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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B35DDA it is the complementary color #4CA225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B35DDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B35DDA shade: #B85DD5, #C96FE8, #DA81FB, #EB93FF and #FCA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B35DDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B35DDA shade: #B35DDA, #A24BC7, #9139B4, #8027A1 and #6F158E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B35DDA shade: #B35CDA, #D45CDA, #DA5CBD, #DA5C9B and #DA5C7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B35DDA shade: #B35CDA, #915CDA, #6F5CDA and #5C5CDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B35DDA shade matches the following richer shades: #B35CDA, #B94CEA and #BF3CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B35DDA shade: #B35CDA, #AD6CCA, #A77DBA, #A08DA9 and #9A9D99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B35DDA shade: #6F5CDA, #915CDA, #B25CDA, #D35CDA and #DA5CBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B35DDA shade: #8D2ABA, #A33BD2, #B35CDA, #C27EE1 and #D2A0E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B35DDA shade: #B35DDA, #DA5C6B and #5CDA80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B35DDA shade: #B35DDA, #DAB25C and #5CDAB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B35DDA shade: #B35DDA, #DA5C6B, #84DA5C and #5CDACB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B35DDA shade: #B35DDA, #DA735C, #84DA5C and #5CC3DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 57 / 0 / 15

HEX #B35DDA

RGB 179 93 218

HSL 281.28, 0.63%, 0.61%

LAB 54.53, 54.93, -50.04

 

Complementary color

CMYK 53 / 0 / 77 / 36

HEX #4CA225

RGB 76 162 37

HSL 101.28, 0.63%, 0.39%

LAB 59.44, -47.77, 53.11

 

CMYK 14 / 56 / 0 / 16

HEX #B85DD5

RGB 184 93 213

HSL 285.5, 0.59%, 0.6%

LAB 54.89, 55.17, -46.59

 

CMYK 13 / 52 / 0 / 9

HEX #C96FE8

RGB 201 111 232

HSL 284.63, 0.72%, 0.67%

LAB 61.32, 54.51, -46.95

 

CMYK 13 / 49 / 0 / 2

HEX #DA81FB

RGB 218 129 251

HSL 283.77, 0.94%, 0.75%

LAB 67.7, 53.78, -47.24

 

CMYK 8 / 42 / 0 / 0

HEX #EB93FF

RGB 235 147 255

HSL 288.89, 1%, 0.79%

LAB 73.38, 50.09, -40.38

 

CMYK 1 / 35 / 0 / 0

HEX #FCA5FF

RGB 252 165 255

HSL 298, 1%, 0.82%

LAB 78.94, 45.83, -31.63

 

CMYK 18 / 57 / 0 / 15

HEX #B35DDA

RGB 179 93 218

HSL 281.28, 0.63%, 0.61%

LAB 54.53, 54.93, -50.04

 

CMYK 19 / 62 / 0 / 22

HEX #A24BC7

RGB 162 75 199

HSL 282.1, 0.53%, 0.54%

LAB 48.05, 55.51, -49.63

 

CMYK 19 / 68 / 0 / 29

HEX #9139B4

RGB 145 57 180

HSL 282.93, 0.52%, 0.46%

LAB 41.6, 55.81, -49.02

 

CMYK 20 / 76 / 0 / 37

HEX #8027A1

RGB 128 39 161

HSL 283.77, 0.61%, 0.39%

LAB 35.23, 55.61, -48.07

 

CMYK 22 / 85 / 0 / 44

HEX #6F158E

RGB 111 21 142

HSL 284.63, 0.74%, 0.32%

LAB 29.08, 54.46, -46.53

 

CMYK 18 / 58 / 0 / 15

HEX #B35CDA

RGB 179 92 218

HSL 281.43, 0.63%, 0.61%

LAB 54.34, 55.42, -50.33

 

CMYK 3 / 58 / 0 / 15

HEX #D45CDA

RGB 212 92 218

HSL 297.14, 0.63%, 0.61%

LAB 58.71, 63.7, -43.14

 

CMYK 0 / 58 / 13 / 15

HEX #DA5CBD

RGB 218 92 189

HSL 313.81, 0.63%, 0.61%

LAB 58.26, 60.53, -27.29

 

CMYK 0 / 58 / 29 / 15

HEX #DA5C9B

RGB 218 92 155

HSL 330, 0.63%, 0.61%

LAB 57, 55.78, -9.53

 

CMYK 0 / 58 / 44 / 15

HEX #DA5C7A

RGB 218 92 122

HSL 345.71, 0.63%, 0.61%

LAB 56.05, 52.04, 8.44

 

CMYK 18 / 58 / 0 / 15

HEX #B35CDA

RGB 179 92 218

HSL 281.43, 0.63%, 0.61%

LAB 54.34, 55.42, -50.33

 

CMYK 33 / 58 / 0 / 15

HEX #915CDA

RGB 145 92 218

HSL 265.24, 0.63%, 0.61%

LAB 50.38, 47.21, -56.9

 

CMYK 49 / 58 / 0 / 15

HEX #6F5CDA

RGB 111 92 218

HSL 249.05, 0.63%, 0.61%

LAB 47.1, 39.77, -62.35

 

CMYK 58 / 58 / 0 / 15

HEX #5C5CDA

RGB 92 92 218

HSL 240, 0.63%, 0.61%

LAB 45.62, 36.16, -64.81

 

CMYK 18 / 58 / 0 / 15

HEX #B35CDA

RGB 179 92 218

HSL 281.43, 0.63%, 0.61%

LAB 54.34, 55.42, -50.33

 

CMYK 21 / 68 / 0 / 8

HEX #B94CEA

RGB 185 76 234

HSL 281.39, 0.79%, 0.61%

LAB 53.41, 67.35, -60.8

 

CMYK 24 / 76 / 0 / 2

HEX #BF3CFA

RGB 191 60 250

HSL 281.37, 0.95%, 0.61%

LAB 53.18, 77.62, -70.08

 

CMYK 18 / 58 / 0 / 15

HEX #B35CDA

RGB 179 92 218

HSL 281.43, 0.63%, 0.61%

LAB 54.34, 55.42, -50.33

 

CMYK 14 / 47 / 0 / 21

HEX #AD6CCA

RGB 173 108 202

HSL 281.49, 0.47%, 0.61%

LAB 55.96, 42.15, -38.73

 

CMYK 10 / 33 / 0 / 27

HEX #A77DBA

RGB 167 125 186

HSL 281.31, 0.31%, 0.61%

LAB 58.44, 27.45, -25.81

 

CMYK 5 / 17 / 0 / 34

HEX #A08DA9

RGB 160 141 169

HSL 280.71, 0.14%, 0.61%

LAB 61.12, 12.43, -12.11

 

CMYK 2 / 0 / 3 / 38

HEX #9A9D99

RGB 154 157 153

HSL 105, 0.02%, 0.61%

LAB 64.39, -1.84, 1.7

 

CMYK 49 / 58 / 0 / 15

HEX #6F5CDA

RGB 111 92 218

HSL 249.05, 0.63%, 0.61%

LAB 47.1, 39.77, -62.35

 

CMYK 33 / 58 / 0 / 15

HEX #915CDA

RGB 145 92 218

HSL 265.24, 0.63%, 0.61%

LAB 50.38, 47.21, -56.9

 

CMYK 18 / 58 / 0 / 15

HEX #B25CDA

RGB 178 92 218

HSL 280.95, 0.63%, 0.61%

LAB 54.22, 55.18, -50.53

 

CMYK 3 / 58 / 0 / 15

HEX #D35CDA

RGB 211 92 218

HSL 296.67, 0.63%, 0.61%

LAB 58.57, 63.44, -43.36

 

CMYK 0 / 58 / 12 / 15

HEX #DA5CBF

RGB 218 92 191

HSL 312.86, 0.63%, 0.61%

LAB 58.34, 60.84, -28.31

 

CMYK 24 / 77 / 0 / 27

HEX #8D2ABA

RGB 141 42 186

HSL 281.25, 0.63%, 0.45%

LAB 39.35, 62.13, -56.21

 

CMYK 22 / 72 / 0 / 18

HEX #A33BD2

RGB 163 59 210

HSL 281.32, 0.63%, 0.53%

LAB 46.4, 64.91, -58.61

 

CMYK 18 / 58 / 0 / 15

HEX #B35CDA

RGB 179 92 218

HSL 281.43, 0.63%, 0.61%

LAB 54.34, 55.42, -50.33

 

CMYK 14 / 44 / 0 / 12

HEX #C27EE1

RGB 194 126 225

HSL 281.21, 0.62%, 0.69%

LAB 63.2, 43.35, -40.15

 

CMYK 10 / 31 / 0 / 9

HEX #D2A0E9

RGB 210 160 233

HSL 281.1, 0.62%, 0.77%

LAB 72.71, 31.37, -29.66

 

CMYK 18 / 57 / 0 / 15

HEX #B35DDA

RGB 179 93 218

HSL 281.28, 0.63%, 0.61%

LAB 54.53, 54.93, -50.04

 

CMYK 0 / 58 / 51 / 15

HEX #DA5C6B

RGB 218 92 107

HSL 352.86, 0.63%, 0.61%

LAB 55.71, 50.64, 16.78

 

CMYK 58 / 0 / 41 / 15

HEX #5CDA80

RGB 92 218 128

HSL 137.14, 0.63%, 0.61%

LAB 78.45, -54.33, 34.04

 

CMYK 18 / 57 / 0 / 15

HEX #B35DDA

RGB 179 93 218

HSL 281.28, 0.63%, 0.61%

LAB 54.53, 54.93, -50.04

 

CMYK 0 / 18 / 58 / 15

HEX #DAB25C

RGB 218 178 92

HSL 40.95, 0.63%, 0.61%

LAB 74.52, 4.55, 48.73

 

CMYK 58 / 0 / 18 / 15

HEX #5CDAB2

RGB 92 218 178

HSL 160.95, 0.63%, 0.61%

LAB 79.4, -44.44, 9.29

 

CMYK 18 / 57 / 0 / 15

HEX #B35DDA

RGB 179 93 218

HSL 281.28, 0.63%, 0.61%

LAB 54.53, 54.93, -50.04

 

CMYK 0 / 58 / 51 / 15

HEX #DA5C6B

RGB 218 92 107

HSL 352.86, 0.63%, 0.61%

LAB 55.71, 50.64, 16.78

 

CMYK 39 / 0 / 58 / 15

HEX #84DA5C

RGB 132 218 92

HSL 100.95, 0.63%, 0.61%

LAB 79.51, -48.2, 52.96

 

CMYK 58 / 0 / 7 / 15

HEX #5CDACB

RGB 92 218 203

HSL 172.86, 0.63%, 0.61%

LAB 80.03, -38.39, -3.12

 

CMYK 18 / 57 / 0 / 15

HEX #B35DDA

RGB 179 93 218

HSL 281.28, 0.63%, 0.61%

LAB 54.53, 54.93, -50.04

 

CMYK 0 / 47 / 58 / 15

HEX #DA735C

RGB 218 115 92

HSL 10.95, 0.63%, 0.61%

LAB 59.83, 38.13, 30.85

 

CMYK 39 / 0 / 58 / 15

HEX #84DA5C

RGB 132 218 92

HSL 100.95, 0.63%, 0.61%

LAB 79.51, -48.2, 52.96

 

CMYK 58 / 11 / 0 / 15

HEX #5CC3DA

RGB 92 195 218

HSL 190.95, 0.63%, 0.61%

LAB 73.78, -23.29, -20.53

 

Description

Color code: HEX #B35DDA | qconv.com Color code: HEX #B35DDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 93 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 93 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 57 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 57% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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