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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B32888 it is the complementary color #4CD777. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B32888. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B32888 shade: #B82883, #C93A96, #DA4CA9, #EB5EBC and #FC70CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B32888. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B32888 shade: #B32888, #A21675, #910462, #80004F and #6F003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B32888 shade: #B22887, #B22862, #B2283D and #B22828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B32888 shade: #B22887, #B228AD, #9228B2, #6D28B2 and #4828B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B32888 shade matches the following richer shades: #B22887, #C4168E and #D60595

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B32888 shade: #B22887, #A03A81, #8F4C7A, #7D5D73 and #6B6F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B32888 shade: #9228B2, #B228AE, #B22889, #B22864 and #B2283F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B32888 shade: #6F1954, #91206E, #B22887, #D033A0 and #D855AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B32888 shade: #B32888, #B26D28 and #28B2A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B32888 shade: #B32888, #89B228 and #2889B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B32888 shade: #B32888, #B26D28, #28B252 and #286DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B32888 shade: #B32888, #B29728, #28B252 and #2844B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 24 / 30

HEX #B32888

RGB 179 40 136

HSL 318.56, 0.63%, 0.43%

LAB 42.58, 62.62, -20.69

 

Complementary color

CMYK 65 / 0 / 45 / 16

HEX #4CD777

RGB 76 215 119

HSL 138.56, 0.63%, 0.57%

LAB 76.96, -57.97, 36.56

 

CMYK 0 / 78 / 29 / 28

HEX #B82883

RGB 184 40 131

HSL 322.08, 0.64%, 0.44%

LAB 43.28, 63.22, -16.47

 

CMYK 0 / 71 / 25 / 21

HEX #C93A96

RGB 201 58 150

HSL 321.4, 0.57%, 0.51%

LAB 49.06, 64.12, -18.85

 

CMYK 0 / 65 / 22 / 15

HEX #DA4CA9

RGB 218 76 169

HSL 320.7, 0.66%, 0.58%

LAB 55.01, 64.39, -20.72

 

CMYK 0 / 60 / 20 / 8

HEX #EB5EBC

RGB 235 94 188

HSL 320, 0.78%, 0.65%

LAB 61.04, 64.25, -22.22

 

CMYK 0 / 56 / 18 / 1

HEX #FC70CF

RGB 252 112 207

HSL 319.29, 0.96%, 0.71%

LAB 67.12, 63.87, -23.45

 

CMYK 0 / 78 / 24 / 30

HEX #B32888

RGB 179 40 136

HSL 318.56, 0.63%, 0.43%

LAB 42.58, 62.62, -20.69

 

CMYK 0 / 86 / 28 / 36

HEX #A21675

RGB 162 22 117

HSL 319.29, 0.76%, 0.36%

LAB 37, 60.77, -17.77

 

CMYK 0 / 97 / 32 / 43

HEX #910462

RGB 145 4 98

HSL 320, 0.95%, 0.29%

LAB 31.78, 57.64, -13.96

 

CMYK 0 / 100 / 38 / 50

HEX #80004F

RGB 128 0 79

HSL 322.97, 1%, 0.25%

LAB 27.17, 52.41, -8.81

 

CMYK 0 / 100 / 46 / 56

HEX #6F003C

RGB 111 0 60

HSL 327.57, 1%, 0.22%

LAB 22.67, 46.53, -2.99

 

CMYK 0 / 78 / 24 / 30

HEX #B22887

RGB 178 40 135

HSL 318.7, 0.63%, 0.43%

LAB 42.36, 62.25, -20.43

 

CMYK 0 / 78 / 45 / 30

HEX #B22862

RGB 178 40 98

HSL 334.78, 0.63%, 0.43%

LAB 41, 58.13, 0.5

 

CMYK 0 / 78 / 66 / 30

HEX #B2283D

RGB 178 40 61

HSL 350.87, 0.63%, 0.43%

LAB 40.11, 55.33, 22.6

 

CMYK 0 / 78 / 78 / 30

HEX #B22828

RGB 178 40 40

HSL 0, 0.63%, 0.43%

LAB 39.81, 54.35, 34.96

 

CMYK 0 / 78 / 24 / 30

HEX #B22887

RGB 178 40 135

HSL 318.7, 0.63%, 0.43%

LAB 42.36, 62.25, -20.43

 

CMYK 0 / 78 / 3 / 30

HEX #B228AD

RGB 178 40 173

HSL 302.17, 0.63%, 0.43%

LAB 44.23, 67.68, -40.38

 

CMYK 18 / 78 / 0 / 30

HEX #9228B2

RGB 146 40 178

HSL 286.09, 0.63%, 0.43%

LAB 39.31, 62.15, -51.51

 

CMYK 39 / 78 / 0 / 30

HEX #6D28B2

RGB 109 40 178

HSL 270, 0.63%, 0.43%

LAB 33.95, 55.52, -60.46

 

CMYK 60 / 78 / 0 / 30

HEX #4828B2

RGB 72 40 178

HSL 253.91, 0.63%, 0.43%

LAB 29.69, 50.14, -67.61

 

CMYK 0 / 78 / 24 / 30

HEX #B22887

RGB 178 40 135

HSL 318.7, 0.63%, 0.43%

LAB 42.36, 62.25, -20.43

 

CMYK 0 / 89 / 28 / 23

HEX #C4168E

RGB 196 22 142

HSL 318.62, 0.8%, 0.43%

LAB 44.61, 71.19, -20.96

 

CMYK 0 / 98 / 30 / 16

HEX #D60595

RGB 214 5 149

HSL 318.66, 0.95%, 0.43%

LAB 47.72, 77.51, -20.11

 

CMYK 0 / 78 / 24 / 30

HEX #B22887

RGB 178 40 135

HSL 318.7, 0.63%, 0.43%

LAB 42.36, 62.25, -20.43

 

CMYK 0 / 64 / 19 / 37

HEX #A03A81

RGB 160 58 129

HSL 318.24, 0.47%, 0.43%

LAB 41.35, 50.06, -18.57

 

CMYK 0 / 47 / 15 / 44

HEX #8F4C7A

RGB 143 76 122

HSL 318.81, 0.31%, 0.43%

LAB 41.87, 34.62, -13.71

 

CMYK 0 / 26 / 8 / 51

HEX #7D5D73

RGB 125 93 115

HSL 318.75, 0.15%, 0.43%

LAB 43.4, 16.94, -7.35

 

CMYK 4 / 0 / 3 / 56

HEX #6B6F6C

RGB 107 111 108

HSL 135, 0.02%, 0.43%

LAB 46.42, -2.14, 1.13

 

CMYK 18 / 78 / 0 / 30

HEX #9228B2

RGB 146 40 178

HSL 286.09, 0.63%, 0.43%

LAB 39.31, 62.15, -51.51

 

CMYK 0 / 78 / 2 / 30

HEX #B228AE

RGB 178 40 174

HSL 301.74, 0.63%, 0.43%

LAB 44.29, 67.84, -40.88

 

CMYK 0 / 78 / 23 / 30

HEX #B22889

RGB 178 40 137

HSL 317.83, 0.63%, 0.43%

LAB 42.44, 62.51, -21.52

 

CMYK 0 / 78 / 44 / 30

HEX #B22864

RGB 178 40 100

HSL 333.91, 0.63%, 0.43%

LAB 41.06, 58.32, -0.67

 

CMYK 0 / 78 / 65 / 30

HEX #B2283F

RGB 178 40 63

HSL 350, 0.63%, 0.43%

LAB 40.15, 55.45, 21.4

 

CMYK 0 / 77 / 24 / 56

HEX #6F1954

RGB 111 25 84

HSL 318.84, 0.63%, 0.27%

LAB 25.91, 42.99, -14.38

 

CMYK 0 / 78 / 24 / 43

HEX #91206E

RGB 145 32 110

HSL 318.58, 0.64%, 0.35%

LAB 34.35, 53.22, -17.7

 

CMYK 0 / 78 / 24 / 30

HEX #B22887

RGB 178 40 135

HSL 318.7, 0.63%, 0.43%

LAB 42.36, 62.25, -20.43

 

CMYK 0 / 75 / 23 / 18

HEX #D033A0

RGB 208 51 160

HSL 318.34, 0.63%, 0.51%

LAB 49.88, 69.38, -23.46

 

CMYK 0 / 61 / 19 / 15

HEX #D855AF

RGB 216 85 175

HSL 318.78, 0.63%, 0.59%

LAB 56.28, 60.97, -22.29

 

CMYK 0 / 78 / 24 / 30

HEX #B32888

RGB 179 40 136

HSL 318.56, 0.63%, 0.43%

LAB 42.58, 62.62, -20.69

 

CMYK 0 / 39 / 78 / 30

HEX #B26D28

RGB 178 109 40

HSL 30, 0.63%, 0.43%

LAB 52.46, 21.87, 47.88

 

CMYK 78 / 0 / 8 / 30

HEX #28B2A4

RGB 40 178 164

HSL 173.91, 0.63%, 0.43%

LAB 65.73, -38.47, -3.08

 

CMYK 0 / 78 / 24 / 30

HEX #B32888

RGB 179 40 136

HSL 318.56, 0.63%, 0.43%

LAB 42.58, 62.62, -20.69

 

CMYK 23 / 0 / 78 / 30

HEX #89B228

RGB 137 178 40

HSL 77.83, 0.63%, 0.43%

LAB 67.51, -32.83, 60.9

 

CMYK 78 / 23 / 0 / 30

HEX #2889B2

RGB 40 137 178

HSL 197.83, 0.63%, 0.43%

LAB 53.55, -13.43, -29.43

 

CMYK 0 / 78 / 24 / 30

HEX #B32888

RGB 179 40 136

HSL 318.56, 0.63%, 0.43%

LAB 42.58, 62.62, -20.69

 

CMYK 0 / 39 / 78 / 30

HEX #B26D28

RGB 178 109 40

HSL 30, 0.63%, 0.43%

LAB 52.46, 21.87, 47.88

 

CMYK 78 / 0 / 54 / 30

HEX #28B252

RGB 40 178 82

HSL 138.26, 0.63%, 0.43%

LAB 64.08, -56.36, 38.67

 

CMYK 78 / 39 / 0 / 30

HEX #286DB2

RGB 40 109 178

HSL 210, 0.63%, 0.43%

LAB 45.09, 3.13, -42.75

 

CMYK 0 / 78 / 24 / 30

HEX #B32888

RGB 179 40 136

HSL 318.56, 0.63%, 0.43%

LAB 42.58, 62.62, -20.69

 

CMYK 0 / 15 / 78 / 30

HEX #B29728

RGB 178 151 40

HSL 48.26, 0.63%, 0.43%

LAB 63.14, -1.4, 58.02

 

CMYK 78 / 0 / 54 / 30

HEX #28B252

RGB 40 178 82

HSL 138.26, 0.63%, 0.43%

LAB 64.08, -56.36, 38.67

 

CMYK 78 / 62 / 0 / 30

HEX #2844B2

RGB 40 68 178

HSL 227.83, 0.63%, 0.43%

LAB 33.56, 29.87, -61.34

 

Description

Color code: HEX #B32888 | qconv.com Color code: HEX #B32888 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 40 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 40 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 24 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 24% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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