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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B38D27 it is the complementary color #4C72D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B38D27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B38D27 shade: #B88D22, #C99F35, #DAB148, #EBC35B and #FCD56E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B38D27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B38D27 shade: #B38D27, #A27B14, #916901, #805700 and #6F4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B38D27 shade: #B38D27, #B36727, #B34227 and #B32727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B38D27 shade: #B38D27, #B3B327, #8EB327, #68B327 and #42B327

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B38D27 shade matches the following richer shades: #B38D27, #C59515 and #D79D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B38D27 shade: #B38D27, #A28539, #907D4A, #7E755C and #6C6D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B38D27 shade: #B34127, #B36627, #B38C27, #B3B127 and #90B327

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B38D27 shade: #705818, #917320, #B38D27, #D2A632 and #D9B554

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B38D27 shade: #B38D27, #33B327 and #5327B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B38D27 shade: #B38D27, #27B38C and #8C27B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B38D27 shade: #B38D27, #33B327, #274FB3 and #A827B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B38D27 shade: #B38D27, #27B345, #274FB3 and #B32795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

Complementary color

CMYK 65 / 47 / 0 / 15

HEX #4C72D8

RGB 76 114 216

HSL 223.71, 0.64%, 0.57%

LAB 50.13, 19.09, -56.44

 

CMYK 0 / 23 / 82 / 28

HEX #B88D22

RGB 184 141 34

HSL 42.8, 0.69%, 0.43%

LAB 61.09, 6.54, 58.45

 

CMYK 0 / 21 / 74 / 21

HEX #C99F35

RGB 201 159 53

HSL 42.97, 0.58%, 0.5%

LAB 67.63, 5.03, 58.23

 

CMYK 0 / 19 / 67 / 15

HEX #DAB148

RGB 218 177 72

HSL 43.15, 0.66%, 0.57%

LAB 74.07, 3.76, 57.44

 

CMYK 0 / 17 / 61 / 8

HEX #EBC35B

RGB 235 195 91

HSL 43.33, 0.78%, 0.64%

LAB 80.43, 2.68, 56.39

 

CMYK 0 / 15 / 56 / 1

HEX #FCD56E

RGB 252 213 110

HSL 43.52, 0.96%, 0.71%

LAB 86.71, 1.74, 55.22

 

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

CMYK 0 / 24 / 88 / 36

HEX #A27B14

RGB 162 123 20

HSL 43.52, 0.78%, 0.36%

LAB 53.92, 6.13, 55.63

 

CMYK 0 / 28 / 99 / 43

HEX #916901

RGB 145 105 1

HSL 43.33, 0.99%, 0.29%

LAB 47.14, 8.09, 53.9

 

CMYK 0 / 32 / 100 / 50

HEX #805700

RGB 128 87 0

HSL 40.78, 1%, 0.25%

LAB 40.26, 10.5, 48.49

 

CMYK 0 / 38 / 100 / 56

HEX #6F4500

RGB 111 69 0

HSL 37.3, 1%, 0.22%

LAB 33.21, 13.07, 42.74

 

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

CMYK 0 / 42 / 78 / 30

HEX #B36727

RGB 179 103 39

HSL 27.43, 0.64%, 0.43%

LAB 51.19, 25.58, 47.13

 

CMYK 0 / 63 / 78 / 30

HEX #B34227

RGB 179 66 39

HSL 11.57, 0.64%, 0.43%

LAB 43.69, 44.52, 39.64

 

CMYK 0 / 78 / 78 / 30

HEX #B32727

RGB 179 39 39

HSL 0, 0.64%, 0.43%

LAB 39.88, 54.93, 35.68

 

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

CMYK 0 / 0 / 78 / 30

HEX #B3B327

RGB 179 179 39

HSL 60, 0.64%, 0.43%

LAB 70.85, -15.71, 65.38

 

CMYK 21 / 0 / 78 / 30

HEX #8EB327

RGB 142 179 39

HSL 75.86, 0.64%, 0.43%

LAB 68.12, -31.33, 61.89

 

CMYK 42 / 0 / 78 / 30

HEX #68B327

RGB 104 179 39

HSL 92.14, 0.64%, 0.43%

LAB 66, -45.57, 59.15

 

CMYK 63 / 0 / 78 / 30

HEX #42B327

RGB 66 179 39

HSL 108.43, 0.64%, 0.43%

LAB 64.6, -56.43, 57.32

 

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

CMYK 0 / 24 / 89 / 23

HEX #C59515

RGB 197 149 21

HSL 43.64, 0.81%, 0.43%

LAB 64.5, 7.64, 65.43

 

CMYK 0 / 27 / 99 / 16

HEX #D79D03

RGB 215 157 3

HSL 43.58, 0.97%, 0.43%

LAB 68.44, 11.05, 72.02

 

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

CMYK 0 / 18 / 65 / 36

HEX #A28539

RGB 162 133 57

HSL 43.43, 0.48%, 0.43%

LAB 56.83, 2.21, 44.02

 

CMYK 0 / 13 / 49 / 44

HEX #907D4A

RGB 144 125 74

HSL 43.71, 0.32%, 0.43%

LAB 53.05, 0.12, 30.37

 

CMYK 0 / 7 / 27 / 51

HEX #7E755C

RGB 126 117 92

HSL 44.12, 0.16%, 0.43%

LAB 49.41, -0.8, 15.07

 

CMYK 2 / 1 / 0 / 57

HEX #6C6D6E

RGB 108 109 110

HSL 210, 0.01%, 0.43%

LAB 45.98, -0.17, -0.7

 

CMYK 0 / 64 / 78 / 30

HEX #B34127

RGB 179 65 39

HSL 11.14, 0.64%, 0.43%

LAB 43.52, 44.97, 39.47

 

CMYK 0 / 43 / 78 / 30

HEX #B36627

RGB 179 102 39

HSL 27, 0.64%, 0.43%

LAB 50.96, 26.13, 46.91

 

CMYK 0 / 22 / 78 / 30

HEX #B38C27

RGB 179 140 39

HSL 43.29, 0.64%, 0.43%

LAB 60.33, 5.02, 55.81

 

CMYK 0 / 1 / 78 / 30

HEX #B3B127

RGB 179 177 39

HSL 59.14, 0.64%, 0.43%

LAB 70.3, -14.69, 64.89

 

CMYK 20 / 0 / 78 / 30

HEX #90B327

RGB 144 179 39

HSL 75, 0.64%, 0.43%

LAB 68.25, -30.51, 62.06

 

CMYK 0 / 21 / 79 / 56

HEX #705818

RGB 112 88 24

HSL 43.64, 0.65%, 0.27%

LAB 38.71, 2.85, 38.69

 

CMYK 0 / 21 / 78 / 43

HEX #917320

RGB 145 115 32

HSL 44.07, 0.64%, 0.35%

LAB 49.96, 3.18, 47.44

 

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

CMYK 0 / 21 / 76 / 18

HEX #D2A632

RGB 210 166 50

HSL 43.5, 0.64%, 0.51%

LAB 70.32, 5.08, 62.29

 

CMYK 0 / 17 / 61 / 15

HEX #D9B554

RGB 217 181 84

HSL 43.76, 0.64%, 0.59%

LAB 75.1, 1.98, 53.15

 

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

CMYK 72 / 0 / 78 / 30

HEX #33B327

RGB 51 179 39

HSL 114.86, 0.64%, 0.43%

LAB 64.23, -59.5, 56.84

 

CMYK 54 / 78 / 0 / 30

HEX #5327B3

RGB 83 39 179

HSL 258.86, 0.64%, 0.43%

LAB 30.75, 52.29, -66.43

 

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

CMYK 78 / 0 / 22 / 30

HEX #27B38C

RGB 39 179 140

HSL 163.29, 0.64%, 0.43%

LAB 65.41, -45.35, 9.73

 

CMYK 22 / 78 / 0 / 30

HEX #8C27B3

RGB 140 39 179

HSL 283.29, 0.64%, 0.43%

LAB 38.34, 61.55, -53.71

 

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

CMYK 72 / 0 / 78 / 30

HEX #33B327

RGB 51 179 39

HSL 114.86, 0.64%, 0.43%

LAB 64.23, -59.5, 56.84

 

CMYK 78 / 56 / 0 / 30

HEX #274FB3

RGB 39 79 179

HSL 222.86, 0.64%, 0.43%

LAB 36.51, 22.86, -57.12

 

CMYK 6 / 78 / 0 / 30

HEX #A827B3

RGB 168 39 179

HSL 295.29, 0.64%, 0.43%

LAB 42.81, 66.92, -46.29

 

CMYK 0 / 21 / 78 / 30

HEX #B38D27

RGB 179 141 39

HSL 43.71, 0.64%, 0.43%

LAB 60.59, 4.47, 56.05

 

CMYK 78 / 0 / 61 / 30

HEX #27B345

RGB 39 179 69

HSL 132.86, 0.64%, 0.43%

LAB 64.24, -58.58, 45.01

 

CMYK 78 / 56 / 0 / 30

HEX #274FB3

RGB 39 79 179

HSL 222.86, 0.64%, 0.43%

LAB 36.51, 22.86, -57.12

 

CMYK 0 / 78 / 17 / 30

HEX #B32795

RGB 179 39 149

HSL 312.86, 0.64%, 0.43%

LAB 43.07, 64.64, -27.83

 

Description

Color code: HEX #B38D27 | qconv.com Color code: HEX #B38D27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 141 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 141 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 78 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 78% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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