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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B381F3 it is the complementary color #4C7E0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B381F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B381F3 shade: #B881EE, #C993FF, #DAA5FF, #EBB7FF and #FCC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B381F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B381F3 shade: #B381F3, #A26FE0, #915DCD, #804BBA and #6F39A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B381F3 shade: #B381F3, #D181F3, #F081F3, #F381D6 and #F381B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B381F3 shade: #B381F3, #9481F3 and #8181F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B381F3 shade matches the following richer shades: #B381F3 and #B175FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B381F3 shade: #B381F3, #B48CE8, #B597DD, #B7A2D1 and #B8ADC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B381F3 shade: #818CF3, #9481F3, #B281F3, #D181F3 and #EF81F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B381F3 shade: #8535EC, #9C5BEF, #B381F3, #C9A6F6 and #E0CCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B381F3 shade: #B381F3, #F381AA and #81F384

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B381F3 shade: #B381F3, #F3B281 and #81F3B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B381F3 shade: #B381F3, #F381AA, #C1F381 and #81F3C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B381F3 shade: #B381F3, #F38188, #C1F381 and #81F3EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

Complementary color

CMYK 40 / 0 / 90 / 51

HEX #4C7E0C

RGB 76 126 12

HSL 86.32, 0.83%, 0.27%

LAB 47.6, -34.18, 49.42

 

CMYK 23 / 46 / 0 / 7

HEX #B881EE

RGB 184 129 238

HSL 270.28, 0.76%, 0.72%

LAB 63.4, 41.76, -47.13

 

CMYK 21 / 42 / 0 / 0

HEX #C993FF

RGB 201 147 255

HSL 270, 1%, 0.79%

LAB 69.83, 40.48, -46.2

 

CMYK 15 / 35 / 0 / 0

HEX #DAA5FF

RGB 218 165 255

HSL 275.33, 1%, 0.82%

LAB 75.47, 35.63, -37.27

 

CMYK 8 / 28 / 0 / 0

HEX #EBB7FF

RGB 235 183 255

HSL 283.33, 1%, 0.86%

LAB 81.15, 31.14, -28.38

 

CMYK 1 / 21 / 0 / 0

HEX #FCC9FF

RGB 252 201 255

HSL 296.67, 1%, 0.89%

LAB 86.84, 26.98, -19.58

 

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

CMYK 28 / 50 / 0 / 12

HEX #A26FE0

RGB 162 111 224

HSL 267.08, 0.65%, 0.66%

LAB 56.52, 42.5, -50.37

 

CMYK 29 / 55 / 0 / 20

HEX #915DCD

RGB 145 93 205

HSL 267.86, 0.53%, 0.58%

LAB 49.81, 43.45, -50.4

 

CMYK 31 / 60 / 0 / 27

HEX #804BBA

RGB 128 75 186

HSL 268.65, 0.45%, 0.51%

LAB 43.01, 44.42, -50.39

 

CMYK 34 / 66 / 0 / 35

HEX #6F39A7

RGB 111 57 167

HSL 269.45, 0.49%, 0.44%

LAB 36.17, 45.3, -50.28

 

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

CMYK 14 / 47 / 0 / 5

HEX #D181F3

RGB 209 129 243

HSL 282.11, 0.83%, 0.73%

LAB 66.31, 49.71, -45.11

 

CMYK 1 / 47 / 0 / 5

HEX #F081F3

RGB 240 129 243

HSL 298.42, 0.83%, 0.73%

LAB 69.96, 58.3, -39.13

 

CMYK 0 / 47 / 12 / 5

HEX #F381D6

RGB 243 129 214

HSL 315.26, 0.83%, 0.73%

LAB 69.19, 54.32, -24.29

 

CMYK 0 / 47 / 24 / 5

HEX #F381B8

RGB 243 129 184

HSL 331.05, 0.83%, 0.73%

LAB 68.18, 49.9, -9.07

 

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

CMYK 39 / 47 / 0 / 5

HEX #9481F3

RGB 148 129 243

HSL 250, 0.83%, 0.73%

LAB 60.31, 33.65, -55

 

CMYK 47 / 47 / 0 / 5

HEX #8181F3

RGB 129 129 243

HSL 240, 0.83%, 0.73%

LAB 58.82, 29.19, -57.45

 

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

CMYK 30 / 54 / 0 / 0

HEX #B175FE

RGB 177 117 254

HSL 266.28, 0.99%, 0.73%

LAB 60.98, 50.18, -59.83

 

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

CMYK 22 / 40 / 0 / 9

HEX #B48CE8

RGB 180 140 232

HSL 266.09, 0.67%, 0.73%

LAB 65.19, 33.19, -41.02

 

CMYK 18 / 32 / 0 / 13

HEX #B597DD

RGB 181 151 221

HSL 265.71, 0.51%, 0.73%

LAB 67.41, 24.83, -31.48

 

CMYK 12 / 22 / 0 / 18

HEX #B7A2D1

RGB 183 162 209

HSL 266.81, 0.34%, 0.73%

LAB 69.83, 16.7, -21.12

 

CMYK 7 / 13 / 0 / 22

HEX #B8ADC6

RGB 184 173 198

HSL 266.4, 0.18%, 0.73%

LAB 72.33, 8.68, -11.29

 

CMYK 47 / 42 / 0 / 5

HEX #818CF3

RGB 129 140 243

HSL 234.21, 0.83%, 0.73%

LAB 61.56, 22.72, -53.09

 

CMYK 39 / 47 / 0 / 5

HEX #9481F3

RGB 148 129 243

HSL 250, 0.83%, 0.73%

LAB 60.31, 33.65, -55

 

CMYK 27 / 47 / 0 / 5

HEX #B281F3

RGB 178 129 243

HSL 265.79, 0.83%, 0.73%

LAB 63.04, 41.31, -50.49

 

CMYK 14 / 47 / 0 / 5

HEX #D181F3

RGB 209 129 243

HSL 282.11, 0.83%, 0.73%

LAB 66.31, 49.71, -45.11

 

CMYK 2 / 47 / 0 / 5

HEX #EF81F3

RGB 239 129 243

HSL 297.89, 0.83%, 0.73%

LAB 69.84, 58.02, -39.33

 

CMYK 44 / 78 / 0 / 7

HEX #8535EC

RGB 133 53 236

HSL 266.23, 0.83%, 0.57%

LAB 43.64, 67.88, -78.1

 

CMYK 35 / 62 / 0 / 6

HEX #9C5BEF

RGB 156 91 239

HSL 266.35, 0.82%, 0.65%

LAB 52.71, 55.37, -64.91

 

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

CMYK 18 / 33 / 0 / 4

HEX #C9A6F6

RGB 201 166 246

HSL 266.25, 0.82%, 0.81%

LAB 73.77, 28.1, -35.17

 

CMYK 10 / 18 / 0 / 2

HEX #E0CCFA

RGB 224 204 250

HSL 266.09, 0.82%, 0.89%

LAB 84.96, 15.46, -20.01

 

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

CMYK 0 / 47 / 30 / 5

HEX #F381AA

RGB 243 129 170

HSL 338.42, 0.83%, 0.73%

LAB 67.77, 48.05, -1.8

 

CMYK 47 / 0 / 46 / 5

HEX #81F384

RGB 129 243 132

HSL 121.58, 0.83%, 0.73%

LAB 87.21, -54.4, 43.55

 

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

CMYK 0 / 27 / 47 / 5

HEX #F3B281

RGB 243 178 129

HSL 25.79, 0.83%, 0.73%

LAB 77.57, 17.96, 34.29

 

CMYK 47 / 0 / 27 / 5

HEX #81F3B2

RGB 129 243 178

HSL 145.79, 0.83%, 0.73%

LAB 87.96, -46.81, 21.5

 

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

CMYK 0 / 47 / 30 / 5

HEX #F381AA

RGB 243 129 170

HSL 338.42, 0.83%, 0.73%

LAB 67.77, 48.05, -1.8

 

CMYK 21 / 0 / 47 / 5

HEX #C1F381

RGB 193 243 129

HSL 86.32, 0.83%, 0.73%

LAB 90.33, -34.22, 49.56

 

CMYK 47 / 0 / 17 / 5

HEX #81F3C9

RGB 129 243 201

HSL 157.89, 0.83%, 0.73%

LAB 88.44, -42.17, 10.28

 

CMYK 26 / 47 / 0 / 5

HEX #B381F3

RGB 179 129 243

HSL 266.32, 0.83%, 0.73%

LAB 63.14, 41.58, -50.32

 

CMYK 0 / 47 / 44 / 5

HEX #F38188

RGB 243 129 136

HSL 356.32, 0.83%, 0.73%

LAB 66.93, 44.18, 16.17

 

CMYK 21 / 0 / 47 / 5

HEX #C1F381

RGB 193 243 129

HSL 86.32, 0.83%, 0.73%

LAB 90.33, -34.22, 49.56

 

CMYK 47 / 0 / 3 / 5

HEX #81F3EB

RGB 129 243 235

HSL 175.79, 0.83%, 0.73%

LAB 89.28, -34.39, -6.22

 

Description

Color code: HEX #B381F3 | qconv.com Color code: HEX #B381F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 129 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 129 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 47 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 47% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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