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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B37F7A it is the complementary color #4C8085. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B37F7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B37F7A shade: #B87F75, #C99188, #DAA39B, #EBB5AE and #FCC7C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B37F7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B37F7A shade: #B37F7A, #A26D67, #915B54, #804941 and #6F372E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B37F7A shade: #B27F7A and #B27A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B37F7A shade: #B27F7A, #B28E7A, #B29D7A, #B2AC7A and #A9B27A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B37F7A shade matches the following richer shades: #B27F7A, #C37169, #D46358, #E55547 and #F64736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B37F7A shade: #B27F7A, #A18D8B, #909B9C, #7FA9AC and #6FB6BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B37F7A shade: #B27A93, #B27A84, #B27E7A, #B28D7A and #B29D7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B37F7A shade: #8A544F, #A36560, #B27F7A, #C19894 and #D0B1AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B37F7A shade: #B37F7A, #A2B27A and #7A8CB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B37F7A shade: #B37F7A, #7AB27E and #7E7AB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B37F7A shade: #B37F7A, #A2B27A, #7AADB2 and #8A7AB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B37F7A shade: #B37F7A, #91B27A, #7AADB2 and #9B7AB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 32 / 30

HEX #B37F7A

RGB 179 127 122

HSL 5.26, 0.27%, 0.59%

LAB 58.2, 19.46, 10.75

 

Complementary color

CMYK 43 / 4 / 0 / 48

HEX #4C8085

RGB 76 128 133

HSL 185.26, 0.27%, 0.41%

LAB 50.3, -15.96, -8.17

 

CMYK 0 / 31 / 36 / 28

HEX #B87F75

RGB 184 127 117

HSL 8.96, 0.32%, 0.59%

LAB 58.65, 20.79, 14.34

 

CMYK 0 / 28 / 32 / 21

HEX #C99188

RGB 201 145 136

HSL 8.31, 0.38%, 0.66%

LAB 65.31, 19.96, 13.16

 

CMYK 0 / 25 / 29 / 15

HEX #DAA39B

RGB 218 163 155

HSL 7.62, 0.46%, 0.73%

LAB 71.87, 19.22, 12.09

 

CMYK 0 / 23 / 26 / 8

HEX #EBB5AE

RGB 235 181 174

HSL 6.89, 0.6%, 0.8%

LAB 78.33, 18.56, 11.11

 

CMYK 0 / 21 / 23 / 1

HEX #FCC7C1

RGB 252 199 193

HSL 6.1, 0.91%, 0.87%

LAB 84.69, 17.96, 10.2

 

CMYK 0 / 29 / 32 / 30

HEX #B37F7A

RGB 179 127 122

HSL 5.26, 0.27%, 0.59%

LAB 58.2, 19.46, 10.75

 

CMYK 0 / 33 / 36 / 36

HEX #A26D67

RGB 162 109 103

HSL 6.1, 0.24%, 0.52%

LAB 51.38, 20.32, 11.94

 

CMYK 0 / 37 / 42 / 43

HEX #915B54

RGB 145 91 84

HSL 6.89, 0.27%, 0.45%

LAB 44.44, 21.31, 13.31

 

CMYK 0 / 43 / 49 / 50

HEX #804941

RGB 128 73 65

HSL 7.62, 0.33%, 0.38%

LAB 37.36, 22.47, 14.92

 

CMYK 0 / 50 / 59 / 56

HEX #6F372E

RGB 111 55 46

HSL 8.31, 0.41%, 0.31%

LAB 30.18, 23.8, 16.89

 

CMYK 0 / 29 / 31 / 30

HEX #B27F7A

RGB 178 127 122

HSL 5.36, 0.27%, 0.59%

LAB 58.08, 19.06, 10.57

 

CMYK 0 / 31 / 31 / 30

HEX #B27A7A

RGB 178 122 122

HSL 0, 0.27%, 0.59%

LAB 56.87, 21.87, 8.85

 

CMYK 0 / 29 / 31 / 30

HEX #B27F7A

RGB 178 127 122

HSL 5.36, 0.27%, 0.59%

LAB 58.08, 19.06, 10.57

 

CMYK 0 / 20 / 31 / 30

HEX #B28E7A

RGB 178 142 122

HSL 21.43, 0.27%, 0.59%

LAB 61.84, 10.66, 15.82

 

CMYK 0 / 12 / 31 / 30

HEX #B29D7A

RGB 178 157 122

HSL 37.5, 0.27%, 0.59%

LAB 65.74, 2.38, 21.17

 

CMYK 0 / 3 / 31 / 30

HEX #B2AC7A

RGB 178 172 122

HSL 53.57, 0.27%, 0.59%

LAB 69.74, -5.7, 26.55

 

CMYK 5 / 0 / 31 / 30

HEX #A9B27A

RGB 169 178 122

HSL 69.64, 0.27%, 0.59%

LAB 70.65, -12.42, 27.63

 

CMYK 0 / 29 / 31 / 30

HEX #B27F7A

RGB 178 127 122

HSL 5.36, 0.27%, 0.59%

LAB 58.08, 19.06, 10.57

 

CMYK 0 / 42 / 46 / 24

HEX #C37169

RGB 195 113 105

HSL 5.33, 0.43%, 0.59%

LAB 56.52, 31.45, 18.51

 

CMYK 0 / 53 / 58 / 17

HEX #D46358

RGB 212 99 88

HSL 5.32, 0.59%, 0.59%

LAB 55.71, 43.65, 27.66

 

CMYK 0 / 63 / 69 / 10

HEX #E55547

RGB 229 85 71

HSL 5.32, 0.75%, 0.59%

LAB 55.7, 55.06, 37.85

 

CMYK 0 / 71 / 78 / 4

HEX #F64736

RGB 246 71 54

HSL 5.31, 0.91%, 0.59%

LAB 56.45, 65.27, 48.66

 

CMYK 0 / 29 / 31 / 30

HEX #B27F7A

RGB 178 127 122

HSL 5.36, 0.27%, 0.59%

LAB 58.08, 19.06, 10.57

 

CMYK 0 / 12 / 14 / 37

HEX #A18D8B

RGB 161 141 139

HSL 5.45, 0.1%, 0.59%

LAB 60.33, 7.15, 3.81

 

CMYK 8 / 1 / 0 / 39

HEX #909B9C

RGB 144 155 156

HSL 185, 0.06%, 0.59%

LAB 63.15, -3.71, -1.88

 

CMYK 26 / 2 / 0 / 33

HEX #7FA9AC

RGB 127 169 172

HSL 184, 0.21%, 0.59%

LAB 66.42, -13.36, -6.16

 

CMYK 41 / 4 / 0 / 26

HEX #6FB6BD

RGB 111 182 189

HSL 185.38, 0.37%, 0.59%

LAB 69.83, -20.43, -10.57

 

CMYK 0 / 31 / 17 / 30

HEX #B27A93

RGB 178 122 147

HSL 333.21, 0.27%, 0.59%

LAB 57.55, 25.61, -4.64

 

CMYK 0 / 31 / 26 / 30

HEX #B27A84

RGB 178 122 132

HSL 349.29, 0.27%, 0.59%

LAB 57.12, 23.28, 3.43

 

CMYK 0 / 29 / 31 / 30

HEX #B27E7A

RGB 178 126 122

HSL 4.29, 0.27%, 0.59%

LAB 57.84, 19.62, 10.23

 

CMYK 0 / 21 / 31 / 30

HEX #B28D7A

RGB 178 141 122

HSL 20.36, 0.27%, 0.59%

LAB 61.59, 11.22, 15.47

 

CMYK 0 / 12 / 31 / 30

HEX #B29D7A

RGB 178 157 122

HSL 37.5, 0.27%, 0.59%

LAB 65.74, 2.38, 21.17

 

CMYK 0 / 39 / 43 / 46

HEX #8A544F

RGB 138 84 79

HSL 5.08, 0.27%, 0.43%

LAB 41.7, 21.86, 12.43

 

CMYK 0 / 38 / 41 / 36

HEX #A36560

RGB 163 101 96

HSL 4.48, 0.27%, 0.51%

LAB 49.42, 24.4, 13.37

 

CMYK 0 / 29 / 31 / 30

HEX #B27F7A

RGB 178 127 122

HSL 5.36, 0.27%, 0.59%

LAB 58.08, 19.06, 10.57

 

CMYK 0 / 21 / 23 / 24

HEX #C19894

RGB 193 152 148

HSL 5.33, 0.27%, 0.67%

LAB 66.47, 14.7, 7.95

 

CMYK 0 / 15 / 16 / 18

HEX #D0B1AE

RGB 208 177 174

HSL 5.29, 0.27%, 0.75%

LAB 74.77, 10.69, 5.68

 

CMYK 0 / 29 / 32 / 30

HEX #B37F7A

RGB 179 127 122

HSL 5.26, 0.27%, 0.59%

LAB 58.2, 19.46, 10.75

 

CMYK 9 / 0 / 31 / 30

HEX #A2B27A

RGB 162 178 122

HSL 77.14, 0.27%, 0.59%

LAB 70.12, -15.14, 26.84

 

CMYK 31 / 21 / 0 / 30

HEX #7A8CB2

RGB 122 140 178

HSL 220.71, 0.27%, 0.59%

LAB 58.14, 2.66, -22.05

 

CMYK 0 / 29 / 32 / 30

HEX #B37F7A

RGB 179 127 122

HSL 5.26, 0.27%, 0.59%

LAB 58.2, 19.46, 10.75

 

CMYK 31 / 0 / 29 / 30

HEX #7AB27E

RGB 122 178 126

HSL 124.29, 0.27%, 0.59%

LAB 67.64, -28.96, 20.9

 

CMYK 29 / 31 / 0 / 30

HEX #7E7AB2

RGB 126 122 178

HSL 244.29, 0.27%, 0.59%

LAB 53.57, 14.41, -29.08

 

CMYK 0 / 29 / 32 / 30

HEX #B37F7A

RGB 179 127 122

HSL 5.26, 0.27%, 0.59%

LAB 58.2, 19.46, 10.75

 

CMYK 9 / 0 / 31 / 30

HEX #A2B27A

RGB 162 178 122

HSL 77.14, 0.27%, 0.59%

LAB 70.12, -15.14, 26.84

 

CMYK 31 / 3 / 0 / 30

HEX #7AADB2

RGB 122 173 178

HSL 185.36, 0.27%, 0.59%

LAB 67.46, -15.53, -7.98

 

CMYK 22 / 31 / 0 / 30

HEX #8A7AB2

RGB 138 122 178

HSL 257.14, 0.27%, 0.59%

LAB 54.59, 18.11, -27.4

 

CMYK 0 / 29 / 32 / 30

HEX #B37F7A

RGB 179 127 122

HSL 5.26, 0.27%, 0.59%

LAB 58.2, 19.46, 10.75

 

CMYK 19 / 0 / 31 / 30

HEX #91B27A

RGB 145 178 122

HSL 95.36, 0.27%, 0.59%

LAB 68.94, -21.55, 25.05

 

CMYK 31 / 3 / 0 / 30

HEX #7AADB2

RGB 122 173 178

HSL 185.36, 0.27%, 0.59%

LAB 67.46, -15.53, -7.98

 

CMYK 13 / 31 / 0 / 30

HEX #9B7AB2

RGB 155 122 178

HSL 275.36, 0.27%, 0.59%

LAB 56.19, 23.55, -24.81

 

Description

Color code: HEX #B37F7A | qconv.com Color code: HEX #B37F7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 127 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 127 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 32 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 32% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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