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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B37BFE it is the complementary color #4C8401. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B37BFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B37BFE shade: #B87BF9, #C98DFF, #DA9FFF, #EBB1FF and #FCC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B37BFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B37BFE shade: #B37BFE, #A269EB, #9157D8, #8045C5 and #6F33B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B37BFE shade: #B37BFD, #D67BFD, #F97BFD, #FD7BDE and #FD7BBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B37BFE shade: #B37BFD, #907BFD and #7B7BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B37BFE shade matches the following richer shades: #B37BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B37BFE shade: #B37BFD, #B486F2, #B691E8, #B79BDD and #B9A6D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B37BFE shade: #7B8AFD, #8F7BFD, #B17BFD, #D47BFD and #F77BFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B37BFE shade: #842AFC, #9B52FD, #B37BFD, #CAA4FE and #E2CDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B37BFE shade: #B37BFE, #FD7BAD and #7BFD7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B37BFE shade: #B37BFE, #FDB17B and #7BFDB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B37BFE shade: #B37BFE, #FD7BAD, #C7FD7B and #7BFDCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B37BFE shade: #B37BFE, #FD7B86, #C7FD7B and #7BFDF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 52 / 0 / 0

HEX #B37BFE

RGB 179 123 254

HSL 265.65, 0.98%, 0.74%

LAB 62.43, 47.45, -57.51

 

Complementary color

CMYK 42 / 0 / 99 / 48

HEX #4C8401

RGB 76 132 1

HSL 85.65, 0.98%, 0.26%

LAB 49.55, -37.12, 53.15

 

CMYK 26 / 51 / 0 / 2

HEX #B87BF9

RGB 184 123 249

HSL 269.05, 0.91%, 0.73%

LAB 62.67, 47.53, -54.34

 

CMYK 21 / 45 / 0 / 0

HEX #C98DFF

RGB 201 141 255

HSL 271.58, 1%, 0.78%

LAB 68.52, 43.72, -48.25

 

CMYK 15 / 38 / 0 / 0

HEX #DA9FFF

RGB 218 159 255

HSL 276.88, 1%, 0.81%

LAB 74.14, 38.86, -39.34

 

CMYK 8 / 31 / 0 / 0

HEX #EBB1FF

RGB 235 177 255

HSL 284.62, 1%, 0.85%

LAB 79.8, 34.34, -30.45

 

CMYK 1 / 24 / 0 / 0

HEX #FCC3FF

RGB 252 195 255

HSL 297, 1%, 0.88%

LAB 85.48, 30.14, -21.65

 

CMYK 30 / 52 / 0 / 0

HEX #B37BFE

RGB 179 123 254

HSL 265.65, 0.98%, 0.74%

LAB 62.43, 47.45, -57.51

 

CMYK 31 / 55 / 0 / 8

HEX #A269EB

RGB 162 105 235

HSL 266.31, 0.76%, 0.67%

LAB 55.87, 48.42, -57.56

 

CMYK 33 / 60 / 0 / 15

HEX #9157D8

RGB 145 87 216

HSL 266.98, 0.62%, 0.59%

LAB 49.25, 49.39, -57.58

 

CMYK 35 / 65 / 0 / 23

HEX #8045C5

RGB 128 69 197

HSL 267.66, 0.52%, 0.52%

LAB 42.58, 50.3, -57.51

 

CMYK 38 / 71 / 0 / 30

HEX #6F33B2

RGB 111 51 178

HSL 268.35, 0.55%, 0.45%

LAB 35.91, 51.03, -57.25

 

CMYK 29 / 51 / 0 / 1

HEX #B37BFD

RGB 179 123 253

HSL 265.85, 0.97%, 0.74%

LAB 62.37, 47.22, -57.05

 

CMYK 15 / 51 / 0 / 1

HEX #D67BFD

RGB 214 123 253

HSL 282, 0.97%, 0.74%

LAB 66.18, 56.15, -50.77

 

CMYK 2 / 51 / 0 / 1

HEX #F97BFD

RGB 249 123 253

HSL 298.15, 0.97%, 0.74%

LAB 70.45, 65.33, -43.75

 

CMYK 0 / 51 / 12 / 1

HEX #FD7BDE

RGB 253 123 222

HSL 314.31, 0.97%, 0.74%

LAB 69.7, 61.37, -27.84

 

CMYK 0 / 51 / 26 / 1

HEX #FD7BBB

RGB 253 123 187

HSL 330.46, 0.97%, 0.74%

LAB 68.49, 56.39, -10.15

 

CMYK 29 / 51 / 0 / 1

HEX #B37BFD

RGB 179 123 253

HSL 265.85, 0.97%, 0.74%

LAB 62.37, 47.22, -57.05

 

CMYK 43 / 51 / 0 / 1

HEX #907BFD

RGB 144 123 253

HSL 249.69, 0.97%, 0.74%

LAB 59.15, 38.9, -62.39

 

CMYK 51 / 51 / 0 / 1

HEX #7B7BFD

RGB 123 123 253

HSL 240, 0.97%, 0.74%

LAB 57.53, 34.42, -65.07

 

CMYK 29 / 51 / 0 / 1

HEX #B37BFD

RGB 179 123 253

HSL 265.85, 0.97%, 0.74%

LAB 62.37, 47.22, -57.05

 

CMYK 29 / 51 / 0 / 1

HEX #B37BFD

RGB 179 123 253

HSL 265.85, 0.97%, 0.74%

LAB 62.37, 47.22, -57.05

 

CMYK 26 / 45 / 0 / 5

HEX #B486F2

RGB 180 134 242

HSL 265.56, 0.81%, 0.74%

LAB 64.29, 38.85, -47.94

 

CMYK 22 / 38 / 0 / 9

HEX #B691E8

RGB 182 145 232

HSL 265.52, 0.65%, 0.74%

LAB 66.54, 30.98, -38.9

 

CMYK 17 / 30 / 0 / 13

HEX #B79BDD

RGB 183 155 221

HSL 265.45, 0.49%, 0.74%

LAB 68.56, 23.21, -29.7

 

CMYK 12 / 21 / 0 / 18

HEX #B9A6D2

RGB 185 166 210

HSL 265.91, 0.33%, 0.74%

LAB 71.04, 15.34, -19.83

 

CMYK 51 / 45 / 0 / 1

HEX #7B8AFD

RGB 123 138 253

HSL 233.08, 0.97%, 0.74%

LAB 61.2, 25.57, -59.19

 

CMYK 43 / 51 / 0 / 1

HEX #8F7BFD

RGB 143 123 253

HSL 249.23, 0.97%, 0.74%

LAB 59.06, 38.68, -62.53

 

CMYK 30 / 51 / 0 / 1

HEX #B17BFD

RGB 177 123 253

HSL 264.92, 0.97%, 0.74%

LAB 62.17, 46.72, -57.38

 

CMYK 16 / 51 / 0 / 1

HEX #D47BFD

RGB 212 123 253

HSL 281.08, 0.97%, 0.74%

LAB 65.95, 55.63, -51.15

 

CMYK 2 / 51 / 0 / 1

HEX #F77BFD

RGB 247 123 253

HSL 297.23, 0.97%, 0.74%

LAB 70.2, 64.8, -44.17

 

CMYK 48 / 83 / 0 / 1

HEX #842AFC

RGB 132 42 252

HSL 265.71, 0.97%, 0.58%

LAB 43.64, 75.29, -87.1

 

CMYK 39 / 68 / 0 / 1

HEX #9B52FD

RGB 155 82 253

HSL 265.61, 0.98%, 0.66%

LAB 51.94, 62.99, -73.97

 

CMYK 29 / 51 / 0 / 1

HEX #B37BFD

RGB 179 123 253

HSL 265.85, 0.97%, 0.74%

LAB 62.37, 47.22, -57.05

 

CMYK 20 / 35 / 0 / 0

HEX #CAA4FE

RGB 202 164 254

HSL 265.33, 0.98%, 0.82%

LAB 73.72, 31.26, -39.57

 

CMYK 11 / 19 / 0 / 0

HEX #E2CDFE

RGB 226 205 254

HSL 265.71, 0.96%, 0.9%

LAB 85.5, 16.36, -21.3

 

CMYK 30 / 52 / 0 / 0

HEX #B37BFE

RGB 179 123 254

HSL 265.65, 0.98%, 0.74%

LAB 62.43, 47.45, -57.51

 

CMYK 0 / 51 / 32 / 1

HEX #FD7BAD

RGB 253 123 173

HSL 336.92, 0.97%, 0.74%

LAB 68.07, 54.63, -2.89

 

CMYK 51 / 0 / 51 / 1

HEX #7BFD7D

RGB 123 253 125

HSL 120.92, 0.97%, 0.74%

LAB 89.83, -60.8, 50.08

 

CMYK 30 / 52 / 0 / 0

HEX #B37BFE

RGB 179 123 254

HSL 265.65, 0.98%, 0.74%

LAB 62.43, 47.45, -57.51

 

CMYK 0 / 30 / 51 / 1

HEX #FDB17B

RGB 253 177 123

HSL 24.92, 0.97%, 0.74%

LAB 78.32, 21.9, 38.6

 

CMYK 51 / 0 / 30 / 1

HEX #7BFDB1

RGB 123 253 177

HSL 144.92, 0.97%, 0.74%

LAB 90.61, -52.63, 25.62

 

CMYK 30 / 52 / 0 / 0

HEX #B37BFE

RGB 179 123 254

HSL 265.65, 0.98%, 0.74%

LAB 62.43, 47.45, -57.51

 

CMYK 0 / 51 / 32 / 1

HEX #FD7BAD

RGB 253 123 173

HSL 336.92, 0.97%, 0.74%

LAB 68.07, 54.63, -2.89

 

CMYK 21 / 0 / 51 / 1

HEX #C7FD7B

RGB 199 253 123

HSL 84.92, 0.97%, 0.74%

LAB 93.37, -37.22, 56.11

 

CMYK 51 / 0 / 20 / 1

HEX #7BFDCB

RGB 123 253 203

HSL 156.92, 0.97%, 0.74%

LAB 91.13, -47.47, 13.04

 

CMYK 30 / 52 / 0 / 0

HEX #B37BFE

RGB 179 123 254

HSL 265.65, 0.98%, 0.74%

LAB 62.43, 47.45, -57.51

 

CMYK 0 / 51 / 47 / 1

HEX #FD7B86

RGB 253 123 134

HSL 354.92, 0.97%, 0.74%

LAB 67.1, 50.45, 17.76

 

CMYK 21 / 0 / 51 / 1

HEX #C7FD7B

RGB 199 253 123

HSL 84.92, 0.97%, 0.74%

LAB 93.37, -37.22, 56.11

 

CMYK 51 / 0 / 4 / 1

HEX #7BFDF2

RGB 123 253 242

HSL 174.92, 0.97%, 0.74%

LAB 92.07, -38.55, -5.77

 

Description

Color code: HEX #B37BFE | qconv.com Color code: HEX #B37BFE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 123 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 123 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 52 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 52% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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