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Color name
HEX #B2FA8E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2FA8E it is the complementary color #4D0571. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2FA8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2FA8E shade: #B7FA89, #C8FF9C, #D9FFAF, #EAFFC2 and #FBFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2FA8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2FA8E shade: #B2FA8E, #A1E87B, #90D668, #7FC455 and #6EB242

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2FA8E shade: #B2FA8E, #CFFA8E, #ECFA8E, #FAEA8E and #FACD8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2FA8E shade: #B2FA8E, #95FA8E, #8EFAA4, #8EFAC1 and #8EFADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2FA8E shade matches the following richer shades: #B2FA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2FA8E shade: #B2FA8E, #B5F097, #B8E7A1, #BBDDAA and #BFD4B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2FA8E shade: #EBFA8E, #CFFA8E, #B2FA8E, #95FA8E and #8EFAA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2FA8E shade: #7CF73F, #97F866, #B2FA8E, #CDFBB6 and #E8FDDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2FA8E shade: #B2FA8E, #8EFAEB and #FA8EDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2FA8E shade: #B2FA8E, #8EB2FA and #FA8EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2FA8E shade: #B2FA8E, #8EFAEB, #D68EFA and #FA8E9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2FA8E shade: #B2FA8E, #8EE8FA, #D68EFA and #FAA08E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

Complementary color

CMYK 32 / 96 / 0 / 56

HEX #4D0571

RGB 77 5 113

HSL 280, 0.92%, 0.23%

LAB 19.55, 46.9, -43.93

 

CMYK 27 / 0 / 45 / 2

HEX #B7FA89

RGB 183 250 137

HSL 95.58, 0.92%, 0.76%

LAB 91.79, -39.97, 47.45

 

CMYK 22 / 0 / 39 / 0

HEX #C8FF9C

RGB 200 255 156

HSL 93.33, 1%, 0.81%

LAB 94.4, -34.03, 41.77

 

CMYK 15 / 0 / 31 / 0

HEX #D9FFAF

RGB 217 255 175

HSL 88.5, 1%, 0.84%

LAB 95.73, -25.58, 34.33

 

CMYK 8 / 0 / 24 / 0

HEX #EAFFC2

RGB 234 255 194

HSL 80.66, 1%, 0.88%

LAB 97.19, -16.93, 26.94

 

CMYK 2 / 0 / 16 / 0

HEX #FBFFD5

RGB 251 255 213

HSL 65.71, 1%, 0.92%

LAB 98.76, -8.17, 19.66

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 31 / 0 / 47 / 9

HEX #A1E87B

RGB 161 232 123

HSL 99.08, 0.7%, 0.7%

LAB 85.36, -41.16, 45.89

 

CMYK 33 / 0 / 51 / 16

HEX #90D668

RGB 144 214 104

HSL 98.18, 0.57%, 0.62%

LAB 79.05, -41.22, 47.04

 

CMYK 35 / 0 / 57 / 23

HEX #7FC455

RGB 127 196 85

HSL 97.3, 0.48%, 0.55%

LAB 72.66, -41.22, 48.15

 

CMYK 38 / 0 / 63 / 30

HEX #6EB242

RGB 110 178 66

HSL 96.43, 0.46%, 0.48%

LAB 66.17, -41.12, 49.14

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 17 / 0 / 43 / 2

HEX #CFFA8E

RGB 207 250 142

HSL 83.89, 0.92%, 0.77%

LAB 93.27, -30.94, 47.21

 

CMYK 6 / 0 / 43 / 2

HEX #ECFA8E

RGB 236 250 142

HSL 67.78, 0.92%, 0.77%

LAB 95.23, -20.16, 50.07

 

CMYK 0 / 6 / 43 / 2

HEX #FAEA8E

RGB 250 234 142

HSL 51.11, 0.92%, 0.77%

LAB 92.19, -6.91, 46.51

 

CMYK 0 / 18 / 43 / 2

HEX #FACD8E

RGB 250 205 142

HSL 35, 0.92%, 0.77%

LAB 84.97, 7.88, 37.29

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 40 / 0 / 43 / 2

HEX #95FA8E

RGB 149 250 142

HSL 116.11, 0.92%, 0.77%

LAB 90.19, -50.19, 42.66

 

CMYK 43 / 0 / 34 / 2

HEX #8EFAA4

RGB 142 250 164

HSL 132.22, 0.92%, 0.77%

LAB 90.23, -48.84, 31.79

 

CMYK 43 / 0 / 23 / 2

HEX #8EFAC1

RGB 142 250 193

HSL 148.33, 0.92%, 0.77%

LAB 90.77, -43.63, 17.77

 

CMYK 43 / 0 / 11 / 2

HEX #8EFADE

RGB 142 250 222

HSL 164.44, 0.92%, 0.77%

LAB 91.41, -37.61, 3.72

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 25 / 0 / 37 / 6

HEX #B5F097

RGB 181 240 151

HSL 99.78, 0.75%, 0.77%

LAB 89.1, -34.35, 37.15

 

CMYK 20 / 0 / 30 / 9

HEX #B8E7A1

RGB 184 231 161

HSL 100.29, 0.59%, 0.77%

LAB 86.96, -27.68, 29.28

 

CMYK 15 / 0 / 23 / 13

HEX #BBDDAA

RGB 187 221 170

HSL 100, 0.43%, 0.77%

LAB 84.58, -20.41, 21.42

 

CMYK 10 / 0 / 15 / 17

HEX #BFD4B4

RGB 191 212 180

HSL 99.38, 0.27%, 0.77%

LAB 82.62, -12.87, 13.48

 

CMYK 6 / 0 / 43 / 2

HEX #EBFA8E

RGB 235 250 142

HSL 68.33, 0.92%, 0.77%

LAB 95.16, -20.54, 49.96

 

CMYK 17 / 0 / 43 / 2

HEX #CFFA8E

RGB 207 250 142

HSL 83.89, 0.92%, 0.77%

LAB 93.27, -30.94, 47.21

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 40 / 0 / 43 / 2

HEX #95FA8E

RGB 149 250 142

HSL 116.11, 0.92%, 0.77%

LAB 90.19, -50.19, 42.66

 

CMYK 43 / 0 / 35 / 2

HEX #8EFAA3

RGB 142 250 163

HSL 131.67, 0.92%, 0.77%

LAB 90.21, -49.01, 32.27

 

CMYK 50 / 0 / 74 / 3

HEX #7CF73F

RGB 124 247 63

HSL 100.11, 0.92%, 0.61%

LAB 87.57, -64.15, 72.58

 

CMYK 39 / 0 / 59 / 3

HEX #97F866

RGB 151 248 102

HSL 99.86, 0.91%, 0.69%

LAB 89.24, -53.44, 59.94

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 18 / 0 / 27 / 2

HEX #CDFBB6

RGB 205 251 182

HSL 100, 0.9%, 0.85%

LAB 94.03, -26.84, 28.39

 

CMYK 8 / 0 / 13 / 1

HEX #E8FDDD

RGB 232 253 221

HSL 99.38, 0.89%, 0.93%

LAB 97.08, -12.47, 13

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 43 / 0 / 6 / 2

HEX #8EFAEB

RGB 142 250 235

HSL 171.67, 0.92%, 0.77%

LAB 91.74, -34.67, -2.55

 

CMYK 0 / 43 / 12 / 2

HEX #FA8EDD

RGB 250 142 221

HSL 316.11, 0.92%, 0.77%

LAB 72.82, 51.13, -22.54

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 43 / 29 / 0 / 2

HEX #8EB2FA

RGB 142 178 250

HSL 220, 0.92%, 0.77%

LAB 72.56, 6.04, -39.55

 

CMYK 0 / 43 / 29 / 2

HEX #FA8EB2

RGB 250 142 178

HSL 340, 0.92%, 0.77%

LAB 71.48, 44.92, -0.74

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 43 / 0 / 6 / 2

HEX #8EFAEB

RGB 142 250 235

HSL 171.67, 0.92%, 0.77%

LAB 91.74, -34.67, -2.55

 

CMYK 14 / 43 / 0 / 2

HEX #D68EFA

RGB 214 142 250

HSL 280, 0.92%, 0.77%

LAB 69.86, 45.73, -43.34

 

CMYK 0 / 43 / 38 / 2

HEX #FA8E9C

RGB 250 142 156

HSL 352.22, 0.92%, 0.77%

LAB 70.92, 42.25, 10.71

 

CMYK 29 / 0 / 43 / 2

HEX #B2FA8E

RGB 178 250 142

HSL 100, 0.92%, 0.77%

LAB 91.59, -41.05, 44.73

 

CMYK 43 / 7 / 0 / 2

HEX #8EE8FA

RGB 142 232 250

HSL 190, 0.92%, 0.77%

LAB 87.18, -22.42, -17.17

 

CMYK 14 / 43 / 0 / 2

HEX #D68EFA

RGB 214 142 250

HSL 280, 0.92%, 0.77%

LAB 69.86, 45.73, -43.34

 

CMYK 0 / 36 / 43 / 2

HEX #FAA08E

RGB 250 160 142

HSL 10, 0.92%, 0.77%

LAB 74.46, 31.45, 23.34

 

Description

Color code: HEX #B2FA8E | qconv.com Color code: HEX #B2FA8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 250 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 250 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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