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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B29ECA it is the complementary color #4D6135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B29ECA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B29ECA shade: #B79EC5, #C8B0D8, #D9C2EB, #EAD4FE and #FBE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B29ECA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B29ECA shade: #B29ECA, #A18CB7, #907AA4, #7F6891 and #6E567E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B29ECA shade: #B39FCA, #BE9FCA, #CA9FCA, #CA9FBF and #CA9FB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B29ECA shade: #B39FCA, #A79FCA and #9F9FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B29ECA shade matches the following richer shades: #B39FCA, #B293D6, #B087E2, #AF7BEE and #AE6FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B29ECA shade: #B39FCA, #B4ABBE, #B5B7B2, #B6C3A6 and #B7CF9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B29ECA shade: #9FA3CA, #A79FCA, #B29FCA, #BE9FCA and #C99FCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B29ECA shade: #886AAD, #9D84BB, #B39FCA, #C8BAD9 and #DDD4E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B29ECA shade: #B29ECA, #CA9FAE and #9FCAA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B29ECA shade: #B29ECA, #CAB29F and #9FCAB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B29ECA shade: #B29ECA, #CA9FAE, #B7CA9F and #9FCABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B29ECA shade: #B29ECA, #CA9FA1, #B7CA9F and #9FCAC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 22 / 0 / 21

HEX #B29ECA

RGB 178 158 202

HSL 267.27, 0.29%, 0.71%

LAB 68.16, 15.81, -19.85

 

Complementary color

CMYK 21 / 0 / 45 / 62

HEX #4D6135

RGB 77 97 53

HSL 87.27, 0.29%, 0.29%

LAB 38.52, -16.09, 22.62

 

CMYK 7 / 20 / 0 / 23

HEX #B79EC5

RGB 183 158 197

HSL 278.46, 0.25%, 0.7%

LAB 68.43, 16.43, -16.62

 

CMYK 7 / 19 / 0 / 15

HEX #C8B0D8

RGB 200 176 216

HSL 276, 0.34%, 0.77%

LAB 75.01, 15.99, -16.98

 

CMYK 8 / 17 / 0 / 8

HEX #D9C2EB

RGB 217 194 235

HSL 273.66, 0.51%, 0.84%

LAB 81.47, 15.58, -17.34

 

CMYK 8 / 17 / 0 / 0

HEX #EAD4FE

RGB 234 212 254

HSL 271.43, 0.95%, 0.91%

LAB 87.84, 15.2, -17.7

 

CMYK 2 / 10 / 0 / 0

HEX #FBE6FF

RGB 251 230 255

HSL 290.4, 1%, 0.95%

LAB 93.59, 11.48, -9.48

 

CMYK 12 / 22 / 0 / 21

HEX #B29ECA

RGB 178 158 202

HSL 267.27, 0.29%, 0.71%

LAB 68.16, 15.81, -19.85

 

CMYK 12 / 23 / 0 / 28

HEX #A18CB7

RGB 161 140 183

HSL 269.3, 0.23%, 0.63%

LAB 61.44, 16.29, -19.56

 

CMYK 12 / 26 / 0 / 36

HEX #907AA4

RGB 144 122 164

HSL 271.43, 0.19%, 0.56%

LAB 54.58, 16.81, -19.29

 

CMYK 12 / 28 / 0 / 43

HEX #7F6891

RGB 127 104 145

HSL 273.66, 0.16%, 0.49%

LAB 47.57, 17.39, -19.04

 

CMYK 13 / 32 / 0 / 51

HEX #6E567E

RGB 110 86 126

HSL 276, 0.19%, 0.42%

LAB 40.37, 18.05, -18.8

 

CMYK 11 / 21 / 0 / 21

HEX #B39FCA

RGB 179 159 202

HSL 267.91, 0.29%, 0.71%

LAB 68.49, 15.58, -19.32

 

CMYK 6 / 21 / 0 / 21

HEX #BE9FCA

RGB 190 159 202

HSL 283.26, 0.29%, 0.71%

LAB 69.48, 19.22, -17.74

 

CMYK 0 / 21 / 0 / 21

HEX #CA9FCA

RGB 202 159 202

HSL 300, 0.29%, 0.71%

LAB 70.61, 23.25, -15.92

 

CMYK 0 / 21 / 5 / 21

HEX #CA9FBF

RGB 202 159 191

HSL 315.35, 0.29%, 0.71%

LAB 70.26, 21.22, -10.36

 

CMYK 0 / 21 / 11 / 21

HEX #CA9FB3

RGB 202 159 179

HSL 332.09, 0.29%, 0.71%

LAB 69.9, 19.13, -4.24

 

CMYK 11 / 21 / 0 / 21

HEX #B39FCA

RGB 179 159 202

HSL 267.91, 0.29%, 0.71%

LAB 68.49, 15.58, -19.32

 

CMYK 17 / 21 / 0 / 21

HEX #A79FCA

RGB 167 159 202

HSL 251.16, 0.29%, 0.71%

LAB 67.48, 11.69, -20.95

 

CMYK 21 / 21 / 0 / 21

HEX #9F9FCA

RGB 159 159 202

HSL 240, 0.29%, 0.71%

LAB 66.85, 9.15, -21.98

 

CMYK 11 / 21 / 0 / 21

HEX #B39FCA

RGB 179 159 202

HSL 267.91, 0.29%, 0.71%

LAB 68.49, 15.58, -19.32

 

CMYK 17 / 31 / 0 / 16

HEX #B293D6

RGB 178 147 214

HSL 267.76, 0.45%, 0.71%

LAB 65.89, 24.59, -29.97

 

CMYK 22 / 40 / 0 / 11

HEX #B087E2

RGB 176 135 226

HSL 267.03, 0.61%, 0.71%

LAB 63.38, 33.45, -40.55

 

CMYK 26 / 48 / 0 / 7

HEX #AF7BEE

RGB 175 123 238

HSL 267.13, 0.77%, 0.71%

LAB 61.18, 42.63, -50.69

 

CMYK 30 / 56 / 0 / 2

HEX #AE6FFA

RGB 174 111 250

HSL 267.19, 0.93%, 0.71%

LAB 59.22, 51.69, -60.46

 

CMYK 11 / 21 / 0 / 21

HEX #B39FCA

RGB 179 159 202

HSL 267.91, 0.29%, 0.71%

LAB 68.49, 15.58, -19.32

 

CMYK 5 / 10 / 0 / 25

HEX #B4ABBE

RGB 180 171 190

HSL 268.42, 0.13%, 0.71%

LAB 71.25, 6.82, -8.55

 

CMYK 1 / 0 / 3 / 28

HEX #B5B7B2

RGB 181 183 178

HSL 84, 0.03%, 0.71%

LAB 74.13, -1.62, 2.28

 

CMYK 7 / 0 / 15 / 24

HEX #B6C3A6

RGB 182 195 166

HSL 86.9, 0.19%, 0.71%

LAB 77.12, -9.69, 13.07

 

CMYK 12 / 0 / 26 / 19

HEX #B7CF9A

RGB 183 207 154

HSL 87.17, 0.36%, 0.71%

LAB 80.19, -17.36, 23.74

 

CMYK 21 / 19 / 0 / 21

HEX #9FA3CA

RGB 159 163 202

HSL 234.42, 0.29%, 0.71%

LAB 67.89, 6.91, -20.38

 

CMYK 17 / 21 / 0 / 21

HEX #A79FCA

RGB 167 159 202

HSL 251.16, 0.29%, 0.71%

LAB 67.48, 11.69, -20.95

 

CMYK 12 / 21 / 0 / 21

HEX #B29FCA

RGB 178 159 202

HSL 266.51, 0.29%, 0.71%

LAB 68.41, 15.25, -19.46

 

CMYK 6 / 21 / 0 / 21

HEX #BE9FCA

RGB 190 159 202

HSL 283.26, 0.29%, 0.71%

LAB 69.48, 19.22, -17.74

 

CMYK 0 / 21 / 0 / 21

HEX #C99FCA

RGB 201 159 202

HSL 298.6, 0.29%, 0.71%

LAB 70.51, 22.91, -16.08

 

CMYK 21 / 39 / 0 / 32

HEX #886AAD

RGB 136 106 173

HSL 266.87, 0.29%, 0.55%

LAB 50.17, 25.69, -31.41

 

CMYK 16 / 29 / 0 / 27

HEX #9D84BB

RGB 157 132 187

HSL 267.27, 0.29%, 0.63%

LAB 59.21, 20.44, -25.27

 

CMYK 11 / 21 / 0 / 21

HEX #B39FCA

RGB 179 159 202

HSL 267.91, 0.29%, 0.71%

LAB 68.49, 15.58, -19.32

 

CMYK 8 / 14 / 0 / 15

HEX #C8BAD9

RGB 200 186 217

HSL 267.1, 0.29%, 0.79%

LAB 77.52, 10.75, -13.73

 

CMYK 4 / 8 / 0 / 9

HEX #DDD4E7

RGB 221 212 231

HSL 268.42, 0.28%, 0.87%

LAB 86.12, 6.55, -8.23

 

CMYK 12 / 22 / 0 / 21

HEX #B29ECA

RGB 178 158 202

HSL 267.27, 0.29%, 0.71%

LAB 68.16, 15.81, -19.85

 

CMYK 0 / 21 / 14 / 21

HEX #CA9FAE

RGB 202 159 174

HSL 339.07, 0.29%, 0.71%

LAB 69.76, 18.29, -1.67

 

CMYK 21 / 0 / 20 / 21

HEX #9FCAA1

RGB 159 202 161

HSL 122.79, 0.29%, 0.71%

LAB 77.39, -22.16, 15.91

 

CMYK 12 / 22 / 0 / 21

HEX #B29ECA

RGB 178 158 202

HSL 267.27, 0.29%, 0.71%

LAB 68.16, 15.81, -19.85

 

CMYK 0 / 12 / 21 / 21

HEX #CAB29F

RGB 202 178 159

HSL 26.51, 0.29%, 0.71%

LAB 74.13, 5.61, 12.87

 

CMYK 21 / 0 / 12 / 21

HEX #9FCAB2

RGB 159 202 178

HSL 146.51, 0.29%, 0.71%

LAB 77.77, -19.01, 7.35

 

CMYK 12 / 22 / 0 / 21

HEX #B29ECA

RGB 178 158 202

HSL 267.27, 0.29%, 0.71%

LAB 68.16, 15.81, -19.85

 

CMYK 0 / 21 / 14 / 21

HEX #CA9FAE

RGB 202 159 174

HSL 339.07, 0.29%, 0.71%

LAB 69.76, 18.29, -1.67

 

CMYK 9 / 0 / 21 / 21

HEX #B7CA9F

RGB 183 202 159

HSL 86.51, 0.29%, 0.71%

LAB 78.93, -14.07, 19.36

 

CMYK 21 / 0 / 7 / 21

HEX #9FCABB

RGB 159 202 187

HSL 159.07, 0.29%, 0.71%

LAB 77.99, -17.22, 2.83

 

CMYK 12 / 22 / 0 / 21

HEX #B29ECA

RGB 178 158 202

HSL 267.27, 0.29%, 0.71%

LAB 68.16, 15.81, -19.85

 

CMYK 0 / 21 / 20 / 21

HEX #CA9FA1

RGB 202 159 161

HSL 357.21, 0.29%, 0.71%

LAB 69.42, 16.22, 5.05

 

CMYK 9 / 0 / 21 / 21

HEX #B7CA9F

RGB 183 202 159

HSL 86.51, 0.29%, 0.71%

LAB 78.93, -14.07, 19.36

 

CMYK 21 / 0 / 1 / 21

HEX #9FCAC8

RGB 159 202 200

HSL 177.21, 0.29%, 0.71%

LAB 78.33, -14.5, -3.67

 

Description

Color code: HEX #B29ECA | qconv.com Color code: HEX #B29ECA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 158 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 158 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 22 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 22% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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