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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2DDAE it is the complementary color #4D2251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2DDAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2DDAE shade: #B7DDA9, #C8EFBC, #D9FFCF, #EAFFE2 and #FBFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2DDAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2DDAE shade: #B2DDAE, #A1CB9B, #90B988, #7FA775 and #6E9562

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2DDAE shade: #B0DCAC, #BDDCAC, #CADCAC, #D7DCAC and #DCD4AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2DDAE shade: #B0DCAC, #ACDCB5, #ACDCC2, #ACDCCF and #ACDCDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2DDAE shade matches the following richer shades: #B0DCAC, #A8E5A2, #A0EF99 and #98F88F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2DDAE shade: #B0DCAC, #B8D2B5, #C0C9BF, #C8BFC8 and #CFB6D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2DDAE shade: #CADCAC, #BDDCAC, #B1DCAC, #ACDCB4 and #ACDCC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2DDAE shade: #79C472, #94D08F, #B0DCAC, #CCE8C9 and #E7F4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2DDAE shade: #B2DDAE, #ACD7DC and #DCACC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2DDAE shade: #B2DDAE, #ACB1DC and #DCACB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2DDAE shade: #B2DDAE, #ACD7DC, #D7ACDC and #DCB1AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2DDAE shade: #B2DDAE, #ACC9DC, #D7ACDC and #DCBFAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 21 / 13

HEX #B2DDAE

RGB 178 221 174

HSL 114.89, 0.41%, 0.77%

LAB 84.09, -22.85, 18.56

 

Complementary color

CMYK 5 / 58 / 0 / 68

HEX #4D2251

RGB 77 34 81

HSL 294.89, 0.41%, 0.23%

LAB 21.27, 28.17, -20.05

 

CMYK 17 / 0 / 24 / 13

HEX #B7DDA9

RGB 183 221 169

HSL 103.85, 0.43%, 0.76%

LAB 84.3, -21.96, 21.52

 

CMYK 16 / 0 / 21 / 6

HEX #C8EFBC

RGB 200 239 188

HSL 105.88, 0.61%, 0.84%

LAB 90.62, -21.85, 20.58

 

CMYK 15 / 0 / 19 / 0

HEX #D9FFCF

RGB 217 255 207

HSL 107.5, 1%, 0.91%

LAB 96.32, -20.79, 18.95

 

CMYK 8 / 0 / 11 / 0

HEX #EAFFE2

RGB 234 255 226

HSL 103.45, 1%, 0.94%

LAB 97.83, -11.95, 11.54

 

CMYK 2 / 0 / 4 / 0

HEX #FBFFF5

RGB 251 255 245

HSL 84, 1%, 0.98%

LAB 99.46, -3.05, 4.3

 

CMYK 19 / 0 / 21 / 13

HEX #B2DDAE

RGB 178 221 174

HSL 114.89, 0.41%, 0.77%

LAB 84.09, -22.85, 18.56

 

CMYK 21 / 0 / 24 / 20

HEX #A1CB9B

RGB 161 203 155

HSL 112.5, 0.32%, 0.7%

LAB 77.67, -23.01, 19.51

 

CMYK 22 / 0 / 26 / 27

HEX #90B988

RGB 144 185 136

HSL 110.2, 0.26%, 0.63%

LAB 71.15, -23.18, 20.52

 

CMYK 24 / 0 / 30 / 35

HEX #7FA775

RGB 127 167 117

HSL 108, 0.22%, 0.56%

LAB 64.51, -23.36, 21.59

 

CMYK 26 / 0 / 34 / 42

HEX #6E9562

RGB 110 149 98

HSL 105.88, 0.21%, 0.48%

LAB 57.74, -23.56, 22.73

 

CMYK 20 / 0 / 22 / 14

HEX #B0DCAC

RGB 176 220 172

HSL 115, 0.41%, 0.77%

LAB 83.65, -23.37, 18.98

 

CMYK 14 / 0 / 22 / 14

HEX #BDDCAC

RGB 189 220 172

HSL 98.75, 0.41%, 0.77%

LAB 84.48, -18.9, 20.26

 

CMYK 8 / 0 / 22 / 14

HEX #CADCAC

RGB 202 220 172

HSL 82.5, 0.41%, 0.77%

LAB 85.36, -14.29, 21.62

 

CMYK 2 / 0 / 22 / 14

HEX #D7DCAC

RGB 215 220 172

HSL 66.25, 0.41%, 0.77%

LAB 86.31, -9.56, 23.08

 

CMYK 0 / 4 / 22 / 14

HEX #DCD4AC

RGB 220 212 172

HSL 50, 0.41%, 0.77%

LAB 84.63, -3.62, 20.82

 

CMYK 20 / 0 / 22 / 14

HEX #B0DCAC

RGB 176 220 172

HSL 115, 0.41%, 0.77%

LAB 83.65, -23.37, 18.98

 

CMYK 22 / 0 / 18 / 14

HEX #ACDCB5

RGB 172 220 181

HSL 131.25, 0.41%, 0.77%

LAB 83.6, -23.14, 14.15

 

CMYK 22 / 0 / 12 / 14

HEX #ACDCC2

RGB 172 220 194

HSL 147.5, 0.41%, 0.77%

LAB 83.89, -20.72, 7.7

 

CMYK 22 / 0 / 6 / 14

HEX #ACDCCF

RGB 172 220 207

HSL 163.75, 0.41%, 0.77%

LAB 84.21, -18.14, 1.28

 

CMYK 22 / 0 / 0 / 14

HEX #ACDCDC

RGB 172 220 220

HSL 180, 0.41%, 0.77%

LAB 84.55, -15.42, -5.1

 

CMYK 20 / 0 / 22 / 14

HEX #B0DCAC

RGB 176 220 172

HSL 115, 0.41%, 0.77%

LAB 83.65, -23.37, 18.98

 

CMYK 27 / 0 / 29 / 10

HEX #A8E5A2

RGB 168 229 162

HSL 114.63, 0.56%, 0.77%

LAB 85.49, -31.98, 26.63

 

CMYK 33 / 0 / 36 / 6

HEX #A0EF99

RGB 160 239 153

HSL 115.12, 0.73%, 0.77%

LAB 87.73, -40.51, 34.13

 

CMYK 39 / 0 / 42 / 3

HEX #98F88F

RGB 152 248 143

HSL 114.86, 0.88%, 0.77%

LAB 89.76, -48.32, 41.66

 

CMYK 20 / 0 / 22 / 14

HEX #B0DCAC

RGB 176 220 172

HSL 115, 0.41%, 0.77%

LAB 83.65, -23.37, 18.98

 

CMYK 12 / 0 / 14 / 18

HEX #B8D2B5

RGB 184 210 181

HSL 113.79, 0.24%, 0.77%

LAB 81.63, -14.11, 11.47

 

CMYK 4 / 0 / 5 / 21

HEX #C0C9BF

RGB 192 201 191

HSL 114, 0.08%, 0.77%

LAB 80.03, -4.92, 3.92

 

CMYK 0 / 5 / 0 / 22

HEX #C8BFC8

RGB 200 191 200

HSL 300, 0.08%, 0.77%

LAB 78.29, 4.79, -3.4

 

CMYK 1 / 13 / 0 / 18

HEX #CFB6D2

RGB 207 182 210

HSL 293.57, 0.24%, 0.77%

LAB 76.91, 13.9, -10.8

 

CMYK 8 / 0 / 22 / 14

HEX #CADCAC

RGB 202 220 172

HSL 82.5, 0.41%, 0.77%

LAB 85.36, -14.29, 21.62

 

CMYK 14 / 0 / 22 / 14

HEX #BDDCAC

RGB 189 220 172

HSL 98.75, 0.41%, 0.77%

LAB 84.48, -18.9, 20.26

 

CMYK 20 / 0 / 22 / 14

HEX #B1DCAC

RGB 177 220 172

HSL 113.75, 0.41%, 0.77%

LAB 83.71, -23.03, 19.08

 

CMYK 22 / 0 / 18 / 14

HEX #ACDCB4

RGB 172 220 180

HSL 130, 0.41%, 0.77%

LAB 83.57, -23.31, 14.64

 

CMYK 22 / 0 / 12 / 14

HEX #ACDCC1

RGB 172 220 193

HSL 146.25, 0.41%, 0.77%

LAB 83.87, -20.91, 8.2

 

CMYK 38 / 0 / 42 / 23

HEX #79C472

RGB 121 196 114

HSL 114.88, 0.41%, 0.61%

LAB 72.73, -39.55, 33.98

 

CMYK 29 / 0 / 31 / 18

HEX #94D08F

RGB 148 208 143

HSL 115.38, 0.41%, 0.69%

LAB 78.11, -31.79, 26.3

 

CMYK 20 / 0 / 22 / 14

HEX #B0DCAC

RGB 176 220 172

HSL 115, 0.41%, 0.77%

LAB 83.65, -23.37, 18.98

 

CMYK 12 / 0 / 13 / 9

HEX #CCE8C9

RGB 204 232 201

HSL 114.19, 0.4%, 0.85%

LAB 89.28, -14.88, 12.01

 

CMYK 5 / 0 / 6 / 4

HEX #E7F4E6

RGB 231 244 230

HSL 115.71, 0.39%, 0.93%

LAB 94.91, -6.78, 5.25

 

CMYK 19 / 0 / 21 / 13

HEX #B2DDAE

RGB 178 221 174

HSL 114.89, 0.41%, 0.77%

LAB 84.09, -22.85, 18.56

 

CMYK 22 / 2 / 0 / 14

HEX #ACD7DC

RGB 172 215 220

HSL 186.25, 0.41%, 0.77%

LAB 83.2, -12.87, -7.09

 

CMYK 0 / 22 / 11 / 14

HEX #DCACC4

RGB 220 172 196

HSL 330, 0.41%, 0.77%

LAB 75.27, 21.31, -5.48

 

CMYK 19 / 0 / 21 / 13

HEX #B2DDAE

RGB 178 221 174

HSL 114.89, 0.41%, 0.77%

LAB 84.09, -22.85, 18.56

 

CMYK 22 / 20 / 0 / 14

HEX #ACB1DC

RGB 172 177 220

HSL 233.75, 0.41%, 0.77%

LAB 73.14, 7.34, -22.2

 

CMYK 0 / 22 / 20 / 14

HEX #DCACB1

RGB 220 172 177

HSL 353.75, 0.41%, 0.77%

LAB 74.76, 18.27, 4.17

 

CMYK 19 / 0 / 21 / 13

HEX #B2DDAE

RGB 178 221 174

HSL 114.89, 0.41%, 0.77%

LAB 84.09, -22.85, 18.56

 

CMYK 22 / 2 / 0 / 14

HEX #ACD7DC

RGB 172 215 220

HSL 186.25, 0.41%, 0.77%

LAB 83.2, -12.87, -7.09

 

CMYK 2 / 22 / 0 / 14

HEX #D7ACDC

RGB 215 172 220

HSL 293.75, 0.41%, 0.77%

LAB 75.53, 23.9, -18.24

 

CMYK 0 / 20 / 22 / 14

HEX #DCB1AC

RGB 220 177 172

HSL 6.25, 0.41%, 0.77%

LAB 75.85, 14.83, 8.47

 

CMYK 19 / 0 / 21 / 13

HEX #B2DDAE

RGB 178 221 174

HSL 114.89, 0.41%, 0.77%

LAB 84.09, -22.85, 18.56

 

CMYK 22 / 9 / 0 / 14

HEX #ACC9DC

RGB 172 201 220

HSL 203.75, 0.41%, 0.77%

LAB 79.45, -5.6, -12.68

 

CMYK 2 / 22 / 0 / 14

HEX #D7ACDC

RGB 215 172 220

HSL 293.75, 0.41%, 0.77%

LAB 75.53, 23.9, -18.24

 

CMYK 0 / 13 / 22 / 14

HEX #DCBFAC

RGB 220 191 172

HSL 23.75, 0.41%, 0.77%

LAB 79.3, 7.36, 13.38

 

Description

Color code: HEX #B2DDAE | qconv.com Color code: HEX #B2DDAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 221 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 221 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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