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Color name
HEX #B2914D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2914D it is the complementary color #4D6EB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2914D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2914D shade: #B79148, #C8A35B, #D9B56E, #EAC781 and #FBD994

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2914D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2914D shade: #B2914D, #A17F3A, #906D27, #7F5B14 and #6E4901

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2914D shade: #B2914C, #B2754C, #B25A4C and #B24C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2914D shade: #B2914C, #B2AC4C, #9CB24C, #81B24C and #65B24C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2914D shade matches the following richer shades: #B2914C, #C79837, #DB9F23 and #F0A60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2914D shade: #B2914C, #9D8A61, #898275, #747B8A and #5F749F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2914D shade: #B25A4C, #B2754C, #B2904C, #B2AB4C and #9EB24C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2914D shade: #786233, #957940, #B2914C, #BEA269 and #CBB486

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2914D shade: #B2914D, #5AB24C and #674CB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2914D shade: #B2914D, #4CB290 and #904CB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2914D shade: #B2914D, #5AB24C, #4C6EB2 and #A44CB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2914D shade: #B2914D, #4CB25D, #4C6EB2 and #B24CA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 57 / 30

HEX #B2914D

RGB 178 145 77

HSL 40.4, 0.4%, 0.5%

LAB 61.87, 4.12, 40.3

 

Complementary color

CMYK 57 / 38 / 0 / 30

HEX #4D6EB2

RGB 77 110 178

HSL 220.4, 0.4%, 0.5%

LAB 46.9, 8.77, -39.77

 

CMYK 0 / 21 / 61 / 28

HEX #B79148

RGB 183 145 72

HSL 39.46, 0.44%, 0.5%

LAB 62.33, 5.91, 43.48

 

CMYK 0 / 19 / 55 / 22

HEX #C8A35B

RGB 200 163 91

HSL 39.63, 0.5%, 0.57%

LAB 68.92, 4.9, 42.15

 

CMYK 0 / 17 / 49 / 15

HEX #D9B56E

RGB 217 181 110

HSL 39.81, 0.58%, 0.64%

LAB 75.4, 4.06, 40.83

 

CMYK 0 / 15 / 45 / 8

HEX #EAC781

RGB 234 199 129

HSL 40, 0.71%, 0.71%

LAB 81.8, 3.33, 39.55

 

CMYK 0 / 14 / 41 / 2

HEX #FBD994

RGB 251 217 148

HSL 40.19, 0.93%, 0.78%

LAB 88.1, 2.7, 38.33

 

CMYK 0 / 19 / 57 / 30

HEX #B2914D

RGB 178 145 77

HSL 40.4, 0.4%, 0.5%

LAB 61.87, 4.12, 40.3

 

CMYK 0 / 21 / 64 / 37

HEX #A17F3A

RGB 161 127 58

HSL 40.19, 0.47%, 0.43%

LAB 55.14, 5.19, 41.62

 

CMYK 0 / 24 / 73 / 44

HEX #906D27

RGB 144 109 39

HSL 40, 0.57%, 0.36%

LAB 48.28, 6.51, 42.77

 

CMYK 0 / 28 / 84 / 50

HEX #7F5B14

RGB 127 91 20

HSL 39.81, 0.73%, 0.29%

LAB 41.29, 8.15, 43.31

 

CMYK 0 / 34 / 99 / 57

HEX #6E4901

RGB 110 73 1

HSL 39.63, 0.98%, 0.22%

LAB 34.15, 10.17, 42.92

 

CMYK 0 / 19 / 57 / 30

HEX #B2914C

RGB 178 145 76

HSL 40.59, 0.4%, 0.5%

LAB 61.86, 4.04, 40.8

 

CMYK 0 / 34 / 57 / 30

HEX #B2754C

RGB 178 117 76

HSL 24.12, 0.4%, 0.5%

LAB 54.77, 19.63, 32.24

 

CMYK 0 / 49 / 57 / 30

HEX #B25A4C

RGB 178 90 76

HSL 8.24, 0.4%, 0.5%

LAB 48.63, 34.42, 24.49

 

CMYK 0 / 57 / 57 / 30

HEX #B24C4C

RGB 178 76 76

HSL 0, 0.4%, 0.5%

LAB 45.85, 41.57, 20.85

 

CMYK 0 / 19 / 57 / 30

HEX #B2914C

RGB 178 145 76

HSL 40.59, 0.4%, 0.5%

LAB 61.86, 4.04, 40.8

 

CMYK 0 / 3 / 57 / 30

HEX #B2AC4C

RGB 178 172 76

HSL 56.47, 0.4%, 0.5%

LAB 69.11, -10.45, 49.15

 

CMYK 12 / 0 / 57 / 30

HEX #9CB24C

RGB 156 178 76

HSL 72.94, 0.4%, 0.5%

LAB 69.06, -22.71, 48.64

 

CMYK 28 / 0 / 57 / 30

HEX #81B24C

RGB 129 178 76

HSL 88.82, 0.4%, 0.5%

LAB 67.3, -33.32, 46.16

 

CMYK 43 / 0 / 57 / 30

HEX #65B24C

RGB 101 178 76

HSL 105.29, 0.4%, 0.5%

LAB 65.85, -43.08, 44.1

 

CMYK 0 / 19 / 57 / 30

HEX #B2914C

RGB 178 145 76

HSL 40.59, 0.4%, 0.5%

LAB 61.86, 4.04, 40.8

 

CMYK 0 / 24 / 72 / 22

HEX #C79837

RGB 199 152 55

HSL 40.42, 0.57%, 0.5%

LAB 65.65, 8.04, 55.38

 

CMYK 0 / 27 / 84 / 14

HEX #DB9F23

RGB 219 159 35

HSL 40.43, 0.72%, 0.5%

LAB 69.45, 12.25, 66.84

 

CMYK 0 / 31 / 94 / 6

HEX #F0A60E

RGB 240 166 14

HSL 40.35, 0.89%, 0.5%

LAB 73.43, 17.19, 75.46

 

CMYK 0 / 19 / 57 / 30

HEX #B2914C

RGB 178 145 76

HSL 40.59, 0.4%, 0.5%

LAB 61.86, 4.04, 40.8

 

CMYK 0 / 12 / 38 / 38

HEX #9D8A61

RGB 157 138 97

HSL 41, 0.24%, 0.5%

LAB 58.23, 1.03, 24.6

 

CMYK 0 / 5 / 15 / 46

HEX #898275

RGB 137 130 117

HSL 39, 0.08%, 0.5%

LAB 54.62, 0.28, 7.98

 

CMYK 16 / 11 / 0 / 46

HEX #747B8A

RGB 116 123 138

HSL 220.91, 0.09%, 0.5%

LAB 51.51, 0.7, -9.03

 

CMYK 40 / 27 / 0 / 38

HEX #5F749F

RGB 95 116 159

HSL 220.31, 0.25%, 0.5%

LAB 48.79, 3.66, -25.63

 

CMYK 0 / 49 / 57 / 30

HEX #B25A4C

RGB 178 90 76

HSL 8.24, 0.4%, 0.5%

LAB 48.63, 34.42, 24.49

 

CMYK 0 / 34 / 57 / 30

HEX #B2754C

RGB 178 117 76

HSL 24.12, 0.4%, 0.5%

LAB 54.77, 19.63, 32.24

 

CMYK 0 / 19 / 57 / 30

HEX #B2904C

RGB 178 144 76

HSL 40, 0.4%, 0.5%

LAB 61.6, 4.59, 40.49

 

CMYK 0 / 4 / 57 / 30

HEX #B2AB4C

RGB 178 171 76

HSL 55.88, 0.4%, 0.5%

LAB 68.83, -9.93, 48.85

 

CMYK 11 / 0 / 57 / 30

HEX #9EB24C

RGB 158 178 76

HSL 71.76, 0.4%, 0.5%

LAB 69.21, -21.89, 48.84

 

CMYK 0 / 18 / 58 / 53

HEX #786233

RGB 120 98 51

HSL 40.87, 0.4%, 0.34%

LAB 42.71, 2.61, 29.78

 

CMYK 0 / 19 / 57 / 42

HEX #957940

RGB 149 121 64

HSL 40.24, 0.4%, 0.42%

LAB 52.32, 3.67, 34.98

 

CMYK 0 / 19 / 57 / 30

HEX #B2914C

RGB 178 145 76

HSL 40.59, 0.4%, 0.5%

LAB 61.86, 4.04, 40.8

 

CMYK 0 / 15 / 45 / 25

HEX #BEA269

RGB 190 162 105

HSL 40.24, 0.4%, 0.58%

LAB 67.88, 2.56, 33.39

 

CMYK 0 / 11 / 34 / 20

HEX #CBB486

RGB 203 180 134

HSL 40, 0.4%, 0.66%

LAB 74.23, 1.51, 26.51

 

CMYK 0 / 19 / 57 / 30

HEX #B2914D

RGB 178 145 77

HSL 40.4, 0.4%, 0.5%

LAB 61.87, 4.12, 40.3

 

CMYK 49 / 0 / 57 / 30

HEX #5AB24C

RGB 90 178 76

HSL 111.76, 0.4%, 0.5%

LAB 65.39, -46.43, 43.45

 

CMYK 42 / 57 / 0 / 30

HEX #674CB2

RGB 103 76 178

HSL 255.88, 0.4%, 0.5%

LAB 40.03, 35.81, -50.64

 

CMYK 0 / 19 / 57 / 30

HEX #B2914D

RGB 178 145 77

HSL 40.4, 0.4%, 0.5%

LAB 61.87, 4.12, 40.3

 

CMYK 57 / 0 / 19 / 30

HEX #4CB290

RGB 76 178 144

HSL 160, 0.4%, 0.5%

LAB 66.05, -37.93, 8.56

 

CMYK 19 / 57 / 0 / 30

HEX #904CB2

RGB 144 76 178

HSL 280, 0.4%, 0.5%

LAB 44.68, 46.02, -42.93

 

CMYK 0 / 19 / 57 / 30

HEX #B2914D

RGB 178 145 77

HSL 40.4, 0.4%, 0.5%

LAB 61.87, 4.12, 40.3

 

CMYK 49 / 0 / 57 / 30

HEX #5AB24C

RGB 90 178 76

HSL 111.76, 0.4%, 0.5%

LAB 65.39, -46.43, 43.45

 

CMYK 57 / 38 / 0 / 30

HEX #4C6EB2

RGB 76 110 178

HSL 220, 0.4%, 0.5%

LAB 46.85, 8.55, -39.86

 

CMYK 8 / 57 / 0 / 30

HEX #A44CB2

RGB 164 76 178

HSL 291.76, 0.4%, 0.5%

LAB 47.33, 51.29, -38.55

 

CMYK 0 / 19 / 57 / 30

HEX #B2914D

RGB 178 145 77

HSL 40.4, 0.4%, 0.5%

LAB 61.87, 4.12, 40.3

 

CMYK 57 / 0 / 48 / 30

HEX #4CB25D

RGB 76 178 93

HSL 130, 0.4%, 0.5%

LAB 65.1, -47.87, 34.61

 

CMYK 57 / 38 / 0 / 30

HEX #4C6EB2

RGB 76 110 178

HSL 220, 0.4%, 0.5%

LAB 46.85, 8.55, -39.86

 

CMYK 0 / 57 / 10 / 30

HEX #B24CA1

RGB 178 76 161

HSL 310, 0.4%, 0.5%

LAB 48.52, 52.11, -26.54

 

Description

Color code: HEX #B2914D | qconv.com Color code: HEX #B2914D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 145 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 145 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 57 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 57% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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