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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D57D it is the complementary color #4D2A82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D57D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D57D shade: #B7D578, #C8E78B, #D9F99E, #EAFFB1 and #FBFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D57D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D57D shade: #B2D57D, #A1C36A, #90B157, #7F9F44 and #6E8D31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D57D shade: #B1D47C, #C9D47C, #D4C77C, #D4B07C and #D4987C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D57D shade: #B1D47C, #99D47C, #81D47C, #7CD48E and #7CD4A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D57D shade matches the following richer shades: #B1D47C, #B4E26E, #B7F060 and #B9FE51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D57D shade: #B1D47C, #AEC68A, #ABB898, #A8AAA6 and #A59CB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D57D shade: #D4C77C, #CAD47C, #B2D47C, #9BD47C and #83D47C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D57D shade: #8CBF3E, #9ECA5C, #B1D47C, #C3DE9B and #D6E8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D57D shade: #B2D57D, #7CD4AF and #D37CD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D57D shade: #B2D57D, #7CB2D4 and #D47CB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D57D shade: #B2D57D, #7CD4AF, #9D7CD4 and #D47CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D57D shade: #B2D57D, #7CD4CA, #9D7CD4 and #D47C86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 41 / 16

HEX #B2D57D

RGB 178 213 125

HSL 83.86, 0.51%, 0.66%

LAB 81.03, -26.1, 39.69

 

Complementary color

CMYK 41 / 68 / 0 / 49

HEX #4D2A82

RGB 77 42 130

HSL 263.86, 0.51%, 0.34%

LAB 26.29, 36.09, -43.8

 

CMYK 14 / 0 / 44 / 16

HEX #B7D578

RGB 183 213 120

HSL 79.35, 0.53%, 0.65%

LAB 81.3, -24.81, 42.58

 

CMYK 13 / 0 / 40 / 9

HEX #C8E78B

RGB 200 231 139

HSL 80.22, 0.66%, 0.73%

LAB 87.63, -24.89, 41.43

 

CMYK 13 / 0 / 37 / 2

HEX #D9F99E

RGB 217 249 158

HSL 81.1, 0.88%, 0.8%

LAB 93.87, -24.94, 40.31

 

CMYK 8 / 0 / 31 / 0

HEX #EAFFB1

RGB 234 255 177

HSL 76.15, 1%, 0.85%

LAB 96.9, -19.25, 35.08

 

CMYK 2 / 0 / 23 / 0

HEX #FBFFC4

RGB 251 255 196

HSL 64.07, 1%, 0.88%

LAB 98.44, -10.59, 27.83

 

CMYK 16 / 0 / 41 / 16

HEX #B2D57D

RGB 178 213 125

HSL 83.86, 0.51%, 0.66%

LAB 81.03, -26.1, 39.69

 

CMYK 17 / 0 / 46 / 24

HEX #A1C36A

RGB 161 195 106

HSL 82.92, 0.43%, 0.59%

LAB 74.6, -26.06, 40.86

 

CMYK 19 / 0 / 51 / 31

HEX #90B157

RGB 144 177 87

HSL 82, 0.37%, 0.52%

LAB 68.07, -25.96, 42.02

 

CMYK 20 / 0 / 57 / 38

HEX #7F9F44

RGB 127 159 68

HSL 81.1, 0.4%, 0.45%

LAB 61.42, -25.8, 43.13

 

CMYK 22 / 0 / 65 / 45

HEX #6E8D31

RGB 110 141 49

HSL 80.22, 0.48%, 0.37%

LAB 54.64, -25.52, 44.06

 

CMYK 17 / 0 / 42 / 17

HEX #B1D47C

RGB 177 212 124

HSL 83.86, 0.51%, 0.66%

LAB 80.68, -26.11, 39.72

 

CMYK 5 / 0 / 42 / 17

HEX #C9D47C

RGB 201 212 124

HSL 67.5, 0.51%, 0.66%

LAB 82.36, -16.94, 42.2

 

CMYK 0 / 6 / 42 / 17

HEX #D4C77C

RGB 212 199 124

HSL 51.14, 0.51%, 0.66%

LAB 79.78, -6, 39.13

 

CMYK 0 / 17 / 42 / 17

HEX #D4B07C

RGB 212 176 124

HSL 35.45, 0.51%, 0.66%

LAB 73.87, 6.08, 31.5

 

CMYK 0 / 28 / 42 / 17

HEX #D4987C

RGB 212 152 124

HSL 19.09, 0.51%, 0.66%

LAB 67.95, 19.02, 23.65

 

CMYK 17 / 0 / 42 / 17

HEX #B1D47C

RGB 177 212 124

HSL 83.86, 0.51%, 0.66%

LAB 80.68, -26.11, 39.72

 

CMYK 28 / 0 / 42 / 17

HEX #99D47C

RGB 153 212 124

HSL 100.23, 0.51%, 0.66%

LAB 79.22, -34.75, 37.57

 

CMYK 39 / 0 / 42 / 17

HEX #81D47C

RGB 129 212 124

HSL 116.59, 0.51%, 0.66%

LAB 78, -42.62, 35.75

 

CMYK 42 / 0 / 33 / 17

HEX #7CD48E

RGB 124 212 142

HSL 132.27, 0.51%, 0.66%

LAB 78.07, -41.24, 26.57

 

CMYK 42 / 0 / 22 / 17

HEX #7CD4A6

RGB 124 212 166

HSL 148.64, 0.51%, 0.66%

LAB 78.53, -36.76, 14.59

 

CMYK 17 / 0 / 42 / 17

HEX #B1D47C

RGB 177 212 124

HSL 83.86, 0.51%, 0.66%

LAB 80.68, -26.11, 39.72

 

CMYK 20 / 0 / 51 / 11

HEX #B4E26E

RGB 180 226 110

HSL 83.79, 0.67%, 0.66%

LAB 84.6, -33.15, 51.36

 

CMYK 24 / 0 / 60 / 6

HEX #B7F060

RGB 183 240 96

HSL 83.75, 0.83%, 0.66%

LAB 88.56, -39.66, 62.17

 

CMYK 27 / 0 / 68 / 0

HEX #B9FE51

RGB 185 254 81

HSL 83.93, 0.99%, 0.66%

LAB 92.48, -46.11, 72.28

 

CMYK 17 / 0 / 42 / 17

HEX #B1D47C

RGB 177 212 124

HSL 83.86, 0.51%, 0.66%

LAB 80.68, -26.11, 39.72

 

CMYK 12 / 0 / 30 / 22

HEX #AEC68A

RGB 174 198 138

HSL 84, 0.34%, 0.66%

LAB 76.81, -18.5, 27.46

 

CMYK 7 / 0 / 17 / 28

HEX #ABB898

RGB 171 184 152

HSL 84.38, 0.18%, 0.66%

LAB 73.03, -10.29, 14.76

 

CMYK 1 / 0 / 2 / 33

HEX #A8AAA6

RGB 168 170 166

HSL 90, 0.02%, 0.66%

LAB 69.35, -1.46, 1.8

 

CMYK 8 / 13 / 0 / 29

HEX #A59CB4

RGB 165 156 180

HSL 262.5, 0.14%, 0.66%

LAB 65.8, 7.96, -11.25

 

CMYK 0 / 6 / 42 / 17

HEX #D4C77C

RGB 212 199 124

HSL 51.14, 0.51%, 0.66%

LAB 79.78, -6, 39.13

 

CMYK 5 / 0 / 42 / 17

HEX #CAD47C

RGB 202 212 124

HSL 66.82, 0.51%, 0.66%

LAB 82.43, -16.55, 42.31

 

CMYK 16 / 0 / 42 / 17

HEX #B2D47C

RGB 178 212 124

HSL 83.18, 0.51%, 0.66%

LAB 80.74, -25.74, 39.82

 

CMYK 27 / 0 / 42 / 17

HEX #9BD47C

RGB 155 212 124

HSL 98.86, 0.51%, 0.66%

LAB 79.33, -34.06, 37.74

 

CMYK 38 / 0 / 42 / 17

HEX #83D47C

RGB 131 212 124

HSL 115.23, 0.51%, 0.66%

LAB 78.09, -42, 35.89

 

CMYK 27 / 0 / 68 / 25

HEX #8CBF3E

RGB 140 191 62

HSL 83.72, 0.51%, 0.5%

LAB 71.68, -36.31, 57.2

 

CMYK 22 / 0 / 54 / 21

HEX #9ECA5C

RGB 158 202 92

HSL 84, 0.51%, 0.58%

LAB 76.24, -32.01, 49.53

 

CMYK 17 / 0 / 42 / 17

HEX #B1D47C

RGB 177 212 124

HSL 83.86, 0.51%, 0.66%

LAB 80.68, -26.11, 39.72

 

CMYK 12 / 0 / 30 / 13

HEX #C3DE9B

RGB 195 222 155

HSL 84.18, 0.5%, 0.74%

LAB 85.1, -20.29, 29.99

 

CMYK 8 / 0 / 20 / 9

HEX #D6E8BA

RGB 214 232 186

HSL 83.48, 0.5%, 0.82%

LAB 89.65, -13.86, 20.42

 

CMYK 16 / 0 / 41 / 16

HEX #B2D57D

RGB 178 213 125

HSL 83.86, 0.51%, 0.66%

LAB 81.03, -26.1, 39.69

 

CMYK 42 / 0 / 17 / 17

HEX #7CD4AF

RGB 124 212 175

HSL 154.77, 0.51%, 0.66%

LAB 78.73, -34.91, 10.09

 

CMYK 0 / 42 / 0 / 17

HEX #D37CD4

RGB 211 124 212

HSL 299.32, 0.51%, 0.66%

LAB 64.18, 46.85, -31.23

 

CMYK 16 / 0 / 41 / 16

HEX #B2D57D

RGB 178 213 125

HSL 83.86, 0.51%, 0.66%

LAB 81.03, -26.1, 39.69

 

CMYK 42 / 16 / 0 / 17

HEX #7CB2D4

RGB 124 178 212

HSL 203.18, 0.51%, 0.66%

LAB 70.09, -8.93, -22.75

 

CMYK 0 / 42 / 16 / 17

HEX #D47CB2

RGB 212 124 178

HSL 323.18, 0.51%, 0.66%

LAB 63.03, 41.37, -13.8

 

CMYK 16 / 0 / 41 / 16

HEX #B2D57D

RGB 178 213 125

HSL 83.86, 0.51%, 0.66%

LAB 81.03, -26.1, 39.69

 

CMYK 42 / 0 / 17 / 17

HEX #7CD4AF

RGB 124 212 175

HSL 154.77, 0.51%, 0.66%

LAB 78.73, -34.91, 10.09

 

CMYK 26 / 42 / 0 / 17

HEX #9D7CD4

RGB 157 124 212

HSL 262.5, 0.51%, 0.66%

LAB 58.36, 30.91, -40.75

 

CMYK 0 / 42 / 25 / 17

HEX #D47CA0

RGB 212 124 160

HSL 335.45, 0.51%, 0.66%

LAB 62.47, 38.67, -4.39

 

CMYK 16 / 0 / 41 / 16

HEX #B2D57D

RGB 178 213 125

HSL 83.86, 0.51%, 0.66%

LAB 81.03, -26.1, 39.69

 

CMYK 42 / 0 / 5 / 17

HEX #7CD4CA

RGB 124 212 202

HSL 173.18, 0.51%, 0.66%

LAB 79.41, -28.84, -3.37

 

CMYK 26 / 42 / 0 / 17

HEX #9D7CD4

RGB 157 124 212

HSL 262.5, 0.51%, 0.66%

LAB 58.36, 30.91, -40.75

 

CMYK 0 / 42 / 37 / 17

HEX #D47C86

RGB 212 124 134

HSL 353.18, 0.51%, 0.66%

LAB 61.77, 35.26, 9.48

 

Description

Color code: HEX #B2D57D | qconv.com Color code: HEX #B2D57D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 213 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 213 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 41 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 41% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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