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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B35FCD it is the complementary color #4CA032. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B35FCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B35FCD shade: #B85FC8, #C971DB, #DA83EE, #EB95FF and #FCA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B35FCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B35FCD shade: #B35FCD, #A24DBA, #913BA7, #802994 and #6F1781

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B35FCD shade: #B360CC, #CC60C9, #CC60AB, #CC608E and #CC6071

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B35FCD shade: #B360CC, #9560CC, #7860CC and #6060CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B35FCD shade matches the following richer shades: #B360CC, #BC4FDD and #C43EEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B35FCD shade: #B360CC, #AA71BB, #A181AA, #98929A and #8FA389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B35FCD shade: #7760CC, #9460CC, #B160CC, #CC60CB and #CC60AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B35FCD shade: #8B34A5, #A440C2, #B360CC, #C27FD6 and #D19EE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B35FCD shade: #B35FCD, #CC6065 and #60CC86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B35FCD shade: #B35FCD, #CCB160 and #60CCB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B35FCD shade: #B35FCD, #CC6065, #7BCC60 and #60CCC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B35FCD shade: #B35FCD, #CC7B60, #7BCC60 and #60B1CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 54 / 0 / 20

HEX #B35FCD

RGB 179 95 205

HSL 285.82, 0.52%, 0.59%

LAB 54.21, 51.25, -43.15

 

Complementary color

CMYK 53 / 0 / 69 / 37

HEX #4CA032

RGB 76 160 50

HSL 105.82, 0.52%, 0.41%

LAB 58.89, -45.99, 47.64

 

CMYK 8 / 53 / 0 / 22

HEX #B85FC8

RGB 184 95 200

HSL 290.86, 0.49%, 0.58%

LAB 54.6, 51.61, -39.64

 

CMYK 8 / 48 / 0 / 14

HEX #C971DB

RGB 201 113 219

HSL 289.81, 0.6%, 0.65%

LAB 61.08, 50.93, -40.06

 

CMYK 8 / 45 / 0 / 7

HEX #DA83EE

RGB 218 131 238

HSL 288.79, 0.76%, 0.72%

LAB 67.51, 50.19, -40.41

 

CMYK 8 / 42 / 0 / 0

HEX #EB95FF

RGB 235 149 255

HSL 288.68, 1%, 0.79%

LAB 73.79, 49.06, -39.75

 

CMYK 1 / 35 / 0 / 0

HEX #FCA7FF

RGB 252 167 255

HSL 297.95, 1%, 0.83%

LAB 79.36, 44.79, -30.98

 

CMYK 13 / 54 / 0 / 20

HEX #B35FCD

RGB 179 95 205

HSL 285.82, 0.52%, 0.59%

LAB 54.21, 51.25, -43.15

 

CMYK 13 / 59 / 0 / 27

HEX #A24DBA

RGB 162 77 186

HSL 286.79, 0.44%, 0.52%

LAB 47.67, 51.87, -42.71

 

CMYK 13 / 65 / 0 / 35

HEX #913BA7

RGB 145 59 167

HSL 287.78, 0.48%, 0.44%

LAB 41.12, 52.27, -42.08

 

CMYK 14 / 72 / 0 / 42

HEX #802994

RGB 128 41 148

HSL 288.79, 0.57%, 0.37%

LAB 34.63, 52.22, -41.14

 

CMYK 14 / 82 / 0 / 49

HEX #6F1781

RGB 111 23 129

HSL 289.81, 0.7%, 0.3%

LAB 28.32, 51.32, -39.64

 

CMYK 12 / 53 / 0 / 20

HEX #B360CC

RGB 179 96 204

HSL 286.11, 0.51%, 0.59%

LAB 54.35, 50.54, -42.36

 

CMYK 0 / 53 / 1 / 20

HEX #CC60C9

RGB 204 96 201

HSL 301.67, 0.51%, 0.59%

LAB 57.48, 56.79, -35.5

 

CMYK 0 / 53 / 16 / 20

HEX #CC60AB

RGB 204 96 171

HSL 318.33, 0.51%, 0.59%

LAB 56.23, 51.88, -20.2

 

CMYK 0 / 53 / 30 / 20

HEX #CC608E

RGB 204 96 142

HSL 334.44, 0.51%, 0.59%

LAB 55.23, 47.78, -4.78

 

CMYK 0 / 53 / 45 / 20

HEX #CC6071

RGB 204 96 113

HSL 350.56, 0.51%, 0.59%

LAB 54.44, 44.43, 11.17

 

CMYK 12 / 53 / 0 / 20

HEX #B360CC

RGB 179 96 204

HSL 286.11, 0.51%, 0.59%

LAB 54.35, 50.54, -42.36

 

CMYK 27 / 53 / 0 / 20

HEX #9560CC

RGB 149 96 204

HSL 269.44, 0.51%, 0.59%

LAB 50.82, 42.58, -48.18

 

CMYK 41 / 53 / 0 / 20

HEX #7860CC

RGB 120 96 204

HSL 253.33, 0.51%, 0.59%

LAB 47.9, 35.35, -53.01

 

CMYK 53 / 53 / 0 / 20

HEX #6060CC

RGB 96 96 204

HSL 240, 0.51%, 0.59%

LAB 45.92, 30.02, -56.3

 

CMYK 12 / 53 / 0 / 20

HEX #B360CC

RGB 179 96 204

HSL 286.11, 0.51%, 0.59%

LAB 54.35, 50.54, -42.36

 

CMYK 15 / 64 / 0 / 13

HEX #BC4FDD

RGB 188 79 221

HSL 286.06, 0.68%, 0.59%

LAB 53.5, 64.16, -53.31

 

CMYK 18 / 74 / 0 / 7

HEX #C43EEE

RGB 196 62 238

HSL 285.68, 0.84%, 0.59%

LAB 53.33, 75.59, -63.09

 

CMYK 12 / 53 / 0 / 20

HEX #B360CC

RGB 179 96 204

HSL 286.11, 0.51%, 0.59%

LAB 54.35, 50.54, -42.36

 

CMYK 9 / 40 / 0 / 27

HEX #AA71BB

RGB 170 113 187

HSL 286.22, 0.35%, 0.59%

LAB 56.03, 35.36, -30.08

 

CMYK 5 / 24 / 0 / 33

HEX #A181AA

RGB 161 129 170

HSL 286.83, 0.19%, 0.59%

LAB 58.21, 19.83, -17.08

 

CMYK 1 / 5 / 0 / 40

HEX #98929A

RGB 152 146 154

HSL 285, 0.04%, 0.59%

LAB 61.28, 3.75, -3.43

 

CMYK 12 / 0 / 16 / 36

HEX #8FA389

RGB 143 163 137

HSL 106.15, 0.12%, 0.59%

LAB 64.84, -12.05, 11.18

 

CMYK 42 / 53 / 0 / 20

HEX #7760CC

RGB 119 96 204

HSL 252.78, 0.51%, 0.59%

LAB 47.81, 35.12, -53.16

 

CMYK 27 / 53 / 0 / 20

HEX #9460CC

RGB 148 96 204

HSL 268.89, 0.51%, 0.59%

LAB 50.71, 42.32, -48.36

 

CMYK 13 / 53 / 0 / 20

HEX #B160CC

RGB 177 96 204

HSL 285, 0.51%, 0.59%

LAB 54.1, 50.01, -42.77

 

CMYK 0 / 53 / 0 / 20

HEX #CC60CB

RGB 204 96 203

HSL 300.56, 0.51%, 0.59%

LAB 57.57, 57.14, -36.5

 

CMYK 0 / 53 / 15 / 20

HEX #CC60AE

RGB 204 96 174

HSL 316.67, 0.51%, 0.59%

LAB 56.35, 52.34, -21.76

 

CMYK 16 / 68 / 0 / 35

HEX #8B34A5

RGB 139 52 165

HSL 286.19, 0.52%, 0.43%

LAB 39, 53.55, -44.32

 

CMYK 15 / 67 / 0 / 24

HEX #A440C2

RGB 164 64 194

HSL 286.15, 0.52%, 0.51%

LAB 46.25, 59.88, -49.61

 

CMYK 12 / 53 / 0 / 20

HEX #B360CC

RGB 179 96 204

HSL 286.11, 0.51%, 0.59%

LAB 54.35, 50.54, -42.36

 

CMYK 9 / 41 / 0 / 16

HEX #C27FD6

RGB 194 127 214

HSL 286.21, 0.51%, 0.67%

LAB 62.93, 40.55, -34.44

 

CMYK 7 / 29 / 0 / 12

HEX #D19EE0

RGB 209 158 224

HSL 286.36, 0.52%, 0.75%

LAB 71.82, 30.34, -26.12

 

CMYK 13 / 54 / 0 / 20

HEX #B35FCD

RGB 179 95 205

HSL 285.82, 0.52%, 0.59%

LAB 54.21, 51.25, -43.15

 

CMYK 0 / 53 / 50 / 20

HEX #CC6065

RGB 204 96 101

HSL 357.22, 0.51%, 0.59%

LAB 54.18, 43.28, 17.87

 

CMYK 53 / 0 / 34 / 20

HEX #60CC86

RGB 96 204 134

HSL 141.11, 0.51%, 0.59%

LAB 74.44, -46.7, 25.67

 

CMYK 13 / 54 / 0 / 20

HEX #B35FCD

RGB 179 95 205

HSL 285.82, 0.52%, 0.59%

LAB 54.21, 51.25, -43.15

 

CMYK 0 / 13 / 53 / 20

HEX #CCB160

RGB 204 177 96

HSL 45, 0.51%, 0.59%

LAB 72.97, -0.46, 44.61

 

CMYK 53 / 0 / 13 / 20

HEX #60CCB1

RGB 96 204 177

HSL 165, 0.51%, 0.59%

LAB 75.36, -37.62, 4.02

 

CMYK 13 / 54 / 0 / 20

HEX #B35FCD

RGB 179 95 205

HSL 285.82, 0.52%, 0.59%

LAB 54.21, 51.25, -43.15

 

CMYK 0 / 53 / 50 / 20

HEX #CC6065

RGB 204 96 101

HSL 357.22, 0.51%, 0.59%

LAB 54.18, 43.28, 17.87

 

CMYK 40 / 0 / 53 / 20

HEX #7BCC60

RGB 123 204 96

HSL 105, 0.51%, 0.59%

LAB 74.98, -44.77, 45.69

 

CMYK 53 / 0 / 2 / 20

HEX #60CCC7

RGB 96 204 199

HSL 177.22, 0.51%, 0.59%

LAB 75.94, -32.13, -6.99

 

CMYK 13 / 54 / 0 / 20

HEX #B35FCD

RGB 179 95 205

HSL 285.82, 0.52%, 0.59%

LAB 54.21, 51.25, -43.15

 

CMYK 0 / 40 / 53 / 20

HEX #CC7B60

RGB 204 123 96

HSL 15, 0.51%, 0.59%

LAB 59.75, 28.76, 28.13

 

CMYK 40 / 0 / 53 / 20

HEX #7BCC60

RGB 123 204 96

HSL 105, 0.51%, 0.59%

LAB 74.98, -44.77, 45.69

 

CMYK 53 / 13 / 0 / 20

HEX #60B1CC

RGB 96 177 204

HSL 195, 0.51%, 0.59%

LAB 68.23, -17.27, -21.3

 

Description

Color code: HEX #B35FCD | qconv.com Color code: HEX #B35FCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 95 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 95 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 54 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 54% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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