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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B29C56 it is the complementary color #4D63A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B29C56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B29C56 shade: #B79C51, #C8AE64, #D9C077, #EAD28A and #FBE49D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B29C56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B29C56 shade: #B29C56, #A18A43, #907830, #7F661D and #6E540A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B29C56 shade: #B19C57, #B18357, #B16B57 and #B15757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B29C56 shade: #B19C57, #AFB157, #96B157, #7EB157 and #65B157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B29C56 shade matches the following richer shades: #B19C57, #C5A643, #D9B02F and #EDBB1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B29C56 shade: #B19C57, #9E916B, #8A877E, #767D92 and #6272A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B29C56 shade: #B16A57, #B18357, #B19B57, #B0B157 and #98B157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B29C56 shade: #7D6C39, #998546, #B19C57, #BEAC73 and #CBBD8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B29C56 shade: #B29C56, #5BB157 and #7757B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B29C56 shade: #B29C56, #57B19B and #9B57B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B29C56 shade: #B29C56, #5BB157, #576DB1 and #AD57B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B29C56 shade: #B29C56, #57B16D, #576DB1 and #B1579B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 52 / 30

HEX #B29C56

RGB 178 156 86

HSL 45.65, 0.37%, 0.52%

LAB 64.89, -1.11, 39.33

 

Complementary color

CMYK 54 / 41 / 0 / 34

HEX #4D63A9

RGB 77 99 169

HSL 225.65, 0.37%, 0.48%

LAB 43.31, 12.64, -40.19

 

CMYK 0 / 15 / 56 / 28

HEX #B79C51

RGB 183 156 81

HSL 44.12, 0.41%, 0.52%

LAB 65.31, 0.6, 42.48

 

CMYK 0 / 13 / 50 / 22

HEX #C8AE64

RGB 200 174 100

HSL 44.4, 0.48%, 0.59%

LAB 71.87, -0.19, 41.19

 

CMYK 0 / 12 / 45 / 15

HEX #D9C077

RGB 217 192 119

HSL 44.69, 0.56%, 0.66%

LAB 78.33, -0.86, 39.92

 

CMYK 0 / 10 / 41 / 8

HEX #EAD28A

RGB 234 210 138

HSL 45, 0.7%, 0.73%

LAB 84.7, -1.43, 38.7

 

CMYK 0 / 9 / 37 / 2

HEX #FBE49D

RGB 251 228 157

HSL 45.32, 0.92%, 0.8%

LAB 90.98, -1.93, 37.53

 

CMYK 0 / 12 / 52 / 30

HEX #B29C56

RGB 178 156 86

HSL 45.65, 0.37%, 0.52%

LAB 64.89, -1.11, 39.33

 

CMYK 0 / 14 / 58 / 37

HEX #A18A43

RGB 161 138 67

HSL 45.32, 0.41%, 0.45%

LAB 58.19, -0.27, 40.62

 

CMYK 0 / 17 / 67 / 44

HEX #907830

RGB 144 120 48

HSL 45, 0.5%, 0.38%

LAB 51.35, 0.75, 41.81

 

CMYK 0 / 20 / 77 / 50

HEX #7F661D

RGB 127 102 29

HSL 44.69, 0.63%, 0.31%

LAB 44.38, 2.06, 42.64

 

CMYK 0 / 24 / 91 / 57

HEX #6E540A

RGB 110 84 10

HSL 44.4, 0.83%, 0.24%

LAB 37.26, 3.74, 42.37

 

CMYK 0 / 12 / 51 / 31

HEX #B19C57

RGB 177 156 87

HSL 46, 0.37%, 0.52%

LAB 64.81, -1.44, 38.7

 

CMYK 0 / 26 / 51 / 31

HEX #B18357

RGB 177 131 87

HSL 29.33, 0.37%, 0.52%

LAB 58.29, 12.35, 30.59

 

CMYK 0 / 40 / 51 / 31

HEX #B16B57

RGB 177 107 87

HSL 13.33, 0.37%, 0.52%

LAB 52.45, 25.77, 23.05

 

CMYK 0 / 51 / 51 / 31

HEX #B15757

RGB 177 87 87

HSL 0, 0.37%, 0.52%

LAB 48.07, 36.57, 17.2

 

CMYK 0 / 12 / 51 / 31

HEX #B19C57

RGB 177 156 87

HSL 46, 0.37%, 0.52%

LAB 64.81, -1.44, 38.7

 

CMYK 1 / 0 / 51 / 31

HEX #AFB157

RGB 175 177 87

HSL 61.33, 0.37%, 0.52%

LAB 70.35, -13.39, 45.29

 

CMYK 15 / 0 / 51 / 31

HEX #96B157

RGB 150 177 87

HSL 78, 0.37%, 0.52%

LAB 68.47, -23.6, 42.61

 

CMYK 29 / 0 / 51 / 31

HEX #7EB157

RGB 126 177 87

HSL 94, 0.37%, 0.52%

LAB 66.95, -32.78, 40.41

 

CMYK 43 / 0 / 51 / 31

HEX #65B157

RGB 101 177 87

HSL 110.67, 0.37%, 0.52%

LAB 65.67, -41.31, 38.56

 

CMYK 0 / 12 / 51 / 31

HEX #B19C57

RGB 177 156 87

HSL 46, 0.37%, 0.52%

LAB 64.81, -1.44, 38.7

 

CMYK 0 / 16 / 66 / 23

HEX #C5A643

RGB 197 166 67

HSL 45.69, 0.53%, 0.52%

LAB 69.15, 0.28, 53.77

 

CMYK 0 / 19 / 78 / 15

HEX #D9B02F

RGB 217 176 47

HSL 45.53, 0.69%, 0.52%

LAB 73.55, 2.7, 66.58

 

CMYK 0 / 21 / 89 / 7

HEX #EDBB1B

RGB 237 187 27

HSL 45.71, 0.85%, 0.52%

LAB 78.24, 5.05, 76.68

 

CMYK 0 / 12 / 51 / 31

HEX #B19C57

RGB 177 156 87

HSL 46, 0.37%, 0.52%

LAB 64.81, -1.44, 38.7

 

CMYK 0 / 8 / 32 / 38

HEX #9E916B

RGB 158 145 107

HSL 44.71, 0.21%, 0.52%

LAB 60.41, -1.16, 21.96

 

CMYK 0 / 2 / 9 / 46

HEX #8A877E

RGB 138 135 126

HSL 45, 0.05%, 0.52%

LAB 56.32, -0.57, 5.23

 

CMYK 19 / 14 / 0 / 43

HEX #767D92

RGB 118 125 146

HSL 225, 0.11%, 0.52%

LAB 52.5, 2.09, -12.2

 

CMYK 41 / 31 / 0 / 35

HEX #6272A6

RGB 98 114 166

HSL 225.88, 0.28%, 0.52%

LAB 48.74, 7.74, -29.79

 

CMYK 0 / 40 / 51 / 31

HEX #B16A57

RGB 177 106 87

HSL 12.67, 0.37%, 0.52%

LAB 52.22, 26.32, 22.74

 

CMYK 0 / 26 / 51 / 31

HEX #B18357

RGB 177 131 87

HSL 29.33, 0.37%, 0.52%

LAB 58.29, 12.35, 30.59

 

CMYK 0 / 12 / 51 / 31

HEX #B19B57

RGB 177 155 87

HSL 45.33, 0.37%, 0.52%

LAB 64.55, -0.9, 38.37

 

CMYK 1 / 0 / 51 / 31

HEX #B0B157

RGB 176 177 87

HSL 60.67, 0.37%, 0.52%

LAB 70.43, -12.98, 45.41

 

CMYK 14 / 0 / 51 / 31

HEX #98B157

RGB 152 177 87

HSL 76.67, 0.37%, 0.52%

LAB 68.61, -22.8, 42.81

 

CMYK 0 / 14 / 54 / 51

HEX #7D6C39

RGB 125 108 57

HSL 45, 0.37%, 0.36%

LAB 46.15, -0.37, 30.74

 

CMYK 0 / 13 / 54 / 40

HEX #998546

RGB 153 133 70

HSL 45.54, 0.37%, 0.44%

LAB 56.08, -0.78, 36.41

 

CMYK 0 / 12 / 51 / 31

HEX #B19C57

RGB 177 156 87

HSL 46, 0.37%, 0.52%

LAB 64.81, -1.44, 38.7

 

CMYK 0 / 9 / 39 / 25

HEX #BEAC73

RGB 190 172 115

HSL 45.6, 0.37%, 0.6%

LAB 70.66, -1.71, 31.68

 

CMYK 0 / 7 / 30 / 20

HEX #CBBD8F

RGB 203 189 143

HSL 46, 0.37%, 0.68%

LAB 76.72, -2.1, 25.09

 

CMYK 0 / 12 / 52 / 30

HEX #B29C56

RGB 178 156 86

HSL 45.65, 0.37%, 0.52%

LAB 64.89, -1.11, 39.33

 

CMYK 49 / 0 / 51 / 31

HEX #5BB157

RGB 91 177 87

HSL 117.33, 0.37%, 0.52%

LAB 65.24, -44.33, 37.94

 

CMYK 33 / 51 / 0 / 31

HEX #7757B1

RGB 119 87 177

HSL 261.33, 0.37%, 0.52%

LAB 44.11, 33.02, -43.42

 

CMYK 0 / 12 / 52 / 30

HEX #B29C56

RGB 178 156 86

HSL 45.65, 0.37%, 0.52%

LAB 64.89, -1.11, 39.33

 

CMYK 51 / 0 / 12 / 31

HEX #57B19B

RGB 87 177 155

HSL 165.33, 0.37%, 0.52%

LAB 66.4, -32.38, 3.03

 

CMYK 12 / 51 / 0 / 31

HEX #9B57B1

RGB 155 87 177

HSL 285.33, 0.37%, 0.52%

LAB 48.21, 43.01, -36.66

 

CMYK 0 / 12 / 52 / 30

HEX #B29C56

RGB 178 156 86

HSL 45.65, 0.37%, 0.52%

LAB 64.89, -1.11, 39.33

 

CMYK 49 / 0 / 51 / 31

HEX #5BB157

RGB 91 177 87

HSL 117.33, 0.37%, 0.52%

LAB 65.24, -44.33, 37.94

 

CMYK 51 / 38 / 0 / 31

HEX #576DB1

RGB 87 109 177

HSL 225.33, 0.37%, 0.52%

LAB 47.15, 11.33, -38.75

 

CMYK 2 / 51 / 0 / 31

HEX #AD57B1

RGB 173 87 177

HSL 297.33, 0.37%, 0.52%

LAB 50.54, 48.15, -32.84

 

CMYK 0 / 12 / 52 / 30

HEX #B29C56

RGB 178 156 86

HSL 45.65, 0.37%, 0.52%

LAB 64.89, -1.11, 39.33

 

CMYK 51 / 0 / 38 / 31

HEX #57B16D

RGB 87 177 109

HSL 134.67, 0.37%, 0.52%

LAB 65.42, -42.03, 26.76

 

CMYK 51 / 38 / 0 / 31

HEX #576DB1

RGB 87 109 177

HSL 225.33, 0.37%, 0.52%

LAB 47.15, 11.33, -38.75

 

CMYK 0 / 51 / 12 / 31

HEX #B1579B

RGB 177 87 155

HSL 314.67, 0.37%, 0.52%

LAB 50.13, 45.47, -20.51

 

Description

Color code: HEX #B29C56 | qconv.com Color code: HEX #B29C56 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 156 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 156 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 52 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 52% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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