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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B350F5 it is the complementary color #4CAF0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B350F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B350F5 shade: #B850F0, #C962FF, #DA74FF, #EB86FF and #FC98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B350F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B350F5 shade: #B350F5, #A23EE2, #912CCF, #801ABC and #6F08A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B350F5 shade: #B351F4, #DF51F4, #F451DE, #F451B2 and #F45186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B350F5 shade: #B351F4, #8751F4, #5B51F4 and #5151F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B350F5 shade matches the following richer shades: #B351F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B350F5 shade: #B351F4, #B060E6, #AD6FD7, #AA7EC8 and #A78CB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B350F5 shade: #5C51F4, #8751F4, #B351F4, #DF51F4 and #F451DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B350F5 shade: #8F0DE6, #A22AF2, #B351F4, #C478F7 and #D59FF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B350F5 shade: #B350F5, #F45172 and #51F472

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B350F5 shade: #B350F5, #F4B351 and #51F4B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B350F5 shade: #B350F5, #F45172, #92F451 and #51F4D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B350F5 shade: #B350F5, #F46151, #92F451 and #51E4F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 67 / 0 / 4

HEX #B350F5

RGB 179 80 245

HSL 276, 0.89%, 0.64%

LAB 53.94, 66.71, -66.15

 

Complementary color

CMYK 57 / 0 / 94 / 31

HEX #4CAF0A

RGB 76 175 10

HSL 96, 0.89%, 0.36%

LAB 63.52, -53.71, 63.01

 

CMYK 23 / 67 / 0 / 6

HEX #B850F0

RGB 184 80 240

HSL 279, 0.84%, 0.63%

LAB 54.26, 66.68, -62.81

 

CMYK 21 / 62 / 0 / 0

HEX #C962FF

RGB 201 98 255

HSL 279.36, 1%, 0.69%

LAB 60.22, 65.44, -61.44

 

CMYK 15 / 55 / 0 / 0

HEX #DA74FF

RGB 218 116 255

HSL 284.03, 1%, 0.73%

LAB 65.45, 61.01, -52.99

 

CMYK 8 / 47 / 0 / 0

HEX #EB86FF

RGB 235 134 255

HSL 290.08, 1%, 0.76%

LAB 70.82, 56.66, -44.38

 

CMYK 1 / 40 / 0 / 0

HEX #FC98FF

RGB 252 152 255

HSL 298.25, 1%, 0.8%

LAB 76.3, 52.46, -35.71

 

CMYK 27 / 67 / 0 / 4

HEX #B350F5

RGB 179 80 245

HSL 276, 0.89%, 0.64%

LAB 53.94, 66.71, -66.15

 

CMYK 28 / 73 / 0 / 11

HEX #A23EE2

RGB 162 62 226

HSL 276.59, 0.74%, 0.56%

LAB 47.77, 66.86, -65.54

 

CMYK 30 / 79 / 0 / 19

HEX #912CCF

RGB 145 44 207

HSL 277.18, 0.65%, 0.49%

LAB 41.73, 66.49, -64.57

 

CMYK 32 / 86 / 0 / 26

HEX #801ABC

RGB 128 26 188

HSL 277.78, 0.76%, 0.42%

LAB 35.9, 65.25, -63.08

 

CMYK 34 / 95 / 0 / 34

HEX #6F08A9

RGB 111 8 169

HSL 278.39, 0.91%, 0.35%

LAB 30.44, 62.63, -60.8

 

CMYK 27 / 67 / 0 / 4

HEX #B351F4

RGB 179 81 244

HSL 276.07, 0.88%, 0.64%

LAB 54.03, 66.05, -65.45

 

CMYK 9 / 67 / 0 / 4

HEX #DF51F4

RGB 223 81 244

HSL 292.27, 0.88%, 0.64%

LAB 59.98, 75.31, -55.57

 

CMYK 0 / 67 / 9 / 4

HEX #F451DE

RGB 244 81 222

HSL 308.1, 0.88%, 0.64%

LAB 61.99, 76.5, -39.9

 

CMYK 0 / 67 / 27 / 4

HEX #F451B2

RGB 244 81 178

HSL 324.29, 0.88%, 0.64%

LAB 60.19, 70.57, -17.66

 

CMYK 0 / 67 / 45 / 4

HEX #F45186

RGB 244 81 134

HSL 340.49, 0.88%, 0.64%

LAB 58.83, 65.88, 5.91

 

CMYK 27 / 67 / 0 / 4

HEX #B351F4

RGB 179 81 244

HSL 276.07, 0.88%, 0.64%

LAB 54.03, 66.05, -65.45

 

CMYK 45 / 67 / 0 / 4

HEX #8751F4

RGB 135 81 244

HSL 259.88, 0.88%, 0.64%

LAB 48.97, 57.59, -73.89

 

CMYK 63 / 67 / 0 / 4

HEX #5B51F4

RGB 91 81 244

HSL 243.68, 0.88%, 0.64%

LAB 45.14, 50.68, -80.3

 

CMYK 67 / 67 / 0 / 4

HEX #5151F4

RGB 81 81 244

HSL 240, 0.88%, 0.64%

LAB 44.47, 49.41, -81.42

 

CMYK 27 / 67 / 0 / 4

HEX #B351F4

RGB 179 81 244

HSL 276.07, 0.88%, 0.64%

LAB 54.03, 66.05, -65.45

 

CMYK 27 / 67 / 0 / 4

HEX #B351F4

RGB 179 81 244

HSL 276.07, 0.88%, 0.64%

LAB 54.03, 66.05, -65.45

 

CMYK 23 / 58 / 0 / 10

HEX #B060E6

RGB 176 96 230

HSL 275.82, 0.73%, 0.64%

LAB 55.39, 55.29, -55.44

 

CMYK 20 / 48 / 0 / 16

HEX #AD6FD7

RGB 173 111 215

HSL 275.77, 0.57%, 0.64%

LAB 57.23, 43.36, -44.1

 

CMYK 15 / 37 / 0 / 22

HEX #AA7EC8

RGB 170 126 200

HSL 275.68, 0.4%, 0.64%

LAB 59.56, 30.85, -32

 

CMYK 10 / 24 / 0 / 27

HEX #A78CB9

RGB 167 140 185

HSL 276, 0.24%, 0.64%

LAB 62.06, 18.71, -19.7

 

CMYK 62 / 67 / 0 / 4

HEX #5C51F4

RGB 92 81 244

HSL 244.05, 0.88%, 0.64%

LAB 45.21, 50.81, -80.18

 

CMYK 45 / 67 / 0 / 4

HEX #8751F4

RGB 135 81 244

HSL 259.88, 0.88%, 0.64%

LAB 48.97, 57.59, -73.89

 

CMYK 27 / 67 / 0 / 4

HEX #B351F4

RGB 179 81 244

HSL 276.07, 0.88%, 0.64%

LAB 54.03, 66.05, -65.45

 

CMYK 9 / 67 / 0 / 4

HEX #DF51F4

RGB 223 81 244

HSL 292.27, 0.88%, 0.64%

LAB 59.98, 75.31, -55.57

 

CMYK 0 / 67 / 9 / 4

HEX #F451DF

RGB 244 81 223

HSL 307.73, 0.88%, 0.64%

LAB 62.04, 76.65, -40.39

 

CMYK 38 / 94 / 0 / 10

HEX #8F0DE6

RGB 143 13 230

HSL 275.94, 0.89%, 0.48%

LAB 40.96, 78.03, -79.04

 

CMYK 33 / 83 / 0 / 5

HEX #A22AF2

RGB 162 42 242

HSL 276, 0.88%, 0.56%

LAB 46.64, 76.94, -76.42

 

CMYK 27 / 67 / 0 / 4

HEX #B351F4

RGB 179 81 244

HSL 276.07, 0.88%, 0.64%

LAB 54.03, 66.05, -65.45

 

CMYK 21 / 51 / 0 / 3

HEX #C478F7

RGB 196 120 247

HSL 275.91, 0.89%, 0.72%

LAB 63.25, 51.75, -52.25

 

CMYK 14 / 36 / 0 / 2

HEX #D59FF9

RGB 213 159 249

HSL 276, 0.88%, 0.8%

LAB 73.4, 36.13, -37.27

 

CMYK 27 / 67 / 0 / 4

HEX #B350F5

RGB 179 80 245

HSL 276, 0.89%, 0.64%

LAB 53.94, 66.71, -66.15

 

CMYK 0 / 67 / 53 / 4

HEX #F45172

RGB 244 81 114

HSL 347.85, 0.88%, 0.64%

LAB 58.35, 64.21, 16.98

 

CMYK 67 / 0 / 53 / 4

HEX #51F472

RGB 81 244 114

HSL 132.15, 0.88%, 0.64%

LAB 85.84, -68.11, 50.03

 

CMYK 27 / 67 / 0 / 4

HEX #B350F5

RGB 179 80 245

HSL 276, 0.89%, 0.64%

LAB 53.94, 66.71, -66.15

 

CMYK 0 / 27 / 67 / 4

HEX #F4B351

RGB 244 179 81

HSL 36.07, 0.88%, 0.64%

LAB 77.32, 14.19, 57.74

 

CMYK 67 / 0 / 27 / 4

HEX #51F4B3

RGB 81 244 179

HSL 156.07, 0.88%, 0.64%

LAB 86.85, -56.89, 19.23

 

CMYK 27 / 67 / 0 / 4

HEX #B350F5

RGB 179 80 245

HSL 276, 0.89%, 0.64%

LAB 53.94, 66.71, -66.15

 

CMYK 0 / 67 / 53 / 4

HEX #F45172

RGB 244 81 114

HSL 347.85, 0.88%, 0.64%

LAB 58.35, 64.21, 16.98

 

CMYK 40 / 0 / 67 / 4

HEX #92F451

RGB 146 244 81

HSL 96.07, 0.88%, 0.64%

LAB 87.68, -55.23, 66.69

 

CMYK 67 / 0 / 13 / 4

HEX #51F4D4

RGB 81 244 212

HSL 168.22, 0.88%, 0.64%

LAB 87.58, -49.34, 3.13

 

CMYK 27 / 67 / 0 / 4

HEX #B350F5

RGB 179 80 245

HSL 276, 0.89%, 0.64%

LAB 53.94, 66.71, -66.15

 

CMYK 0 / 60 / 67 / 4

HEX #F46151

RGB 244 97 81

HSL 5.89, 0.88%, 0.64%

LAB 60.23, 55.47, 38.3

 

CMYK 40 / 0 / 67 / 4

HEX #92F451

RGB 146 244 81

HSL 96.07, 0.88%, 0.64%

LAB 87.68, -55.23, 66.69

 

CMYK 67 / 7 / 0 / 4

HEX #51E4F4

RGB 81 228 244

HSL 185.89, 0.88%, 0.64%

LAB 83.84, -33.68, -19.23

 

Description

Color code: HEX #B350F5 | qconv.com Color code: HEX #B350F5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 80 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 80 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 67 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 67% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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