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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2A223 it is the complementary color #4D5DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2A223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2A223 shade: #B7A21E, #C8B431, #D9C644, #EAD857 and #FBEA6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2A223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2A223 shade: #B2A223, #A19010, #907E00, #7F6C00 and #6E5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2A223 shade: #B2A223, #B27C23, #B25523, #B22E23 and #B22323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2A223 shade: #B2A223, #9CB223, #75B223, #4EB223 and #28B223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2A223 shade matches the following richer shades: #B2A223, #C4B012 and #D5BD00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2A223 shade: #B2A223, #A19534, #908746, #7E7A57 and #6D6C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2A223 shade: #B25523, #B27B23, #B2A223, #9DB223 and #77B223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2A223 shade: #6D6415, #90831C, #B2A223, #D5C12A and #DBCB4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2A223 shade: #B2A223, #23B22F and #6823B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2A223 shade: #B2A223, #23B2A2 and #A223B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2A223 shade: #B2A223, #23B22F, #2334B2 and #B223A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2A223 shade: #B2A223, #23B25A, #2334B2 and #B2237B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

Complementary color

CMYK 65 / 58 / 0 / 14

HEX #4D5DDC

RGB 77 93 220

HSL 233.29, 0.67%, 0.58%

LAB 45.04, 33.74, -66.93

 

CMYK 0 / 11 / 84 / 28

HEX #B7A21E

RGB 183 162 30

HSL 51.76, 0.72%, 0.42%

LAB 66.52, -5.4, 64.29

 

CMYK 0 / 10 / 76 / 22

HEX #C8B431

RGB 200 180 49

HSL 52.05, 0.61%, 0.49%

LAB 72.99, -6.71, 64.8

 

CMYK 0 / 9 / 69 / 15

HEX #D9C644

RGB 217 198 68

HSL 52.35, 0.66%, 0.56%

LAB 79.36, -7.81, 64.53

 

CMYK 0 / 8 / 63 / 8

HEX #EAD857

RGB 234 216 87

HSL 52.65, 0.78%, 0.63%

LAB 85.65, -8.74, 63.83

 

CMYK 0 / 7 / 58 / 2

HEX #FBEA6A

RGB 251 234 106

HSL 52.97, 0.95%, 0.7%

LAB 91.86, -9.53, 62.9

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 0 / 11 / 90 / 37

HEX #A19010

RGB 161 144 16

HSL 52.97, 0.82%, 0.35%

LAB 59.49, -6.04, 60.98

 

CMYK 0 / 13 / 100 / 44

HEX #907E00

RGB 144 126 0

HSL 52.5, 1%, 0.28%

LAB 52.79, -4.33, 58.02

 

CMYK 0 / 15 / 100 / 50

HEX #7F6C00

RGB 127 108 0

HSL 51.02, 1%, 0.25%

LAB 45.96, -2.28, 52.37

 

CMYK 0 / 18 / 100 / 57

HEX #6E5A00

RGB 110 90 0

HSL 49.09, 1%, 0.22%

LAB 38.95, -0.11, 46.58

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 0 / 30 / 80 / 30

HEX #B27C23

RGB 178 124 35

HSL 37.34, 0.67%, 0.42%

LAB 56.09, 13.31, 53.35

 

CMYK 0 / 52 / 80 / 30

HEX #B25523

RGB 178 85 35

HSL 20.98, 0.67%, 0.42%

LAB 47.08, 34.67, 44.93

 

CMYK 0 / 74 / 80 / 30

HEX #B22E23

RGB 178 46 35

HSL 4.62, 0.67%, 0.42%

LAB 40.48, 52.17, 38.46

 

CMYK 0 / 80 / 80 / 30

HEX #B22323

RGB 178 35 35

HSL 0, 0.67%, 0.42%

LAB 39.22, 55.68, 37.2

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 12 / 0 / 80 / 30

HEX #9CB223

RGB 156 178 35

HSL 69.23, 0.67%, 0.42%

LAB 68.77, -25.22, 64.01

 

CMYK 34 / 0 / 80 / 30

HEX #75B223

RGB 117 178 35

HSL 85.59, 0.67%, 0.42%

LAB 66.32, -40.76, 60.88

 

CMYK 56 / 0 / 80 / 30

HEX #4EB223

RGB 78 178 35

HSL 101.96, 0.67%, 0.42%

LAB 64.63, -53.32, 58.7

 

CMYK 78 / 0 / 80 / 30

HEX #28B223

RGB 40 178 35

HSL 117.9, 0.67%, 0.42%

LAB 63.68, -61.2, 57.47

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 0 / 10 / 91 / 23

HEX #C4B012

RGB 196 176 18

HSL 53.26, 0.83%, 0.42%

LAB 71.44, -7.27, 71.35

 

CMYK 0 / 11 / 100 / 16

HEX #D5BD00

RGB 213 189 0

HSL 53.24, 1%, 0.42%

LAB 76.4, -6.75, 77.88

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 0 / 7 / 68 / 37

HEX #A19534

RGB 161 149 52

HSL 53.39, 0.51%, 0.42%

LAB 61.06, -7.32, 50.76

 

CMYK 0 / 6 / 51 / 44

HEX #908746

RGB 144 135 70

HSL 52.7, 0.35%, 0.42%

LAB 55.79, -5.85, 35.85

 

CMYK 0 / 3 / 31 / 51

HEX #7E7A57

RGB 126 122 87

HSL 53.85, 0.18%, 0.42%

LAB 50.74, -4.39, 19.76

 

CMYK 0 / 1 / 5 / 57

HEX #6D6C68

RGB 109 108 104

HSL 48, 0.02%, 0.42%

LAB 45.6, -0.41, 2.37

 

CMYK 0 / 52 / 80 / 30

HEX #B25523

RGB 178 85 35

HSL 20.98, 0.67%, 0.42%

LAB 47.08, 34.67, 44.93

 

CMYK 0 / 31 / 80 / 30

HEX #B27B23

RGB 178 123 35

HSL 36.92, 0.67%, 0.42%

LAB 55.84, 13.87, 53.12

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 12 / 0 / 80 / 30

HEX #9DB223

RGB 157 178 35

HSL 68.81, 0.67%, 0.42%

LAB 68.85, -24.8, 64.1

 

CMYK 33 / 0 / 80 / 30

HEX #77B223

RGB 119 178 35

HSL 84.76, 0.67%, 0.42%

LAB 66.43, -40.02, 61.02

 

CMYK 0 / 8 / 81 / 57

HEX #6D6415

RGB 109 100 21

HSL 53.86, 0.68%, 0.25%

LAB 41.88, -5.81, 42.74

 

CMYK 0 / 9 / 81 / 44

HEX #90831C

RGB 144 131 28

HSL 53.28, 0.67%, 0.34%

LAB 54.29, -6.42, 52.83

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 0 / 9 / 80 / 16

HEX #D5C12A

RGB 213 193 42

HSL 52.98, 0.67%, 0.5%

LAB 77.55, -8.05, 71.54

 

CMYK 0 / 7 / 65 / 14

HEX #DBCB4C

RGB 219 203 76

HSL 53.29, 0.67%, 0.58%

LAB 80.9, -9.07, 62.97

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 80 / 0 / 74 / 30

HEX #23B22F

RGB 35 178 47

HSL 125.03, 0.67%, 0.42%

LAB 63.67, -61.02, 53.46

 

CMYK 42 / 80 / 0 / 30

HEX #6823B2

RGB 104 35 178

HSL 268.95, 0.67%, 0.42%

LAB 32.61, 56.68, -62.68

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 80 / 0 / 9 / 30

HEX #23B2A2

RGB 35 178 162

HSL 173.29, 0.67%, 0.42%

LAB 65.6, -39.53, -2.17

 

CMYK 9 / 80 / 0 / 30

HEX #A223B2

RGB 162 35 178

HSL 293.29, 0.67%, 0.42%

LAB 41.37, 66.7, -48.06

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 80 / 0 / 74 / 30

HEX #23B22F

RGB 35 178 47

HSL 125.03, 0.67%, 0.42%

LAB 63.67, -61.02, 53.46

 

CMYK 80 / 71 / 0 / 30

HEX #2334B2

RGB 35 52 178

HSL 232.87, 0.67%, 0.42%

LAB 29.48, 39.66, -68.04

 

CMYK 0 / 80 / 7 / 30

HEX #B223A6

RGB 178 35 166

HSL 305.03, 0.67%, 0.42%

LAB 43.39, 67.93, -37.55

 

CMYK 0 / 9 / 80 / 30

HEX #B2A223

RGB 178 162 35

HSL 53.29, 0.67%, 0.42%

LAB 66.08, -7.47, 62.31

 

CMYK 80 / 0 / 49 / 30

HEX #23B25A

RGB 35 178 90

HSL 143.08, 0.67%, 0.42%

LAB 64.11, -55.75, 34.69

 

CMYK 80 / 71 / 0 / 30

HEX #2334B2

RGB 35 52 178

HSL 232.87, 0.67%, 0.42%

LAB 29.48, 39.66, -68.04

 

CMYK 0 / 80 / 31 / 30

HEX #B2237B

RGB 178 35 123

HSL 323.08, 0.67%, 0.42%

LAB 41.37, 62.18, -14.56

 

Description

Color code: HEX #B2A223 | qconv.com Color code: HEX #B2A223 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 162 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 162 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 80 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 80% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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