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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39918 it is the complementary color #4C66E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39918. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39918 shade: #B89913, #C9AB26, #DABD39, #EBCF4C and #FCE15F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39918. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39918 shade: #B39918, #A28705, #917500, #806300 and #6F5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39918 shade: #B39918, #B36F18, #B34518, #B31C18 and #B31818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39918 shade: #B39918, #A3B318, #79B318, #50B318 and #26B318

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39918 shade matches the following richer shades: #B39918 and #C4A407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39918 shade: #B39918, #A38E28, #928339, #827849 and #716D5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39918 shade: #B34418, #B36D18, #B39718, #A6B318 and #7DB318

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39918 shade: #6A5B0E, #8F7A13, #B39918, #D7B81D and #E4C73A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39918 shade: #B39918, #18B31B and #5918B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39918 shade: #B39918, #18B397 and #9718B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39918 shade: #B39918, #18B31B, #1834B3 and #B318B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39918 shade: #B39918, #18B349, #1834B3 and #B31882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

Complementary color

CMYK 67 / 56 / 0 / 9

HEX #4C66E7

RGB 76 102 231

HSL 229.94, 0.76%, 0.6%

LAB 48.02, 31.78, -68.33

 

CMYK 0 / 17 / 90 / 28

HEX #B89913

RGB 184 153 19

HSL 48.73, 0.81%, 0.4%

LAB 64.18, -0.4, 65.02

 

CMYK 0 / 15 / 81 / 21

HEX #C9AB26

RGB 201 171 38

HSL 48.96, 0.68%, 0.47%

LAB 70.65, -1.95, 66.25

 

CMYK 0 / 13 / 74 / 15

HEX #DABD39

RGB 218 189 57

HSL 49.19, 0.69%, 0.54%

LAB 77.04, -3.27, 66.4

 

CMYK 0 / 12 / 68 / 8

HEX #EBCF4C

RGB 235 207 76

HSL 49.43, 0.8%, 0.61%

LAB 83.34, -4.4, 65.94

 

CMYK 0 / 11 / 62 / 1

HEX #FCE15F

RGB 252 225 95

HSL 49.68, 0.96%, 0.68%

LAB 89.57, -5.36, 65.13

 

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

CMYK 0 / 17 / 97 / 36

HEX #A28705

RGB 162 135 5

HSL 49.68, 0.94%, 0.33%

LAB 57.1, -0.84, 61.07

 

CMYK 0 / 19 / 100 / 43

HEX #917500

RGB 145 117 0

HSL 48.41, 1%, 0.28%

LAB 50.38, 1.2, 56.37

 

CMYK 0 / 23 / 100 / 50

HEX #806300

RGB 128 99 0

HSL 46.41, 1%, 0.25%

LAB 43.53, 3.42, 50.72

 

CMYK 0 / 27 / 100 / 56

HEX #6F5100

RGB 111 81 0

HSL 43.78, 1%, 0.22%

LAB 36.49, 5.78, 44.93

 

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

CMYK 0 / 38 / 87 / 30

HEX #B36F18

RGB 179 111 24

HSL 33.68, 0.76%, 0.4%

LAB 52.97, 20.66, 54.53

 

CMYK 0 / 61 / 87 / 30

HEX #B34518

RGB 179 69 24

HSL 17.42, 0.76%, 0.4%

LAB 44.1, 42.67, 47.17

 

CMYK 0 / 84 / 87 / 30

HEX #B31C18

RGB 179 28 24

HSL 1.55, 0.76%, 0.4%

LAB 38.69, 57.49, 42.63

 

CMYK 0 / 87 / 87 / 30

HEX #B31818

RGB 179 24 24

HSL 0, 0.76%, 0.4%

LAB 38.38, 58.37, 42.37

 

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

CMYK 9 / 0 / 87 / 30

HEX #A3B318

RGB 163 179 24

HSL 66.19, 0.76%, 0.4%

LAB 69.54, -23.08, 67.55

 

CMYK 32 / 0 / 87 / 30

HEX #79B318

RGB 121 179 24

HSL 82.45, 0.76%, 0.4%

LAB 66.8, -40.13, 64.16

 

CMYK 55 / 0 / 87 / 30

HEX #50B318

RGB 80 179 24

HSL 98.32, 0.76%, 0.4%

LAB 64.97, -53.65, 61.86

 

CMYK 79 / 0 / 87 / 30

HEX #26B318

RGB 38 179 24

HSL 114.58, 0.76%, 0.4%

LAB 63.93, -62.36, 60.54

 

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

CMYK 0 / 16 / 96 / 23

HEX #C4A407

RGB 196 164 7

HSL 49.84, 0.93%, 0.4%

LAB 68.24, -1.09, 70.46

 

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

CMYK 0 / 13 / 75 / 36

HEX #A38E28

RGB 163 142 40

HSL 49.76, 0.61%, 0.4%

LAB 59.24, -3.26, 53.83

 

CMYK 0 / 10 / 61 / 43

HEX #928339

RGB 146 131 57

HSL 49.89, 0.44%, 0.4%

LAB 54.7, -3.87, 41.21

 

CMYK 0 / 8 / 44 / 49

HEX #827849

RGB 130 120 73

HSL 49.47, 0.28%, 0.4%

LAB 50.29, -3.32, 27.16

 

CMYK 0 / 4 / 20 / 56

HEX #716D5A

RGB 113 109 90

HSL 49.57, 0.11%, 0.4%

LAB 45.89, -1.92, 11.19

 

CMYK 0 / 62 / 87 / 30

HEX #B34418

RGB 179 68 24

HSL 17.03, 0.76%, 0.4%

LAB 43.92, 43.13, 47.02

 

CMYK 0 / 39 / 87 / 30

HEX #B36D18

RGB 179 109 24

HSL 32.9, 0.76%, 0.4%

LAB 52.49, 21.77, 54.13

 

CMYK 0 / 16 / 87 / 30

HEX #B39718

RGB 179 151 24

HSL 49.16, 0.76%, 0.4%

LAB 63.16, -1.46, 62.88

 

CMYK 7 / 0 / 87 / 30

HEX #A6B318

RGB 166 179 24

HSL 65.03, 0.76%, 0.4%

LAB 69.76, -21.79, 67.83

 

CMYK 30 / 0 / 87 / 30

HEX #7DB318

RGB 125 179 24

HSL 80.9, 0.76%, 0.4%

LAB 67.03, -38.61, 64.44

 

CMYK 0 / 14 / 87 / 58

HEX #6A5B0E

RGB 106 91 14

HSL 50.22, 0.77%, 0.24%

LAB 38.86, -2.3, 42.33

 

CMYK 0 / 15 / 87 / 44

HEX #8F7A13

RGB 143 122 19

HSL 49.84, 0.77%, 0.32%

LAB 51.62, -2.18, 53.18

 

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

CMYK 0 / 14 / 87 / 16

HEX #D7B81D

RGB 215 184 29

HSL 50, 0.76%, 0.48%

LAB 75.34, -2.88, 73.04

 

CMYK 0 / 13 / 75 / 11

HEX #E4C73A

RGB 228 199 58

HSL 49.76, 0.76%, 0.56%

LAB 80.54, -4.11, 69.7

 

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

CMYK 87 / 0 / 85 / 30

HEX #18B31B

RGB 24 179 27

HSL 121.16, 0.76%, 0.4%

LAB 63.77, -63.8, 59.63

 

CMYK 50 / 87 / 0 / 30

HEX #5918B3

RGB 89 24 179

HSL 265.16, 0.76%, 0.4%

LAB 29.49, 58.74, -68.47

 

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

CMYK 87 / 0 / 16 / 30

HEX #18B397

RGB 24 179 151

HSL 169.16, 0.76%, 0.4%

LAB 65.49, -43.87, 3.75

 

CMYK 16 / 87 / 0 / 30

HEX #9718B3

RGB 151 24 179

HSL 289.16, 0.76%, 0.4%

LAB 38.7, 67.56, -53.05

 

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

CMYK 87 / 0 / 85 / 30

HEX #18B31B

RGB 24 179 27

HSL 121.16, 0.76%, 0.4%

LAB 63.77, -63.8, 59.63

 

CMYK 87 / 71 / 0 / 30

HEX #1834B3

RGB 24 52 179

HSL 229.16, 0.76%, 0.4%

LAB 29.17, 39.29, -69.16

 

CMYK 0 / 87 / 2 / 30

HEX #B318B0

RGB 179 24 176

HSL 301.16, 0.76%, 0.4%

LAB 43.32, 72, -43.6

 

CMYK 0 / 15 / 87 / 30

HEX #B39918

RGB 179 153 24

HSL 49.94, 0.76%, 0.4%

LAB 63.7, -2.54, 63.32

 

CMYK 87 / 0 / 59 / 30

HEX #18B349

RGB 24 179 73

HSL 138.97, 0.76%, 0.4%

LAB 64.09, -59.7, 42.94

 

CMYK 87 / 71 / 0 / 30

HEX #1834B3

RGB 24 52 179

HSL 229.16, 0.76%, 0.4%

LAB 29.17, 39.29, -69.16

 

CMYK 0 / 87 / 27 / 30

HEX #B31882

RGB 179 24 130

HSL 318.97, 0.76%, 0.4%

LAB 40.97, 65.75, -19.48

 

Description

Color code: HEX #B39918 | qconv.com Color code: HEX #B39918 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 153 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 153 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 87 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 87% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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