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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2C03E it is the complementary color #4D3FC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2C03E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2C03E shade: #B7C039, #C8D24C, #D9E45F, #EAF672 and #FBFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2C03E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2C03E shade: #B2C03E, #A1AE2B, #909C18, #7F8A05 and #6E7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2C03E shade: #B2C03E, #C0AB3E, #C0883E, #C0653E and #C0423E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2C03E shade: #B2C03E, #8FC03E, #6CC03E, #49C03E and #3EC056

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2C03E shade matches the following richer shades: #B2C03E, #C2D529, #D2E915 and #E3FE00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2C03E shade: #B2C03E, #A2AB53, #929767, #81827C and #716E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2C03E shade: #C0883E, #C0AA3E, #B3C03E, #90C03E and #6EC03E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2C03E shade: #78822A, #95A134, #B2C03E, #BECA5D and #CBD47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2C03E shade: #B2C03E, #3EC065 and #993EC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2C03E shade: #B2C03E, #3EB3C0 and #C03EB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2C03E shade: #B2C03E, #3EC065, #4B3EC0 and #C03E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2C03E shade: #B2C03E, #3EC08C, #4B3EC0 and #C03E72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

Complementary color

CMYK 60 / 67 / 0 / 24

HEX #4D3FC1

RGB 77 63 193

HSL 246.46, 0.51%, 0.5%

LAB 35.95, 43.01, -66.18

 

CMYK 5 / 0 / 70 / 25

HEX #B7C039

RGB 183 192 57

HSL 64, 0.54%, 0.49%

LAB 74.86, -19.74, 63.27

 

CMYK 5 / 0 / 64 / 18

HEX #C8D24C

RGB 200 210 76

HSL 64.48, 0.6%, 0.56%

LAB 81.23, -20.47, 62.84

 

CMYK 5 / 0 / 58 / 11

HEX #D9E45F

RGB 217 228 95

HSL 64.96, 0.71%, 0.63%

LAB 87.52, -21.06, 62.08

 

CMYK 5 / 0 / 54 / 4

HEX #EAF672

RGB 234 246 114

HSL 65.45, 0.88%, 0.71%

LAB 93.72, -21.55, 61.13

 

CMYK 2 / 0 / 48 / 0

HEX #FBFF85

RGB 251 255 133

HSL 61.97, 1%, 0.76%

LAB 97.52, -17.66, 57.33

 

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

CMYK 7 / 0 / 75 / 32

HEX #A1AE2B

RGB 161 174 43

HSL 65.95, 0.6%, 0.43%

LAB 68.04, -20.78, 61.02

 

CMYK 8 / 0 / 85 / 39

HEX #909C18

RGB 144 156 24

HSL 65.45, 0.73%, 0.35%

LAB 61.46, -19.8, 60.21

 

CMYK 8 / 0 / 96 / 46

HEX #7F8A05

RGB 127 138 5

HSL 64.96, 0.93%, 0.28%

LAB 54.76, -18.58, 57.91

 

CMYK 8 / 0 / 100 / 53

HEX #6E7800

RGB 110 120 0

HSL 65, 1%, 0.24%

LAB 47.94, -17.03, 53.1

 

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

CMYK 0 / 11 / 68 / 25

HEX #C0AB3E

RGB 192 171 62

HSL 50.31, 0.51%, 0.5%

LAB 69.95, -4.84, 56.62

 

CMYK 0 / 29 / 68 / 25

HEX #C0883E

RGB 192 136 62

HSL 34.15, 0.51%, 0.5%

LAB 60.92, 14.12, 47.05

 

CMYK 0 / 47 / 68 / 25

HEX #C0653E

RGB 192 101 62

HSL 18, 0.51%, 0.5%

LAB 52.8, 33.2, 37.94

 

CMYK 0 / 66 / 68 / 25

HEX #C0423E

RGB 192 66 62

HSL 1.85, 0.51%, 0.5%

LAB 46.25, 50.15, 30.19

 

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

CMYK 26 / 0 / 68 / 25

HEX #8FC03E

RGB 143 192 62

HSL 82.62, 0.51%, 0.5%

LAB 72.15, -35.62, 57.75

 

CMYK 44 / 0 / 68 / 25

HEX #6CC03E

RGB 108 192 62

HSL 98.77, 0.51%, 0.5%

LAB 70.34, -47.98, 55.29

 

CMYK 62 / 0 / 68 / 25

HEX #49C03E

RGB 73 192 62

HSL 114.92, 0.51%, 0.5%

LAB 69.09, -57.6, 53.58

 

CMYK 68 / 0 / 55 / 25

HEX #3EC056

RGB 62 192 86

HSL 131.08, 0.51%, 0.5%

LAB 69.04, -57.16, 42.82

 

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

CMYK 9 / 0 / 81 / 16

HEX #C2D529

RGB 194 213 41

HSL 66.63, 0.68%, 0.5%

LAB 81.41, -26.06, 74.58

 

CMYK 10 / 0 / 91 / 9

HEX #D2E915

RGB 210 233 21

HSL 66.51, 0.83%, 0.5%

LAB 87.98, -29.41, 84.28

 

CMYK 11 / 0 / 100 / 0

HEX #E3FE00

RGB 227 254 0

HSL 66.38, 1%, 0.5%

LAB 94.83, -32.46, 91.86

 

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

CMYK 5 / 0 / 51 / 33

HEX #A2AB53

RGB 162 171 83

HSL 66.14, 0.35%, 0.5%

LAB 67.6, -16.08, 43.74

 

CMYK 3 / 0 / 32 / 41

HEX #929767

RGB 146 151 103

HSL 66.25, 0.19%, 0.5%

LAB 60.98, -9.88, 24.74

 

CMYK 1 / 0 / 5 / 49

HEX #81827C

RGB 129 130 124

HSL 70, 0.02%, 0.5%

LAB 54.12, -1.54, 3.11

 

CMYK 22 / 24 / 0 / 44

HEX #716E90

RGB 113 110 144

HSL 245.29, 0.13%, 0.5%

LAB 47.85, 8.8, -18.13

 

CMYK 0 / 29 / 68 / 25

HEX #C0883E

RGB 192 136 62

HSL 34.15, 0.51%, 0.5%

LAB 60.92, 14.12, 47.05

 

CMYK 0 / 11 / 68 / 25

HEX #C0AA3E

RGB 192 170 62

HSL 49.85, 0.51%, 0.5%

LAB 69.69, -4.31, 56.35

 

CMYK 7 / 0 / 68 / 25

HEX #B3C03E

RGB 179 192 62

HSL 66, 0.51%, 0.5%

LAB 74.59, -21.14, 61.02

 

CMYK 25 / 0 / 68 / 25

HEX #90C03E

RGB 144 192 62

HSL 82.15, 0.51%, 0.5%

LAB 72.21, -35.24, 57.83

 

CMYK 43 / 0 / 68 / 25

HEX #6EC03E

RGB 110 192 62

HSL 97.85, 0.51%, 0.5%

LAB 70.43, -47.34, 55.41

 

CMYK 8 / 0 / 68 / 49

HEX #78822A

RGB 120 130 42

HSL 66.82, 0.51%, 0.34%

LAB 51.98, -16.1, 44.53

 

CMYK 7 / 0 / 68 / 37

HEX #95A134

RGB 149 161 52

HSL 66.61, 0.51%, 0.42%

LAB 63.45, -18.88, 52.89

 

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

CMYK 6 / 0 / 54 / 21

HEX #BECA5D

RGB 190 202 93

HSL 66.61, 0.51%, 0.58%

LAB 78.45, -19.35, 52.19

 

CMYK 4 / 0 / 42 / 17

HEX #CBD47C

RGB 203 212 124

HSL 66.14, 0.51%, 0.66%

LAB 82.51, -16.16, 42.42

 

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

CMYK 68 / 0 / 47 / 25

HEX #3EC065

RGB 62 192 101

HSL 138, 0.51%, 0.5%

LAB 69.23, -54.95, 35.69

 

CMYK 20 / 68 / 0 / 25

HEX #993EC0

RGB 153 62 192

HSL 282, 0.51%, 0.5%

LAB 44.27, 57.89, -51.71

 

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

CMYK 68 / 7 / 0 / 25

HEX #3EB3C0

RGB 62 179 192

HSL 186, 0.51%, 0.5%

LAB 67.33, -27.99, -16.16

 

CMYK 0 / 68 / 7 / 25

HEX #C03EB3

RGB 192 62 179

HSL 306, 0.51%, 0.5%

LAB 49.38, 64.55, -35.63

 

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

CMYK 68 / 0 / 47 / 25

HEX #3EC065

RGB 62 192 101

HSL 138, 0.51%, 0.5%

LAB 69.23, -54.95, 35.69

 

CMYK 61 / 68 / 0 / 25

HEX #4B3EC0

RGB 75 62 192

HSL 246, 0.51%, 0.5%

LAB 35.49, 42.98, -66.35

 

CMYK 0 / 68 / 20 / 25

HEX #C03E99

RGB 192 62 153

HSL 318, 0.51%, 0.5%

LAB 48.2, 60.7, -22.1

 

CMYK 7 / 0 / 68 / 25

HEX #B2C03E

RGB 178 192 62

HSL 66.46, 0.51%, 0.5%

LAB 74.52, -21.56, 60.92

 

CMYK 68 / 0 / 27 / 25

HEX #3EC08C

RGB 62 192 140

HSL 156, 0.51%, 0.5%

LAB 69.91, -47.51, 16.12

 

CMYK 61 / 68 / 0 / 25

HEX #4B3EC0

RGB 75 62 192

HSL 246, 0.51%, 0.5%

LAB 35.49, 42.98, -66.35

 

CMYK 0 / 68 / 41 / 25

HEX #C03E72

RGB 192 62 114

HSL 336, 0.51%, 0.5%

LAB 46.8, 55.95, -0.64

 

Description

Color code: HEX #B2C03E | qconv.com Color code: HEX #B2C03E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 192 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 192 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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