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Color name
HEX #B30F82

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B30F82 it is the complementary color #4CF07D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B30F82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B30F82 shade: #B80F7D, #C92190, #DA33A3, #EB45B6 and #FC57C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B30F82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B30F82 shade: #B30F82, #A2006F, #91005C, #800049 and #6F0036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B30F82 shade: #B30E82, #B30E55, #B30E29 and #B30E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B30F82 shade: #B30E82, #B30EAE, #8B0EB3, #5F0EB3 and #320EB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B30F82 shade matches the following richer shades: #B30E82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B30F82 shade: #B30E82, #A31E7B, #932D75, #843D6F and #744D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B30F82 shade: #8A0EB3, #B30EB0, #B30E84, #B30E58 and #B30E2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B30F82 shade: #66084A, #8D0B66, #B30E82, #D9119D and #ED26B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B30F82 shade: #B30F82, #B35E0E and #0EB3A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B30F82 shade: #B30F82, #84B30E and #0E84B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B30F82 shade: #B30F82, #B35E0E, #0EB33D and #0E63B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B30F82 shade: #B30F82, #B38F0E, #0EB33D and #0E32B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 27 / 30

HEX #B30F82

RGB 179 15 130

HSL 317.93, 0.85%, 0.38%

LAB 40.47, 67.22, -20.25

 

Complementary color

CMYK 68 / 0 / 48 / 6

HEX #4CF07D

RGB 76 240 125

HSL 137.93, 0.85%, 0.62%

LAB 84.66, -66.04, 43.38

 

CMYK 0 / 92 / 32 / 28

HEX #B80F7D

RGB 184 15 125

HSL 320.95, 0.85%, 0.39%

LAB 41.24, 67.73, -15.9

 

CMYK 0 / 84 / 28 / 21

HEX #C92190

RGB 201 33 144

HSL 320.36, 0.72%, 0.46%

LAB 46.34, 70.47, -19.43

 

CMYK 0 / 77 / 25 / 15

HEX #DA33A3

RGB 218 51 163

HSL 319.76, 0.69%, 0.53%

LAB 51.74, 72.12, -22.21

 

CMYK 0 / 71 / 23 / 8

HEX #EB45B6

RGB 235 69 182

HSL 319.16, 0.81%, 0.6%

LAB 57.36, 73, -24.42

 

CMYK 0 / 65 / 20 / 1

HEX #FC57C9

RGB 252 87 201

HSL 318.55, 0.96%, 0.66%

LAB 63.12, 73.33, -26.21

 

CMYK 0 / 92 / 27 / 30

HEX #B30F82

RGB 179 15 130

HSL 317.93, 0.85%, 0.38%

LAB 40.47, 67.22, -20.25

 

CMYK 0 / 100 / 31 / 36

HEX #A2006F

RGB 162 0 111

HSL 318.89, 1%, 0.32%

LAB 35.65, 63.26, -16.06

 

CMYK 0 / 100 / 37 / 43

HEX #91005C

RGB 145 0 92

HSL 321.93, 1%, 0.28%

LAB 31.33, 57.57, -10.75

 

CMYK 0 / 100 / 43 / 50

HEX #800049

RGB 128 0 73

HSL 325.78, 1%, 0.25%

LAB 26.93, 51.8, -5.13

 

CMYK 0 / 100 / 51 / 56

HEX #6F0036

RGB 111 0 54

HSL 330.81, 1%, 0.22%

LAB 22.46, 45.98, 0.88

 

CMYK 0 / 92 / 27 / 30

HEX #B30E82

RGB 179 14 130

HSL 317.82, 0.85%, 0.38%

LAB 40.43, 67.35, -20.32

 

CMYK 0 / 92 / 53 / 30

HEX #B30E55

RGB 179 14 85

HSL 334.18, 0.85%, 0.38%

LAB 38.82, 63.02, 5.63

 

CMYK 0 / 92 / 77 / 30

HEX #B30E29

RGB 179 14 41

HSL 350.18, 0.85%, 0.38%

LAB 37.95, 60.58, 32.4

 

CMYK 0 / 92 / 92 / 30

HEX #B30E0E

RGB 179 14 14

HSL 0, 0.85%, 0.38%

LAB 37.72, 59.93, 46.44

 

CMYK 0 / 92 / 27 / 30

HEX #B30E82

RGB 179 14 130

HSL 317.82, 0.85%, 0.38%

LAB 40.43, 67.35, -20.32

 

CMYK 0 / 92 / 3 / 30

HEX #B30EAE

RGB 179 14 174

HSL 301.82, 0.85%, 0.38%

LAB 42.69, 73.19, -43.41

 

CMYK 22 / 92 / 0 / 30

HEX #8B0EB3

RGB 139 14 179

HSL 285.45, 0.85%, 0.38%

LAB 36.1, 67.5, -57.37

 

CMYK 47 / 92 / 0 / 30

HEX #5F0EB3

RGB 95 14 179

HSL 269.45, 0.85%, 0.38%

LAB 29.42, 61.94, -68.57

 

CMYK 72 / 92 / 0 / 30

HEX #320EB3

RGB 50 14 179

HSL 253.09, 0.85%, 0.38%

LAB 24.47, 58.48, -76.91

 

CMYK 0 / 92 / 27 / 30

HEX #B30E82

RGB 179 14 130

HSL 317.82, 0.85%, 0.38%

LAB 40.43, 67.35, -20.32

 

CMYK 0 / 92 / 27 / 30

HEX #B30E82

RGB 179 14 130

HSL 317.82, 0.85%, 0.38%

LAB 40.43, 67.35, -20.32

 

CMYK 0 / 82 / 25 / 36

HEX #A31E7B

RGB 163 30 123

HSL 318.05, 0.69%, 0.38%

LAB 38.1, 59.89, -19.82

 

CMYK 0 / 69 / 20 / 42

HEX #932D75

RGB 147 45 117

HSL 317.65, 0.53%, 0.38%

LAB 36.68, 50.07, -18.5

 

CMYK 0 / 54 / 16 / 48

HEX #843D6F

RGB 132 61 111

HSL 317.75, 0.37%, 0.38%

LAB 36.73, 37.13, -14.88

 

CMYK 0 / 34 / 10 / 55

HEX #744D68

RGB 116 77 104

HSL 318.46, 0.2%, 0.38%

LAB 37.88, 21.05, -8.96

 

CMYK 23 / 92 / 0 / 30

HEX #8A0EB3

RGB 138 14 179

HSL 285.09, 0.85%, 0.38%

LAB 35.93, 67.36, -57.64

 

CMYK 0 / 92 / 2 / 30

HEX #B30EB0

RGB 179 14 176

HSL 301.09, 0.85%, 0.38%

LAB 42.81, 73.49, -44.41

 

CMYK 0 / 92 / 26 / 30

HEX #B30E84

RGB 179 14 132

HSL 317.09, 0.85%, 0.38%

LAB 40.51, 67.59, -21.42

 

CMYK 0 / 92 / 51 / 30

HEX #B30E58

RGB 179 14 88

HSL 333.09, 0.85%, 0.38%

LAB 38.9, 63.25, 3.83

 

CMYK 0 / 92 / 75 / 30

HEX #B30E2C

RGB 179 14 44

HSL 349.09, 0.85%, 0.38%

LAB 37.98, 60.69, 30.62

 

CMYK 0 / 92 / 27 / 60

HEX #66084A

RGB 102 8 74

HSL 317.87, 0.85%, 0.22%

LAB 21.92, 44.15, -13.95

 

CMYK 0 / 92 / 28 / 45

HEX #8D0B66

RGB 141 11 102

HSL 318, 0.86%, 0.3%

LAB 31.49, 56.2, -17.06

 

CMYK 0 / 92 / 27 / 30

HEX #B30E82

RGB 179 14 130

HSL 317.82, 0.85%, 0.38%

LAB 40.43, 67.35, -20.32

 

CMYK 0 / 92 / 28 / 15

HEX #D9119D

RGB 217 17 157

HSL 318, 0.85%, 0.46%

LAB 48.99, 77.91, -22.9

 

CMYK 0 / 84 / 25 / 7

HEX #ED26B2

RGB 237 38 178

HSL 317.79, 0.85%, 0.54%

LAB 54.66, 81.19, -26.23

 

CMYK 0 / 92 / 27 / 30

HEX #B30F82

RGB 179 15 130

HSL 317.93, 0.85%, 0.38%

LAB 40.47, 67.22, -20.25

 

CMYK 0 / 47 / 92 / 30

HEX #B35E0E

RGB 179 94 14

HSL 29.09, 0.85%, 0.38%

LAB 49.03, 29.78, 54.37

 

CMYK 92 / 0 / 11 / 30

HEX #0EB3A0

RGB 14 179 160

HSL 173.09, 0.85%, 0.38%

LAB 65.65, -41.96, -1.01

 

CMYK 0 / 92 / 27 / 30

HEX #B30F82

RGB 179 15 130

HSL 317.93, 0.85%, 0.38%

LAB 40.47, 67.22, -20.25

 

CMYK 26 / 0 / 92 / 30

HEX #84B30E

RGB 132 179 14

HSL 77.09, 0.85%, 0.38%

LAB 67.41, -36.14, 66.72

 

CMYK 92 / 26 / 0 / 30

HEX #0E84B3

RGB 14 132 179

HSL 197.09, 0.85%, 0.38%

LAB 51.67, -12.36, -32.97

 

CMYK 0 / 92 / 27 / 30

HEX #B30F82

RGB 179 15 130

HSL 317.93, 0.85%, 0.38%

LAB 40.47, 67.22, -20.25

 

CMYK 0 / 47 / 92 / 30

HEX #B35E0E

RGB 179 94 14

HSL 29.09, 0.85%, 0.38%

LAB 49.03, 29.78, 54.37

 

CMYK 92 / 0 / 66 / 30

HEX #0EB33D

RGB 14 179 61

HSL 137.09, 0.85%, 0.38%

LAB 63.89, -61.86, 48.06

 

CMYK 92 / 45 / 0 / 30

HEX #0E63B3

RGB 14 99 179

HSL 209.09, 0.85%, 0.38%

LAB 41.64, 7.68, -48.86

 

CMYK 0 / 92 / 27 / 30

HEX #B30F82

RGB 179 15 130

HSL 317.93, 0.85%, 0.38%

LAB 40.47, 67.22, -20.25

 

CMYK 0 / 20 / 92 / 30

HEX #B38F0E

RGB 179 143 14

HSL 46.91, 0.85%, 0.38%

LAB 61.01, 2.69, 63.31

 

CMYK 92 / 0 / 66 / 30

HEX #0EB33D

RGB 14 179 61

HSL 137.09, 0.85%, 0.38%

LAB 63.89, -61.86, 48.06

 

CMYK 92 / 72 / 0 / 30

HEX #0E32B3

RGB 14 50 179

HSL 226.91, 0.85%, 0.38%

LAB 28.46, 40.08, -70.35

 

Description

Color code: HEX #B30F82 | qconv.com Color code: HEX #B30F82 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 15 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 15 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 27 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 27% 30% C M Y K

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Provide designers and agencies with accurate color values.

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