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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B36E71 it is the complementary color #4C918E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B36E71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B36E71 shade: #B86E6C, #C9807F, #DA9292, #EBA4A5 and #FCB6B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B36E71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B36E71 shade: #B36E71, #A25C5E, #914A4B, #803838 and #6F2625

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B36E71 shade: #B36F72 and #B36F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B36E71 shade: #B36F72, #B36F84, #B36F96, #B36FA9 and #AB6FB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B36E71 shade matches the following richer shades: #B36F72, #C55D62, #D64B51, #E83A41 and #FA2831

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B36E71 shade: #B36F72, #A18182, #8F9292, #7EA4A2 and #6CB6B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B36E71 shade: #B36F97, #B36F84, #B36F72, #B37E6F and #B3906F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B36E71 shade: #88474A, #A35659, #B36F72, #C18A8C and #CFA5A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B36E71 shade: #B36E71, #A9B36F and #6F8DB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B36E71 shade: #B36E71, #72B36F and #6F72B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B36E71 shade: #B36E71, #A9B36F, #6FB3AF and #796FB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B36E71 shade: #B36E71, #94B36F, #6FB3AF and #8D6FB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 37 / 30

HEX #B36E71

RGB 179 110 113

HSL 357.39, 0.31%, 0.57%

LAB 53.95, 27.77, 9.98

 

Complementary color

CMYK 48 / 0 / 2 / 43

HEX #4C918E

RGB 76 145 142

HSL 177.39, 0.31%, 0.43%

LAB 55.83, -22.53, -5.17

 

CMYK 0 / 40 / 41 / 28

HEX #B86E6C

RGB 184 110 108

HSL 1.58, 0.35%, 0.57%

LAB 54.47, 29.12, 13.74

 

CMYK 0 / 36 / 37 / 21

HEX #C9807F

RGB 201 128 127

HSL 0.81, 0.41%, 0.64%

LAB 61.12, 28.12, 12.37

 

CMYK 0 / 33 / 33 / 15

HEX #DA9292

RGB 218 146 146

HSL 0, 0.49%, 0.71%

LAB 67.68, 27.22, 11.16

 

CMYK 0 / 30 / 30 / 8

HEX #EBA4A5

RGB 235 164 165

HSL 359.15, 0.64%, 0.78%

LAB 74.14, 26.4, 10.07

 

CMYK 0 / 28 / 27 / 1

HEX #FCB6B8

RGB 252 182 184

HSL 358.29, 0.92%, 0.85%

LAB 80.52, 25.65, 9.08

 

CMYK 0 / 39 / 37 / 30

HEX #B36E71

RGB 179 110 113

HSL 357.39, 0.31%, 0.57%

LAB 53.95, 27.77, 9.98

 

CMYK 0 / 43 / 42 / 36

HEX #A25C5E

RGB 162 92 94

HSL 358.29, 0.28%, 0.5%

LAB 47.16, 28.8, 11.41

 

CMYK 0 / 49 / 48 / 43

HEX #914A4B

RGB 145 74 75

HSL 359.15, 0.32%, 0.43%

LAB 40.29, 29.94, 13.11

 

CMYK 0 / 56 / 56 / 50

HEX #803838

RGB 128 56 56

HSL 0, 0.39%, 0.36%

LAB 33.36, 31.14, 15.21

 

CMYK 0 / 66 / 67 / 56

HEX #6F2625

RGB 111 38 37

HSL 0.81, 0.5%, 0.29%

LAB 26.45, 32.29, 17.93

 

CMYK 0 / 38 / 36 / 30

HEX #B36F72

RGB 179 111 114

HSL 357.35, 0.31%, 0.57%

LAB 54.2, 27.34, 9.75

 

CMYK 0 / 38 / 38 / 30

HEX #B36F6F

RGB 179 111 111

HSL 0, 0.31%, 0.57%

LAB 54.13, 26.97, 11.41

 

CMYK 0 / 38 / 36 / 30

HEX #B36F72

RGB 179 111 114

HSL 357.35, 0.31%, 0.57%

LAB 54.2, 27.34, 9.75

 

CMYK 0 / 38 / 26 / 30

HEX #B36F84

RGB 179 111 132

HSL 341.47, 0.31%, 0.57%

LAB 54.68, 29.78, -0.11

 

CMYK 0 / 38 / 16 / 30

HEX #B36F96

RGB 179 111 150

HSL 325.59, 0.31%, 0.57%

LAB 55.23, 32.57, -9.82

 

CMYK 0 / 38 / 6 / 30

HEX #B36FA9

RGB 179 111 169

HSL 308.82, 0.31%, 0.57%

LAB 55.9, 35.85, -19.83

 

CMYK 4 / 38 / 0 / 30

HEX #AB6FB3

RGB 171 111 179

HSL 292.94, 0.31%, 0.57%

LAB 55.36, 35.15, -26.52

 

CMYK 0 / 38 / 36 / 30

HEX #B36F72

RGB 179 111 114

HSL 357.35, 0.31%, 0.57%

LAB 54.2, 27.34, 9.75

 

CMYK 0 / 53 / 50 / 23

HEX #C55D62

RGB 197 93 98

HSL 357.12, 0.47%, 0.57%

LAB 52.49, 41.96, 17.16

 

CMYK 0 / 65 / 62 / 16

HEX #D64B51

RGB 214 75 81

HSL 357.41, 0.63%, 0.57%

LAB 51.75, 54.84, 26.7

 

CMYK 0 / 75 / 72 / 9

HEX #E83A41

RGB 232 58 65

HSL 357.59, 0.79%, 0.57%

LAB 52.47, 65.79, 37.6

 

CMYK 0 / 84 / 80 / 2

HEX #FA2831

RGB 250 40 49

HSL 357.43, 0.95%, 0.57%

LAB 54.09, 74.85, 49.15

 

CMYK 0 / 38 / 36 / 30

HEX #B36F72

RGB 179 111 114

HSL 357.35, 0.31%, 0.57%

LAB 54.2, 27.34, 9.75

 

CMYK 0 / 20 / 19 / 37

HEX #A18182

RGB 161 129 130

HSL 358.13, 0.15%, 0.57%

LAB 56.97, 12.45, 4.12

 

CMYK 2 / 0 / 0 / 43

HEX #8F9292

RGB 143 146 146

HSL 180, 0.01%, 0.57%

LAB 60.31, -1.09, -0.39

 

CMYK 23 / 0 / 1 / 36

HEX #7EA4A2

RGB 126 164 162

HSL 176.84, 0.17%, 0.57%

LAB 64.64, -13.31, -3.21

 

CMYK 41 / 0 / 2 / 29

HEX #6CB6B3

RGB 108 182 179

HSL 177.57, 0.34%, 0.57%

LAB 69.4, -23.74, -5.73

 

CMYK 0 / 38 / 16 / 30

HEX #B36F97

RGB 179 111 151

HSL 324.71, 0.31%, 0.57%

LAB 55.26, 32.73, -10.35

 

CMYK 0 / 38 / 26 / 30

HEX #B36F84

RGB 179 111 132

HSL 341.47, 0.31%, 0.57%

LAB 54.68, 29.78, -0.11

 

CMYK 0 / 38 / 36 / 30

HEX #B36F72

RGB 179 111 114

HSL 357.35, 0.31%, 0.57%

LAB 54.2, 27.34, 9.75

 

CMYK 0 / 30 / 38 / 30

HEX #B37E6F

RGB 179 126 111

HSL 13.24, 0.31%, 0.57%

LAB 57.71, 18.6, 16.37

 

CMYK 0 / 20 / 38 / 30

HEX #B3906F

RGB 179 144 111

HSL 29.12, 0.31%, 0.57%

LAB 62.23, 8.55, 22.53

 

CMYK 0 / 48 / 46 / 47

HEX #88474A

RGB 136 71 74

HSL 357.23, 0.31%, 0.41%

LAB 38.26, 27.91, 10.72

 

CMYK 0 / 47 / 45 / 36

HEX #A35659

RGB 163 86 89

HSL 357.66, 0.31%, 0.49%

LAB 45.86, 31.93, 12.63

 

CMYK 0 / 38 / 36 / 30

HEX #B36F72

RGB 179 111 114

HSL 357.35, 0.31%, 0.57%

LAB 54.2, 27.34, 9.75

 

CMYK 0 / 28 / 27 / 24

HEX #C18A8C

RGB 193 138 140

HSL 357.82, 0.31%, 0.65%

LAB 62.85, 21.27, 7.29

 

CMYK 0 / 20 / 19 / 19

HEX #CFA5A7

RGB 207 165 167

HSL 357.14, 0.3%, 0.73%

LAB 71.53, 15.73, 4.85

 

CMYK 0 / 39 / 37 / 30

HEX #B36E71

RGB 179 110 113

HSL 357.39, 0.31%, 0.57%

LAB 53.95, 27.77, 9.98

 

CMYK 6 / 0 / 38 / 30

HEX #A9B36F

RGB 169 179 111

HSL 68.82, 0.31%, 0.57%

LAB 70.75, -14.34, 33.56

 

CMYK 38 / 21 / 0 / 30

HEX #6F8DB3

RGB 111 141 179

HSL 213.53, 0.31%, 0.57%

LAB 57.74, -0.85, -23.3

 

CMYK 0 / 39 / 37 / 30

HEX #B36E71

RGB 179 110 113

HSL 357.39, 0.31%, 0.57%

LAB 53.95, 27.77, 9.98

 

CMYK 36 / 0 / 38 / 30

HEX #72B36F

RGB 114 179 111

HSL 117.35, 0.31%, 0.57%

LAB 67.25, -34.56, 28.34

 

CMYK 38 / 36 / 0 / 30

HEX #6F72B3

RGB 111 114 179

HSL 237.35, 0.31%, 0.57%

LAB 50.3, 15.11, -34.85

 

CMYK 0 / 39 / 37 / 30

HEX #B36E71

RGB 179 110 113

HSL 357.39, 0.31%, 0.57%

LAB 53.95, 27.77, 9.98

 

CMYK 6 / 0 / 38 / 30

HEX #A9B36F

RGB 169 179 111

HSL 68.82, 0.31%, 0.57%

LAB 70.75, -14.34, 33.56

 

CMYK 38 / 0 / 2 / 30

HEX #6FB3AF

RGB 111 179 175

HSL 176.47, 0.31%, 0.57%

LAB 68.54, -22.43, -4.77

 

CMYK 32 / 38 / 0 / 30

HEX #796FB3

RGB 121 111 179

HSL 248.82, 0.31%, 0.57%

LAB 50.32, 19.76, -34.75

 

CMYK 0 / 39 / 37 / 30

HEX #B36E71

RGB 179 110 113

HSL 357.39, 0.31%, 0.57%

LAB 53.95, 27.77, 9.98

 

CMYK 17 / 0 / 38 / 30

HEX #94B36F

RGB 148 179 111

HSL 87.35, 0.31%, 0.57%

LAB 69.24, -22.51, 31.32

 

CMYK 38 / 0 / 2 / 30

HEX #6FB3AF

RGB 111 179 175

HSL 176.47, 0.31%, 0.57%

LAB 68.54, -22.43, -4.77

 

CMYK 21 / 38 / 0 / 30

HEX #8D6FB3

RGB 141 111 179

HSL 266.47, 0.31%, 0.57%

LAB 52.16, 25.74, -31.74

 

Description

Color code: HEX #B36E71 | qconv.com Color code: HEX #B36E71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 110 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 110 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 37 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 37% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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