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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2B488 it is the complementary color #4D4B77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2B488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2B488 shade: #B7B483, #C8C696, #D9D8A9, #EAEABC and #FBFCCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2B488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2B488 shade: #B2B488, #A1A275, #909062, #7F7E4F and #6E6C3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2B488 shade: #B2B487, #B4AA87, #B49E87, #B49287 and #B48787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2B488 shade: #B2B487, #A6B487, #9AB487, #8EB487 and #87B48D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2B488 shade matches the following richer shades: #B2B487, #C0C478, #CED368, #DDE358 and #EBF349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2B488 shade: #B2B487, #A4A497, #9595A7, #8785B6 and #7975C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2B488 shade: #B49E87, #B4A987, #B2B487, #A7B487 and #9BB487

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2B488 shade: #8D8F59, #A2A46E, #B2B487, #C2C4A1 and #D2D4BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2B488 shade: #B2B488, #87B492 and #A487B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2B488 shade: #B2B488, #87B2B4 and #B487B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2B488 shade: #B2B488, #87B492, #8987B4 and #B487A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2B488 shade: #B2B488, #87B49F, #8987B4 and #B4879C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 24 / 29

HEX #B2B488

RGB 178 180 136

HSL 62.73, 0.23%, 0.62%

LAB 72.15, -8.02, 22.28

 

Complementary color

CMYK 35 / 37 / 0 / 53

HEX #4D4B77

RGB 77 75 119

HSL 242.73, 0.23%, 0.38%

LAB 33.86, 12.18, -24.84

 

CMYK 0 / 2 / 28 / 28

HEX #B7B483

RGB 183 180 131

HSL 56.54, 0.27%, 0.62%

LAB 72.46, -6.77, 25.45

 

CMYK 0 / 1 / 25 / 22

HEX #C8C696

RGB 200 198 150

HSL 57.6, 0.31%, 0.69%

LAB 78.97, -7.01, 24.38

 

CMYK 0 / 0 / 22 / 15

HEX #D9D8A9

RGB 217 216 169

HSL 58.75, 0.39%, 0.76%

LAB 85.37, -7.22, 23.37

 

CMYK 0 / 0 / 20 / 8

HEX #EAEABC

RGB 234 234 188

HSL 60, 0.52%, 0.83%

LAB 91.67, -7.4, 22.41

 

CMYK 0 / 0 / 18 / 1

HEX #FBFCCF

RGB 251 252 207

HSL 61.33, 0.88%, 0.9%

LAB 97.89, -7.56, 21.49

 

CMYK 1 / 0 / 24 / 29

HEX #B2B488

RGB 178 180 136

HSL 62.73, 0.23%, 0.62%

LAB 72.15, -8.02, 22.28

 

CMYK 1 / 0 / 28 / 36

HEX #A1A275

RGB 161 162 117

HSL 61.33, 0.19%, 0.55%

LAB 65.52, -7.82, 23.36

 

CMYK 0 / 0 / 32 / 44

HEX #909062

RGB 144 144 98

HSL 60, 0.19%, 0.47%

LAB 58.75, -7.58, 24.51

 

CMYK 0 / 1 / 38 / 50

HEX #7F7E4F

RGB 127 126 79

HSL 58.75, 0.23%, 0.4%

LAB 51.84, -7.27, 25.75

 

CMYK 0 / 2 / 45 / 57

HEX #6E6C3C

RGB 110 108 60

HSL 57.6, 0.29%, 0.33%

LAB 44.75, -6.87, 27.05

 

CMYK 1 / 0 / 25 / 29

HEX #B2B487

RGB 178 180 135

HSL 62.67, 0.23%, 0.62%

LAB 72.13, -8.16, 22.79

 

CMYK 0 / 6 / 25 / 29

HEX #B4AA87

RGB 180 170 135

HSL 46.67, 0.23%, 0.62%

LAB 69.61, -2.07, 19.37

 

CMYK 0 / 12 / 25 / 29

HEX #B49E87

RGB 180 158 135

HSL 30.67, 0.23%, 0.62%

LAB 66.45, 4.44, 14.99

 

CMYK 0 / 19 / 25 / 29

HEX #B49287

RGB 180 146 135

HSL 14.67, 0.23%, 0.62%

LAB 63.35, 11.07, 10.64

 

CMYK 0 / 25 / 25 / 29

HEX #B48787

RGB 180 135 135

HSL 0, 0.23%, 0.62%

LAB 60.59, 17.21, 6.71

 

CMYK 1 / 0 / 25 / 29

HEX #B2B487

RGB 178 180 135

HSL 62.67, 0.23%, 0.62%

LAB 72.13, -8.16, 22.79

 

CMYK 8 / 0 / 25 / 29

HEX #A6B487

RGB 166 180 135

HSL 78.67, 0.23%, 0.62%

LAB 71.21, -12.75, 21.39

 

CMYK 14 / 0 / 25 / 29

HEX #9AB487

RGB 154 180 135

HSL 94.67, 0.23%, 0.62%

LAB 70.36, -17.23, 20.08

 

CMYK 21 / 0 / 25 / 29

HEX #8EB487

RGB 142 180 135

HSL 110.67, 0.23%, 0.62%

LAB 69.57, -21.55, 18.87

 

CMYK 25 / 0 / 22 / 29

HEX #87B48D

RGB 135 180 141

HSL 128, 0.23%, 0.62%

LAB 69.27, -22.91, 15.12

 

CMYK 1 / 0 / 25 / 29

HEX #B2B487

RGB 178 180 135

HSL 62.67, 0.23%, 0.62%

LAB 72.13, -8.16, 22.79

 

CMYK 2 / 0 / 39 / 23

HEX #C0C478

RGB 192 196 120

HSL 63.16, 0.39%, 0.62%

LAB 77.31, -12.86, 37.67

 

CMYK 2 / 0 / 51 / 17

HEX #CED368

RGB 206 211 104

HSL 62.8, 0.55%, 0.62%

LAB 82.22, -16.42, 51.79

 

CMYK 3 / 0 / 61 / 11

HEX #DDE358

RGB 221 227 88

HSL 62.59, 0.71%, 0.62%

LAB 87.49, -19.45, 65.07

 

CMYK 3 / 0 / 70 / 5

HEX #EBF349

RGB 235 243 73

HSL 62.82, 0.88%, 0.62%

LAB 92.68, -22.34, 76.37

 

CMYK 1 / 0 / 25 / 29

HEX #B2B487

RGB 178 180 135

HSL 62.67, 0.23%, 0.62%

LAB 72.13, -8.16, 22.79

 

CMYK 0 / 0 / 8 / 36

HEX #A4A497

RGB 164 164 151

HSL 60, 0.07%, 0.62%

LAB 67.03, -2.38, 6.74

 

CMYK 11 / 11 / 0 / 35

HEX #9595A7

RGB 149 149 167

HSL 240, 0.09%, 0.62%

LAB 62.23, 3.67, -9.41

 

CMYK 26 / 27 / 0 / 29

HEX #8785B6

RGB 135 133 182

HSL 242.45, 0.25%, 0.62%

LAB 57.37, 11.71, -25.43

 

CMYK 39 / 41 / 0 / 22

HEX #7975C6

RGB 121 117 198

HSL 242.96, 0.42%, 0.62%

LAB 52.8, 21.39, -41.78

 

CMYK 0 / 12 / 25 / 29

HEX #B49E87

RGB 180 158 135

HSL 30.67, 0.23%, 0.62%

LAB 66.45, 4.44, 14.99

 

CMYK 0 / 6 / 25 / 29

HEX #B4A987

RGB 180 169 135

HSL 45.33, 0.23%, 0.62%

LAB 69.35, -1.54, 19.01

 

CMYK 1 / 0 / 25 / 29

HEX #B2B487

RGB 178 180 135

HSL 62.67, 0.23%, 0.62%

LAB 72.13, -8.16, 22.79

 

CMYK 7 / 0 / 25 / 29

HEX #A7B487

RGB 167 180 135

HSL 77.33, 0.23%, 0.62%

LAB 71.29, -12.38, 21.5

 

CMYK 14 / 0 / 25 / 29

HEX #9BB487

RGB 155 180 135

HSL 93.33, 0.23%, 0.62%

LAB 70.43, -16.86, 20.18

 

CMYK 1 / 0 / 38 / 44

HEX #8D8F59

RGB 141 143 89

HSL 62.22, 0.23%, 0.45%

LAB 58.06, -9.44, 28.5

 

CMYK 1 / 0 / 33 / 36

HEX #A2A46E

RGB 162 164 110

HSL 62.22, 0.23%, 0.54%

LAB 66.03, -9.42, 27.84

 

CMYK 1 / 0 / 25 / 29

HEX #B2B487

RGB 178 180 135

HSL 62.67, 0.23%, 0.62%

LAB 72.13, -8.16, 22.79

 

CMYK 1 / 0 / 18 / 23

HEX #C2C4A1

RGB 194 196 161

HSL 63.43, 0.23%, 0.7%

LAB 78.18, -6.63, 17.38

 

CMYK 1 / 0 / 12 / 17

HEX #D2D4BA

RGB 210 212 186

HSL 64.62, 0.23%, 0.78%

LAB 84.14, -5.15, 12.64

 

CMYK 1 / 0 / 24 / 29

HEX #B2B488

RGB 178 180 136

HSL 62.73, 0.23%, 0.62%

LAB 72.15, -8.02, 22.28

 

CMYK 25 / 0 / 19 / 29

HEX #87B492

RGB 135 180 146

HSL 134.67, 0.23%, 0.62%

LAB 69.38, -21.98, 12.55

 

CMYK 9 / 25 / 0 / 29

HEX #A487B4

RGB 164 135 180

HSL 278.67, 0.23%, 0.62%

LAB 60.35, 19.5, -19.49

 

CMYK 1 / 0 / 24 / 29

HEX #B2B488

RGB 178 180 136

HSL 62.73, 0.23%, 0.62%

LAB 72.15, -8.02, 22.28

 

CMYK 25 / 1 / 0 / 29

HEX #87B2B4

RGB 135 178 180

HSL 182.67, 0.23%, 0.62%

LAB 69.67, -13.82, -5.71

 

CMYK 0 / 25 / 1 / 29

HEX #B487B2

RGB 180 135 178

HSL 302.67, 0.23%, 0.62%

LAB 61.87, 24.53, -15.91

 

CMYK 1 / 0 / 24 / 29

HEX #B2B488

RGB 178 180 136

HSL 62.73, 0.23%, 0.62%

LAB 72.15, -8.02, 22.28

 

CMYK 25 / 0 / 19 / 29

HEX #87B492

RGB 135 180 146

HSL 134.67, 0.23%, 0.62%

LAB 69.38, -21.98, 12.55

 

CMYK 24 / 25 / 0 / 29

HEX #8987B4

RGB 137 135 180

HSL 242.67, 0.23%, 0.62%

LAB 57.98, 10.68, -23.33

 

CMYK 0 / 25 / 6 / 29

HEX #B487A9

RGB 180 135 169

HSL 314.67, 0.23%, 0.62%

LAB 61.56, 22.85, -11.25

 

CMYK 1 / 0 / 24 / 29

HEX #B2B488

RGB 178 180 136

HSL 62.73, 0.23%, 0.62%

LAB 72.15, -8.02, 22.28

 

CMYK 25 / 0 / 12 / 29

HEX #87B49F

RGB 135 180 159

HSL 152, 0.23%, 0.62%

LAB 69.68, -19.42, 5.86

 

CMYK 24 / 25 / 0 / 29

HEX #8987B4

RGB 137 135 180

HSL 242.67, 0.23%, 0.62%

LAB 57.98, 10.68, -23.33

 

CMYK 0 / 25 / 13 / 29

HEX #B4879C

RGB 180 135 156

HSL 332, 0.23%, 0.62%

LAB 61.16, 20.55, -4.45

 

Description

Color code: HEX #B2B488 | qconv.com Color code: HEX #B2B488 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 180 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 180 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 24 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 24% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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