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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B38B09 it is the complementary color #4C74F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B38B09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B38B09 shade: #B88B04, #C99D17, #DAAF2A, #EBC13D and #FCD350

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B38B09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B38B09 shade: #B38B09, #A27900, #916700, #805500 and #6F4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B38B09 shade: #B38B09, #B35D09, #B32F09 and #B30909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B38B09 shade: #B38B09, #ADB309, #7FB309, #51B309 and #24B309

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B38B09 shade matches the following richer shades: #B38B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B38B09 shade: #B38B09, #A38318, #947B27, #857337 and #766A46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B38B09 shade: #B32E09, #B35B09, #B38809, #B0B309 and #83B309

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B38B09 shade: #644E05, #8C6C07, #B38B09, #DAA90B and #F3C01C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B38B09 shade: #B38B09, #11B309 and #4409B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B38B09 shade: #B38B09, #09B388 and #8809B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B38B09 shade: #B38B09, #11B309, #0933B3 and #AA09B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B38B09 shade: #B38B09, #09B333, #0933B3 and #B30988

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

Complementary color

CMYK 69 / 53 / 0 / 4

HEX #4C74F6

RGB 76 116 246

HSL 225.88, 0.9%, 0.63%

LAB 52.6, 28.31, -69.3

 

CMYK 0 / 24 / 98 / 28

HEX #B88B04

RGB 184 139 4

HSL 45, 0.96%, 0.37%

LAB 60.48, 7.02, 64.74

 

CMYK 0 / 22 / 89 / 21

HEX #C99D17

RGB 201 157 23

HSL 45.17, 0.79%, 0.44%

LAB 66.97, 5.13, 67.11

 

CMYK 0 / 20 / 81 / 15

HEX #DAAF2A

RGB 218 175 42

HSL 45.34, 0.7%, 0.51%

LAB 73.37, 3.5, 68.07

 

CMYK 0 / 18 / 74 / 8

HEX #EBC13D

RGB 235 193 61

HSL 45.52, 0.81%, 0.58%

LAB 79.69, 2.09, 68.06

 

CMYK 0 / 16 / 68 / 1

HEX #FCD350

RGB 252 211 80

HSL 45.7, 0.97%, 0.65%

LAB 85.94, 0.87, 67.5

 

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

CMYK 0 / 25 / 100 / 36

HEX #A27900

RGB 162 121 0

HSL 44.81, 1%, 0.32%

LAB 53.34, 6.9, 59.3

 

CMYK 0 / 29 / 100 / 43

HEX #916700

RGB 145 103 0

HSL 42.62, 1%, 0.28%

LAB 46.61, 9.23, 53.77

 

CMYK 0 / 34 / 100 / 50

HEX #805500

RGB 128 85 0

HSL 39.84, 1%, 0.25%

LAB 39.73, 11.68, 48.14

 

CMYK 0 / 40 / 100 / 56

HEX #6F4300

RGB 111 67 0

HSL 36.22, 1%, 0.22%

LAB 32.69, 14.29, 42.4

 

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

CMYK 0 / 48 / 95 / 30

HEX #B35D09

RGB 179 93 9

HSL 29.65, 0.9%, 0.37%

LAB 48.8, 30.24, 55.38

 

CMYK 0 / 74 / 95 / 30

HEX #B32F09

RGB 179 47 9

HSL 13.41, 0.9%, 0.37%

LAB 40.63, 51.58, 50.04

 

CMYK 0 / 95 / 95 / 30

HEX #B30909

RGB 179 9 9

HSL 0, 0.9%, 0.37%

LAB 37.48, 60.49, 48.17

 

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

CMYK 3 / 0 / 95 / 30

HEX #ADB309

RGB 173 179 9

HSL 62.12, 0.9%, 0.37%

LAB 70.28, -19.04, 70.83

 

CMYK 29 / 0 / 95 / 30

HEX #7FB309

RGB 127 179 9

HSL 78.35, 0.9%, 0.37%

LAB 67.11, -38.19, 67

 

CMYK 55 / 0 / 95 / 30

HEX #51B309

RGB 81 179 9

HSL 94.59, 0.9%, 0.37%

LAB 64.97, -53.8, 64.39

 

CMYK 80 / 0 / 95 / 30

HEX #24B309

RGB 36 179 9

HSL 110.47, 0.9%, 0.37%

LAB 63.86, -63.1, 63.02

 

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

CMYK 0 / 20 / 85 / 36

HEX #A38318

RGB 163 131 24

HSL 46.19, 0.74%, 0.37%

LAB 56.17, 2.22, 56.43

 

CMYK 0 / 17 / 74 / 42

HEX #947B27

RGB 148 123 39

HSL 46.24, 0.58%, 0.37%

LAB 52.52, 0.37, 47.18

 

CMYK 0 / 14 / 59 / 48

HEX #857337

RGB 133 115 55

HSL 46.15, 0.41%, 0.37%

LAB 48.91, -0.91, 35.28

 

CMYK 0 / 10 / 41 / 54

HEX #766A46

RGB 118 106 70

HSL 45, 0.26%, 0.37%

LAB 45.08, -0.94, 21.94

 

CMYK 0 / 74 / 95 / 30

HEX #B32E09

RGB 179 46 9

HSL 13.06, 0.9%, 0.37%

LAB 40.5, 51.93, 49.96

 

CMYK 0 / 49 / 95 / 30

HEX #B35B09

RGB 179 91 9

HSL 28.94, 0.9%, 0.37%

LAB 48.37, 31.31, 55.08

 

CMYK 0 / 24 / 95 / 30

HEX #B38809

RGB 179 136 9

HSL 44.82, 0.9%, 0.37%

LAB 59.17, 6.47, 62.76

 

CMYK 2 / 0 / 95 / 30

HEX #B0B309

RGB 176 179 9

HSL 61.06, 0.9%, 0.37%

LAB 70.52, -17.73, 71.12

 

CMYK 27 / 0 / 95 / 30

HEX #83B309

RGB 131 179 9

HSL 76.94, 0.9%, 0.37%

LAB 67.34, -36.62, 67.28

 

CMYK 0 / 22 / 95 / 61

HEX #644E05

RGB 100 78 5

HSL 46.11, 0.9%, 0.21%

LAB 34.33, 2.24, 41.09

 

CMYK 0 / 23 / 95 / 45

HEX #8C6C07

RGB 140 108 7

HSL 45.56, 0.9%, 0.29%

LAB 47.39, 4.1, 52.48

 

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

CMYK 0 / 22 / 95 / 15

HEX #DAA90B

RGB 218 169 11

HSL 45.8, 0.9%, 0.45%

LAB 71.76, 6.03, 73.55

 

CMYK 0 / 21 / 88 / 5

HEX #F3C01C

RGB 243 192 28

HSL 45.77, 0.9%, 0.53%

LAB 80.09, 5.05, 78.17

 

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

CMYK 91 / 0 / 95 / 30

HEX #11B309

RGB 17 179 9

HSL 117.18, 0.9%, 0.37%

LAB 63.65, -64.98, 62.77

 

CMYK 62 / 95 / 0 / 30

HEX #4409B3

RGB 68 9 179

HSL 260.82, 0.9%, 0.37%

LAB 25.8, 60.64, -74.66

 

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

CMYK 95 / 0 / 24 / 30

HEX #09B388

RGB 9 179 136

HSL 164.82, 0.9%, 0.37%

LAB 65.02, -48.52, 11.34

 

CMYK 24 / 95 / 0 / 30

HEX #8809B3

RGB 136 9 179

HSL 284.82, 0.9%, 0.37%

LAB 35.37, 67.76, -58.57

 

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

CMYK 91 / 0 / 95 / 30

HEX #11B309

RGB 17 179 9

HSL 117.18, 0.9%, 0.37%

LAB 63.65, -64.98, 62.77

 

CMYK 95 / 72 / 0 / 30

HEX #0933B3

RGB 9 51 179

HSL 225.18, 0.9%, 0.37%

LAB 28.59, 39.29, -70.13

 

CMYK 5 / 95 / 0 / 30

HEX #AA09B3

RGB 170 9 179

HSL 296.82, 0.9%, 0.37%

LAB 41.21, 72.96, -48.84

 

CMYK 0 / 22 / 95 / 30

HEX #B38B09

RGB 179 139 9

HSL 45.88, 0.9%, 0.37%

LAB 59.95, 4.81, 63.33

 

CMYK 95 / 0 / 72 / 30

HEX #09B333

RGB 9 179 51

HSL 134.82, 0.9%, 0.37%

LAB 63.78, -63.13, 52

 

CMYK 95 / 72 / 0 / 30

HEX #0933B3

RGB 9 51 179

HSL 225.18, 0.9%, 0.37%

LAB 28.59, 39.29, -70.13

 

CMYK 0 / 95 / 24 / 30

HEX #B30988

RGB 179 9 136

HSL 315.18, 0.9%, 0.37%

LAB 40.5, 68.63, -23.9

 

Description

Color code: HEX #B38B09 | qconv.com Color code: HEX #B38B09 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 139 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 139 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 95 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 95% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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