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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3251E it is the complementary color #4CDAE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3251E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3251E shade: #B82519, #C9372C, #DA493F, #EB5B52 and #FC6D65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3251E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3251E shade: #B3251E, #A2130B, #910100, #800000 and #6F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3251E shade: #B2251E and #B21E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3251E shade: #B2251E, #B24D1E, #B2751E, #B29D1E and #A0B21E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3251E shade matches the following richer shades: #B2251E and #C3150D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3251E shade: #B2251E, #A1342F, #904340, #805351 and #6F6261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3251E shade: #B21E68, #B21E40, #B2231E, #B24A1E and #B2721E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3251E shade: #6C1612, #8F1D18, #B2251E, #D62C24 and #DF4B44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3251E shade: #B3251E, #90B21E and #1E54B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3251E shade: #B3251E, #1EB223 and #231EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3251E shade: #B3251E, #90B21E, #1EADB2 and #401EB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3251E shade: #B3251E, #63B21E, #1EADB2 and #6D1EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 83 / 30

HEX #B3251E

RGB 179 37 30

HSL 2.82, 0.71%, 0.41%

LAB 39.58, 55.25, 40.35

 

Complementary color

CMYK 66 / 3 / 0 / 12

HEX #4CDAE1

RGB 76 218 225

HSL 182.82, 0.71%, 0.59%

LAB 80.24, -35.09, -14.58

 

CMYK 0 / 80 / 86 / 28

HEX #B82519

RGB 184 37 25

HSL 4.53, 0.76%, 0.41%

LAB 40.55, 56.62, 44.12

 

CMYK 0 / 73 / 78 / 21

HEX #C9372C

RGB 201 55 44

HSL 4.2, 0.64%, 0.48%

LAB 46.09, 56.58, 40.69

 

CMYK 0 / 67 / 71 / 15

HEX #DA493F

RGB 218 73 63

HSL 3.87, 0.68%, 0.55%

LAB 51.87, 55.99, 37.39

 

CMYK 0 / 61 / 65 / 8

HEX #EB5B52

RGB 235 91 82

HSL 3.53, 0.79%, 0.62%

LAB 57.8, 55.09, 34.46

 

CMYK 0 / 57 / 60 / 1

HEX #FC6D65

RGB 252 109 101

HSL 3.18, 0.96%, 0.69%

LAB 63.81, 54.05, 31.91

 

CMYK 0 / 79 / 83 / 30

HEX #B3251E

RGB 179 37 30

HSL 2.82, 0.71%, 0.41%

LAB 39.58, 55.25, 40.35

 

CMYK 0 / 88 / 93 / 36

HEX #A2130B

RGB 162 19 11

HSL 3.18, 0.87%, 0.34%

LAB 34.34, 54.39, 43.64

 

CMYK 0 / 99 / 100 / 43

HEX #910100

RGB 145 1 0

HSL 0.41, 1%, 0.28%

LAB 29.52, 52.45, 43.02

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 79 / 83 / 30

HEX #B2251E

RGB 178 37 30

HSL 2.84, 0.71%, 0.41%

LAB 39.38, 54.95, 40.09

 

CMYK 0 / 83 / 83 / 30

HEX #B21E1E

RGB 178 30 30

HSL 0, 0.71%, 0.41%

LAB 38.7, 56.87, 39.45

 

CMYK 0 / 79 / 83 / 30

HEX #B2251E

RGB 178 37 30

HSL 2.84, 0.71%, 0.41%

LAB 39.38, 54.95, 40.09

 

CMYK 0 / 57 / 83 / 30

HEX #B24D1E

RGB 178 77 30

HSL 19.05, 0.71%, 0.41%

LAB 45.45, 38.58, 45.69

 

CMYK 0 / 34 / 83 / 30

HEX #B2751E

RGB 178 117 30

HSL 35.27, 0.71%, 0.41%

LAB 54.32, 17.05, 53.6

 

CMYK 0 / 12 / 83 / 30

HEX #B29D1E

RGB 178 157 30

HSL 51.49, 0.71%, 0.41%

LAB 64.7, -4.97, 62.56

 

CMYK 10 / 0 / 83 / 30

HEX #A0B21E

RGB 160 178 30

HSL 67.3, 0.71%, 0.41%

LAB 69.05, -23.7, 65.68

 

CMYK 0 / 79 / 83 / 30

HEX #B2251E

RGB 178 37 30

HSL 2.84, 0.71%, 0.41%

LAB 39.38, 54.95, 40.09

 

CMYK 0 / 89 / 93 / 24

HEX #C3150D

RGB 195 21 13

HSL 2.64, 0.88%, 0.41%

LAB 41.48, 63.12, 50.89

 

CMYK 0 / 79 / 83 / 30

HEX #B2251E

RGB 178 37 30

HSL 2.84, 0.71%, 0.41%

LAB 39.38, 54.95, 40.09

 

CMYK 0 / 68 / 71 / 37

HEX #A1342F

RGB 161 52 47

HSL 2.63, 0.55%, 0.41%

LAB 38.27, 44.67, 28.21

 

CMYK 0 / 53 / 56 / 44

HEX #904340

RGB 144 67 64

HSL 2.25, 0.38%, 0.41%

LAB 38.4, 32.28, 17.35

 

CMYK 0 / 35 / 37 / 50

HEX #805351

RGB 128 83 81

HSL 2.55, 0.22%, 0.41%

LAB 40.2, 18.53, 8.91

 

CMYK 0 / 12 / 13 / 56

HEX #6F6261

RGB 111 98 97

HSL 4.29, 0.07%, 0.41%

LAB 42.73, 5, 2.46

 

CMYK 0 / 83 / 42 / 30

HEX #B21E68

RGB 178 30 104

HSL 330, 0.71%, 0.41%

LAB 40.23, 61.42, -4.4

 

CMYK 0 / 83 / 64 / 30

HEX #B21E40

RGB 178 30 64

HSL 346.22, 0.71%, 0.41%

LAB 39.18, 58.31, 19.51

 

CMYK 0 / 80 / 83 / 30

HEX #B2231E

RGB 178 35 30

HSL 2.03, 0.71%, 0.41%

LAB 39.17, 55.53, 39.89

 

CMYK 0 / 58 / 83 / 30

HEX #B24A1E

RGB 178 74 30

HSL 17.84, 0.71%, 0.41%

LAB 44.88, 40.06, 45.17

 

CMYK 0 / 36 / 83 / 30

HEX #B2721E

RGB 178 114 30

HSL 34.05, 0.71%, 0.41%

LAB 53.59, 18.72, 52.96

 

CMYK 0 / 80 / 83 / 58

HEX #6C1612

RGB 108 22 18

HSL 2.67, 0.71%, 0.25%

LAB 23.02, 37.13, 25.96

 

CMYK 0 / 80 / 83 / 44

HEX #8F1D18

RGB 143 29 24

HSL 2.52, 0.71%, 0.33%

LAB 31.31, 46.43, 33.15

 

CMYK 0 / 79 / 83 / 30

HEX #B2251E

RGB 178 37 30

HSL 2.84, 0.71%, 0.41%

LAB 39.38, 54.95, 40.09

 

CMYK 0 / 79 / 83 / 16

HEX #D62C24

RGB 214 44 36

HSL 2.7, 0.71%, 0.49%

LAB 47.27, 63.71, 46.89

 

CMYK 0 / 66 / 70 / 13

HEX #DF4B44

RGB 223 75 68

HSL 2.71, 0.71%, 0.57%

LAB 53.1, 57.06, 36.23

 

CMYK 0 / 79 / 83 / 30

HEX #B3251E

RGB 179 37 30

HSL 2.82, 0.71%, 0.41%

LAB 39.58, 55.25, 40.35

 

CMYK 19 / 0 / 83 / 30

HEX #90B21E

RGB 144 178 30

HSL 73.78, 0.71%, 0.41%

LAB 67.92, -30.4, 64.27

 

CMYK 83 / 53 / 0 / 30

HEX #1E54B2

RGB 30 84 178

HSL 218.11, 0.71%, 0.41%

LAB 37.54, 18.25, -54.88

 

CMYK 0 / 79 / 83 / 30

HEX #B3251E

RGB 179 37 30

HSL 2.82, 0.71%, 0.41%

LAB 39.58, 55.25, 40.35

 

CMYK 83 / 0 / 80 / 30

HEX #1EB223

RGB 30 178 35

HSL 122.03, 0.71%, 0.41%

LAB 63.54, -62.47, 57.29

 

CMYK 80 / 83 / 0 / 30

HEX #231EB2

RGB 35 30 178

HSL 242.03, 0.71%, 0.41%

LAB 25.26, 51.67, -75.03

 

CMYK 0 / 79 / 83 / 30

HEX #B3251E

RGB 179 37 30

HSL 2.82, 0.71%, 0.41%

LAB 39.58, 55.25, 40.35

 

CMYK 19 / 0 / 83 / 30

HEX #90B21E

RGB 144 178 30

HSL 73.78, 0.71%, 0.41%

LAB 67.92, -30.4, 64.27

 

CMYK 83 / 3 / 0 / 30

HEX #1EADB2

RGB 30 173 178

HSL 182.03, 0.71%, 0.41%

LAB 64.47, -32.95, -12.76

 

CMYK 64 / 83 / 0 / 30

HEX #401EB2

RGB 64 30 178

HSL 253.78, 0.71%, 0.41%

LAB 27.39, 53.76, -71.44

 

CMYK 0 / 79 / 83 / 30

HEX #B3251E

RGB 179 37 30

HSL 2.82, 0.71%, 0.41%

LAB 39.58, 55.25, 40.35

 

CMYK 44 / 0 / 83 / 30

HEX #63B21E

RGB 99 178 30

HSL 92.03, 0.71%, 0.41%

LAB 65.43, -47.27, 61.11

 

CMYK 83 / 3 / 0 / 30

HEX #1EADB2

RGB 30 173 178

HSL 182.03, 0.71%, 0.41%

LAB 64.47, -32.95, -12.76

 

CMYK 39 / 83 / 0 / 30

HEX #6D1EB2

RGB 109 30 178

HSL 272.03, 0.71%, 0.41%

LAB 32.69, 59.18, -62.52

 

Description

Color code: HEX #B3251E | qconv.com Color code: HEX #B3251E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 37 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 37 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 83 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 83% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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