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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B33904 it is the complementary color #4CC6FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B33904. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B33904 shade: #B83900, #C94B12, #DA5D25, #EB6F38 and #FC814B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B33904. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B33904 shade: #B33904, #A22700, #911500, #800300 and #6F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B33904 shade: #B33903, #B30903 and #B30303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B33904 shade: #B33903, #B36803, #B39803, #A0B303 and #70B303

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B33904 shade matches the following richer shades: #B33903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B33904 shade: #B33903, #A53E12, #964421, #874A30 and #78503F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B33904 shade: #B3032C, #B30903, #B33803, #B36703 and #B39603

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B33904 shade: #631F02, #8B2C02, #B33903, #DC4504 and #FA560F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B33904 shade: #B33904, #5BB303 and #0315B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B33904 shade: #B33904, #03B338 and #3803B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B33904 shade: #B33904, #5BB303, #037FB3 and #5B03B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B33904 shade: #B33904, #26B303, #037FB3 and #9003B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 98 / 30

HEX #B33904

RGB 179 57 4

HSL 18.17, 0.96%, 0.36%

LAB 42.03, 47.64, 52.39

 

Complementary color

CMYK 70 / 21 / 0 / 2

HEX #4CC6FB

RGB 76 198 251

HSL 198.17, 0.96%, 0.64%

LAB 75.38, -17.37, -35.91

 

CMYK 0 / 69 / 100 / 28

HEX #B83900

RGB 184 57 0

HSL 18.59, 1%, 0.36%

LAB 42.94, 49.33, 54.62

 

CMYK 0 / 63 / 91 / 21

HEX #C94B12

RGB 201 75 18

HSL 18.69, 0.84%, 0.43%

LAB 48.88, 47.88, 54.7

 

CMYK 0 / 57 / 83 / 15

HEX #DA5D25

RGB 218 93 37

HSL 18.56, 0.71%, 0.5%

LAB 54.94, 46.24, 53.59

 

CMYK 0 / 53 / 76 / 8

HEX #EB6F38

RGB 235 111 56

HSL 18.44, 0.82%, 0.57%

LAB 61.06, 44.59, 51.77

 

CMYK 0 / 49 / 70 / 1

HEX #FC814B

RGB 252 129 75

HSL 18.31, 0.97%, 0.64%

LAB 67.2, 43, 49.79

 

CMYK 0 / 68 / 98 / 30

HEX #B33904

RGB 179 57 4

HSL 18.17, 0.96%, 0.36%

LAB 42.03, 47.64, 52.39

 

CMYK 0 / 76 / 100 / 36

HEX #A22700

RGB 162 39 0

HSL 14.44, 1%, 0.32%

LAB 36.24, 48.74, 49.05

 

CMYK 0 / 86 / 100 / 43

HEX #911500

RGB 145 21 0

HSL 8.69, 1%, 0.28%

LAB 30.77, 48.84, 43.96

 

CMYK 0 / 98 / 100 / 50

HEX #800300

RGB 128 3 0

HSL 1.41, 1%, 0.25%

LAB 25.73, 47.49, 38.24

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 68 / 98 / 30

HEX #B33903

RGB 179 57 3

HSL 18.41, 0.97%, 0.36%

LAB 42.03, 47.63, 52.7

 

CMYK 0 / 95 / 98 / 30

HEX #B30903

RGB 179 9 3

HSL 2.05, 0.97%, 0.36%

LAB 37.45, 60.42, 50.43

 

CMYK 0 / 98 / 98 / 30

HEX #B30303

RGB 179 3 3

HSL 0, 0.97%, 0.36%

LAB 37.22, 61.11, 50.33

 

CMYK 0 / 68 / 98 / 30

HEX #B33903

RGB 179 57 3

HSL 18.41, 0.97%, 0.36%

LAB 42.03, 47.63, 52.7

 

CMYK 0 / 42 / 98 / 30

HEX #B36803

RGB 179 104 3

HSL 34.43, 0.97%, 0.36%

LAB 51.26, 24.17, 58.32

 

CMYK 0 / 15 / 98 / 30

HEX #B39803

RGB 179 152 3

HSL 50.8, 0.97%, 0.36%

LAB 63.38, -2.35, 66.71

 

CMYK 11 / 0 / 98 / 30

HEX #A0B303

RGB 160 179 3

HSL 66.48, 0.97%, 0.36%

LAB 69.27, -24.73, 70.33

 

CMYK 37 / 0 / 98 / 30

HEX #70B303

RGB 112 179 3

HSL 82.84, 0.97%, 0.36%

LAB 66.28, -43.91, 66.73

 

CMYK 0 / 68 / 98 / 30

HEX #B33903

RGB 179 57 3

HSL 18.41, 0.97%, 0.36%

LAB 42.03, 47.63, 52.7

 

CMYK 0 / 68 / 98 / 30

HEX #B33903

RGB 179 57 3

HSL 18.41, 0.97%, 0.36%

LAB 42.03, 47.63, 52.7

 

CMYK 0 / 62 / 89 / 35

HEX #A53E12

RGB 165 62 18

HSL 17.96, 0.8%, 0.36%

LAB 40.39, 40.56, 45.58

 

CMYK 0 / 55 / 78 / 41

HEX #964421

RGB 150 68 33

HSL 17.95, 0.64%, 0.36%

LAB 39.12, 32.14, 36.54

 

CMYK 0 / 45 / 64 / 47

HEX #874A30

RGB 135 74 48

HSL 17.93, 0.48%, 0.36%

LAB 38.31, 23.36, 26.64

 

CMYK 0 / 33 / 48 / 53

HEX #78503F

RGB 120 80 63

HSL 17.89, 0.31%, 0.36%

LAB 38, 14.61, 16.82

 

CMYK 0 / 98 / 75 / 30

HEX #B3032C

RGB 179 3 44

HSL 346.02, 0.97%, 0.36%

LAB 37.54, 61.99, 30.11

 

CMYK 0 / 95 / 98 / 30

HEX #B30903

RGB 179 9 3

HSL 2.05, 0.97%, 0.36%

LAB 37.45, 60.42, 50.43

 

CMYK 0 / 69 / 98 / 30

HEX #B33803

RGB 179 56 3

HSL 18.07, 0.97%, 0.36%

LAB 41.87, 48.04, 52.62

 

CMYK 0 / 42 / 98 / 30

HEX #B36703

RGB 179 103 3

HSL 34.09, 0.97%, 0.36%

LAB 51.03, 24.72, 58.17

 

CMYK 0 / 16 / 98 / 30

HEX #B39603

RGB 179 150 3

HSL 50.11, 0.97%, 0.36%

LAB 62.85, -1.27, 66.33

 

CMYK 0 / 69 / 98 / 61

HEX #631F02

RGB 99 31 2

HSL 17.94, 0.96%, 0.2%

LAB 22.43, 29.44, 32.07

 

CMYK 0 / 68 / 99 / 45

HEX #8B2C02

RGB 139 44 2

HSL 18.39, 0.97%, 0.28%

LAB 32.47, 38.81, 43.73

 

CMYK 0 / 68 / 98 / 30

HEX #B33903

RGB 179 57 3

HSL 18.41, 0.97%, 0.36%

LAB 42.03, 47.63, 52.7

 

CMYK 0 / 69 / 98 / 14

HEX #DC4504

RGB 220 69 4

HSL 18.06, 0.96%, 0.44%

LAB 51.24, 56.77, 61.42

 

CMYK 0 / 66 / 94 / 2

HEX #FA560F

RGB 250 86 15

HSL 18.13, 0.96%, 0.52%

LAB 58.99, 60.13, 66.26

 

CMYK 0 / 68 / 98 / 30

HEX #B33904

RGB 179 57 4

HSL 18.17, 0.96%, 0.36%

LAB 42.03, 47.64, 52.39

 

CMYK 49 / 0 / 98 / 30

HEX #5BB303

RGB 91 179 3

HSL 90, 0.97%, 0.36%

LAB 65.33, -50.97, 65.58

 

CMYK 98 / 88 / 0 / 30

HEX #0315B3

RGB 3 21 179

HSL 233.86, 0.97%, 0.36%

LAB 23.03, 54.84, -79.36

 

CMYK 0 / 68 / 98 / 30

HEX #B33904

RGB 179 57 4

HSL 18.17, 0.96%, 0.36%

LAB 42.03, 47.64, 52.39

 

CMYK 98 / 0 / 69 / 30

HEX #03B338

RGB 3 179 56

HSL 138.07, 0.97%, 0.36%

LAB 63.79, -62.92, 50.02

 

CMYK 69 / 98 / 0 / 30

HEX #3803B3

RGB 56 3 179

HSL 258.07, 0.97%, 0.36%

LAB 24.2, 61.2, -77.36

 

CMYK 0 / 68 / 98 / 30

HEX #B33904

RGB 179 57 4

HSL 18.17, 0.96%, 0.36%

LAB 42.03, 47.64, 52.39

 

CMYK 49 / 0 / 98 / 30

HEX #5BB303

RGB 91 179 3

HSL 90, 0.97%, 0.36%

LAB 65.33, -50.97, 65.58

 

CMYK 98 / 29 / 0 / 30

HEX #037FB3

RGB 3 127 179

HSL 197.73, 0.97%, 0.36%

LAB 50.04, -9.95, -35.53

 

CMYK 49 / 98 / 0 / 30

HEX #5B03B3

RGB 91 3 179

HSL 270, 0.97%, 0.36%

LAB 28.23, 63.51, -70.54

 

CMYK 0 / 68 / 98 / 30

HEX #B33904

RGB 179 57 4

HSL 18.17, 0.96%, 0.36%

LAB 42.03, 47.64, 52.39

 

CMYK 79 / 0 / 98 / 30

HEX #26B303

RGB 38 179 3

HSL 108.07, 0.97%, 0.36%

LAB 63.88, -62.97, 63.81

 

CMYK 98 / 29 / 0 / 30

HEX #037FB3

RGB 3 127 179

HSL 197.73, 0.97%, 0.36%

LAB 50.04, -9.95, -35.53

 

CMYK 20 / 98 / 0 / 30

HEX #9003B3

RGB 144 3 179

HSL 288.07, 0.97%, 0.36%

LAB 36.46, 69.64, -56.74

 

Description

Color code: HEX #B33904 | qconv.com Color code: HEX #B33904 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 57 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 57 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 98 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 98% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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