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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B37D47 it is the complementary color #4C82B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B37D47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B37D47 shade: #B87D42, #C98F55, #DAA168, #EBB37B and #FCC58E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B37D47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B37D47 shade: #B37D47, #A26B34, #915921, #80470E and #6F3500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B37D47 shade: #B27C47, #B25F47 and #B24747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B37D47 shade: #B27C47, #B29947, #AEB247, #91B247 and #74B247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B37D47 shade matches the following richer shades: #B27C47, #C67C33, #DB7C1E and #EF7C0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B37D47 shade: #B27C47, #9E7C5B, #8A7C6F, #767C83 and #617C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B37D47 shade: #B2474A, #B26047, #B27C47, #B29947 and #AFB247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B37D47 shade: #77532F, #95683B, #B27C47, #C09162 and #CCA680

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B37D47 shade: #B37D47, #67B247 and #5147B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B37D47 shade: #B37D47, #47B27C and #7C47B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B37D47 shade: #B37D47, #67B247, #477CB2 and #9247B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B37D47 shade: #B37D47, #47B247, #477CB2 and #B247B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 60 / 30

HEX #B37D47

RGB 179 125 71

HSL 30, 0.43%, 0.49%

LAB 56.79, 15.19, 37.41

 

Complementary color

CMYK 59 / 29 / 0 / 28

HEX #4C82B8

RGB 76 130 184

HSL 210, 0.43%, 0.51%

LAB 52.91, -1.55, -33.79

 

CMYK 0 / 32 / 64 / 28

HEX #B87D42

RGB 184 125 66

HSL 30, 0.47%, 0.49%

LAB 57.32, 17, 40.77

 

CMYK 0 / 29 / 58 / 21

HEX #C98F55

RGB 201 143 85

HSL 30, 0.52%, 0.56%

LAB 63.93, 15.71, 39.24

 

CMYK 0 / 26 / 52 / 15

HEX #DAA168

RGB 218 161 104

HSL 30, 0.61%, 0.63%

LAB 70.45, 14.61, 37.77

 

CMYK 0 / 24 / 48 / 8

HEX #EBB37B

RGB 235 179 123

HSL 30, 0.74%, 0.7%

LAB 76.88, 13.66, 36.37

 

CMYK 0 / 22 / 44 / 1

HEX #FCC58E

RGB 252 197 142

HSL 30, 0.95%, 0.77%

LAB 83.22, 12.82, 35.06

 

CMYK 0 / 30 / 60 / 30

HEX #B37D47

RGB 179 125 71

HSL 30, 0.43%, 0.49%

LAB 56.79, 15.19, 37.41

 

CMYK 0 / 34 / 68 / 36

HEX #A26B34

RGB 162 107 52

HSL 30, 0.51%, 0.42%

LAB 50.03, 16.58, 38.97

 

CMYK 0 / 39 / 77 / 43

HEX #915921

RGB 145 89 33

HSL 30, 0.63%, 0.35%

LAB 43.17, 18.25, 40.41

 

CMYK 0 / 45 / 89 / 50

HEX #80470E

RGB 128 71 14

HSL 30, 0.8%, 0.28%

LAB 36.23, 20.26, 41.21

 

CMYK 0 / 52 / 100 / 56

HEX #6F3500

RGB 111 53 0

HSL 28.65, 1%, 0.22%

LAB 29.22, 22.61, 39.93

 

CMYK 0 / 30 / 60 / 30

HEX #B27C47

RGB 178 124 71

HSL 29.72, 0.43%, 0.49%

LAB 56.42, 15.32, 36.94

 

CMYK 0 / 47 / 60 / 30

HEX #B25F47

RGB 178 95 71

HSL 13.46, 0.43%, 0.49%

LAB 49.62, 31.36, 28.64

 

CMYK 0 / 60 / 60 / 30

HEX #B24747

RGB 178 71 71

HSL 0, 0.43%, 0.49%

LAB 44.84, 43.6, 22.55

 

CMYK 0 / 30 / 60 / 30

HEX #B27C47

RGB 178 124 71

HSL 29.72, 0.43%, 0.49%

LAB 56.42, 15.32, 36.94

 

CMYK 0 / 14 / 60 / 30

HEX #B29947

RGB 178 153 71

HSL 45.98, 0.43%, 0.49%

LAB 63.92, -0.72, 45.66

 

CMYK 2 / 0 / 60 / 30

HEX #AEB247

RGB 174 178 71

HSL 62.24, 0.43%, 0.49%

LAB 70.38, -15.62, 52.75

 

CMYK 19 / 0 / 60 / 30

HEX #91B247

RGB 145 178 71

HSL 78.5, 0.43%, 0.49%

LAB 68.25, -27.58, 49.8

 

CMYK 35 / 0 / 60 / 30

HEX #74B247

RGB 116 178 71

HSL 94.77, 0.43%, 0.49%

LAB 66.53, -38.55, 47.39

 

CMYK 0 / 30 / 60 / 30

HEX #B27C47

RGB 178 124 71

HSL 29.72, 0.43%, 0.49%

LAB 56.42, 15.32, 36.94

 

CMYK 0 / 37 / 74 / 22

HEX #C67C33

RGB 198 124 51

HSL 29.8, 0.59%, 0.49%

LAB 58.66, 22.72, 50

 

CMYK 0 / 43 / 86 / 14

HEX #DB7C1E

RGB 219 124 30

HSL 29.84, 0.76%, 0.49%

LAB 61.28, 30.84, 61.6

 

CMYK 0 / 48 / 96 / 6

HEX #EF7C0A

RGB 239 124 10

HSL 29.87, 0.92%, 0.49%

LAB 63.99, 38.64, 69.5

 

CMYK 0 / 30 / 60 / 30

HEX #B27C47

RGB 178 124 71

HSL 29.72, 0.43%, 0.49%

LAB 56.42, 15.32, 36.94

 

CMYK 0 / 22 / 42 / 38

HEX #9E7C5B

RGB 158 124 91

HSL 29.55, 0.27%, 0.49%

LAB 54.49, 8.62, 23.04

 

CMYK 0 / 10 / 20 / 46

HEX #8A7C6F

RGB 138 124 111

HSL 28.89, 0.11%, 0.49%

LAB 52.91, 3.1, 9.04

 

CMYK 10 / 5 / 0 / 49

HEX #767C83

RGB 118 124 131

HSL 212.31, 0.05%, 0.49%

LAB 51.73, -0.74, -4.58

 

CMYK 36 / 18 / 0 / 40

HEX #617C98

RGB 97 124 152

HSL 210.55, 0.22%, 0.49%

LAB 50.95, -2.48, -18.2

 

CMYK 0 / 60 / 58 / 30

HEX #B2474A

RGB 178 71 74

HSL 358.32, 0.43%, 0.49%

LAB 44.89, 43.82, 20.81

 

CMYK 0 / 46 / 60 / 30

HEX #B26047

RGB 178 96 71

HSL 14.02, 0.43%, 0.49%

LAB 49.84, 30.82, 28.91

 

CMYK 0 / 30 / 60 / 30

HEX #B27C47

RGB 178 124 71

HSL 29.72, 0.43%, 0.49%

LAB 56.42, 15.32, 36.94

 

CMYK 0 / 14 / 60 / 30

HEX #B29947

RGB 178 153 71

HSL 45.98, 0.43%, 0.49%

LAB 63.92, -0.72, 45.66

 

CMYK 2 / 0 / 60 / 30

HEX #AFB247

RGB 175 178 71

HSL 61.68, 0.43%, 0.49%

LAB 70.46, -15.2, 52.86

 

CMYK 0 / 30 / 61 / 53

HEX #77532F

RGB 119 83 47

HSL 30, 0.43%, 0.33%

LAB 38.4, 10.75, 26.82

 

CMYK 0 / 30 / 60 / 42

HEX #95683B

RGB 149 104 59

HSL 30, 0.43%, 0.41%

LAB 47.76, 13.02, 32.22

 

CMYK 0 / 30 / 60 / 30

HEX #B27C47

RGB 178 124 71

HSL 29.72, 0.43%, 0.49%

LAB 56.42, 15.32, 36.94

 

CMYK 0 / 24 / 49 / 25

HEX #C09162

RGB 192 145 98

HSL 30, 0.43%, 0.57%

LAB 63.62, 11.97, 31.74

 

CMYK 0 / 19 / 37 / 20

HEX #CCA680

RGB 204 166 128

HSL 30, 0.43%, 0.65%

LAB 70.64, 8.69, 24.94

 

CMYK 0 / 30 / 60 / 30

HEX #B37D47

RGB 179 125 71

HSL 30, 0.43%, 0.49%

LAB 56.79, 15.19, 37.41

 

CMYK 42 / 0 / 60 / 30

HEX #67B247

RGB 103 178 71

HSL 102.06, 0.43%, 0.49%

LAB 65.89, -42.97, 46.49

 

CMYK 54 / 60 / 0 / 30

HEX #5147B2

RGB 81 71 178

HSL 245.61, 0.43%, 0.49%

LAB 36.87, 34.14, -55.83

 

CMYK 0 / 30 / 60 / 30

HEX #B37D47

RGB 179 125 71

HSL 30, 0.43%, 0.49%

LAB 56.79, 15.19, 37.41

 

CMYK 60 / 0 / 30 / 30

HEX #47B27C

RGB 71 178 124

HSL 149.72, 0.43%, 0.49%

LAB 65.46, -43.41, 18.67

 

CMYK 30 / 60 / 0 / 30

HEX #7C47B2

RGB 124 71 178

HSL 269.72, 0.43%, 0.49%

LAB 41.23, 43.63, -48.59

 

CMYK 0 / 30 / 60 / 30

HEX #B37D47

RGB 179 125 71

HSL 30, 0.43%, 0.49%

LAB 56.79, 15.19, 37.41

 

CMYK 42 / 0 / 60 / 30

HEX #67B247

RGB 103 178 71

HSL 102.06, 0.43%, 0.49%

LAB 65.89, -42.97, 46.49

 

CMYK 60 / 30 / 0 / 30

HEX #477CB2

RGB 71 124 178

HSL 210.28, 0.43%, 0.49%

LAB 50.65, -1, -33.88

 

CMYK 18 / 60 / 0 / 30

HEX #9247B2

RGB 146 71 178

HSL 282.06, 0.43%, 0.49%

LAB 43.99, 49.08, -44.01

 

CMYK 0 / 30 / 60 / 30

HEX #B37D47

RGB 179 125 71

HSL 30, 0.43%, 0.49%

LAB 56.79, 15.19, 37.41

 

CMYK 60 / 0 / 60 / 30

HEX #47B247

RGB 71 178 71

HSL 120, 0.43%, 0.49%

LAB 64.67, -52.04, 44.78

 

CMYK 60 / 30 / 0 / 30

HEX #477CB2

RGB 71 124 178

HSL 210.28, 0.43%, 0.49%

LAB 50.65, -1, -33.88

 

CMYK 0 / 60 / 0 / 30

HEX #B247B2

RGB 178 71 178

HSL 300, 0.43%, 0.49%

LAB 48.49, 57.26, -36.59

 

Description

Color code: HEX #B37D47 | qconv.com Color code: HEX #B37D47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 125 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 125 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 60 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 60% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

69% - Département SRC de M...
Link: http://src-media.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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