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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2C340 it is the complementary color #4D3CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2C340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2C340 shade: #B7C33B, #C8D54E, #D9E761, #EAF974 and #FBFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2C340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2C340 shade: #B2C340, #A1B12D, #909F1A, #7F8D07 and #6E7B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2C340 shade: #B2C341, #C3B041, #C38D41, #C36A41 and #C34741

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2C340 shade: #B2C341, #8FC341, #6CC341, #49C341 and #41C35C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2C340 shade matches the following richer shades: #B2C341, #C1D72C and #D0EB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2C340 shade: #B2C341, #A3AE55, #949A69, #85867D and #767291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2C340 shade: #C38C41, #C3AF41, #B3C341, #91C341 and #6EC341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2C340 shade: #7A862A, #97A634, #B2C341, #BECC60 and #CBD67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2C340 shade: #B2C340, #41C36A and #9E41C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2C340 shade: #B2C340, #41B3C3 and #C341B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2C340 shade: #B2C340, #41C36A, #5041C3 and #C34199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2C340 shade: #B2C340, #41C391, #5041C3 and #C34172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 67 / 24

HEX #B2C340

RGB 178 195 64

HSL 67.79, 0.52%, 0.51%

LAB 75.37, -22.91, 61.01

 

Complementary color

CMYK 60 / 69 / 0 / 25

HEX #4D3CBF

RGB 77 60 191

HSL 247.79, 0.52%, 0.49%

LAB 35.15, 44.11, -66.33

 

CMYK 6 / 0 / 70 / 24

HEX #B7C33B

RGB 183 195 59

HSL 65.29, 0.54%, 0.5%

LAB 75.71, -21.12, 63.37

 

CMYK 6 / 0 / 63 / 16

HEX #C8D54E

RGB 200 213 78

HSL 65.78, 0.62%, 0.57%

LAB 82.06, -21.81, 62.91

 

CMYK 6 / 0 / 58 / 9

HEX #D9E761

RGB 217 231 97

HSL 66.27, 0.74%, 0.64%

LAB 88.34, -22.36, 62.13

 

CMYK 6 / 0 / 53 / 2

HEX #EAF974

RGB 234 249 116

HSL 66.77, 0.92%, 0.72%

LAB 94.53, -22.83, 61.18

 

CMYK 2 / 0 / 47 / 0

HEX #FBFF87

RGB 251 255 135

HSL 62, 1%, 0.76%

LAB 97.54, -17.49, 56.44

 

CMYK 9 / 0 / 67 / 24

HEX #B2C340

RGB 178 195 64

HSL 67.79, 0.52%, 0.51%

LAB 75.37, -22.91, 61.01

 

CMYK 9 / 0 / 75 / 31

HEX #A1B12D

RGB 161 177 45

HSL 67.27, 0.59%, 0.44%

LAB 68.9, -22.18, 61.17

 

CMYK 9 / 0 / 84 / 38

HEX #909F1A

RGB 144 159 26

HSL 66.77, 0.72%, 0.36%

LAB 62.34, -21.26, 60.46

 

CMYK 10 / 0 / 95 / 45

HEX #7F8D07

RGB 127 141 7

HSL 66.27, 0.91%, 0.29%

LAB 55.66, -20.09, 58.27

 

CMYK 11 / 0 / 100 / 52

HEX #6E7B00

RGB 110 123 0

HSL 66.34, 1%, 0.24%

LAB 48.86, -18.61, 53.78

 

CMYK 9 / 0 / 67 / 24

HEX #B2C341

RGB 178 195 65

HSL 67.85, 0.52%, 0.51%

LAB 75.37, -22.85, 60.63

 

CMYK 0 / 10 / 67 / 24

HEX #C3B041

RGB 195 176 65

HSL 51.23, 0.52%, 0.51%

LAB 71.58, -5.99, 57.14

 

CMYK 0 / 28 / 67 / 24

HEX #C38D41

RGB 195 141 65

HSL 35.08, 0.52%, 0.51%

LAB 62.54, 12.85, 47.48

 

CMYK 0 / 46 / 67 / 24

HEX #C36A41

RGB 195 106 65

HSL 18.92, 0.52%, 0.51%

LAB 54.34, 31.94, 38.22

 

CMYK 0 / 64 / 67 / 24

HEX #C34741

RGB 195 71 65

HSL 2.77, 0.52%, 0.51%

LAB 47.61, 49.19, 30.21

 

CMYK 9 / 0 / 67 / 24

HEX #B2C341

RGB 178 195 65

HSL 67.85, 0.52%, 0.51%

LAB 75.37, -22.85, 60.63

 

CMYK 27 / 0 / 67 / 24

HEX #8FC341

RGB 143 195 65

HSL 84, 0.52%, 0.51%

LAB 73.06, -36.77, 57.5

 

CMYK 45 / 0 / 67 / 24

HEX #6CC341

RGB 108 195 65

HSL 100.15, 0.52%, 0.51%

LAB 71.28, -48.95, 55.08

 

CMYK 63 / 0 / 67 / 24

HEX #49C341

RGB 73 195 65

HSL 116.31, 0.52%, 0.51%

LAB 70.06, -58.37, 53.4

 

CMYK 67 / 0 / 53 / 24

HEX #41C35C

RGB 65 195 92

HSL 132.46, 0.52%, 0.51%

LAB 70.12, -56.84, 41.26

 

CMYK 9 / 0 / 67 / 24

HEX #B2C341

RGB 178 195 65

HSL 67.85, 0.52%, 0.51%

LAB 75.37, -22.85, 60.63

 

CMYK 10 / 0 / 80 / 16

HEX #C1D72C

RGB 193 215 44

HSL 67.72, 0.68%, 0.51%

LAB 81.9, -27.32, 74.2

 

CMYK 11 / 0 / 90 / 8

HEX #D0EB18

RGB 208 235 24

HSL 67.68, 0.84%, 0.51%

LAB 88.4, -31.1, 84.14

 

CMYK 9 / 0 / 67 / 24

HEX #B2C341

RGB 178 195 65

HSL 67.85, 0.52%, 0.51%

LAB 75.37, -22.85, 60.63

 

CMYK 6 / 0 / 51 / 32

HEX #A3AE55

RGB 163 174 85

HSL 67.42, 0.35%, 0.51%

LAB 68.54, -17.01, 43.9

 

CMYK 4 / 0 / 32 / 40

HEX #949A69

RGB 148 154 105

HSL 67.35, 0.2%, 0.51%

LAB 62.02, -10.4, 25.06

 

CMYK 1 / 0 / 7 / 47

HEX #85867D

RGB 133 134 125

HSL 66.67, 0.04%, 0.51%

LAB 55.6, -2.1, 4.71

 

CMYK 19 / 21 / 0 / 43

HEX #767291

RGB 118 114 145

HSL 247.74, 0.12%, 0.51%

LAB 49.41, 8.34, -16.3

 

CMYK 0 / 28 / 67 / 24

HEX #C38C41

RGB 195 140 65

HSL 34.62, 0.52%, 0.51%

LAB 62.29, 13.4, 47.2

 

CMYK 0 / 10 / 67 / 24

HEX #C3AF41

RGB 195 175 65

HSL 50.77, 0.52%, 0.51%

LAB 71.31, -5.47, 56.86

 

CMYK 8 / 0 / 67 / 24

HEX #B3C341

RGB 179 195 65

HSL 67.38, 0.52%, 0.51%

LAB 75.45, -22.44, 60.73

 

CMYK 26 / 0 / 67 / 24

HEX #91C341

RGB 145 195 65

HSL 83.08, 0.52%, 0.51%

LAB 73.18, -36.01, 57.66

 

CMYK 44 / 0 / 67 / 24

HEX #6EC341

RGB 110 195 65

HSL 99.23, 0.52%, 0.51%

LAB 71.37, -48.32, 55.2

 

CMYK 9 / 0 / 69 / 47

HEX #7A862A

RGB 122 134 42

HSL 67.83, 0.52%, 0.35%

LAB 53.34, -17.32, 45.98

 

CMYK 9 / 0 / 69 / 35

HEX #97A634

RGB 151 166 52

HSL 67.89, 0.52%, 0.43%

LAB 65.04, -20.56, 54.56

 

CMYK 9 / 0 / 67 / 24

HEX #B2C341

RGB 178 195 65

HSL 67.85, 0.52%, 0.51%

LAB 75.37, -22.85, 60.63

 

CMYK 7 / 0 / 53 / 20

HEX #BECC60

RGB 190 204 96

HSL 67.78, 0.51%, 0.59%

LAB 79.03, -20.08, 51.48

 

CMYK 5 / 0 / 41 / 16

HEX #CBD67F

RGB 203 214 127

HSL 67.59, 0.51%, 0.67%

LAB 83.08, -16.83, 41.65

 

CMYK 9 / 0 / 67 / 24

HEX #B2C340

RGB 178 195 64

HSL 67.79, 0.52%, 0.51%

LAB 75.37, -22.91, 61.01

 

CMYK 67 / 0 / 46 / 24

HEX #41C36A

RGB 65 195 106

HSL 138.92, 0.52%, 0.51%

LAB 70.31, -54.71, 34.55

 

CMYK 19 / 67 / 0 / 24

HEX #9E41C3

RGB 158 65 195

HSL 282.92, 0.52%, 0.51%

LAB 45.62, 58.31, -51.24

 

CMYK 9 / 0 / 67 / 24

HEX #B2C340

RGB 178 195 64

HSL 67.79, 0.52%, 0.51%

LAB 75.37, -22.91, 61.01

 

CMYK 67 / 8 / 0 / 24

HEX #41B3C3

RGB 65 179 195

HSL 187.38, 0.52%, 0.51%

LAB 67.5, -26.65, -17.54

 

CMYK 0 / 67 / 8 / 24

HEX #C341B3

RGB 195 65 179

HSL 307.38, 0.52%, 0.51%

LAB 50.26, 64.15, -34.21

 

CMYK 9 / 0 / 67 / 24

HEX #B2C340

RGB 178 195 64

HSL 67.79, 0.52%, 0.51%

LAB 75.37, -22.91, 61.01

 

CMYK 67 / 0 / 46 / 24

HEX #41C36A

RGB 65 195 106

HSL 138.92, 0.52%, 0.51%

LAB 70.31, -54.71, 34.55

 

CMYK 59 / 67 / 0 / 24

HEX #5041C3

RGB 80 65 195

HSL 246.92, 0.52%, 0.51%

LAB 36.79, 42.94, -65.96

 

CMYK 0 / 67 / 22 / 24

HEX #C34199

RGB 195 65 153

HSL 319.38, 0.52%, 0.51%

LAB 49.11, 60.34, -20.66

 

CMYK 9 / 0 / 67 / 24

HEX #B2C340

RGB 178 195 64

HSL 67.79, 0.52%, 0.51%

LAB 75.37, -22.91, 61.01

 

CMYK 67 / 0 / 26 / 24

HEX #41C391

RGB 65 195 145

HSL 156.92, 0.52%, 0.51%

LAB 71.01, -47.14, 14.97

 

CMYK 59 / 67 / 0 / 24

HEX #5041C3

RGB 80 65 195

HSL 246.92, 0.52%, 0.51%

LAB 36.79, 42.94, -65.96

 

CMYK 0 / 67 / 42 / 24

HEX #C34172

RGB 195 65 114

HSL 337.38, 0.52%, 0.51%

LAB 47.75, 55.65, 0.81

 

Description

Color code: HEX #B2C340 | qconv.com Color code: HEX #B2C340 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 195 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 195 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 67 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 67% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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