31%

LAB 42.93, -24.62, 31.27

 

CMYK 9 / 29 / 0 / 20

HEX #B890CB

RGB 184 144 203

HSL 280.68, 0.36%, 0.68%

LAB 65.32, 25.81, -24.68

 

CMYK 9 / 27 / 0 / 13

HEX #C9A2DE

RGB 201 162 222

HSL 279, 0.48%, 0.75%

LAB 71.91, 25.2, -24.95

 

CMYK 10 / 25 / 0 / 5

HEX #DAB4F1

RGB 218 180 241

HSL 277.38, 0.69%, 0.83%

LAB 78.4, 24.64, -25.21

 

CMYK 8 / 22 / 0 / 0

HEX #EBC6FF

RGB 235 198 255

HSL 278.95, 1%, 0.89%

LAB 84.62, 23.14, -23.09

 

CMYK 1 / 15 / 0 / 0

HEX #FCD8FF

RGB 252 216 255

HSL 295.38, 1%, 0.92%

LAB 90.33, 19.1, -14.33

 

CMYK 14 / 31 / 0 / 18

HEX #B390D0

RGB 179 144 208

HSL 272.81, 0.41%, 0.69%

LAB 65.03, 25.27, -27.96

 

CMYK 14 / 33 / 0 / 26

HEX #A27EBD

RGB 162 126 189

HSL 274.29, 0.32%, 0.62%

LAB 58.3, 25.93, -27.78

 

CMYK 15 / 36 / 0 / 33

HEX #916CAA

RGB 145 108 170

HSL 275.81, 0.27%, 0.55%

LAB 51.44, 26.65, -27.61

 

CMYK 15 / 40 / 0 / 41

HEX #805A97

RGB 128 90 151

HSL 277.38, 0.25%, 0.47%

LAB 44.43, 27.43, -27.46

 

CMYK 16 / 45 / 0 / 48

HEX #6F4884

RGB 111 72 132

HSL 279, 0.29%, 0.4%

LAB 37.26, 28.29, -27.3

 

CMYK 14 / 31 / 0 / 18

HEX #B28FD0

RGB 178 143 208

HSL 272.31, 0.41%, 0.69%

LAB 64.69, 25.52, -28.48

 

CMYK 6 / 31 / 0 / 18

HEX #C48FD0

RGB 196 143 208

HSL 288.92, 0.41%, 0.69%

LAB 66.47, 31.23, -25.6

 

CMYK 0 / 31 / 3 / 18

HEX #D08FCA

RGB 208 143 202

HSL 305.54, 0.41%, 0.69%

LAB 67.52, 33.99, -20.55

 

CMYK 0 / 31 / 11 / 18

HEX #D08FB9

RGB 208 143 185

HSL 321.23, 0.41%, 0.69%

LAB 66.94, 31, -11.91

 

CMYK 0 / 31 / 20 / 18

HEX #D08FA7

RGB 208 143 167

HSL 337.85, 0.41%, 0.69%

LAB 66.4, 28.09, -2.61

 

CMYK 14 / 31 / 0 / 18

HEX #B28FD0

RGB 178 143 208

HSL 272.31, 0.41%, 0.69%

LAB 64.69, 25.52, -28.48

 

CMYK 23 / 31 / 0 / 18

HEX #A18FD0

RGB 161 143 208

HSL 256.62, 0.41%, 0.69%

LAB 63.16, 20.25, -30.98

 

CMYK 31 / 31 / 0 / 18

HEX #908FD0

RGB 144 143 208

HSL 240.92, 0.41%, 0.69%

LAB 61.76, 15.19, -33.25

 

CMYK 31 / 31 / 0 / 18

HEX #8F8FD0

RGB 143 143 208

HSL 240, 0.41%, 0.69%

LAB 61.69, 14.9, -33.38

 

CMYK 14 / 31 / 0 / 18

HEX #B28FD0

RGB 178 143 208

HSL 272.31, 0.41%, 0.69%

LAB 64.69, 25.52, -28.48

 

CMYK 19 / 41 / 0 / 13

HEX #B482DD

RGB 180 130 221

HSL 272.97, 0.57%, 0.69%

LAB 62.41, 36.25, -39.26

 

CMYK 22 / 50 / 0 / 9

HEX #B575E9

RGB 181 117 233

HSL 273.1, 0.73%, 0.69%

LAB 60.27, 46.31, -49.31

 

CMYK 26 / 57 / 0 / 4

HEX #B669F6

RGB 182 105 246

HSL 272.77, 0.89%, 0.69%

LAB 58.7, 55.75, -59.04

 

CMYK 14 / 31 / 0 / 18

HEX #B28FD0

RGB 178 143 208

HSL 272.31, 0.41%, 0.69%

LAB 64.69, 25.52, -28.48

 

CMYK 9 / 20 / 0 / 24

HEX #B19CC3

RGB 177 156 195

HSL 272.31, 0.25%, 0.69%

LAB 67.33, 15.13, -17.22

 

CMYK 3 / 7 / 0 / 29

HEX #B0A9B6

RGB 176 169 182

HSL 272.31, 0.08%, 0.69%

LAB 70.16, 4.96, -5.77

 

CMYK 3 / 0 / 7 / 29

HEX #AFB5A9

RGB 175 181 169

HSL 90, 0.08%, 0.69%

LAB 72.91, -4.32, 5.38

 

CMYK 10 / 0 / 19 / 24

HEX #AEC29D

RGB 174 194 157

HSL 92.43, 0.23%, 0.69%

LAB 76.08, -13.55, 16.36

 

CMYK 31 / 31 / 0 / 18

HEX #8F8FD0

RGB 143 143 208

HSL 240, 0.41%, 0.69%

LAB 61.69, 14.9, -33.38

 

CMYK 23 / 31 / 0 / 18

HEX #A08FD0

RGB 160 143 208

HSL 255.69, 0.41%, 0.69%

LAB 63.07, 19.95, -31.12

 

CMYK 14 / 31 / 0 / 18

HEX #B28FD0

RGB 178 143 208

HSL 272.31, 0.41%, 0.69%

LAB 64.69, 25.52, -28.48

 

CMYK 6 / 31 / 0 / 18

HEX #C38FD0

RGB 195 143 208

HSL 288, 0.41%, 0.69%

LAB 66.37, 30.91, -25.77

 

CMYK 0 / 31 / 2 / 18

HEX #D08FCC

RGB 208 143 204

HSL 303.69, 0.41%, 0.69%

LAB 67.59, 34.35, -21.55

 

CMYK 24 / 54 / 0 / 28

HEX #8B55B8

RGB 139 85 184

HSL 272.73, 0.41%, 0.53%

LAB 46.24, 41.25, -43.99

 

CMYK 19 / 42 / 0 / 23

HEX #9F72C4

RGB 159 114 196

HSL 272.93, 0.41%, 0.61%

LAB 55.47, 33.41, -36.19

 

CMYK 14 / 31 / 0 / 18

HEX #B28FD0

RGB 178 143 208

HSL 272.31, 0.41%, 0.69%

LAB 64.69, 25.52, -28.48

 

CMYK 10 / 22 / 0 / 14

HEX #C6ACDC

RGB 198 172 220

HSL 272.5, 0.41%, 0.77%

LAB 73.98, 18.33, -20.72

 

CMYK 6 / 13 / 0 / 9

HEX #DAC9E8

RGB 218 201 232

HSL 272.9, 0.4%, 0.85%

LAB 83.18, 11.57, -13.16

 

CMYK 14 / 31 / 0 / 18

HEX #B390D0

RGB 179 144 208

HSL 272.81, 0.41%, 0.69%

LAB 65.03, 25.27, -27.96

 

CMYK 0 / 31 / 23 / 18

HEX #D08FA0

RGB 208 143 160

HSL 344.31, 0.41%, 0.69%

LAB 66.21, 27.04, 1.04

 

CMYK 31 / 0 / 27 / 18

HEX #8FD098

RGB 143 208 152

HSL 128.31, 0.41%, 0.69%

LAB 78, -31.9, 21.4

 

CMYK 14 / 31 / 0 / 18

HEX #B390D0

RGB 179 144 208

HSL 272.81, 0.41%, 0.69%

LAB 65.03, 25.27, -27.96

 

CMYK 0 / 14 / 31 / 18

HEX #D0B28F

RGB 208 178 143

HSL 32.31, 0.41%, 0.69%

LAB 74.34, 5.69, 21.92

 

CMYK 31 / 0 / 14 / 18

HEX #8FD0B2

RGB 143 208 178

HSL 152.31, 0.41%, 0.69%

LAB 78.56, -26.98, 8.36

 

CMYK 14 / 31 / 0 / 18

HEX #B390D0

RGB 179 144 208

HSL 272.81, 0.41%, 0.69%

LAB 65.03, 25.27, -27.96

 

CMYK 0 / 31 / 23 / 18

HEX #D08FA0

RGB 208 143 160

HSL 344.31, 0.41%, 0.69%

LAB 66.21, 27.04, 1.04

 

CMYK 17 / 0 / 31 / 18

HEX #ADD08F

RGB 173 208 143

HSL 92.31, 0.41%, 0.69%

LAB 79.6, -23.11, 28.57

 

CMYK 31 / 0 / 8 / 18

HEX #8FD0BF

RGB 143 208 191

HSL 164.31, 0.41%, 0.69%

LAB 78.88, -24.26, 1.85

 

CMYK 14 / 31 / 0 / 18

HEX #B390D0

RGB 179 144 208

HSL 272.81, 0.41%, 0.69%

LAB 65.03, 25.27, -27.96

 

CMYK 0 / 30 / 31 / 18

HEX #D0918F

RGB 208 145 143

HSL 1.85, 0.41%, 0.69%

LAB 66.25, 23.57, 10.66

 

CMYK 17 / 0 / 31 / 18

HEX #ADD08F

RGB 173 208 143

HSL 92.31, 0.41%, 0.69%

LAB 79.6, -23.11, 28.57

 

CMYK 31 / 1 / 0 / 18

HEX #8FCED0

RGB 143 206 208

HSL 181.85, 0.41%, 0.69%

LAB 78.77, -19.43, -7.42

 

Description

Color code: HEX #B390D0 | qconv.com Color code: HEX #B390D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 144 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 144 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 31 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 31% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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