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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2A5E3 it is the complementary color #4D5A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2A5E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2A5E3 shade: #B7A5DE, #C8B7F1, #D9C9FF, #EADBFF and #FBEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2A5E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2A5E3 shade: #B2A5E3, #A193D0, #9081BD, #7F6FAA and #6E5D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2A5E3 shade: #B2A5E3, #C3A5E3, #D3A5E3, #E3A5E2 and #E3A5D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2A5E3 shade: #B2A5E3 and #A5A5E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2A5E3 shade matches the following richer shades: #B2A5E3, #AC9BEC and #A792F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2A5E3 shade: #B2A5E3, #B7AED9, #BDB8D0, #C2C1C6 and #C8CBBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2A5E3 shade: #A5B9E3, #A5A9E3, #B1A5E3, #C2A5E3 and #D2A5E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2A5E3 shade: #7C66D0, #9785D9, #B2A5E3, #CDC4ED and #E8E4F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2A5E3 shade: #B2A5E3, #E3A5CA and #B1E3A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2A5E3 shade: #B2A5E3, #E3B1A5 and #A5E3B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2A5E3 shade: #B2A5E3, #E3A5CA, #D7E3A5 and #A5E3BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2A5E3 shade: #B2A5E3, #E3A5B7, #D7E3A5 and #A5E3D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

Complementary color

CMYK 14 / 0 / 69 / 65

HEX #4D5A1C

RGB 77 90 28

HSL 72.58, 0.53%, 0.23%

LAB 35.93, -15.01, 32.96

 

CMYK 18 / 26 / 0 / 13

HEX #B7A5DE

RGB 183 165 222

HSL 258.95, 0.46%, 0.76%

LAB 71.04, 17.85, -26.42

 

CMYK 17 / 24 / 0 / 5

HEX #C8B7F1

RGB 200 183 241

HSL 257.59, 0.67%, 0.83%

LAB 77.58, 17.38, -26.61

 

CMYK 15 / 21 / 0 / 0

HEX #D9C9FF

RGB 217 201 255

HSL 257.78, 1%, 0.89%

LAB 83.83, 15.89, -24.43

 

CMYK 8 / 14 / 0 / 0

HEX #EADBFF

RGB 234 219 255

HSL 265, 1%, 0.93%

LAB 89.57, 11.7, -15.63

 

CMYK 2 / 7 / 0 / 0

HEX #FBEDFF

RGB 251 237 255

HSL 286.67, 1%, 0.96%

LAB 95.29, 7.86, -6.97

 

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

CMYK 23 / 29 / 0 / 18

HEX #A193D0

RGB 161 147 208

HSL 253.77, 0.39%, 0.7%

LAB 64.16, 17.97, -29.43

 

CMYK 24 / 32 / 0 / 26

HEX #9081BD

RGB 144 129 189

HSL 255, 0.31%, 0.62%

LAB 57.37, 18.56, -29.35

 

CMYK 25 / 35 / 0 / 33

HEX #7F6FAA

RGB 127 111 170

HSL 256.27, 0.26%, 0.55%

LAB 50.43, 19.21, -29.31

 

CMYK 27 / 38 / 0 / 41

HEX #6E5D97

RGB 110 93 151

HSL 257.59, 0.24%, 0.48%

LAB 43.33, 19.96, -29.31

 

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

CMYK 14 / 27 / 0 / 11

HEX #C3A5E3

RGB 195 165 227

HSL 269.03, 0.53%, 0.77%

LAB 72.27, 22.69, -27.19

 

CMYK 7 / 27 / 0 / 11

HEX #D3A5E3

RGB 211 165 227

HSL 284.52, 0.53%, 0.77%

LAB 73.74, 27.76, -24.8

 

CMYK 0 / 27 / 0 / 11

HEX #E3A5E2

RGB 227 165 226

HSL 300.97, 0.53%, 0.77%

LAB 75.28, 32.72, -21.76

 

CMYK 0 / 27 / 8 / 11

HEX #E3A5D1

RGB 227 165 209

HSL 317.42, 0.53%, 0.77%

LAB 74.73, 29.7, -13.32

 

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

CMYK 27 / 27 / 0 / 11

HEX #A5A5E3

RGB 165 165 227

HSL 240, 0.53%, 0.77%

LAB 69.79, 13.56, -31.21

 

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

CMYK 27 / 34 / 0 / 7

HEX #AC9BEC

RGB 172 155 236

HSL 252.59, 0.68%, 0.77%

LAB 68.22, 23.41, -38.54

 

CMYK 32 / 41 / 0 / 4

HEX #A792F6

RGB 167 146 246

HSL 252.6, 0.85%, 0.77%

LAB 66.08, 29.6, -47.4

 

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

CMYK 16 / 20 / 0 / 15

HEX #B7AED9

RGB 183 174 217

HSL 252.56, 0.36%, 0.77%

LAB 73.12, 11.77, -20.51

 

CMYK 9 / 12 / 0 / 18

HEX #BDB8D0

RGB 189 184 208

HSL 252.5, 0.2%, 0.77%

LAB 75.86, 6.38, -11.44

 

CMYK 2 / 3 / 0 / 22

HEX #C2C1C6

RGB 194 193 198

HSL 252, 0.04%, 0.77%

LAB 78.28, 1.28, -2.39

 

CMYK 1 / 0 / 7 / 20

HEX #C8CBBD

RGB 200 203 189

HSL 72.86, 0.12%, 0.77%

LAB 81.11, -3.53, 6.61

 

CMYK 27 / 19 / 0 / 11

HEX #A5B9E3

RGB 165 185 227

HSL 220.65, 0.53%, 0.77%

LAB 74.98, 2.49, -23.25

 

CMYK 27 / 26 / 0 / 11

HEX #A5A9E3

RGB 165 169 227

HSL 236.13, 0.53%, 0.77%

LAB 70.82, 11.32, -29.63

 

CMYK 22 / 27 / 0 / 11

HEX #B1A5E3

RGB 177 165 227

HSL 251.61, 0.53%, 0.77%

LAB 70.74, 17.14, -29.68

 

CMYK 15 / 27 / 0 / 11

HEX #C2A5E3

RGB 194 165 227

HSL 268.06, 0.53%, 0.77%

LAB 72.18, 22.38, -27.33

 

CMYK 7 / 27 / 0 / 11

HEX #D2A5E3

RGB 210 165 227

HSL 283.55, 0.53%, 0.77%

LAB 73.65, 27.44, -24.95

 

CMYK 40 / 51 / 0 / 18

HEX #7C66D0

RGB 124 102 208

HSL 252.45, 0.53%, 0.61%

LAB 49.91, 33.9, -52.07

 

CMYK 30 / 39 / 0 / 15

HEX #9785D9

RGB 151 133 217

HSL 252.86, 0.53%, 0.69%

LAB 60.22, 25.28, -40.67

 

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

CMYK 14 / 17 / 0 / 7

HEX #CDC4ED

RGB 205 196 237

HSL 253.17, 0.53%, 0.85%

LAB 81.06, 11.05, -19.14

 

CMYK 6 / 7 / 0 / 4

HEX #E8E4F6

RGB 232 228 246

HSL 253.33, 0.5%, 0.93%

LAB 91.37, 4.64, -8.25

 

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

CMYK 0 / 27 / 11 / 11

HEX #E3A5CA

RGB 227 165 202

HSL 324.19, 0.53%, 0.77%

LAB 74.51, 28.52, -9.81

 

CMYK 22 / 0 / 27 / 11

HEX #B1E3A5

RGB 177 227 165

HSL 108.39, 0.53%, 0.77%

LAB 85.5, -27.56, 25.19

 

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

CMYK 0 / 22 / 27 / 11

HEX #E3B1A5

RGB 227 177 165

HSL 11.61, 0.53%, 0.77%

LAB 76.37, 16.46, 13.11

 

CMYK 27 / 0 / 22 / 11

HEX #A5E3B1

RGB 165 227 177

HSL 131.61, 0.53%, 0.77%

LAB 85.05, -29.48, 18.23

 

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

CMYK 0 / 27 / 11 / 11

HEX #E3A5CA

RGB 227 165 202

HSL 324.19, 0.53%, 0.77%

LAB 74.51, 28.52, -9.81

 

CMYK 5 / 0 / 27 / 11

HEX #D7E3A5

RGB 215 227 165

HSL 71.61, 0.53%, 0.77%

LAB 88.02, -14.06, 29.02

 

CMYK 27 / 0 / 16 / 11

HEX #A5E3BE

RGB 165 227 190

HSL 144.19, 0.53%, 0.77%

LAB 85.33, -27.09, 11.81

 

CMYK 22 / 27 / 0 / 11

HEX #B2A5E3

RGB 178 165 227

HSL 252.58, 0.53%, 0.77%

LAB 70.82, 17.44, -29.54

 

CMYK 0 / 27 / 19 / 11

HEX #E3A5B7

RGB 227 165 183

HSL 342.58, 0.53%, 0.77%

LAB 73.97, 25.49, -0.17

 

CMYK 5 / 0 / 27 / 11

HEX #D7E3A5

RGB 215 227 165

HSL 71.61, 0.53%, 0.77%

LAB 88.02, -14.06, 29.02

 

CMYK 27 / 0 / 8 / 11

HEX #A5E3D0

RGB 165 227 208

HSL 161.61, 0.53%, 0.77%

LAB 85.75, -23.52, 2.95

 

Description

Color code: HEX #B2A5E3 | qconv.com Color code: HEX #B2A5E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 165 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 165 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 27 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 27% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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