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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B35564 it is the complementary color #4CAA9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B35564. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B35564 shade: #B8555F, #C96772, #DA7985, #EB8B98 and #FC9DAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B35564. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B35564 shade: #B35564, #A24351, #91313E, #801F2B and #6F0D18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B35564 shade: #B35664 and #B35656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B35564 shade: #B35664, #B3567E, #B35697, #B356B0 and #9C56B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B35564 shade matches the following richer shades: #B35664, #C64257, #DA2E49 and #EE1A3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B35564 shade: #B35664, #9F6972, #8B7D7F, #77918D and #63A59A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B35564 shade: #B35697, #B3567E, #B35665, #B35F56 and #B37856

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B35564 shade: #7E3843, #9A4552, #B35664, #BF727E and #CC8F98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B35564 shade: #B35564, #B0B356 and #568AB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B35564 shade: #B35564, #65B356 and #5665B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B35564 shade: #B35564, #B0B356, #56B3A3 and #5956B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B35564 shade: #B35564, #94B356, #56B3A3 and #7556B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 44 / 30

HEX #B35564

RGB 179 85 100

HSL 350.43, 0.38%, 0.52%

LAB 48.26, 39.65, 9.69

 

Complementary color

CMYK 55 / 0 / 9 / 33

HEX #4CAA9B

RGB 76 170 155

HSL 170.43, 0.38%, 0.48%

LAB 63.88, -31.5, -0.69

 

CMYK 0 / 54 / 48 / 28

HEX #B8555F

RGB 184 85 95

HSL 353.94, 0.41%, 0.53%

LAB 48.9, 40.96, 13.71

 

CMYK 0 / 49 / 43 / 21

HEX #C96772

RGB 201 103 114

HSL 353.27, 0.48%, 0.6%

LAB 55.41, 39.93, 11.88

 

CMYK 0 / 44 / 39 / 15

HEX #DA7985

RGB 218 121 133

HSL 352.58, 0.57%, 0.66%

LAB 61.89, 38.91, 10.33

 

CMYK 0 / 41 / 35 / 8

HEX #EB8B98

RGB 235 139 152

HSL 351.88, 0.71%, 0.73%

LAB 68.31, 37.95, 8.98

 

CMYK 0 / 38 / 32 / 1

HEX #FC9DAB

RGB 252 157 171

HSL 351.16, 0.94%, 0.8%

LAB 74.67, 37.04, 7.78

 

CMYK 0 / 53 / 44 / 30

HEX #B35564

RGB 179 85 100

HSL 350.43, 0.38%, 0.52%

LAB 48.26, 39.65, 9.69

 

CMYK 0 / 59 / 50 / 36

HEX #A24351

RGB 162 67 81

HSL 351.16, 0.41%, 0.45%

LAB 41.67, 40.61, 11.71

 

CMYK 0 / 66 / 57 / 43

HEX #91313E

RGB 145 49 62

HSL 351.88, 0.49%, 0.38%

LAB 35.13, 41.41, 14.26

 

CMYK 0 / 76 / 66 / 50

HEX #801F2B

RGB 128 31 43

HSL 352.58, 0.61%, 0.31%

LAB 28.76, 41.77, 17.6

 

CMYK 0 / 88 / 78 / 56

HEX #6F0D18

RGB 111 13 24

HSL 353.27, 0.79%, 0.24%

LAB 22.77, 41.11, 22.05

 

CMYK 0 / 52 / 44 / 30

HEX #B35664

RGB 179 86 100

HSL 350.97, 0.38%, 0.52%

LAB 48.46, 39.14, 9.97

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 0 / 52 / 44 / 30

HEX #B35664

RGB 179 86 100

HSL 350.97, 0.38%, 0.52%

LAB 48.46, 39.14, 9.97

 

CMYK 0 / 52 / 30 / 30

HEX #B3567E

RGB 179 86 126

HSL 334.19, 0.38%, 0.52%

LAB 49.19, 42.28, -4.63

 

CMYK 0 / 52 / 16 / 30

HEX #B35697

RGB 179 86 151

HSL 318.06, 0.38%, 0.52%

LAB 50.07, 45.95, -18.22

 

CMYK 0 / 52 / 2 / 30

HEX #B356B0

RGB 179 86 176

HSL 301.94, 0.38%, 0.52%

LAB 51.12, 50.18, -31.29

 

CMYK 13 / 52 / 0 / 30

HEX #9C56B3

RGB 156 86 179

HSL 285.16, 0.38%, 0.52%

LAB 48.23, 44.24, -37.78

 

CMYK 0 / 52 / 44 / 30

HEX #B35664

RGB 179 86 100

HSL 350.97, 0.38%, 0.52%

LAB 48.46, 39.14, 9.97

 

CMYK 0 / 67 / 56 / 22

HEX #C64257

RGB 198 66 87

HSL 350.45, 0.54%, 0.52%

LAB 47.74, 53.77, 17.32

 

CMYK 0 / 79 / 67 / 15

HEX #DA2E49

RGB 218 46 73

HSL 350.58, 0.7%, 0.52%

LAB 48.69, 65.7, 27.72

 

CMYK 0 / 89 / 75 / 7

HEX #EE1A3C

RGB 238 26 60

HSL 350.38, 0.86%, 0.52%

LAB 50.97, 74.59, 39.07

 

CMYK 0 / 52 / 44 / 30

HEX #B35664

RGB 179 86 100

HSL 350.97, 0.38%, 0.52%

LAB 48.46, 39.14, 9.97

 

CMYK 0 / 34 / 28 / 38

HEX #9F6972

RGB 159 105 114

HSL 350, 0.22%, 0.52%

LAB 50.32, 22.92, 3.88

 

CMYK 0 / 10 / 9 / 45

HEX #8B7D7F

RGB 139 125 127

HSL 351.43, 0.06%, 0.52%

LAB 53.69, 5.71, 0.85

 

CMYK 18 / 0 / 3 / 43

HEX #77918D

RGB 119 145 141

HSL 170.77, 0.11%, 0.52%

LAB 58.13, -10.03, -0.94

 

CMYK 40 / 0 / 7 / 35

HEX #63A59A

RGB 99 165 154

HSL 170, 0.27%, 0.52%

LAB 63.26, -23.7, -0.93

 

CMYK 0 / 52 / 16 / 30

HEX #B35697

RGB 179 86 151

HSL 318.06, 0.38%, 0.52%

LAB 50.07, 45.95, -18.22

 

CMYK 0 / 52 / 30 / 30

HEX #B3567E

RGB 179 86 126

HSL 334.19, 0.38%, 0.52%

LAB 49.19, 42.28, -4.63

 

CMYK 0 / 52 / 44 / 30

HEX #B35665

RGB 179 86 101

HSL 350.32, 0.38%, 0.52%

LAB 48.48, 39.25, 9.4

 

CMYK 0 / 47 / 52 / 30

HEX #B35F56

RGB 179 95 86

HSL 5.81, 0.38%, 0.52%

LAB 50.03, 33.02, 20.47

 

CMYK 0 / 33 / 52 / 30

HEX #B37856

RGB 179 120 86

HSL 21.94, 0.38%, 0.52%

LAB 55.77, 19.26, 27.98

 

CMYK 0 / 56 / 47 / 51

HEX #7E3843

RGB 126 56 67

HSL 350.57, 0.38%, 0.36%

LAB 33.28, 31.46, 7.99

 

CMYK 0 / 55 / 47 / 40

HEX #9A4552

RGB 154 69 82

HSL 350.82, 0.38%, 0.44%

LAB 40.79, 36.79, 9.67

 

CMYK 0 / 52 / 44 / 30

HEX #B35664

RGB 179 86 100

HSL 350.97, 0.38%, 0.52%

LAB 48.46, 39.14, 9.97

 

CMYK 0 / 40 / 34 / 25

HEX #BF727E

RGB 191 114 126

HSL 350.65, 0.38%, 0.6%

LAB 56.7, 31.8, 6.51

 

CMYK 0 / 30 / 25 / 20

HEX #CC8F98

RGB 204 143 152

HSL 351.15, 0.37%, 0.68%

LAB 65.55, 24.39, 4.55

 

CMYK 0 / 53 / 44 / 30

HEX #B35564

RGB 179 85 100

HSL 350.43, 0.38%, 0.52%

LAB 48.26, 39.65, 9.69

 

CMYK 2 / 0 / 52 / 30

HEX #B0B356

RGB 176 179 86

HSL 61.94, 0.38%, 0.52%

LAB 70.97, -14.1, 46.52

 

CMYK 52 / 23 / 0 / 30

HEX #568AB3

RGB 86 138 179

HSL 206.45, 0.38%, 0.52%

LAB 55.49, -5.58, -26.87

 

CMYK 0 / 53 / 44 / 30

HEX #B35564

RGB 179 85 100

HSL 350.43, 0.38%, 0.52%

LAB 48.26, 39.65, 9.69

 

CMYK 44 / 0 / 52 / 30

HEX #65B356

RGB 101 179 86

HSL 110.32, 0.38%, 0.52%

LAB 66.27, -42.3, 39.79

 

CMYK 52 / 44 / 0 / 30

HEX #5665B3

RGB 86 101 179

HSL 230.32, 0.38%, 0.52%

LAB 45, 16.72, -43.34

 

CMYK 0 / 53 / 44 / 30

HEX #B35564

RGB 179 85 100

HSL 350.43, 0.38%, 0.52%

LAB 48.26, 39.65, 9.69

 

CMYK 2 / 0 / 52 / 30

HEX #B0B356

RGB 176 179 86

HSL 61.94, 0.38%, 0.52%

LAB 70.97, -14.1, 46.52

 

CMYK 52 / 0 / 9 / 30

HEX #56B3A3

RGB 86 179 163

HSL 169.68, 0.38%, 0.52%

LAB 67.17, -31.58, -0.27

 

CMYK 50 / 52 / 0 / 30

HEX #5956B3

RGB 89 86 179

HSL 241.94, 0.38%, 0.52%

LAB 41.27, 26.81, -49.29

 

CMYK 0 / 53 / 44 / 30

HEX #B35564

RGB 179 85 100

HSL 350.43, 0.38%, 0.52%

LAB 48.26, 39.65, 9.69

 

CMYK 17 / 0 / 52 / 30

HEX #94B356

RGB 148 179 86

HSL 80, 0.38%, 0.52%

LAB 68.9, -25.48, 43.57

 

CMYK 52 / 0 / 9 / 30

HEX #56B3A3

RGB 86 179 163

HSL 169.68, 0.38%, 0.52%

LAB 67.17, -31.58, -0.27

 

CMYK 35 / 52 / 0 / 30

HEX #7556B3

RGB 117 86 179

HSL 260, 0.38%, 0.52%

LAB 43.79, 33.62, -45.12

 

Description

Color code: HEX #B35564 | qconv.com Color code: HEX #B35564 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 85 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 85 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 44 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 44% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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