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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2FB63 it is the complementary color #4D049C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2FB63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2FB63 shade: #B7FB5E, #C8FF71, #D9FF84, #EAFF97 and #FBFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2FB63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2FB63 shade: #B2FB63, #A1E950, #90D73D, #7FC52A and #6EB317

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2FB63 shade: #B2FB64, #DBFB64, #FBF264, #FBC964 and #FBA164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2FB63 shade: #B2FB64, #8AFB64, #64FB67, #64FB90 and #64FBB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2FB63 shade matches the following richer shades: #B2FB64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2FB63 shade: #B2FB64, #B2EE71, #B1E17E, #B1D48B and #B0C798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2FB63 shade: #FBF164, #DDFB64, #B4FB64, #8CFB64 and #64FB64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2FB63 shade: #8BF814, #9FFA3C, #B2FB64, #C6FC8D and #DAFDB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2FB63 shade: #B2FB63, #64FBC8 and #FB64F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2FB63 shade: #B2FB63, #64B4FB and #FB64B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2FB63 shade: #B2FB63, #64FBC8, #AA64FB and #FB6496

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2FB63 shade: #B2FB63, #64FBF6, #AA64FB and #FB6469

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 61 / 2

HEX #B2FB63

RGB 178 251 99

HSL 88.82, 0.95%, 0.69%

LAB 91.4, -45.99, 63.99

 

Complementary color

CMYK 51 / 97 / 0 / 39

HEX #4D049C

RGB 77 4 156

HSL 268.82, 0.95%, 0.31%

LAB 23.88, 56.86, -63.87

 

CMYK 27 / 0 / 63 / 2

HEX #B7FB5E

RGB 183 251 94

HSL 85.99, 0.95%, 0.68%

LAB 91.63, -44.63, 66.36

 

CMYK 22 / 0 / 56 / 0

HEX #C8FF71

RGB 200 255 113

HSL 83.24, 1%, 0.72%

LAB 93.88, -38.68, 61.17

 

CMYK 15 / 0 / 48 / 0

HEX #D9FF84

RGB 217 255 132

HSL 78.54, 1%, 0.76%

LAB 95.13, -30.66, 54.36

 

CMYK 8 / 0 / 41 / 0

HEX #EAFF97

RGB 234 255 151

HSL 72.12, 1%, 0.8%

LAB 96.51, -22.36, 47.34

 

CMYK 2 / 0 / 33 / 0

HEX #FBFFAA

RGB 251 255 170

HSL 62.82, 1%, 0.83%

LAB 98.01, -13.88, 40.24

 

CMYK 29 / 0 / 61 / 2

HEX #B2FB63

RGB 178 251 99

HSL 88.82, 0.95%, 0.69%

LAB 91.4, -45.99, 63.99

 

CMYK 31 / 0 / 66 / 9

HEX #A1E950

RGB 161 233 80

HSL 88.24, 0.78%, 0.61%

LAB 85.22, -45.76, 64.69

 

CMYK 33 / 0 / 72 / 16

HEX #90D73D

RGB 144 215 61

HSL 87.66, 0.66%, 0.54%

LAB 78.96, -45.42, 65.06

 

CMYK 36 / 0 / 79 / 23

HEX #7FC52A

RGB 127 197 42

HSL 87.1, 0.65%, 0.47%

LAB 72.64, -44.91, 64.85

 

CMYK 39 / 0 / 87 / 30

HEX #6EB317

RGB 110 179 23

HSL 86.54, 0.77%, 0.4%

LAB 66.23, -44.18, 63.65

 

CMYK 29 / 0 / 60 / 2

HEX #B2FB64

RGB 178 251 100

HSL 89.01, 0.95%, 0.69%

LAB 91.41, -45.9, 63.58

 

CMYK 13 / 0 / 60 / 2

HEX #DBFB64

RGB 219 251 100

HSL 72.72, 0.95%, 0.69%

LAB 93.87, -30.8, 67

 

CMYK 0 / 4 / 60 / 2

HEX #FBF264

RGB 251 242 100

HSL 56.42, 0.95%, 0.69%

LAB 93.85, -13.88, 67.66

 

CMYK 0 / 20 / 60 / 2

HEX #FBC964

RGB 251 201 100

HSL 40.13, 0.95%, 0.69%

LAB 83.55, 6.79, 56.2

 

CMYK 0 / 36 / 60 / 2

HEX #FBA164

RGB 251 161 100

HSL 24.24, 0.95%, 0.69%

LAB 74.14, 27.7, 45.19

 

CMYK 29 / 0 / 60 / 2

HEX #B2FB64

RGB 178 251 100

HSL 89.01, 0.95%, 0.69%

LAB 91.41, -45.9, 63.58

 

CMYK 45 / 0 / 60 / 2

HEX #8AFB64

RGB 138 251 100

HSL 104.9, 0.95%, 0.69%

LAB 89.54, -58.75, 60.98

 

CMYK 60 / 0 / 59 / 2

HEX #64FB67

RGB 100 251 103

HSL 121.19, 0.95%, 0.69%

LAB 88.3, -68.11, 57.95

 

CMYK 60 / 0 / 43 / 2

HEX #64FB90

RGB 100 251 144

HSL 137.48, 0.95%, 0.69%

LAB 88.79, -62.59, 39.55

 

CMYK 60 / 0 / 27 / 2

HEX #64FBB8

RGB 100 251 184

HSL 153.38, 0.95%, 0.69%

LAB 89.47, -55.32, 20.37

 

CMYK 29 / 0 / 60 / 2

HEX #B2FB64

RGB 178 251 100

HSL 89.01, 0.95%, 0.69%

LAB 91.41, -45.9, 63.58

 

CMYK 29 / 0 / 60 / 2

HEX #B2FB64

RGB 178 251 100

HSL 89.01, 0.95%, 0.69%

LAB 91.41, -45.9, 63.58

 

CMYK 25 / 0 / 53 / 7

HEX #B2EE71

RGB 178 238 113

HSL 88.8, 0.79%, 0.69%

LAB 87.88, -39.02, 53.84

 

CMYK 21 / 0 / 44 / 12

HEX #B1E17E

RGB 177 225 126

HSL 89.09, 0.62%, 0.69%

LAB 84.33, -32.03, 43.34

 

CMYK 17 / 0 / 34 / 17

HEX #B1D48B

RGB 177 212 139

HSL 88.77, 0.46%, 0.69%

LAB 80.9, -24.18, 32.41

 

CMYK 12 / 0 / 24 / 22

HEX #B0C798

RGB 176 199 152

HSL 89.36, 0.3%, 0.69%

LAB 77.49, -16.18, 21

 

CMYK 0 / 4 / 60 / 2

HEX #FBF164

RGB 251 241 100

HSL 56.03, 0.95%, 0.69%

LAB 93.6, -13.39, 67.38

 

CMYK 12 / 0 / 60 / 2

HEX #DDFB64

RGB 221 251 100

HSL 71.92, 0.95%, 0.69%

LAB 94.01, -30.03, 67.19

 

CMYK 28 / 0 / 60 / 2

HEX #B4FB64

RGB 180 251 100

HSL 88.21, 0.95%, 0.69%

LAB 91.51, -45.2, 63.73

 

CMYK 44 / 0 / 60 / 2

HEX #8CFB64

RGB 140 251 100

HSL 104.11, 0.95%, 0.69%

LAB 89.62, -58.17, 61.1

 

CMYK 60 / 0 / 60 / 2

HEX #64FB64

RGB 100 251 100

HSL 120, 0.95%, 0.69%

LAB 88.27, -68.43, 59.2

 

CMYK 44 / 0 / 92 / 3

HEX #8BF814

RGB 139 248 20

HSL 88.68, 0.94%, 0.53%

LAB 88.29, -61.75, 83

 

CMYK 36 / 0 / 76 / 2

HEX #9FFA3C

RGB 159 250 60

HSL 88.74, 0.95%, 0.61%

LAB 89.89, -54.69, 76.25

 

CMYK 29 / 0 / 60 / 2

HEX #B2FB64

RGB 178 251 100

HSL 89.01, 0.95%, 0.69%

LAB 91.41, -45.9, 63.58

 

CMYK 21 / 0 / 44 / 1

HEX #C6FC8D

RGB 198 252 141

HSL 89.19, 0.95%, 0.77%

LAB 93.25, -35.19, 47.55

 

CMYK 14 / 0 / 28 / 1

HEX #DAFDB5

RGB 218 253 181

HSL 89.17, 0.95%, 0.85%

LAB 95.37, -23.44, 30.84

 

CMYK 29 / 0 / 61 / 2

HEX #B2FB63

RGB 178 251 99

HSL 88.82, 0.95%, 0.69%

LAB 91.4, -45.99, 63.99

 

CMYK 60 / 0 / 20 / 2

HEX #64FBC8

RGB 100 251 200

HSL 159.74, 0.95%, 0.69%

LAB 89.8, -51.93, 12.6

 

CMYK 0 / 60 / 4 / 2

HEX #FB64F1

RGB 251 100 241

HSL 303.97, 0.95%, 0.69%

LAB 66.5, 73.83, -43.34

 

CMYK 29 / 0 / 61 / 2

HEX #B2FB63

RGB 178 251 99

HSL 88.82, 0.95%, 0.69%

LAB 91.4, -45.99, 63.99

 

CMYK 60 / 28 / 0 / 2

HEX #64B4FB

RGB 100 180 251

HSL 208.21, 0.95%, 0.69%

LAB 71.09, -3.87, -42.54

 

CMYK 0 / 60 / 28 / 2

HEX #FB64B4

RGB 251 100 180

HSL 328.21, 0.95%, 0.69%

LAB 64.1, 65.21, -12.8

 

CMYK 29 / 0 / 61 / 2

HEX #B2FB63

RGB 178 251 99

HSL 88.82, 0.95%, 0.69%

LAB 91.4, -45.99, 63.99

 

CMYK 60 / 0 / 20 / 2

HEX #64FBC8

RGB 100 251 200

HSL 159.74, 0.95%, 0.69%

LAB 89.8, -51.93, 12.6

 

CMYK 32 / 60 / 0 / 2

HEX #AA64FB

RGB 170 100 251

HSL 267.81, 0.95%, 0.69%

LAB 56.71, 56.7, -65.07

 

CMYK 0 / 60 / 40 / 2

HEX #FB6496

RGB 251 100 150

HSL 340.13, 0.95%, 0.69%

LAB 63.2, 61.84, 3.07

 

CMYK 29 / 0 / 61 / 2

HEX #B2FB63

RGB 178 251 99

HSL 88.82, 0.95%, 0.69%

LAB 91.4, -45.99, 63.99

 

CMYK 60 / 0 / 2 / 2

HEX #64FBF6

RGB 100 251 246

HSL 178.01, 0.95%, 0.69%

LAB 90.94, -40.83, -9.59

 

CMYK 32 / 60 / 0 / 2

HEX #AA64FB

RGB 170 100 251

HSL 267.81, 0.95%, 0.69%

LAB 56.71, 56.7, -65.07

 

CMYK 0 / 60 / 58 / 2

HEX #FB6469

RGB 251 100 105

HSL 358.01, 0.95%, 0.69%

LAB 62.21, 57.99, 27.55

 

Description

Color code: HEX #B2FB63 | qconv.com Color code: HEX #B2FB63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 251 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 251 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 61 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 61% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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