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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D744 it is the complementary color #4D28BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D744. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D744 shade: #B7D73F, #C8E952, #D9FB65, #EAFF78 and #FBFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D744. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D744 shade: #B2D744, #A1C531, #90B31E, #7FA10B and #6E8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D744 shade: #B1D641, #D6D441, #D6AB41, #D68341 and #D65B41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D744 shade: #B1D641, #89D641, #60D641, #41D64A and #41D672

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D744 shade matches the following richer shades: #B1D641, #BAE92F and #C3FB1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D744 shade: #B1D641, #A8C454, #9EB166, #959F79 and #8C8C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D744 shade: #D6AC41, #D6D441, #B1D641, #89D641 and #61D641

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D744 shade: #82A322, #9EC529, #B1D641, #BFDE63 and #CDE585

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D744 shade: #B2D744, #41D684 and #C041D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D744 shade: #B2D744, #41B1D6 and #D641B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D744 shade: #B2D744, #41D684, #6641D6 and #D64193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D744 shade: #B2D744, #41D6B1, #6641D6 and #D64166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 68 / 16

HEX #B2D744

RGB 178 215 68

HSL 75.1, 0.65%, 0.55%

LAB 81.01, -32.21, 65.23

 

Complementary color

CMYK 59 / 79 / 0 / 27

HEX #4D28BB

RGB 77 40 187

HSL 255.1, 0.65%, 0.45%

LAB 31.07, 53.31, -70.66

 

CMYK 15 / 0 / 71 / 16

HEX #B7D73F

RGB 183 215 63

HSL 72.63, 0.66%, 0.55%

LAB 81.31, -30.52, 67.46

 

CMYK 14 / 0 / 65 / 9

HEX #C8E952

RGB 200 233 82

HSL 73.11, 0.77%, 0.62%

LAB 87.57, -31.06, 67.1

 

CMYK 14 / 0 / 60 / 2

HEX #D9FB65

RGB 217 251 101

HSL 73.6, 0.95%, 0.69%

LAB 93.75, -31.49, 66.41

 

CMYK 8 / 0 / 53 / 0

HEX #EAFF78

RGB 234 255 120

HSL 69.33, 1%, 0.74%

LAB 96.15, -25.34, 61.28

 

CMYK 2 / 0 / 45 / 0

HEX #FBFF8B

RGB 251 255 139

HSL 62.07, 1%, 0.77%

LAB 97.59, -17.12, 54.63

 

CMYK 17 / 0 / 68 / 16

HEX #B2D744

RGB 178 215 68

HSL 75.1, 0.65%, 0.55%

LAB 81.01, -32.21, 65.23

 

CMYK 18 / 0 / 75 / 23

HEX #A1C531

RGB 161 197 49

HSL 74.59, 0.6%, 0.48%

LAB 74.66, -31.63, 65.28

 

CMYK 20 / 0 / 83 / 30

HEX #90B31E

RGB 144 179 30

HSL 74.09, 0.71%, 0.41%

LAB 68.21, -30.87, 64.52

 

CMYK 21 / 0 / 93 / 37

HEX #7FA10B

RGB 127 161 11

HSL 73.6, 0.87%, 0.34%

LAB 61.68, -29.89, 62.42

 

CMYK 23 / 0 / 100 / 44

HEX #6E8F00

RGB 110 143 0

HSL 73.85, 1%, 0.28%

LAB 55.03, -28.64, 58.42

 

CMYK 17 / 0 / 70 / 16

HEX #B1D641

RGB 177 214 65

HSL 74.9, 0.65%, 0.55%

LAB 80.64, -32.32, 65.94

 

CMYK 0 / 1 / 70 / 16

HEX #D6D441

RGB 214 212 65

HSL 59.19, 0.65%, 0.55%

LAB 82.79, -16.27, 68.97

 

CMYK 0 / 20 / 70 / 16

HEX #D6AB41

RGB 214 171 65

HSL 42.68, 0.65%, 0.55%

LAB 72.1, 4.85, 58.25

 

CMYK 0 / 39 / 70 / 16

HEX #D68341

RGB 214 131 65

HSL 26.58, 0.65%, 0.55%

LAB 62.43, 26.36, 48.02

 

CMYK 0 / 57 / 70 / 16

HEX #D65B41

RGB 214 91 65

HSL 10.47, 0.65%, 0.55%

LAB 54.2, 46.8, 38.79

 

CMYK 17 / 0 / 70 / 16

HEX #B1D641

RGB 177 214 65

HSL 74.9, 0.65%, 0.55%

LAB 80.64, -32.32, 65.94

 

CMYK 36 / 0 / 70 / 16

HEX #89D641

RGB 137 214 65

HSL 91.01, 0.65%, 0.55%

LAB 78.34, -47.18, 62.87

 

CMYK 55 / 0 / 70 / 16

HEX #60D641

RGB 96 214 65

HSL 107.52, 0.65%, 0.55%

LAB 76.66, -59.61, 60.6

 

CMYK 70 / 0 / 65 / 16

HEX #41D64A

RGB 65 214 74

HSL 123.62, 0.65%, 0.55%

LAB 75.89, -65.53, 56.01

 

CMYK 70 / 0 / 47 / 16

HEX #41D672

RGB 65 214 114

HSL 139.73, 0.65%, 0.55%

LAB 76.33, -60.36, 38.2

 

CMYK 17 / 0 / 70 / 16

HEX #B1D641

RGB 177 214 65

HSL 74.9, 0.65%, 0.55%

LAB 80.64, -32.32, 65.94

 

CMYK 20 / 0 / 80 / 9

HEX #BAE92F

RGB 186 233 47

HSL 75.16, 0.81%, 0.55%

LAB 86.47, -38.3, 77.28

 

CMYK 22 / 0 / 89 / 2

HEX #C3FB1C

RGB 195 251 28

HSL 75.07, 0.97%, 0.55%

LAB 91.99, -43.3, 86.08

 

CMYK 17 / 0 / 70 / 16

HEX #B1D641

RGB 177 214 65

HSL 74.9, 0.65%, 0.55%

LAB 80.64, -32.32, 65.94

 

CMYK 14 / 0 / 57 / 23

HEX #A8C454

RGB 168 196 84

HSL 75, 0.49%, 0.55%

LAB 75.1, -26.01, 52.06

 

CMYK 11 / 0 / 42 / 31

HEX #9EB166

RGB 158 177 102

HSL 75.2, 0.32%, 0.55%

LAB 69.24, -18.76, 36.13

 

CMYK 6 / 0 / 24 / 38

HEX #959F79

RGB 149 159 121

HSL 75.79, 0.17%, 0.55%

LAB 63.81, -10.35, 18.69

 

CMYK 0 / 0 / 1 / 45

HEX #8C8C8B

RGB 140 140 139

HSL 60, 0%, 0.55%

LAB 58.22, -0.19, 0.53

 

CMYK 0 / 20 / 70 / 16

HEX #D6AC41

RGB 214 172 65

HSL 43.09, 0.65%, 0.55%

LAB 72.35, 4.32, 58.51

 

CMYK 0 / 1 / 70 / 16

HEX #D6D441

RGB 214 212 65

HSL 59.19, 0.65%, 0.55%

LAB 82.79, -16.27, 68.97

 

CMYK 17 / 0 / 70 / 16

HEX #B1D641

RGB 177 214 65

HSL 74.9, 0.65%, 0.55%

LAB 80.64, -32.32, 65.94

 

CMYK 36 / 0 / 70 / 16

HEX #89D641

RGB 137 214 65

HSL 91.01, 0.65%, 0.55%

LAB 78.34, -47.18, 62.87

 

CMYK 55 / 0 / 70 / 16

HEX #61D641

RGB 97 214 65

HSL 107.11, 0.65%, 0.55%

LAB 76.69, -59.35, 60.65

 

CMYK 20 / 0 / 79 / 36

HEX #82A322

RGB 130 163 34

HSL 75.35, 0.65%, 0.39%

LAB 62.55, -28.87, 58.01

 

CMYK 20 / 0 / 79 / 23

HEX #9EC529

RGB 158 197 41

HSL 75, 0.66%, 0.47%

LAB 74.42, -33.19, 67.43

 

CMYK 17 / 0 / 70 / 16

HEX #B1D641

RGB 177 214 65

HSL 74.9, 0.65%, 0.55%

LAB 80.64, -32.32, 65.94

 

CMYK 14 / 0 / 55 / 13

HEX #BFDE63

RGB 191 222 99

HSL 75.12, 0.65%, 0.63%

LAB 84.08, -28.13, 55.96

 

CMYK 10 / 0 / 42 / 10

HEX #CDE585

RGB 205 229 133

HSL 75, 0.65%, 0.71%

LAB 87.34, -22.75, 44.09

 

CMYK 17 / 0 / 68 / 16

HEX #B2D744

RGB 178 215 68

HSL 75.1, 0.65%, 0.55%

LAB 81.01, -32.21, 65.23

 

CMYK 70 / 0 / 38 / 16

HEX #41D684

RGB 65 214 132

HSL 146.98, 0.65%, 0.55%

LAB 76.61, -57.27, 29.46

 

CMYK 10 / 70 / 0 / 16

HEX #C041D6

RGB 192 65 214

HSL 291.14, 0.65%, 0.55%

LAB 51.66, 69.35, -52.24

 

CMYK 17 / 0 / 68 / 16

HEX #B2D744

RGB 178 215 68

HSL 75.1, 0.65%, 0.55%

LAB 81.01, -32.21, 65.23

 

CMYK 70 / 17 / 0 / 16

HEX #41B1D6

RGB 65 177 214

HSL 194.9, 0.65%, 0.55%

LAB 67.59, -19.73, -27.88

 

CMYK 0 / 70 / 17 / 16

HEX #D641B1

RGB 214 65 177

HSL 314.9, 0.65%, 0.55%

LAB 53.22, 68.53, -28.2

 

CMYK 17 / 0 / 68 / 16

HEX #B2D744

RGB 178 215 68

HSL 75.1, 0.65%, 0.55%

LAB 81.01, -32.21, 65.23

 

CMYK 70 / 0 / 38 / 16

HEX #41D684

RGB 65 214 132

HSL 146.98, 0.65%, 0.55%

LAB 76.61, -57.27, 29.46

 

CMYK 52 / 70 / 0 / 16

HEX #6641D6

RGB 102 65 214

HSL 254.9, 0.65%, 0.55%

LAB 40.35, 52.07, -71.08

 

CMYK 0 / 70 / 31 / 16

HEX #D64193

RGB 214 65 147

HSL 326.98, 0.65%, 0.55%

LAB 52.04, 64.71, -12.33

 

CMYK 17 / 0 / 68 / 16

HEX #B2D744

RGB 178 215 68

HSL 75.1, 0.65%, 0.55%

LAB 81.01, -32.21, 65.23

 

CMYK 70 / 0 / 17 / 16

HEX #41D6B1

RGB 65 214 177

HSL 165.1, 0.65%, 0.55%

LAB 77.51, -47.58, 7.03

 

CMYK 52 / 70 / 0 / 16

HEX #6641D6

RGB 102 65 214

HSL 254.9, 0.65%, 0.55%

LAB 40.35, 52.07, -71.08

 

CMYK 0 / 70 / 52 / 16

HEX #D64166

RGB 214 65 102

HSL 345.1, 0.65%, 0.55%

LAB 50.73, 60.28, 12.78

 

Description

Color code: HEX #B2D744 | qconv.com Color code: HEX #B2D744 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 215 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 215 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 68 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 68% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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