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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B30F43 it is the complementary color #4CF0BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B30F43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B30F43 shade: #B80F3E, #C92151, #DA3364, #EB4577 and #FC578A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B30F43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B30F43 shade: #B30F43, #A20030, #91001D, #80000A and #6F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B30F43 shade: #B30E42, #B30E16 and #B30E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B30F43 shade: #B30E42, #B30E6F, #B30E9B, #9E0EB3 and #720EB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B30F43 shade matches the following richer shades: #B30E42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B30F43 shade: #B30E42, #A31E48, #932D4E, #843D53 and #744D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B30F43 shade: #B30E9D, #B30E71, #B30E45, #B30E19 and #B32F0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B30F43 shade: #660826, #8D0B34, #B30E42, #D91150 and #ED2665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B30F43 shade: #B30F43, #B39D0E and #0E87B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B30F43 shade: #B30F43, #45B30E and #0E45B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B30F43 shade: #B30F43, #B39D0E, #0EB37C and #0E24B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B30F43 shade: #B30F43, #97B30E, #0EB37C and #290EB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 63 / 30

HEX #B30F43

RGB 179 15 67

HSL 340.98, 0.85%, 0.38%

LAB 38.43, 61.66, 16.64

 

Complementary color

CMYK 68 / 0 / 22 / 6

HEX #4CF0BC

RGB 76 240 188

HSL 160.98, 0.85%, 0.62%

LAB 85.75, -54.09, 13

 

CMYK 0 / 92 / 66 / 28

HEX #B80F3E

RGB 184 15 62

HSL 343.31, 0.85%, 0.39%

LAB 39.38, 62.65, 21.28

 

CMYK 0 / 84 / 60 / 21

HEX #C92151

RGB 201 33 81

HSL 342.86, 0.72%, 0.46%

LAB 44.38, 64.82, 16.56

 

CMYK 0 / 77 / 54 / 15

HEX #DA3364

RGB 218 51 100

HSL 342.4, 0.69%, 0.53%

LAB 49.73, 65.95, 12.72

 

CMYK 0 / 71 / 49 / 8

HEX #EB4577

RGB 235 69 119

HSL 341.93, 0.81%, 0.6%

LAB 55.33, 66.36, 9.58

 

CMYK 0 / 65 / 45 / 1

HEX #FC578A

RGB 252 87 138

HSL 341.45, 0.96%, 0.66%

LAB 61.09, 66.29, 6.99

 

CMYK 0 / 92 / 63 / 30

HEX #B30F43

RGB 179 15 67

HSL 340.98, 0.85%, 0.38%

LAB 38.43, 61.66, 16.64

 

CMYK 0 / 100 / 70 / 36

HEX #A20030

RGB 162 0 48

HSL 342.22, 1%, 0.32%

LAB 33.76, 58.29, 22.17

 

CMYK 0 / 100 / 80 / 43

HEX #91001D

RGB 145 0 29

HSL 348, 1%, 0.28%

LAB 29.68, 53.21, 28.64

 

CMYK 0 / 100 / 92 / 50

HEX #80000A

RGB 128 0 10

HSL 355.31, 1%, 0.25%

LAB 25.6, 48.24, 34.05

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 92 / 63 / 30

HEX #B30E42

RGB 179 14 66

HSL 341.09, 0.85%, 0.38%

LAB 38.36, 61.74, 17.19

 

CMYK 0 / 92 / 88 / 30

HEX #B30E16

RGB 179 14 22

HSL 357.09, 0.85%, 0.38%

LAB 37.76, 60.06, 42.86

 

CMYK 0 / 92 / 92 / 30

HEX #B30E0E

RGB 179 14 14

HSL 0, 0.85%, 0.38%

LAB 37.72, 59.93, 46.44

 

CMYK 0 / 92 / 63 / 30

HEX #B30E42

RGB 179 14 66

HSL 341.09, 0.85%, 0.38%

LAB 38.36, 61.74, 17.19

 

CMYK 0 / 92 / 38 / 30

HEX #B30E6F

RGB 179 14 111

HSL 324.73, 0.85%, 0.38%

LAB 39.66, 65.3, -9.65

 

CMYK 0 / 92 / 13 / 30

HEX #B30E9B

RGB 179 14 155

HSL 308.73, 0.85%, 0.38%

LAB 41.63, 70.5, -33.71

 

CMYK 12 / 92 / 0 / 30

HEX #9E0EB3

RGB 158 14 179

HSL 292.36, 0.85%, 0.38%

LAB 39.31, 70.43, -52.01

 

CMYK 36 / 92 / 0 / 30

HEX #720EB3

RGB 114 14 179

HSL 276.36, 0.85%, 0.38%

LAB 32.14, 64.11, -63.99

 

CMYK 0 / 92 / 63 / 30

HEX #B30E42

RGB 179 14 66

HSL 341.09, 0.85%, 0.38%

LAB 38.36, 61.74, 17.19

 

CMYK 0 / 92 / 63 / 30

HEX #B30E42

RGB 179 14 66

HSL 341.09, 0.85%, 0.38%

LAB 38.36, 61.74, 17.19

 

CMYK 0 / 82 / 56 / 36

HEX #A31E48

RGB 163 30 72

HSL 341.05, 0.69%, 0.38%

LAB 36.33, 54.68, 10.03

 

CMYK 0 / 69 / 47 / 42

HEX #932D4E

RGB 147 45 78

HSL 340.59, 0.53%, 0.38%

LAB 35.26, 45.26, 4.21

 

CMYK 0 / 54 / 37 / 48

HEX #843D53

RGB 132 61 83

HSL 341.41, 0.37%, 0.38%

LAB 35.73, 32.96, 1.35

 

CMYK 0 / 34 / 23 / 55

HEX #744D59

RGB 116 77 89

HSL 341.54, 0.2%, 0.38%

LAB 37.38, 18.37, -0.32

 

CMYK 0 / 92 / 12 / 30

HEX #B30E9D

RGB 179 14 157

HSL 308, 0.85%, 0.38%

LAB 41.74, 70.77, -34.75

 

CMYK 0 / 92 / 37 / 30

HEX #B30E71

RGB 179 14 113

HSL 324, 0.85%, 0.38%

LAB 39.73, 65.5, -10.79

 

CMYK 0 / 92 / 61 / 30

HEX #B30E45

RGB 179 14 69

HSL 340, 0.85%, 0.38%

LAB 38.42, 61.92, 15.35

 

CMYK 0 / 92 / 86 / 30

HEX #B30E19

RGB 179 14 25

HSL 356, 0.85%, 0.38%

LAB 37.78, 60.13, 41.35

 

CMYK 0 / 74 / 92 / 30

HEX #B32F0E

RGB 179 47 14

HSL 12, 0.85%, 0.38%

LAB 40.65, 51.64, 48.42

 

CMYK 0 / 92 / 63 / 60

HEX #660826

RGB 102 8 38

HSL 340.85, 0.85%, 0.22%

LAB 20.59, 40.44, 9.22

 

CMYK 0 / 92 / 63 / 45

HEX #8D0B34

RGB 141 11 52

HSL 341.08, 0.86%, 0.3%

LAB 29.79, 51.53, 13.48

 

CMYK 0 / 92 / 63 / 30

HEX #B30E42

RGB 179 14 66

HSL 341.09, 0.85%, 0.38%

LAB 38.36, 61.74, 17.19

 

CMYK 0 / 92 / 63 / 15

HEX #D91150

RGB 217 17 80

HSL 341.1, 0.85%, 0.46%

LAB 46.62, 71.51, 20.75

 

CMYK 0 / 84 / 57 / 7

HEX #ED2665

RGB 237 38 101

HSL 341.01, 0.85%, 0.54%

LAB 52.21, 74.23, 16.09

 

CMYK 0 / 92 / 63 / 30

HEX #B30F43

RGB 179 15 67

HSL 340.98, 0.85%, 0.38%

LAB 38.43, 61.66, 16.64

 

CMYK 0 / 12 / 92 / 30

HEX #B39D0E

RGB 179 157 14

HSL 52, 0.85%, 0.38%

LAB 64.75, -4.89, 66.17

 

CMYK 92 / 25 / 0 / 30

HEX #0E87B3

RGB 14 135 179

HSL 196, 0.85%, 0.38%

LAB 52.59, -14.05, -31.53

 

CMYK 0 / 92 / 63 / 30

HEX #B30F43

RGB 179 15 67

HSL 340.98, 0.85%, 0.38%

LAB 38.43, 61.66, 16.64

 

CMYK 61 / 0 / 92 / 30

HEX #45B30E

RGB 69 179 14

HSL 100, 0.85%, 0.38%

LAB 64.59, -56.82, 63.25

 

CMYK 92 / 61 / 0 / 30

HEX #0E45B3

RGB 14 69 179

HSL 220, 0.85%, 0.38%

LAB 33.14, 27.67, -62.64

 

CMYK 0 / 92 / 63 / 30

HEX #B30F43

RGB 179 15 67

HSL 340.98, 0.85%, 0.38%

LAB 38.43, 61.66, 16.64

 

CMYK 0 / 12 / 92 / 30

HEX #B39D0E

RGB 179 157 14

HSL 52, 0.85%, 0.38%

LAB 64.75, -4.89, 66.17

 

CMYK 92 / 0 / 31 / 30

HEX #0EB37C

RGB 14 179 124

HSL 160, 0.85%, 0.38%

LAB 64.79, -51.16, 17.59

 

CMYK 92 / 80 / 0 / 30

HEX #0E24B3

RGB 14 36 179

HSL 232, 0.85%, 0.38%

LAB 25.59, 48.18, -75.1

 

CMYK 0 / 92 / 63 / 30

HEX #B30F43

RGB 179 15 67

HSL 340.98, 0.85%, 0.38%

LAB 38.43, 61.66, 16.64

 

CMYK 16 / 0 / 92 / 30

HEX #97B30E

RGB 151 179 14

HSL 70.18, 0.85%, 0.38%

LAB 68.64, -28.38, 68.22

 

CMYK 92 / 0 / 31 / 30

HEX #0EB37C

RGB 14 179 124

HSL 160, 0.85%, 0.38%

LAB 64.79, -51.16, 17.59

 

CMYK 77 / 92 / 0 / 30

HEX #290EB3

RGB 41 14 179

HSL 249.82, 0.85%, 0.38%

LAB 23.8, 58.07, -78.04

 

Description

Color code: HEX #B30F43 | qconv.com Color code: HEX #B30F43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 15 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 15 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 63 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 63% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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