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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2A238 it is the complementary color #4D5DC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2A238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2A238 shade: #B7A233, #C8B446, #D9C659, #EAD86C and #FBEA7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2A238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2A238 shade: #B2A238, #A19025, #907E12, #7F6C00 and #6E5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2A238 shade: #B2A238, #B28138, #B26038, #B23F38 and #B23838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2A238 shade: #B2A238, #A1B238, #80B238, #5FB238 and #3EB238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2A238 shade matches the following richer shades: #B2A238, #C5B025 and #D8BE12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2A238 shade: #B2A238, #9F944B, #8C865E, #797871 and #666A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2A238 shade: #B26038, #B28138, #B2A238, #A2B238 and #81B238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2A238 shade: #736924, #92852E, #B2A238, #C6B64D and #D0C36C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2A238 shade: #B2A238, #38B240 and #7138B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2A238 shade: #B2A238, #38B2A2 and #A238B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2A238 shade: #B2A238, #38B240, #3848B2 and #B238AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2A238 shade: #B2A238, #38B265, #3848B2 and #B23885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

Complementary color

CMYK 61 / 53 / 0 / 22

HEX #4D5DC7

RGB 77 93 199

HSL 232.13, 0.52%, 0.54%

LAB 43.55, 26.59, -57.31

 

CMYK 0 / 11 / 72 / 28

HEX #B7A233

RGB 183 162 51

HSL 50.45, 0.56%, 0.46%

LAB 66.63, -4.59, 57.44

 

CMYK 0 / 10 / 65 / 22

HEX #C8B446

RGB 200 180 70

HSL 50.77, 0.54%, 0.53%

LAB 73.13, -5.64, 56.79

 

CMYK 0 / 9 / 59 / 15

HEX #D9C659

RGB 217 198 89

HSL 51.09, 0.63%, 0.6%

LAB 79.53, -6.52, 55.84

 

CMYK 0 / 8 / 54 / 8

HEX #EAD86C

RGB 234 216 108

HSL 51.43, 0.75%, 0.67%

LAB 85.85, -7.26, 54.74

 

CMYK 0 / 7 / 49 / 2

HEX #FBEA7F

RGB 251 234 127

HSL 51.77, 0.94%, 0.74%

LAB 92.08, -7.9, 53.59

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 0 / 11 / 77 / 37

HEX #A19025

RGB 161 144 37

HSL 51.77, 0.63%, 0.39%

LAB 59.58, -5.38, 55.18

 

CMYK 0 / 13 / 88 / 44

HEX #907E12

RGB 144 126 18

HSL 51.43, 0.78%, 0.32%

LAB 52.83, -3.98, 54.49

 

CMYK 0 / 15 / 100 / 50

HEX #7F6C00

RGB 127 108 0

HSL 51.02, 1%, 0.25%

LAB 45.96, -2.28, 52.37

 

CMYK 0 / 18 / 100 / 57

HEX #6E5A00

RGB 110 90 0

HSL 49.09, 1%, 0.22%

LAB 38.95, -0.11, 46.58

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 0 / 28 / 69 / 30

HEX #B28138

RGB 178 129 56

HSL 35.9, 0.52%, 0.46%

LAB 57.51, 11.51, 45.74

 

CMYK 0 / 46 / 69 / 30

HEX #B26038

RGB 178 96 56

HSL 19.67, 0.52%, 0.46%

LAB 49.64, 29.82, 37.01

 

CMYK 0 / 65 / 69 / 30

HEX #B23F38

RGB 178 63 56

HSL 3.44, 0.52%, 0.46%

LAB 43.22, 46.3, 29.49

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 10 / 0 / 69 / 30

HEX #A1B238

RGB 161 178 56

HSL 68.36, 0.52%, 0.46%

LAB 69.26, -22.09, 57.51

 

CMYK 28 / 0 / 69 / 30

HEX #80B238

RGB 128 178 56

HSL 84.59, 0.52%, 0.46%

LAB 67.06, -35.4, 54.56

 

CMYK 47 / 0 / 69 / 30

HEX #5FB238

RGB 95 178 56

HSL 100.82, 0.52%, 0.46%

LAB 65.4, -46.92, 52.32

 

CMYK 65 / 0 / 69 / 30

HEX #3EB238

RGB 62 178 56

HSL 117.05, 0.52%, 0.46%

LAB 64.28, -55.65, 50.79

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 0 / 11 / 81 / 23

HEX #C5B025

RGB 197 176 37

HSL 52.13, 0.68%, 0.46%

LAB 71.59, -6.37, 67.21

 

CMYK 0 / 12 / 92 / 15

HEX #D8BE12

RGB 216 190 18

HSL 52.12, 0.85%, 0.46%

LAB 76.96, -5.76, 76.38

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 0 / 7 / 53 / 38

HEX #9F944B

RGB 159 148 75

HSL 52.14, 0.36%, 0.46%

LAB 60.83, -5.95, 39.64

 

CMYK 0 / 4 / 33 / 45

HEX #8C865E

RGB 140 134 94

HSL 52.17, 0.2%, 0.46%

LAB 55.52, -4.27, 22.39

 

CMYK 0 / 1 / 7 / 53

HEX #797871

RGB 121 120 113

HSL 52.5, 0.03%, 0.46%

LAB 50.32, -0.98, 3.97

 

CMYK 23 / 20 / 0 / 48

HEX #666A84

RGB 102 106 132

HSL 232, 0.13%, 0.46%

LAB 45.36, 4.51, -14.87

 

CMYK 0 / 46 / 69 / 30

HEX #B26038

RGB 178 96 56

HSL 19.67, 0.52%, 0.46%

LAB 49.64, 29.82, 37.01

 

CMYK 0 / 28 / 69 / 30

HEX #B28138

RGB 178 129 56

HSL 35.9, 0.52%, 0.46%

LAB 57.51, 11.51, 45.74

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 9 / 0 / 69 / 30

HEX #A2B238

RGB 162 178 56

HSL 67.87, 0.52%, 0.46%

LAB 69.33, -21.67, 57.61

 

CMYK 28 / 0 / 69 / 30

HEX #81B238

RGB 129 178 56

HSL 84.1, 0.52%, 0.46%

LAB 67.12, -35.01, 54.64

 

CMYK 0 / 9 / 69 / 55

HEX #736924

RGB 115 105 36

HSL 52.41, 0.52%, 0.3%

LAB 44.05, -4.99, 38.81

 

CMYK 0 / 9 / 68 / 43

HEX #92852E

RGB 146 133 46

HSL 52.2, 0.52%, 0.38%

LAB 55.16, -5.72, 46.8

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 0 / 8 / 61 / 22

HEX #C6B64D

RGB 198 182 77

HSL 52.07, 0.51%, 0.54%

LAB 73.54, -7.08, 54.12

 

CMYK 0 / 6 / 48 / 18

HEX #D0C36C

RGB 208 195 108

HSL 52.2, 0.52%, 0.62%

LAB 78.18, -7.14, 45.07

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 69 / 0 / 64 / 30

HEX #38B240

RGB 56 178 64

HSL 123.93, 0.52%, 0.46%

LAB 64.2, -56.06, 47.28

 

CMYK 37 / 69 / 0 / 30

HEX #7138B2

RGB 113 56 178

HSL 268.03, 0.52%, 0.46%

LAB 37.03, 48.99, -55.43

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 69 / 0 / 9 / 30

HEX #38B2A2

RGB 56 178 162

HSL 172.13, 0.52%, 0.46%

LAB 65.97, -36.99, -1.58

 

CMYK 9 / 69 / 0 / 30

HEX #A238B2

RGB 162 56 178

HSL 292.13, 0.52%, 0.46%

LAB 43.83, 59.65, -44.12

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 69 / 0 / 64 / 30

HEX #38B240

RGB 56 178 64

HSL 123.93, 0.52%, 0.46%

LAB 64.2, -56.06, 47.28

 

CMYK 69 / 60 / 0 / 30

HEX #3848B2

RGB 56 72 178

HSL 232.13, 0.52%, 0.46%

LAB 35.38, 29.26, -58.34

 

CMYK 0 / 69 / 4 / 30

HEX #B238AA

RGB 178 56 170

HSL 303.93, 0.52%, 0.46%

LAB 45.9, 61.99, -35.96

 

CMYK 0 / 9 / 69 / 30

HEX #B2A238

RGB 178 162 56

HSL 52.13, 0.52%, 0.46%

LAB 66.21, -6.52, 54.86

 

CMYK 69 / 0 / 43 / 30

HEX #38B265

RGB 56 178 101

HSL 142.13, 0.52%, 0.46%

LAB 64.66, -50.78, 29.81

 

CMYK 69 / 60 / 0 / 30

HEX #3848B2

RGB 56 72 178

HSL 232.13, 0.52%, 0.46%

LAB 35.38, 29.26, -58.34

 

CMYK 0 / 69 / 25 / 30

HEX #B23885

RGB 178 56 133

HSL 322.13, 0.52%, 0.46%

LAB 44.21, 56.52, -16.36

 

Description

Color code: HEX #B2A238 | qconv.com Color code: HEX #B2A238 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 162 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 162 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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