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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B306D9 it is the complementary color #4CF926. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B306D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B306D9 shade: #B806D4, #C918E7, #DA2AFA, #EB3CFF and #FC4EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B306D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B306D9 shade: #B306D9, #A200C6, #9100B3, #8000A0 and #6F008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B306D9 shade: #B405DA, #DA05C7, #DA058E, #DA0554 and #DA051B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B306D9 shade: #B405DA, #7A05DA, #4105DA, #0705DA and #0505DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B306D9 shade matches the following richer shades: #B405DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B306D9 shade: #B405DA, #A817C8, #9D29B6, #913CA4 and #854E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B306D9 shade: #4205DA, #7A05DA, #B305DA, #DA05C9 and #DA0590

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B306D9 shade: #72038A, #9304B2, #B405DA, #CF10F8 and #D738F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B306D9 shade: #B306D9, #DA0905 and #05DA5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B306D9 shade: #B306D9, #DAB305 and #05DAB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B306D9 shade: #B306D9, #DA0905, #2CDA05 and #05D7DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B306D9 shade: #B306D9, #DA4905, #2CDA05 and #0597DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 97 / 0 / 15

HEX #B306D9

RGB 179 6 217

HSL 289.19, 0.95%, 0.44%

LAB 45.25, 80.81, -64.37

 

Complementary color

CMYK 69 / 0 / 85 / 2

HEX #4CF926

RGB 76 249 38

HSL 109.19, 0.95%, 0.56%

LAB 86.72, -76.98, 77.93

 

CMYK 13 / 97 / 0 / 17

HEX #B806D4

RGB 184 6 212

HSL 291.84, 0.94%, 0.43%

LAB 45.74, 80.7, -60.68

 

CMYK 13 / 90 / 0 / 9

HEX #C918E7

RGB 201 24 231

HSL 291.3, 0.81%, 0.5%

LAB 50.5, 84.39, -63.68

 

CMYK 13 / 83 / 0 / 2

HEX #DA2AFA

RGB 218 42 250

HSL 290.77, 0.95%, 0.57%

LAB 55.55, 86.99, -66.06

 

CMYK 8 / 76 / 0 / 0

HEX #EB3CFF

RGB 235 60 255

HSL 293.85, 1%, 0.62%

LAB 59.99, 86.38, -61.55

 

CMYK 1 / 69 / 0 / 0

HEX #FC4EFF

RGB 252 78 255

HSL 298.98, 1%, 0.65%

LAB 64.45, 84.31, -54.28

 

CMYK 18 / 97 / 0 / 15

HEX #B306D9

RGB 179 6 217

HSL 289.19, 0.95%, 0.44%

LAB 45.25, 80.81, -64.37

 

CMYK 18 / 100 / 0 / 22

HEX #A200C6

RGB 162 0 198

HSL 289.09, 1%, 0.39%

LAB 40.83, 75.8, -60.69

 

CMYK 19 / 100 / 0 / 30

HEX #9100B3

RGB 145 0 179

HSL 288.6, 1%, 0.35%

LAB 36.51, 70.14, -56.65

 

CMYK 20 / 100 / 0 / 37

HEX #8000A0

RGB 128 0 160

HSL 288, 1%, 0.31%

LAB 32.09, 64.37, -52.54

 

CMYK 21 / 100 / 0 / 45

HEX #6F008D

RGB 111 0 141

HSL 287.23, 1%, 0.28%

LAB 27.58, 58.47, -48.34

 

CMYK 17 / 98 / 0 / 15

HEX #B405DA

RGB 180 5 218

HSL 289.3, 0.96%, 0.44%

LAB 45.46, 81.21, -64.6

 

CMYK 0 / 98 / 9 / 15

HEX #DA05C7

RGB 218 5 199

HSL 305.35, 0.96%, 0.44%

LAB 50.85, 84.29, -44.66

 

CMYK 0 / 98 / 35 / 15

HEX #DA058E

RGB 218 5 142

HSL 321.41, 0.96%, 0.44%

LAB 48.22, 77.61, -15.06

 

CMYK 0 / 98 / 61 / 15

HEX #DA0554

RGB 218 5 84

HSL 337.75, 0.96%, 0.44%

LAB 46.52, 73.1, 18.17

 

CMYK 0 / 98 / 88 / 15

HEX #DA051B

RGB 218 5 27

HSL 353.8, 0.96%, 0.44%

LAB 45.76, 71.03, 50.31

 

CMYK 17 / 98 / 0 / 15

HEX #B405DA

RGB 180 5 218

HSL 289.3, 0.96%, 0.44%

LAB 45.46, 81.21, -64.6

 

CMYK 44 / 98 / 0 / 15

HEX #7A05DA

RGB 122 5 218

HSL 272.96, 0.96%, 0.44%

LAB 36.57, 74.4, -79.5

 

CMYK 70 / 98 / 0 / 15

HEX #4105DA

RGB 65 5 218

HSL 256.9, 0.96%, 0.44%

LAB 30.14, 70.64, -90.35

 

CMYK 97 / 98 / 0 / 15

HEX #0705DA

RGB 7 5 218

HSL 240.56, 0.96%, 0.44%

LAB 27.34, 69.45, -95.1

 

CMYK 98 / 98 / 0 / 15

HEX #0505DA

RGB 5 5 218

HSL 240, 0.96%, 0.44%

LAB 27.3, 69.44, -95.16

 

CMYK 17 / 98 / 0 / 15

HEX #B405DA

RGB 180 5 218

HSL 289.3, 0.96%, 0.44%

LAB 45.46, 81.21, -64.6

 

CMYK 17 / 98 / 0 / 15

HEX #B405DA

RGB 180 5 218

HSL 289.3, 0.96%, 0.44%

LAB 45.46, 81.21, -64.6

 

CMYK 16 / 89 / 0 / 22

HEX #A817C8

RGB 168 23 200

HSL 289.15, 0.79%, 0.44%

LAB 42.93, 74.21, -58.41

 

CMYK 14 / 77 / 0 / 29

HEX #9D29B6

RGB 157 41 182

HSL 289.36, 0.63%, 0.44%

LAB 41.42, 64.7, -50.38

 

CMYK 12 / 63 / 0 / 36

HEX #913CA4

RGB 145 60 164

HSL 289.04, 0.46%, 0.44%

LAB 41.11, 51.21, -40.31

 

CMYK 9 / 47 / 0 / 43

HEX #854E92

RGB 133 78 146

HSL 288.53, 0.3%, 0.44%

LAB 42.02, 34.84, -28.18

 

CMYK 70 / 98 / 0 / 15

HEX #4205DA

RGB 66 5 218

HSL 257.18, 0.96%, 0.44%

LAB 30.23, 70.68, -90.21

 

CMYK 44 / 98 / 0 / 15

HEX #7A05DA

RGB 122 5 218

HSL 272.96, 0.96%, 0.44%

LAB 36.57, 74.4, -79.5

 

CMYK 18 / 98 / 0 / 15

HEX #B305DA

RGB 179 5 218

HSL 289.01, 0.96%, 0.44%

LAB 45.3, 81.07, -64.88

 

CMYK 0 / 98 / 8 / 15

HEX #DA05C9

RGB 218 5 201

HSL 304.79, 0.96%, 0.44%

LAB 50.96, 84.55, -45.64

 

CMYK 0 / 98 / 34 / 15

HEX #DA0590

RGB 218 5 144

HSL 320.85, 0.96%, 0.44%

LAB 48.29, 77.81, -16.15

 

CMYK 17 / 98 / 0 / 46

HEX #72038A

RGB 114 3 138

HSL 289.33, 0.96%, 0.28%

LAB 28.05, 57.84, -45.68

 

CMYK 17 / 98 / 0 / 30

HEX #9304B2

RGB 147 4 178

HSL 289.31, 0.96%, 0.36%

LAB 36.94, 69.77, -55.34

 

CMYK 17 / 98 / 0 / 15

HEX #B405DA

RGB 180 5 218

HSL 289.3, 0.96%, 0.44%

LAB 45.46, 81.21, -64.6

 

CMYK 17 / 94 / 0 / 3

HEX #CF10F8

RGB 207 16 248

HSL 289.4, 0.94%, 0.52%

LAB 52.3, 89.02, -70.27

 

CMYK 14 / 78 / 0 / 2

HEX #D738F9

RGB 215 56 249

HSL 289.43, 0.94%, 0.6%

LAB 56.2, 82.87, -64.47

 

CMYK 18 / 97 / 0 / 15

HEX #B306D9

RGB 179 6 217

HSL 289.19, 0.95%, 0.44%

LAB 45.25, 80.81, -64.37

 

CMYK 0 / 96 / 98 / 15

HEX #DA0905

RGB 218 9 5

HSL 1.13, 0.96%, 0.44%

LAB 45.79, 70.43, 58.27

 

CMYK 98 / 0 / 57 / 15

HEX #05DA5E

RGB 5 218 94

HSL 145.07, 0.96%, 0.44%

LAB 76.67, -70.13, 48.01

 

CMYK 18 / 97 / 0 / 15

HEX #B306D9

RGB 179 6 217

HSL 289.19, 0.95%, 0.44%

LAB 45.25, 80.81, -64.37

 

CMYK 0 / 18 / 98 / 15

HEX #DAB305

RGB 218 179 5

HSL 49.01, 0.96%, 0.44%

LAB 74.29, 0.69, 76.05

 

CMYK 98 / 0 / 18 / 15

HEX #05DAB3

RGB 5 218 179

HSL 169.01, 0.96%, 0.44%

LAB 78.13, -53.34, 6.76

 

CMYK 18 / 97 / 0 / 15

HEX #B306D9

RGB 179 6 217

HSL 289.19, 0.95%, 0.44%

LAB 45.25, 80.81, -64.37

 

CMYK 0 / 96 / 98 / 15

HEX #DA0905

RGB 218 9 5

HSL 1.13, 0.96%, 0.44%

LAB 45.79, 70.43, 58.27

 

CMYK 80 / 0 / 98 / 15

HEX #2CDA05

RGB 44 218 5

HSL 109.01, 0.96%, 0.44%

LAB 76.49, -73.52, 73.82

 

CMYK 98 / 1 / 0 / 15

HEX #05D7DA

RGB 5 215 218

HSL 180.85, 0.96%, 0.44%

LAB 78.28, -41.25, -13.87

 

CMYK 18 / 97 / 0 / 15

HEX #B306D9

RGB 179 6 217

HSL 289.19, 0.95%, 0.44%

LAB 45.25, 80.81, -64.37

 

CMYK 0 / 67 / 98 / 15

HEX #DA4905

RGB 218 73 5

HSL 19.15, 0.96%, 0.44%

LAB 51.48, 54.53, 61.12

 

CMYK 80 / 0 / 98 / 15

HEX #2CDA05

RGB 44 218 5

HSL 109.01, 0.96%, 0.44%

LAB 76.49, -73.52, 73.82

 

CMYK 98 / 31 / 0 / 15

HEX #0597DA

RGB 5 151 218

HSL 198.87, 0.96%, 0.44%

LAB 59.18, -8.99, -43.26

 

Description

Color code: HEX #B306D9 | qconv.com Color code: HEX #B306D9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 6 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 6 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 97 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 97% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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