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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B37F1D it is the complementary color #4C80E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B37F1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B37F1D shade: #B87F18, #C9912B, #DAA33E, #EBB551 and #FCC764

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B37F1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B37F1D shade: #B37F1D, #A26D0A, #915B00, #804900 and #6F3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B37F1D shade: #B37F1D, #B3571D, #B32E1D and #B31D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B37F1D shade: #B37F1D, #B3A81D, #96B31D, #6EB31D and #45B31D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B37F1D shade matches the following richer shades: #B37F1D and #C4840C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B37F1D shade: #B37F1D, #A27A2E, #91753F, #817050 and #706A60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B37F1D shade: #B32E1D, #B3561D, #B37F1D, #B3A71D and #98B31D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B37F1D shade: #6C4D11, #906617, #B37F1D, #D79823 and #E0A943

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B37F1D shade: #B37F1D, #33B31D and #421DB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B37F1D shade: #B37F1D, #1DB37F and #7F1DB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B37F1D shade: #B37F1D, #33B31D, #1D51B3 and #9D1DB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B37F1D shade: #B37F1D, #1DB333, #1D51B3 and #B31D9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

Complementary color

CMYK 66 / 43 / 0 / 11

HEX #4C80E2

RGB 76 128 226

HSL 219.2, 0.72%, 0.59%

LAB 54.52, 13.94, -55.05

 

CMYK 0 / 31 / 87 / 28

HEX #B87F18

RGB 184 127 24

HSL 38.63, 0.77%, 0.41%

LAB 57.5, 13.99, 58.49

 

CMYK 0 / 28 / 79 / 21

HEX #C9912B

RGB 201 145 43

HSL 38.73, 0.65%, 0.48%

LAB 64.03, 12.21, 58.64

 

CMYK 0 / 25 / 72 / 15

HEX #DAA33E

RGB 218 163 62

HSL 38.85, 0.68%, 0.55%

LAB 70.49, 10.69, 58

 

CMYK 0 / 23 / 66 / 8

HEX #EBB551

RGB 235 181 81

HSL 38.96, 0.79%, 0.62%

LAB 76.86, 9.37, 56.97

 

CMYK 0 / 21 / 60 / 1

HEX #FCC764

RGB 252 199 100

HSL 39.08, 0.96%, 0.69%

LAB 83.16, 8.24, 55.78

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 0 / 33 / 94 / 36

HEX #A26D0A

RGB 162 109 10

HSL 39.08, 0.88%, 0.34%

LAB 50.26, 13.86, 55.15

 

CMYK 0 / 37 / 100 / 43

HEX #915B00

RGB 145 91 0

HSL 37.66, 1%, 0.28%

LAB 43.51, 16.18, 51.72

 

CMYK 0 / 43 / 100 / 50

HEX #804900

RGB 128 73 0

HSL 34.22, 1%, 0.25%

LAB 36.66, 18.77, 46.15

 

CMYK 0 / 50 / 100 / 56

HEX #6F3700

RGB 111 55 0

HSL 29.73, 1%, 0.22%

LAB 29.69, 21.45, 40.29

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 0 / 51 / 84 / 30

HEX #B3571D

RGB 179 87 29

HSL 23.2, 0.72%, 0.41%

LAB 47.61, 33.84, 48.12

 

CMYK 0 / 74 / 84 / 30

HEX #B32E1D

RGB 179 46 29

HSL 6.8, 0.72%, 0.41%

LAB 40.62, 52.31, 41.82

 

CMYK 0 / 84 / 84 / 30

HEX #B31D1D

RGB 179 29 29

HSL 0, 0.72%, 0.41%

LAB 38.81, 57.37, 40.16

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 0 / 6 / 84 / 30

HEX #B3A81D

RGB 179 168 29

HSL 55.6, 0.72%, 0.41%

LAB 67.78, -10.37, 65.47

 

CMYK 16 / 0 / 84 / 30

HEX #96B31D

RGB 150 179 29

HSL 71.6, 0.72%, 0.41%

LAB 68.62, -28.43, 65.28

 

CMYK 39 / 0 / 84 / 30

HEX #6EB31D

RGB 110 179 29

HSL 87.6, 0.72%, 0.41%

LAB 66.25, -43.97, 62.29

 

CMYK 61 / 0 / 84 / 30

HEX #45B31D

RGB 69 179 29

HSL 104, 0.72%, 0.41%

LAB 64.64, -56.28, 60.25

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 0 / 33 / 94 / 23

HEX #C4840C

RGB 196 132 12

HSL 39.13, 0.88%, 0.41%

LAB 60.13, 16.34, 63.86

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 0 / 25 / 72 / 36

HEX #A27A2E

RGB 162 122 46

HSL 39.31, 0.56%, 0.41%

LAB 53.81, 7.72, 45.93

 

CMYK 0 / 19 / 57 / 43

HEX #91753F

RGB 145 117 63

HSL 39.51, 0.39%, 0.41%

LAB 50.81, 4.07, 33.59

 

CMYK 0 / 13 / 38 / 49

HEX #817050

RGB 129 112 80

HSL 39.18, 0.23%, 0.41%

LAB 48.05, 1.68, 20.26

 

CMYK 0 / 5 / 14 / 56

HEX #706A60

RGB 112 106 96

HSL 37.5, 0.08%, 0.41%

LAB 45.08, 0.46, 6.45

 

CMYK 0 / 74 / 84 / 30

HEX #B32E1D

RGB 179 46 29

HSL 6.8, 0.72%, 0.41%

LAB 40.62, 52.31, 41.82

 

CMYK 0 / 52 / 84 / 30

HEX #B3561D

RGB 179 86 29

HSL 22.8, 0.72%, 0.41%

LAB 47.4, 34.36, 47.94

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 0 / 7 / 84 / 30

HEX #B3A71D

RGB 179 167 29

HSL 55.2, 0.72%, 0.41%

LAB 67.51, -9.85, 65.24

 

CMYK 15 / 0 / 84 / 30

HEX #98B31D

RGB 152 179 29

HSL 70.8, 0.72%, 0.41%

LAB 68.75, -27.59, 65.45

 

CMYK 0 / 29 / 84 / 58

HEX #6C4D11

RGB 108 77 17

HSL 39.56, 0.73%, 0.25%

LAB 35.08, 7.23, 38.01

 

CMYK 0 / 29 / 84 / 44

HEX #906617

RGB 144 102 23

HSL 39.17, 0.72%, 0.33%

LAB 46.3, 9.85, 47.44

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 0 / 29 / 84 / 16

HEX #D79823

RGB 215 152 35

HSL 39, 0.72%, 0.49%

LAB 67.3, 14.27, 64.84

 

CMYK 0 / 25 / 70 / 12

HEX #E0A943

RGB 224 169 67

HSL 38.98, 0.72%, 0.57%

LAB 72.65, 10.3, 58.29

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 72 / 0 / 84 / 30

HEX #33B31D

RGB 51 179 29

HSL 111.2, 0.72%, 0.41%

LAB 64.19, -60.07, 59.67

 

CMYK 63 / 84 / 0 / 30

HEX #421DB3

RGB 66 29 179

HSL 254.8, 0.72%, 0.41%

LAB 27.55, 54.63, -71.76

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 84 / 0 / 29 / 30

HEX #1DB37F

RGB 29 179 127

HSL 159.2, 0.72%, 0.41%

LAB 64.99, -49.45, 16.25

 

CMYK 29 / 84 / 0 / 30

HEX #7F1DB3

RGB 127 29 179

HSL 279.2, 0.72%, 0.41%

LAB 35.29, 62.43, -58.76

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 72 / 0 / 84 / 30

HEX #33B31D

RGB 51 179 29

HSL 111.2, 0.72%, 0.41%

LAB 64.19, -60.07, 59.67

 

CMYK 84 / 55 / 0 / 30

HEX #1D51B3

RGB 29 81 179

HSL 219.2, 0.72%, 0.41%

LAB 36.74, 20.57, -56.76

 

CMYK 12 / 84 / 0 / 30

HEX #9D1DB3

RGB 157 29 179

HSL 291.2, 0.72%, 0.41%

LAB 40.08, 67.47, -50.77

 

CMYK 0 / 29 / 84 / 30

HEX #B37F1D

RGB 179 127 29

HSL 39.2, 0.72%, 0.41%

LAB 56.93, 11.88, 56.25

 

CMYK 84 / 0 / 72 / 30

HEX #1DB333

RGB 29 179 51

HSL 128.8, 0.72%, 0.41%

LAB 63.95, -61.67, 52.22

 

CMYK 84 / 55 / 0 / 30

HEX #1D51B3

RGB 29 81 179

HSL 219.2, 0.72%, 0.41%

LAB 36.74, 20.57, -56.76

 

CMYK 0 / 84 / 12 / 30

HEX #B31D9D

RGB 179 29 157

HSL 308.8, 0.72%, 0.41%

LAB 42.61, 68.23, -33.38

 

Description

Color code: HEX #B37F1D | qconv.com Color code: HEX #B37F1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 127 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 127 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 84 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 84% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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