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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B389DD it is the complementary color #4C7622. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B389DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B389DD shade: #B889D8, #C99BEB, #DAADFE, #EBBFFF and #FCD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B389DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B389DD shade: #B389DD, #A277CA, #9165B7, #8053A4 and #6F4191

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B389DD shade: #B288DC, #C988DC, #DC88D9, #DC88C2 and #DC88AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B389DD shade: #B288DC, #9B88DC and #8888DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B389DD shade matches the following richer shades: #B288DC, #B27CE8 and #B26FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B389DD shade: #B288DC, #B294D0, #B2A1C3, #B2ADB7 and #B2B9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B389DD shade: #888BDC, #9C88DC, #B288DC, #C888DC and #DC88D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B389DD shade: #8948CA, #9D68D3, #B288DC, #C7A8E5 and #DBC8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B389DD shade: #B389DD, #DC88A1 and #88DC90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B389DD shade: #B389DD, #DCB288 and #88DCB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B389DD shade: #B389DD, #DC88A1, #B2DC88 and #88DCC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B389DD shade: #B389DD, #DC8888, #B2DC88 and #88DCDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 38 / 0 / 13

HEX #B389DD

RGB 179 137 221

HSL 270, 0.55%, 0.7%

LAB 63.91, 32.06, -36.93

 

Complementary color

CMYK 36 / 0 / 71 / 54

HEX #4C7622

RGB 76 118 34

HSL 90, 0.55%, 0.3%

LAB 45.09, -29.29, 39.86

 

CMYK 15 / 37 / 0 / 15

HEX #B889D8

RGB 184 137 216

HSL 275.7, 0.5%, 0.69%

LAB 64.19, 32.46, -33.67

 

CMYK 14 / 34 / 0 / 8

HEX #C99BEB

RGB 201 155 235

HSL 274.5, 0.67%, 0.76%

LAB 70.77, 31.76, -33.82

 

CMYK 14 / 32 / 0 / 0

HEX #DAADFE

RGB 218 173 254

HSL 273.33, 0.98%, 0.84%

LAB 77.25, 31.1, -33.98

 

CMYK 8 / 25 / 0 / 0

HEX #EBBFFF

RGB 235 191 255

HSL 281.25, 1%, 0.87%

LAB 82.99, 26.87, -25.57

 

CMYK 1 / 18 / 0 / 0

HEX #FCD1FF

RGB 252 209 255

HSL 296.09, 1%, 0.91%

LAB 88.69, 22.77, -16.79

 

CMYK 19 / 38 / 0 / 13

HEX #B389DD

RGB 179 137 221

HSL 270, 0.55%, 0.7%

LAB 63.91, 32.06, -36.93

 

CMYK 20 / 41 / 0 / 21

HEX #A277CA

RGB 162 119 202

HSL 271.08, 0.44%, 0.63%

LAB 57.21, 32.84, -36.86

 

CMYK 21 / 45 / 0 / 28

HEX #9165B7

RGB 145 101 183

HSL 272.2, 0.36%, 0.56%

LAB 50.39, 33.68, -36.8

 

CMYK 22 / 49 / 0 / 36

HEX #8053A4

RGB 128 83 164

HSL 273.33, 0.33%, 0.48%

LAB 43.44, 34.57, -36.74

 

CMYK 23 / 55 / 0 / 43

HEX #6F4191

RGB 111 65 145

HSL 274.5, 0.38%, 0.41%

LAB 36.37, 35.49, -36.65

 

CMYK 19 / 38 / 0 / 14

HEX #B288DC

RGB 178 136 220

HSL 270, 0.55%, 0.7%

LAB 63.54, 32.1, -36.96

 

CMYK 9 / 38 / 0 / 14

HEX #C988DC

RGB 201 136 220

HSL 286.43, 0.55%, 0.7%

LAB 65.9, 39.01, -33.11

 

CMYK 0 / 38 / 1 / 14

HEX #DC88D9

RGB 220 136 217

HSL 302.14, 0.55%, 0.7%

LAB 67.9, 44.26, -28.18

 

CMYK 0 / 38 / 12 / 14

HEX #DC88C2

RGB 220 136 194

HSL 318.57, 0.55%, 0.7%

LAB 67.07, 40.29, -16.64

 

CMYK 0 / 38 / 22 / 14

HEX #DC88AB

RGB 220 136 171

HSL 335, 0.55%, 0.7%

LAB 66.34, 36.71, -4.8

 

CMYK 19 / 38 / 0 / 14

HEX #B288DC

RGB 178 136 220

HSL 270, 0.55%, 0.7%

LAB 63.54, 32.1, -36.96

 

CMYK 30 / 38 / 0 / 14

HEX #9B88DC

RGB 155 136 220

HSL 253.57, 0.55%, 0.7%

LAB 61.43, 25.44, -40.41

 

CMYK 38 / 38 / 0 / 14

HEX #8888DC

RGB 136 136 220

HSL 240, 0.55%, 0.7%

LAB 59.9, 20.24, -42.93

 

CMYK 19 / 38 / 0 / 14

HEX #B288DC

RGB 178 136 220

HSL 270, 0.55%, 0.7%

LAB 63.54, 32.1, -36.96

 

CMYK 23 / 47 / 0 / 9

HEX #B27CE8

RGB 178 124 232

HSL 270, 0.7%, 0.7%

LAB 61.4, 41.49, -46.99

 

CMYK 27 / 55 / 0 / 4

HEX #B26FF5

RGB 178 111 245

HSL 270, 0.87%, 0.7%

LAB 59.37, 51.47, -57.44

 

CMYK 19 / 38 / 0 / 14

HEX #B288DC

RGB 178 136 220

HSL 270, 0.55%, 0.7%

LAB 63.54, 32.1, -36.96

 

CMYK 14 / 29 / 0 / 18

HEX #B294D0

RGB 178 148 208

HSL 270, 0.39%, 0.7%

LAB 65.9, 22.71, -26.62

 

CMYK 9 / 17 / 0 / 24

HEX #B2A1C3

RGB 178 161 195

HSL 270, 0.22%, 0.7%

LAB 68.68, 12.68, -15.18

 

CMYK 3 / 5 / 0 / 28

HEX #B2ADB7

RGB 178 173 183

HSL 270, 0.06%, 0.7%

LAB 71.4, 3.67, -4.48

 

CMYK 4 / 0 / 8 / 27

HEX #B2B9AB

RGB 178 185 171

HSL 90, 0.09%, 0.7%

LAB 74.26, -5.02, 6.25

 

CMYK 38 / 37 / 0 / 14

HEX #888BDC

RGB 136 139 220

HSL 237.86, 0.55%, 0.7%

LAB 60.66, 18.49, -41.72

 

CMYK 29 / 38 / 0 / 14

HEX #9C88DC

RGB 156 136 220

HSL 254.29, 0.55%, 0.7%

LAB 61.52, 25.72, -40.27

 

CMYK 19 / 38 / 0 / 14

HEX #B288DC

RGB 178 136 220

HSL 270, 0.55%, 0.7%

LAB 63.54, 32.1, -36.96

 

CMYK 9 / 38 / 0 / 14

HEX #C888DC

RGB 200 136 220

HSL 285.71, 0.55%, 0.7%

LAB 65.79, 38.71, -33.28

 

CMYK 0 / 38 / 1 / 14

HEX #DC88D9

RGB 220 136 217

HSL 302.14, 0.55%, 0.7%

LAB 67.9, 44.26, -28.18

 

CMYK 32 / 64 / 0 / 21

HEX #8948CA

RGB 137 72 202

HSL 270, 0.55%, 0.54%

LAB 44.54, 51.94, -57.17

 

CMYK 26 / 51 / 0 / 17

HEX #9D68D3

RGB 157 104 211

HSL 269.72, 0.55%, 0.62%

LAB 53.78, 41.94, -47.41

 

CMYK 19 / 38 / 0 / 14

HEX #B288DC

RGB 178 136 220

HSL 270, 0.55%, 0.7%

LAB 63.54, 32.1, -36.96

 

CMYK 13 / 27 / 0 / 10

HEX #C7A8E5

RGB 199 168 229

HSL 270.49, 0.54%, 0.78%

LAB 73.42, 22.72, -26.48

 

CMYK 8 / 16 / 0 / 6

HEX #DBC8EF

RGB 219 200 239

HSL 269.23, 0.55%, 0.86%

LAB 83.23, 13.8, -16.81

 

CMYK 19 / 38 / 0 / 13

HEX #B389DD

RGB 179 137 221

HSL 270, 0.55%, 0.7%

LAB 63.91, 32.06, -36.93

 

CMYK 0 / 38 / 27 / 14

HEX #DC88A1

RGB 220 136 161

HSL 342.14, 0.55%, 0.7%

LAB 66.06, 35.29, 0.43

 

CMYK 38 / 0 / 35 / 14

HEX #88DC90

RGB 136 220 144

HSL 125.71, 0.55%, 0.7%

LAB 80.98, -40.9, 29.53

 

CMYK 19 / 38 / 0 / 13

HEX #B389DD

RGB 179 137 221

HSL 270, 0.55%, 0.7%

LAB 63.91, 32.06, -36.93

 

CMYK 0 / 19 / 38 / 14

HEX #DCB288

RGB 220 178 136

HSL 30, 0.55%, 0.7%

LAB 75.35, 9.56, 27.23

 

CMYK 38 / 0 / 19 / 14

HEX #88DCB2

RGB 136 220 178

HSL 150, 0.55%, 0.7%

LAB 81.64, -34.71, 12.69

 

CMYK 19 / 38 / 0 / 13

HEX #B389DD

RGB 179 137 221

HSL 270, 0.55%, 0.7%

LAB 63.91, 32.06, -36.93

 

CMYK 0 / 38 / 27 / 14

HEX #DC88A1

RGB 220 136 161

HSL 342.14, 0.55%, 0.7%

LAB 66.06, 35.29, 0.43

 

CMYK 19 / 0 / 38 / 14

HEX #B2DC88

RGB 178 220 136

HSL 90, 0.55%, 0.7%

LAB 83.14, -28.06, 36.87

 

CMYK 38 / 0 / 11 / 14

HEX #88DCC3

RGB 136 220 195

HSL 162.14, 0.55%, 0.7%

LAB 82.03, -31.15, 4.26

 

CMYK 19 / 38 / 0 / 13

HEX #B389DD

RGB 179 137 221

HSL 270, 0.55%, 0.7%

LAB 63.91, 32.06, -36.93

 

CMYK 0 / 38 / 38 / 14

HEX #DC8888

RGB 220 136 136

HSL 0, 0.55%, 0.7%

LAB 65.44, 32.11, 13.66

 

CMYK 19 / 0 / 38 / 14

HEX #B2DC88

RGB 178 220 136

HSL 90, 0.55%, 0.7%

LAB 83.14, -28.06, 36.87

 

CMYK 38 / 0 / 0 / 14

HEX #88DCDC

RGB 136 220 220

HSL 180, 0.55%, 0.7%

LAB 82.69, -25.4, -8.05

 

Description

Color code: HEX #B389DD | qconv.com Color code: HEX #B389DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 137 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 137 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 38 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 38% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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