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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2E556 it is the complementary color #4D1AA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2E556. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2E556 shade: #B7E551, #C8F764, #D9FF77, #EAFF8A and #FBFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2E556. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2E556 shade: #B2E556, #A1D343, #90C130, #7FAF1D and #6E9D0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2E556 shade: #B2E457, #D8E457, #E4CA57, #E4A457 and #E47E57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2E556 shade: #B2E457, #8CE457, #66E457, #57E46E and #57E494

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2E556 shade matches the following richer shades: #B2E457 and #B6F447

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2E556 shade: #B2E457, #ADD567, #A9C576, #A4B586 and #A0A696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2E556 shade: #E4CA57, #D9E457, #B3E457, #8DE457 and #67E457

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2E556 shade: #8DCA1F, #A2DF33, #B2E457, #C2EA7B and #D3EF9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2E556 shade: #B2E556, #57E4A5 and #DD57E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2E556 shade: #B2E556, #57B3E4 and #E457B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2E556 shade: #B2E556, #57E4A5, #8857E4 and #E45797

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2E556 shade: #B2E556, #57E4CF, #8857E4 and #E4576C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 62 / 10

HEX #B2E556

RGB 178 229 86

HSL 81.4, 0.73%, 0.62%

LAB 85.09, -37.38, 62.44

 

Complementary color

CMYK 54 / 85 / 0 / 34

HEX #4D1AA9

RGB 77 26 169

HSL 261.4, 0.73%, 0.38%

LAB 27.24, 54.21, -66.22

 

CMYK 20 / 0 / 65 / 10

HEX #B7E551

RGB 183 229 81

HSL 78.65, 0.74%, 0.61%

LAB 85.35, -35.85, 64.83

 

CMYK 19 / 0 / 60 / 3

HEX #C8F764

RGB 200 247 100

HSL 79.18, 0.9%, 0.68%

LAB 91.56, -36.18, 64.11

 

CMYK 15 / 0 / 53 / 0

HEX #D9FF77

RGB 217 255 119

HSL 76.76, 1%, 0.73%

LAB 94.99, -31.88, 60.09

 

CMYK 8 / 0 / 46 / 0

HEX #EAFF8A

RGB 234 255 138

HSL 70.77, 1%, 0.77%

LAB 96.35, -23.7, 53.31

 

CMYK 2 / 0 / 38 / 0

HEX #FBFF9D

RGB 251 255 157

HSL 62.45, 1%, 0.81%

LAB 97.82, -15.33, 46.35

 

CMYK 22 / 0 / 62 / 10

HEX #B2E556

RGB 178 229 86

HSL 81.4, 0.73%, 0.62%

LAB 85.09, -37.38, 62.44

 

CMYK 24 / 0 / 68 / 17

HEX #A1D343

RGB 161 211 67

HSL 80.83, 0.62%, 0.55%

LAB 78.79, -37.03, 63

 

CMYK 25 / 0 / 75 / 24

HEX #90C130

RGB 144 193 48

HSL 80.28, 0.6%, 0.47%

LAB 72.42, -36.55, 63.11

 

CMYK 27 / 0 / 83 / 31

HEX #7FAF1D

RGB 127 175 29

HSL 79.73, 0.72%, 0.4%

LAB 65.95, -35.88, 62.39

 

CMYK 30 / 0 / 94 / 38

HEX #6E9D0A

RGB 110 157 10

HSL 79.18, 0.88%, 0.33%

LAB 59.39, -34.97, 60.28

 

CMYK 22 / 0 / 62 / 11

HEX #B2E457

RGB 178 228 87

HSL 81.28, 0.72%, 0.62%

LAB 84.81, -36.85, 61.73

 

CMYK 5 / 0 / 62 / 11

HEX #D8E457

RGB 216 228 87

HSL 65.11, 0.72%, 0.62%

LAB 87.38, -22.01, 65.24

 

CMYK 0 / 11 / 62 / 11

HEX #E4CA57

RGB 228 202 87

HSL 48.94, 0.72%, 0.62%

LAB 81.52, -4.12, 59.2

 

CMYK 0 / 28 / 62 / 11

HEX #E4A457

RGB 228 164 87

HSL 32.77, 0.72%, 0.62%

LAB 72.05, 15.84, 48.56

 

CMYK 0 / 45 / 62 / 11

HEX #E47E57

RGB 228 126 87

HSL 16.6, 0.72%, 0.62%

LAB 63.43, 35.97, 38.35

 

CMYK 22 / 0 / 62 / 11

HEX #B2E457

RGB 178 228 87

HSL 81.28, 0.72%, 0.62%

LAB 84.81, -36.85, 61.73

 

CMYK 39 / 0 / 62 / 11

HEX #8CE457

RGB 140 228 87

HSL 97.45, 0.72%, 0.62%

LAB 82.78, -50.21, 58.92

 

CMYK 55 / 0 / 62 / 11

HEX #66E457

RGB 102 228 87

HSL 113.62, 0.72%, 0.62%

LAB 81.29, -61.17, 56.84

 

CMYK 62 / 0 / 52 / 11

HEX #57E46E

RGB 87 228 110

HSL 129.79, 0.72%, 0.62%

LAB 81.09, -61.88, 46.17

 

CMYK 62 / 0 / 35 / 11

HEX #57E494

RGB 87 228 148

HSL 145.96, 0.72%, 0.62%

LAB 81.65, -55.75, 28.07

 

CMYK 22 / 0 / 62 / 11

HEX #B2E457

RGB 178 228 87

HSL 81.28, 0.72%, 0.62%

LAB 84.81, -36.85, 61.73

 

CMYK 25 / 0 / 71 / 4

HEX #B6F447

RGB 182 244 71

HSL 81.5, 0.89%, 0.62%

LAB 89.44, -43.51, 72.69

 

CMYK 22 / 0 / 62 / 11

HEX #B2E457

RGB 178 228 87

HSL 81.28, 0.72%, 0.62%

LAB 84.81, -36.85, 61.73

 

CMYK 19 / 0 / 52 / 16

HEX #ADD567

RGB 173 213 103

HSL 81.82, 0.57%, 0.62%

LAB 80.43, -30.41, 49.57

 

CMYK 14 / 0 / 40 / 23

HEX #A9C576

RGB 169 197 118

HSL 81.27, 0.41%, 0.62%

LAB 75.87, -22.55, 36.52

 

CMYK 9 / 0 / 26 / 29

HEX #A4B586

RGB 164 181 134

HSL 81.7, 0.24%, 0.62%

LAB 71.32, -14.18, 22.05

 

CMYK 4 / 0 / 10 / 35

HEX #A0A696

RGB 160 166 150

HSL 82.5, 0.08%, 0.62%

LAB 67.24, -5.11, 7.54

 

CMYK 0 / 11 / 62 / 11

HEX #E4CA57

RGB 228 202 87

HSL 48.94, 0.72%, 0.62%

LAB 81.52, -4.12, 59.2

 

CMYK 5 / 0 / 62 / 11

HEX #D9E457

RGB 217 228 87

HSL 64.68, 0.72%, 0.62%

LAB 87.45, -21.61, 65.35

 

CMYK 21 / 0 / 62 / 11

HEX #B3E457

RGB 179 228 87

HSL 80.85, 0.72%, 0.62%

LAB 84.87, -36.48, 61.81

 

CMYK 38 / 0 / 62 / 11

HEX #8DE457

RGB 141 228 87

HSL 97.02, 0.72%, 0.62%

LAB 82.83, -49.89, 58.98

 

CMYK 55 / 0 / 62 / 11

HEX #67E457

RGB 103 228 87

HSL 113.19, 0.72%, 0.62%

LAB 81.32, -60.92, 56.89

 

CMYK 30 / 0 / 85 / 21

HEX #8DCA1F

RGB 141 202 31

HSL 81.4, 0.73%, 0.46%

LAB 74.83, -42.39, 69.94

 

CMYK 27 / 0 / 77 / 13

HEX #A2DF33

RGB 162 223 51

HSL 81.28, 0.73%, 0.54%

LAB 82.21, -42.85, 71.77

 

CMYK 22 / 0 / 62 / 11

HEX #B2E457

RGB 178 228 87

HSL 81.28, 0.72%, 0.62%

LAB 84.81, -36.85, 61.73

 

CMYK 17 / 0 / 47 / 8

HEX #C2EA7B

RGB 194 234 123

HSL 81.62, 0.73%, 0.7%

LAB 87.85, -30.33, 49.37

 

CMYK 12 / 0 / 34 / 6

HEX #D3EF9E

RGB 211 239 158

HSL 80.74, 0.72%, 0.78%

LAB 90.8, -22.34, 36.23

 

CMYK 22 / 0 / 62 / 10

HEX #B2E556

RGB 178 229 86

HSL 81.4, 0.73%, 0.62%

LAB 85.09, -37.38, 62.44

 

CMYK 62 / 0 / 28 / 11

HEX #57E4A5

RGB 87 228 165

HSL 153.19, 0.72%, 0.62%

LAB 81.96, -52.41, 19.71

 

CMYK 3 / 62 / 0 / 11

HEX #DD57E4

RGB 221 87 228

HSL 297.02, 0.72%, 0.62%

LAB 59.7, 69.75, -47.11

 

CMYK 22 / 0 / 62 / 10

HEX #B2E556

RGB 178 229 86

HSL 81.4, 0.73%, 0.62%

LAB 85.09, -37.38, 62.44

 

CMYK 62 / 21 / 0 / 11

HEX #57B3E4

RGB 87 179 228

HSL 200.85, 0.72%, 0.62%

LAB 69.38, -12.87, -32.74

 

CMYK 0 / 62 / 21 / 11

HEX #E457B3

RGB 228 87 179

HSL 320.85, 0.72%, 0.62%

LAB 58.57, 64.02, -20.94

 

CMYK 22 / 0 / 62 / 10

HEX #B2E556

RGB 178 229 86

HSL 81.4, 0.73%, 0.62%

LAB 85.09, -37.38, 62.44

 

CMYK 62 / 0 / 28 / 11

HEX #57E4A5

RGB 87 228 165

HSL 153.19, 0.72%, 0.62%

LAB 81.96, -52.41, 19.71

 

CMYK 40 / 62 / 0 / 11

HEX #8857E4

RGB 136 87 228

HSL 260.85, 0.72%, 0.62%

LAB 49.07, 50.48, -64.71

 

CMYK 0 / 62 / 34 / 11

HEX #E45797

RGB 228 87 151

HSL 332.77, 0.72%, 0.62%

LAB 57.6, 60.51, -6.14

 

CMYK 22 / 0 / 62 / 10

HEX #B2E556

RGB 178 229 86

HSL 81.4, 0.73%, 0.62%

LAB 85.09, -37.38, 62.44

 

CMYK 62 / 0 / 9 / 11

HEX #57E4CF

RGB 87 228 207

HSL 171.06, 0.72%, 0.62%

LAB 82.92, -42.74, -1.01

 

CMYK 40 / 62 / 0 / 11

HEX #8857E4

RGB 136 87 228

HSL 260.85, 0.72%, 0.62%

LAB 49.07, 50.48, -64.71

 

CMYK 0 / 62 / 53 / 11

HEX #E4576C

RGB 228 87 108

HSL 351.06, 0.72%, 0.62%

LAB 56.48, 56.29, 17.51

 

Description

Color code: HEX #B2E556 | qconv.com Color code: HEX #B2E556 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 229 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 229 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 62 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 62% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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