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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2EAC5 it is the complementary color #4D153A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2EAC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2EAC5 shade: #B7EAC0, #C8FCD3, #D9FFE6, #EAFFF9 and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2EAC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2EAC5 shade: #B2EAC5, #A1D8B2, #90C69F, #7FB48C and #6EA279

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2EAC5 shade: #B2EAC5, #B2EAB6, #BDEAB2, #CCEAB2 and #DBEAB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2EAC5 shade: #B2EAC5, #B2EAD4, #B2EAE3, #B2E1EA and #B2D3EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2EAC5 shade matches the following richer shades: #B2EAC5, #ABF2C3 and #A3F9C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2EAC5 shade: #B2EAC5, #BAE2C8, #C2DACA, #CAD2CD and #D2CACF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2EAC5 shade: #BDEAB2, #B2EAB6, #B2EAC5, #B2EAD4 and #B2EAE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2EAC5 shade: #72D894, #92E1AD, #B2EAC5, #D3F3DE and #F3FBF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2EAC5 shade: #B2EAC5, #B2CCEA and #EAB2B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2EAC5 shade: #B2EAC5, #C5B2EA and #EAC5B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2EAC5 shade: #B2EAC5, #B2CCEA, #EAB2D7 and #EAD0B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2EAC5 shade: #B2EAC5, #B2BCEA, #EAB2D7 and #EAE0B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

Complementary color

CMYK 0 / 73 / 25 / 70

HEX #4D153A

RGB 77 21 58

HSL 320.36, 0.57%, 0.19%

LAB 17.55, 30.63, -10.02

 

CMYK 22 / 0 / 18 / 8

HEX #B7EAC0

RGB 183 234 192

HSL 130.59, 0.55%, 0.82%

LAB 88.31, -24.4, 15.14

 

CMYK 21 / 0 / 16 / 1

HEX #C8FCD3

RGB 200 252 211

HSL 132.69, 0.9%, 0.89%

LAB 94.57, -24.23, 14.3

 

CMYK 15 / 0 / 10 / 0

HEX #D9FFE6

RGB 217 255 230

HSL 140.53, 1%, 0.93%

LAB 96.81, -16.84, 7.88

 

CMYK 8 / 0 / 2 / 0

HEX #EAFFF9

RGB 234 255 249

HSL 162.86, 1%, 0.96%

LAB 98.37, -7.91, 0.52

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 25 / 0 / 18 / 15

HEX #A1D8B2

RGB 161 216 178

HSL 138.55, 0.41%, 0.74%

LAB 81.79, -25.29, 13.08

 

CMYK 27 / 0 / 20 / 22

HEX #90C69F

RGB 144 198 159

HSL 136.67, 0.32%, 0.67%

LAB 75.34, -25.51, 13.98

 

CMYK 29 / 0 / 22 / 29

HEX #7FB48C

RGB 127 180 140

HSL 134.72, 0.26%, 0.6%

LAB 68.79, -25.76, 14.93

 

CMYK 32 / 0 / 25 / 36

HEX #6EA279

RGB 110 162 121

HSL 132.69, 0.22%, 0.53%

LAB 62.11, -26.02, 15.95

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 24 / 0 / 22 / 8

HEX #B2EAB6

RGB 178 234 182

HSL 124.29, 0.57%, 0.81%

LAB 87.82, -27.76, 19.59

 

CMYK 19 / 0 / 24 / 8

HEX #BDEAB2

RGB 189 234 178

HSL 108.21, 0.57%, 0.81%

LAB 88.39, -24.78, 22.55

 

CMYK 13 / 0 / 24 / 8

HEX #CCEAB2

RGB 204 234 178

HSL 92.14, 0.57%, 0.81%

LAB 89.34, -19.6, 24.02

 

CMYK 6 / 0 / 24 / 8

HEX #DBEAB2

RGB 219 234 178

HSL 76.07, 0.57%, 0.81%

LAB 90.38, -14.26, 25.6

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 24 / 0 / 9 / 8

HEX #B2EAD4

RGB 178 234 212

HSL 156.43, 0.57%, 0.81%

LAB 88.48, -22.22, 4.89

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE3

RGB 178 234 227

HSL 172.5, 0.57%, 0.81%

LAB 88.85, -19.15, -2.41

 

CMYK 24 / 4 / 0 / 8

HEX #B2E1EA

RGB 178 225 234

HSL 189.64, 0.57%, 0.81%

LAB 86.63, -13.13, -9.38

 

CMYK 24 / 10 / 0 / 8

HEX #B2D3EA

RGB 178 211 234

HSL 204.64, 0.57%, 0.81%

LAB 82.91, -5.91, -14.93

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 29 / 0 / 19 / 5

HEX #ABF2C3

RGB 171 242 195

HSL 140.28, 0.73%, 0.81%

LAB 89.91, -31.43, 15.73

 

CMYK 35 / 0 / 23 / 2

HEX #A3F9C0

RGB 163 249 192

HSL 140.23, 0.88%, 0.81%

LAB 91.39, -37.59, 19.29

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 18 / 0 / 12 / 11

HEX #BAE2C8

RGB 186 226 200

HSL 141, 0.41%, 0.81%

LAB 86.51, -18.05, 8.41

 

CMYK 11 / 0 / 7 / 15

HEX #C2DACA

RGB 194 218 202

HSL 140, 0.24%, 0.81%

LAB 84.93, -11.01, 5.16

 

CMYK 4 / 0 / 2 / 18

HEX #CAD2CD

RGB 202 210 205

HSL 142.5, 0.08%, 0.81%

LAB 83.47, -3.63, 1.52

 

CMYK 0 / 4 / 1 / 18

HEX #D2CACF

RGB 210 202 207

HSL 322.5, 0.08%, 0.81%

LAB 82.08, 3.67, -1.51

 

CMYK 19 / 0 / 24 / 8

HEX #BDEAB2

RGB 189 234 178

HSL 108.21, 0.57%, 0.81%

LAB 88.39, -24.78, 22.55

 

CMYK 24 / 0 / 22 / 8

HEX #B2EAB6

RGB 178 234 182

HSL 124.29, 0.57%, 0.81%

LAB 87.82, -27.76, 19.59

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 24 / 0 / 9 / 8

HEX #B2EAD4

RGB 178 234 212

HSL 156.43, 0.57%, 0.81%

LAB 88.48, -22.22, 4.89

 

CMYK 24 / 0 / 3 / 8

HEX #B2EAE2

RGB 178 234 226

HSL 171.43, 0.57%, 0.81%

LAB 88.83, -19.36, -1.93

 

CMYK 47 / 0 / 31 / 15

HEX #72D894

RGB 114 216 148

HSL 140, 0.57%, 0.65%

LAB 78.94, -44.67, 24.56

 

CMYK 35 / 0 / 23 / 12

HEX #92E1AD

RGB 146 225 173

HSL 140.51, 0.57%, 0.73%

LAB 83.43, -35.1, 17.91

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 13 / 0 / 9 / 5

HEX #D3F3DE

RGB 211 243 222

HSL 140.63, 0.57%, 0.89%

LAB 93.11, -14.31, 6.63

 

CMYK 3 / 0 / 2 / 2

HEX #F3FBF6

RGB 243 251 246

HSL 142.5, 0.5%, 0.97%

LAB 97.91, -3.51, 1.46

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 24 / 13 / 0 / 8

HEX #B2CCEA

RGB 178 204 234

HSL 212.14, 0.57%, 0.81%

LAB 81.07, -2.23, -17.71

 

CMYK 0 / 24 / 22 / 8

HEX #EAB2B6

RGB 234 178 182

HSL 355.71, 0.57%, 0.81%

LAB 77.7, 20.92, 5.87

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 16 / 24 / 0 / 8

HEX #C5B2EA

RGB 197 178 234

HSL 260.36, 0.57%, 0.81%

LAB 75.85, 17.67, -25.49

 

CMYK 0 / 16 / 24 / 8

HEX #EAC5B2

RGB 234 197 178

HSL 20.36, 0.57%, 0.81%

LAB 82.18, 10.27, 14.41

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 24 / 13 / 0 / 8

HEX #B2CCEA

RGB 178 204 234

HSL 212.14, 0.57%, 0.81%

LAB 81.07, -2.23, -17.71

 

CMYK 0 / 24 / 8 / 8

HEX #EAB2D7

RGB 234 178 215

HSL 320.36, 0.57%, 0.81%

LAB 78.6, 26.14, -10.72

 

CMYK 0 / 11 / 24 / 8

HEX #EAD0B2

RGB 234 208 178

HSL 32.14, 0.57%, 0.81%

LAB 84.9, 4.51, 18.22

 

CMYK 24 / 0 / 16 / 8

HEX #B2EAC5

RGB 178 234 197

HSL 140.36, 0.57%, 0.81%

LAB 88.13, -25.09, 12.24

 

CMYK 24 / 20 / 0 / 8

HEX #B2BCEA

RGB 178 188 234

HSL 229.29, 0.57%, 0.81%

LAB 76.9, 6.37, -24.02

 

CMYK 0 / 24 / 8 / 8

HEX #EAB2D7

RGB 234 178 215

HSL 320.36, 0.57%, 0.81%

LAB 78.6, 26.14, -10.72

 

CMYK 0 / 4 / 24 / 8

HEX #EAE0B2

RGB 234 224 178

HSL 49.29, 0.57%, 0.81%

LAB 88.93, -3.74, 23.8

 

Description

Color code: HEX #B2EAC5 | qconv.com Color code: HEX #B2EAC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 234 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 234 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 16 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 16% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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